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Lizzy Caplan and Adam Scott Talk Reuniting in Bachelorette, Spill Party Down Movie Details

Lizzy Caplan and Adam Scott haven’t hung up their pink bow ties just yet. Although cult hit Party Down has been off the air for two years, fans of the show split their time between making Party Downton ( Party Down + Downton Abbey ) memes and petitioning for a film. And while there have been mini-reunions on Children’s Hospital and web series Burning Love , none compare to Lizzy Caplan and Adam Scott’s team-up as feuding former couple, Gena and Clyde, in Bachelorette , in limited release now. Movieline chatted with the reunited pair, discovering that Caplan basically wrote Scott’s character into the film, and what the duo thinks Henry and Casey (their Party Down counterparts) are doing at this very second. Bachelorette originated as a Leslye Headland’s off-Broadway play, and you had worked with her before, Lizzy. Did you get Adam on board? LIZZY CAPLAN: [Adam and I] saw the play together because me and Jessica Elbaum, one of the producers of Bachelorette , hired Leslye to write a pilot for us. And so we were all in New York and we went to check it out. And then about a year later, we found out they were doing this movie. Adam’s character is not in the play, but I said he would be opposite me and it would really help me out if my buddy could join me and make me look good on camera. And he said yes! Did you actually craft the character of Clyde for him, or did you two collaborate? CAPLAN: No. It was in the feature version always, but I think everybody was allowed to bring their own flavor to it. It felt like you two were the heart of the movie. Do you think your history made it easier to convey Gena and Clyde’s chemistry and relationship in general? CAPLAN: I remember talking to Leslye about how… I mean, every year, the fan base for Party Down grows, so when we started shooting this movie, we were starting to get sort of this cult following. So for this segment of the population, seeing the two of us on screen, you just get that added history without us having to do anything. But a lot of people still haven’t seen Party Down , so, I don’t think it’s going to piss too many people off. I think people are most excited to see us on screen together because they still feel like they’re in this little tiny insular secret club that knows about Party Down . Megan Mullally spilled the beans about the status of the Party Down movie, claiming you aim to start filming early next spring. Do you have any updates? ADAM SCOTT: You know, we’re all just crossing our fingers that it will start… anytime? I don’t know about spring or summer, but that would be great! We’re all just kind of crossing our fingers and hoping that at some point we’ll make the movie. But there’s no news as of right now. Where do you imagine Henry and Casey are now? Would they be anything like your characters in Bachelorette ? CAPLAN: Well, hopefully they wouldn’t be anything like our characters in Bachelorette . They have a happy ending, kind of! CAPLAN: Yeah, I guess they do. But when I think about the next day after Bachelorette , I don’t know what happens to these two people. I don’t really see them making it work necessarily — they’re both too screwed up. And with the [ Party Down ] movie, I mean, the thing with our relationship in that show is that you could have us together, like in the first season, or you could have us apart for the first few bits of it like in the second season, and it sort of always works. So I don’t even really have a preference there. SCOTT: I don’t know! It’s up to John Enbom and Dan Etheridge and Rob Thomas, the guys that write the show. Whatever they come up with is usually sort of the best way to go. I actually think about it probably more than I should because they are fictional characters that do not exist, but I think of them a lot. What do you think they’re doing right now? SCOTT: Hmm… I wonder what they’re doing right now… CAPLAN: Napping. SCOTT: Napping. They’re always napping. CAPLAN: They’re napping. SCOTT: I think that if there’s ever a Party Down movie, everyone else will be catering, and Henry and Casey will be napping. CAPLAN: I think that works. I think maybe you could sprinkle three to four naps in one feature film! SCOTT: It could be great! Adam was on Burning Love , but Lizzy, you were one of the only former cast members who didn’t pop in… CAPLAN: I think they’re doing another season of that, and they know like I’m soooo down to do it. I don’t know what I was doing at the time — you’ll have to ask Ken ‘ASSHOLE’ Marino about that. Would you two like to keep doing films together even if this Party Down thing doesn’t happen for a couple of years? SCOTT: Ugh! [Scoffs] CAPLAN: [Laughs] think we are both fans of working together, and we try to give it a little time between projects so people aren’t sick of us. Or Adam. So people aren’t sick of Adam. SCOTT: Um, yeah. I… I don’t know. I thought I liked working with Lizzy, and then we did this movie and it was just like, ugh . [Feigns disgust] Shut up! Just SHUT UP! CAPLAN: Well, somebody’s got to talk. You would not believe how quiet this man can get and for how long he can do it for. SCOTT: Ugh! [Feigns disgust again] CAPLAN: You’d probably get to ask like two or three questions if Adam wasn’t on the other phone right now, because, Jesus! SCOTT: But that all being said, yeah. If Lizzy could be in everything that I do, I would be all the better for it. So, hopefully we can do lots of other stuff. CAPLAN: What a nice guy. Oh, he’s going to come across as so sweet in this interview. SCOTT: Incorrect. That is not the thing! But honestly, congrats to both of you — Bachelorette held steady as the #1 rental on iTunes up until its release. Do you think it will make more people go see it in theaters or do you think more will see it at home? CAPLAN: It will be interesting to see. I think everybody’s kind of waiting to see the answer to that question — if this dissuades people from going to the theater or not. But if you’re going to release something on Video On Demand, you want it to be number one! So we’re all pretty happy about it. SCOTT: I think it will help with theatrical. You know, it basically serves as a really, really great marketing tool … It kind of just appeared on iTunes and On Demand and did really, really well. So I think all it shows is that there’s a lot of interest for it, [and] I feel like it will do really well. CAPLAN: I’m seeing people tweeting and stuff about how they watch it more than one time. And it’s a much different experience to see a comedy in your house than it is to see it in an auditorium full of people. So I’m hoping people want to have that experience. SCOTT: An auditorium? Are people seeing movies in auditoriums? CAPLAN: I tend to watch my movies in church basement auditoriums. SCOTT: I like ’em in cafeterias. CAPLAN: Oh, you do? I didn’t know that about you! So much more cool. I think they’re broadcasting Bachelorette in public now — in Central Park. That’s where it will go next. I think it’s a great movie for kids to see outside!This movie is a great influence on kids, after all. CAPLAN: I totally agree. I’m gonna put a call in right after we finish up here about showing it to children in a park. Adam, you have kids, so you should show it to them really soon. CAPLAN: Take ’em to the park, Adam, and show them the movie! SCOTT: I think it would be great to show this movie to small children. It’s perfect for them. Bachelorette is in limited theaters. Alyse Whitney is an editor at Wetpaint Entertainment in New York City. Her work has been featured on TVLine, Movieline, and Bon Appétit, among others. You can find her on Twitter at @AlyseWhitney .

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Lizzy Caplan and Adam Scott Talk Reuniting in Bachelorette, Spill Party Down Movie Details

Alice In Umbrella-Land: Three Things The Resident Evil Movies Do Right (Besides Make Buttloads of Money)

As Paul Thomas Anderson painstakingly rolls out his latest labor of love, The Master — next stop, New York City, with a 70-mm screening at Manhattan’s Ziegfeld Theater on Tuesday night — another Paul Anderson with different middle initials — W.S. — is preparing to infect the worldwide box office like a zombie virus  on Friday with Resident Evil: Retribution . It’s the latest chapter in the movie franchise based on the blockbuster game franchise, which will also spawn a new installment, Resident Evil 6 on Oct. 6. Guess which film will fare better critically? The Resident Evil movies are the most mocked video-game movies because they’re also the most popular. Four movies earning almost half a billion dollars over budget usually wins most logical arguments when it comes to this subject. Unfortunately, heated Internet arguments have little to do with logic or reality — particularly if you take into account the graph I’ve prepared using data from Metacritic.com and Box Office Mojo.com .  You’ll find it after the jump, but the gist is that when it comes to box-office revenues, Metacritic reviews are about as essential as unicorn insurance. Wait a minute….So Internet whiners aren’t the entire world? The exponential growth in Resident Evil profits is a clear sign that Constantin Films, the producer behind the franchise, is doing something right. As an unabashed fan of movies,  I count three: For many kids this was worse than Bambi’s mother dying. 1. Streamline the Core Plot:  Some games are so impossible to convert that the process drives screenwriters completely insane, as proven by Mario Bros. Resident Evil is not one of those games. The plot is good guys versus evil zombie corporation, and the movies aced it. The most common complaint is that the movies don’t follow the plots of the games, but all the producers did was cut the repetitive rubbish which stretched what amounts to a 90-minute story into more than 12 hours of gameplay. In the Resident Evil games, the sinister Umbrella Corporation’s two most loathsome products were voracious zombies and utterly unbreakable doors. The movies wisely dropped the the latter. 2. Jettison Irrelevant Sub-Plots:   The Resident Evil games have more dubious sub-plots than a soap opera — sub-plots, by the way, that require the brain activity of  bracket fungus to grasp. These plot tangents tended to be designed to justify and set up a sequel rather than advance the story at hand. You had characters chasing after their brothers, hunting down rogue mercenaries, searching for missing presidential family members, and in one memorably stupid case, learning that the city was going to descend into zombie hell but patiently waiting until that happened before making an escape. Anderson smartly left most of that crap out of the Resident Evil movies and this ties back in to my first point: The essential conflict of the movies is simple and amounts to: sexy badass Milla Jovovich shoots monsters , which takes the occasionally stupid complexity of the video games and refines it into a concept that is almost as beautiful as the theory of relativity Dressed for a night of clubbing. When the basic gameplay and the basic conflict doesn’t change, you contrive reasons to keep doing the same things over and over. The first Resident Evil game was a mansion full of hallways and a lab;  the second, a city with suspiciously narrow hallway-like streets and a lab;  a later sequel featured another mansion full of hallways and a lab in Antarctica — which also contained the first mansion! (I am not making that up). One more thing: every lab consists largely of hallways. Another effect is the pointless multiplication of viruses and corporations. At last count, there were nine different viruses and parasites creating the monsters, and since the first t-virus could clearly do anything it wanted in the first game, all this did was give the fan-wiki editors more to edit . Likewise, the Umbrella Corporation has been replaced by WilPharma and then Tricell, which did nothing but allow a graphic designer to bill additional hours by slapping the logos of these new nefarious companies on the exact same Generic Monster Laboratory equipment that Umbrella was using. If you saw a movie sequel in which the names were changed but the plot was identical, well, that would describe just about any horror franchise out there. I’m glad Anderson & Co. didn’t do that. 3. Escalate:  The Resident Evil movies went the action movie route, which meant that the stakes had to be escalated with each subsequent sequel. Ditching the game plot allowed for this genuine progression. The first movie was about a secret lab infected with a virus. In the second, it was an entire city. In the the third, the plague had spread around the world.  The ante was upped in each case, which was far better than the game’s plot of,  “Where’s Wally’s next secret viral base which will blow up at the end of the game?” Behold the exotic hallways of Antarctica The movies’ disconnection from the source material is justified. Players have already seen the game plot, and non-players couldn’t care less about it. If the movies slavishly copied the games, they would amount to glorified extended cut scenes — and many gamers skip those when they’re playing. Complaining that Resident Evil movies don’t follow the original story is like saying Guy Ritchie’s Sherlock Holmes movies don’t follow their source material. Translating Sir Arthur Conan Doyle’s 19th-Century fiction into movies that won’t bore the hell out of ADD-suffering 21st-Century audiences makes a note-for-note translation impossible.  Ritchie recognized this and  the results were fun. If the master works of Conan Doyle can be interpreted in this fashion, then it certainly shouldn’t be a problem when you’re dealing with mowing down and blowing up loads of zombies. Keep up the good work, Mr. Anderson. Luke McKinney loves the real world, but only because it has movies and video games in it. He responds to every tweet. Follow Luke McKinney on Twitter. Follow Movieline on Twitter. 

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Alice In Umbrella-Land: Three Things The Resident Evil Movies Do Right (Besides Make Buttloads of Money)

Toronto Film Festival Pick Ups; Beasts Of The Southern Wild Wins Deauville Prize: Biz Break

In Monday’s round-up of news briefs, a quick look at weekend pick ups at the Toronto International Film Festival including The Place Beyond the Pines , Aftershock , Great Expectations and more that will head to a theater (hopefully) near you. Also Beasts Of The Southern Wild takes a top prize at the Deauville Film Festival in France. Focus Features Takes Toronto’s The Place Beyond the Pines The new drama starring Ryan Gosling, Bradley Cooper and Eva Mendes will be released in the U.S. via Focus Features. Directed by Derek Cianfrance ( Blue Valentine ). A World Premiere at the Toronto International Film Festival, the film explores the consequences of motorcycle rider Luke (Mr. Gosling)’s fateful decision to commit a crime to support his child. The incident renders him targeted by policeman Avery (Mr. Cooper), and the two men become locked on a tense collision course which will have a devastating impact on both of their families in the years following. Toronto’s Great Expectations Heads to U.S. Theaters The Toronto Gala starring Ralph Fiennes, Helena Bonham Carter, Jeremy Irvine, and Holliday Grainger, will head to theaters in North America via Outsource Media Group. Directed by Mike Newell, Great Expectations is a retelling of the classic and beloved Charles Dickens story of the young orphan Pip, who is given a chance to rise from his humble beginnings thanks to a mysterious benefactor. Moving through London’s class-ridden world as a gentleman, Pip uses his newfound position to pursue the beautiful Estella, a spoilt heiress he’s loved since childhood. Michel Gondry’s The We and the I Heads to N. American Theaters French director Michel Gondry’s Cannes Directors Fortnight opener The We and the I , which is having its N. American premiere at the Toronto International Film Festival, will open in theaters in the U.S. and Canada in early March. Distribution partners 108 Media and Paladin acquired the rights to the film that follows a group of Bronx high schoolers who board a city bus on their way home. With summer break ahead of them, and feeling more liberated than usual, this broad array of kids–the cool ones, the outsiders, and everyone in between–act out as only teenagers can and, in the course of one afternoon, their friendships, rivalries, ambitions, and anxieties are revealed. Strand Nabs In the Fog U.S. rights to Sergei Loznitsa’s In the Fog are headed to Strand Releasing. The film follows three men three men who find themselves deep in a forest during World War II and face a moral conflict. It received a FIPRESCI prize in Cannes. The film is currently playing Toronto. Leviathan Heads to Cinema Guild The doc by Lucien Castaing-Taylor will open theatrically in early 2013. The film takes a look at the commercial fishing business in the North Atlantic. It is having its North Americna premiere in Toronto and will have its U.S. debut at the upcoming New York Film Festival. Around the ‘net… Beasts of the Southern Wild, Una Noche Win Top Deauville Prizes Benh Zeitlin’s debut film won the Grand Prize at France’s Deauville Film Festival as well as the Cartier Revelation Award, while Lucy Mulloy’s “day in the life Cuban drama” took the Jury Prize. The International Critics Prize went to Michel Gondry’s The We and the I , THR reports . Dimension Scores Eli Roth’s Aftershock and Clown Dimension picked up rights to Aftershock , which is screening at the Toronto International Film Festival. The film is an earthquake thriller scripted by Roth, Nicolas Lopez & Guillermo Amoedo. The label headed by Bob Weinstein also picked up rights to Eli Roth’s Clown , which is based on a fan-made trailer that grabbed Roth’s attention after it went viral, Deadline reports .

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Toronto Film Festival Pick Ups; Beasts Of The Southern Wild Wins Deauville Prize: Biz Break

WATCH: ‘Lincoln’ Teaser Offers First Glimpse Of Spielberg Biopic

Ahead of Thursday’s trailer premiere, Steven Spielberg and Co. have released a first-look teaser for Lincoln , starring Daniel Day-Lewis as the 16th President of the United States. Get a taste of what Spielberg has in store with this somber (but stirring!) bit of footage from the film. Gettysburg Address, y’all! I like the conceit of Lincoln hearing his own inspirational words recited back to him, feeling his impact on his fellow man even in the sparest of moments in what looks to be a quiet Union encampment. Synopsis: Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come. Lincoln hits theaters on November 9 and stars Joseph Gordon-Levitt, Sally Field, Tommy Lee Jones, David Strathairn, Lee Pace, Jackie Earle Haley, John Hawkes, and more. [ DreamWorks ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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WATCH: ‘Lincoln’ Teaser Offers First Glimpse Of Spielberg Biopic

Kristen Stewart Talks ‘Hard Love’ In Toronto For On The Road

Kristen Stewart fans may have been disappointed that the Twilight superstar did not make an appearance at last week’s MTV Video Music Awards, but crowds here in Toronto had the chance to see the actress on the red carpet for the North American premiere of Walter Salles ‘ On The Road along with fellow cast members Garrett Hedlund , Kirsten Dunst , Amy Adams and Sam Riley . Stewart spoke with ML about the part she had actually landed before she filmed her first Twilight installment. Stewart shared her thoughts on the steamy relationship between her character Marylou and Hedlund’s Dean Moriarty — a life-long relationship that was rife with affairs, drugs and a wild ride on the road. [ PHOTOS: Kristen Stewart, Garrett Hedlund, and Kirsten Dunst at the Toronto premiere of On The Road ] “They really are ‘simpatico.’ It was a tumultuous relationship. And it’s hard to love like that, but they were so in love with each other and you don’t know this from reading the book, but they stayed lovers until the end of his life,” Stewart said during a conversation with ML at a Toronto hotel over the weekend. Stewart first read On The Road as a high school freshman. A short time afterward, she was approached by director Walter Salles who had been told to consider Stewart for the part of Marylou after fellow filmmakers saw her in Sean Penn’s Into The Wild and suggested that he consider the young actress. The project took a number of years before the actual shoot commenced and in the meantime, Stewart began doing the enormously popular Twilight series, propelling her fame into the stratosphere. “I got the [ On The Road ] job on the spot and I drove away vibrating,” Stewart said. In the film version of the book written by Jack Kerouac, Stewart plays the unconventional free-spirit Marylou, the former wife and still frequent lover of Dean Moriarty, a fast-talking charismatic with an insatiable libido. Dean and best friend Sal (Sam Riley), a young writer whose life is shaken after Dean’s arrival take to the road. Marylou frequently accompanies Sal and Dean’s travels across the country in adventures fueled by sex, drugs and the pursuit of the “It” – a quest for understanding and personal fulfillment. “He kind of raised her and she always had a place in his heart, even though there were a lot of spots in that heart, but she was definitely one in the center and the same goes the other way around,” Stewart said of Marylou and Dean, the On The Road names of the real-life individuals described by Kerouac. “They both helped each other grow up.” One of the seminal works of literature of post-war America, On The Road took decades to be made into a film, even after Francis Ford Coppola acquired the filmmaking rights to the story. Stewart said she believes that society may have not been ready to see On The Road in theaters in the immediate years after the book was published, acknowledging that the film, which has not yet been rated, is racy. “I think it’s a good time to see this story visually because we are not shocked by some of the things that we were so shocked by before and it would have veiled it,” said Stewart. “It would have been so shocking seeing people doing drugs and having sex that you wouldn’t have seen the spirit of [ On the Road ]. You wouldn’t have seen the message behind it. Maybe it would have been good because it would have forced people to look, but maybe they weren’t able to do it then.” She also expressed the need for young people to have dreams and a zest for life, similarly to the characters in the film, even if those dreams are not fully comprehended. “At that stage of your life there’s so much ahead of you, at least it feels that way. At that age you need to have a faith and feelings you can’t articulate yet because at some point you need to hold onto them and you’ll find the words to describe them.” [ Movieline will have more from our interviews with Kristen Stewart, Garrett Hedlund, and Walter Salles this week. ] Read more from the Toronto Film Festival. Follow Brian Brooks on Twitter . Follow Movieline on Twitter .

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Kristen Stewart Talks ‘Hard Love’ In Toronto For On The Road

Venice Rule Strips The Master Of Golden Lion, Top Honor Goes To Kim Ki-Duk’s Pieta (Full Winners List)

Paul Thomas Anderson ‘s The Master was set to receive the Golden Lion at the Venice Film Festival, according to The Hollywood Reporter ‘s inside source, until a decision to allow only two major awards per film forced jury members to re-assign the top honor to another contender. When the awards were doled out earlier today by Venice jury president Michael Mann, the best picture prize went to Kim Ki-Duk’s ultraviolent mother-son flick Pieta while Best Director went to Anderson. (Full list of winners follows.) Per THR : “Apparently during the jury’s first deliberations, members decided to give The Master — a drama loosely based on the origins of Scientology — the top prize, as well as the Silver Lion directing award to Anderson and the acting award jointly to co-stars Joaquin Phoenix and Philip Seymour Hoffman.” UPDATED: Asked to redeliberate, the jury instead gave the Golden Lion to Pieta , leaving The Master with a joint Best Actor prize shared by stars Joaquin Phoenix and Philip Seymour Hoffman, along with the Silver Lion (Best Director) for Anderson. The Master had been hotly tipped for The Golden Lion, backed by a groundswell of critical praise ahead of its September 21 theatrical release. Full list of Venice Film Festival winners announced today, via Indiewire / Venice Film Festival : Golden Lion (Best Picture) Pieta , Kim-Ki Duk Silver Lion (Best Director) Paul Thomas Anderson – “The Master” Volpi Cup – Best Actor Joaquin Phoenix & Philip Seymour Hoffman – “The Master” Volpi Cup – Best Actress Hadas Yaron – “Fill The Void” Special Jury Award Ulrich Seidl – Paradise: Faith Mastroianni Award – Best Young Actor Fabrizio Falcone – “Dormant Beauty,” “It Was The Son” Best Screenplay Olivier Assayas – “Something In The Air” Technical Achievement Daniele Cipri – “Il Stato E Figlio,” Luigi De Laurentiis Award (Best First Feature) “Kuf: Mold,” Ali Aydin Orrizonti: Best Feature “Three Sisters,” Wang Bing Orrizonti: Jury Prize “Tango Libre,” Frederic Fonteyne FIPRESCI Award (Competition) “The Master,” Paul Thomas Anderson FIPRESCI Award (Orizzonti/Critics’ Week) “The Interval,” Leonardo Di Constanzo SIGNIS Award “To the Wonder,” Terrence Malick SIGNIS Award (Special Mention) “Fill the Void,” Rama Burshtein Audience Award (Critics’ Week) “Eat Sleep Die,” Gabriela Pilcher Label Europa Cinemas Award “Crawl,” Herve Lasgouttes Leoncino d’Oro Agiscuola Award “Pieta,” Kim Ki-duk Leoncino d’Oro Agiscuola Award (Cinema for UNICEF mention) “It Was the Son,” Daniele Cipri Pasinetti Award “The Interval,” Leonardo Di Constanzo Pasinetti Award (Documentary) “The Human Cargo,” Daniele Vicari Pasinetti Award (Best Actor) Valerio Mastandrea, “Gli Equilibristi” Pasinetti Award (Special) “Clarisse,” Liliana Cavani Brian Award “Dormant Beauty,” Marco Bellocchio Queer Lion Award “The Weight,” Jeon Kyu-Hwan Arca CinemaGiovani Award (Best Film of Venezia 69) “The Fifth Season,” Peter Brosens and Jessica Woodworth Arca CinemaGiovani Award (Best Italian Film) “The Ideal City,” Luigi Lo Casco Biografilm Lancia Award “The Human Cargo,” Daniele Vicari; “Bad 25,” Spike Lee CICT-UNESCO Enrico Fulchignoni Award “The Interval,” Leonardo Di Costanzo CICAE Award “Wadjda,” Haifaa Al Mansour CinemaAvvenire Award (Best Film of Venezia 69) “Paradise: Faith,” Ulrich Seidl CinemAvvenire Award (Diversity) “Wadjda,” Haifaa Al Mansour FEDIC Award “The Interval,” Leonardo Di Costanzo FEDIC Award (Special Mention) “Bellas Mariposas,” Salvatore Mereu Mimmo Rotella Foundation Award “Something in the Air,” Olivier Assayas Future Film Festival Digital Award “Bad 25,” Spike Lee Future Film Festival Digital Award (Special Mention) “Spring Breakers,” Harmony Korine P. Nazareno Taddei Award “Pieta,” Kim Ki-duk P. Nazareno Taddei Award (Special Mention) “Thy Womb,” Brillante Mendoza Magic Lantern Award “The Interval,” Leonardo Di Costanzo Open Award “The Company You Keep,” Robert Redford La Navicella-Venezia Cinema Award “Thy Womb,” Brillante Mendoza Lina Mangiacapre Award “Queen of Montreuil,” Solveig Anspach AIF-FORFILMFEST Award “The Interval,” Leonardo Di Costanzo Mouse d’Oro Award “Pieta,” Kim Ki-duk Mouse d’Argento Award “Anton’s Right Here,” Lyubov Arkus UK-Italy Creative Industries Award “The Interval,” Leonardo Di Costanzo Gillo Pontecorvo-Arcobaleno Latino Award Laura Delli Colli Christopher D. Smithers Foundation Award “Low Tide,” Roberto Minervini Interfilm Award “Wadjda,” Haifaa Al Mansour Giovani Giurati del Vittorio Veneto Film Festival Award “The Company You Keep,” Robert Redford Giovani Giurati del Vittorio Veneto Film Festival Award (Special Mention) Toni Servillo Primio Cinematografico Award “Terramatta,” Costanza Quatriglio Green Drop Award “The Fifth Season,” Peter Brosens and Jessica Woodworth

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Venice Rule Strips The Master Of Golden Lion, Top Honor Goes To Kim Ki-Duk’s Pieta (Full Winners List)

Clint Eastwood Explains RNC Chair Speech, Or: The Case Against Winging It On Live TV

Days after his empty chair speech made Clint Eastwood a polarizing symbol of the Republican National Convention, hometown paper The Carmel Pine Cone scored an exclusive follow-up with the 82 year-old former Mayor. His explanation? He made it up on the fly moments before taking the stage. You don’t say! “They vet most of the people, but I told them, ‘You can’t do that with me, because I don’t know what I’m going to say’… There was a stool there, and some fella kept asking me if I wanted to sit down. When I saw the stool sitting there, it gave me the idea. I’ll just put the stool out there and I’ll talk to Mr. Obama and ask him why he didn’t keep all of the promises he made to everybody.” [ Carmel Pine Cone via USA Today ]

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Clint Eastwood Explains RNC Chair Speech, Or: The Case Against Winging It On Live TV

Selena Gomez, Vanessa Hudgens & James Franco Get Raw(ish) In Spring Breakers: ‘We Freed Ourselves’

Prancing around in a fluorescent bikini while going on a partying and crime-fueled rampage through the so-called “red neck riviera” — that could be the one sentence log-line for Toronto’s Spring Breakers , which arrived in North America after its first premiere last week in Venice . Fascination with former Disney star Selena Gomez ‘s romp through the new film in a not-quite-so-squeaky-clean role continued on this side of the pond but Gomez, director Harmony Korine and fellow stars James Franco , Vanessa Hudgens , Ashley Benson and Rachel Korine provided a few racy laughs of their own in Canada’s biggest city Friday. Harmony Korine even joked that a few rugged gentlemen on spring break were taken by Gomez’s presence while they shot the feature. “All these thick-necked jock dudes were rubbing up against Selena,” he said. The cast said they had themselves never been on a spring break, but Harmony Korine surrounded the cast with people doing just that while they were in St. Petersburg, FL in what Rachel Korine described as a “youth rite of passage.” But before heading to the shoot and to those soon-to-be-famous bikinis, the women in the film did a bit of a pre-party get-together to set the mood for the film and at the request of Harmony Korine. Vanessa Hudgens hinted that the group likely took on some of the trappings of spring break before heading off for their celluloid version in front of the camera. “In the beginning, we hung out before shooting. We were girls being completely raw and we freed ourselves and did what we wanted. We were able to be completely free and push each other.” James Franco first came on board on the film, speaking with Korine about the concept well before actual shooting began. He crafted his character, who is a local thug that bails the girls out of jail after they hold up a dining joint in order to fund their spring break, by using props and music sent over by Korine. “Harmony is a master at finding locations and people and having them add texture [to his films],” he said. “He sent me music and images which helped me create my character. Looks and surfaces are very important in this film.” “But I think we made him our bitch!” Hudgens shot back with a laugh. As in Venice, Gomez was peppered with questions about her Disney entree to stardom and how a film like Spring Breakers will factor into her fan base, but the 20 year-old actress said that she decided to go for it, while acknowledging the role may be off-putting for some of her young admirers. “When my series ended, I was invited to do a couple of films. I thought the independent film route would be best for me, and I decided that if I’m going to do it, I’d like to do it with Harmony.” Continuing she said, “The biggest challenge is that I have a younger generation of fans who follow my music, shows and clothing line. Everything I do is for them and this may not be so accessible to them. But the other side is that people put you in a box and it is a challenge for me because some may not take me seriously because of the brand I have — that I’m fortunate to have — but it’s also about doing things that I just want to do for me.” Gomez was the first of the women cast in the film which Harmony Korine said he imagined long before writing the screenplay. He auditioned Gomez in his living room in Nashville, TN but worried that he might scare her off before they had a chance to work together. “Selena auditioned in my living room. When she came down to Nashville, I flipped over all of this crazy art I have in my house because I didn’t want to spook her,” he said. “I think he thought I was super, super Christian so he was hiding everything,” laughed Gomez. Read more from the Toronto Film Fest. Follow Brian Brooks on Twitter . Follow Movieline on Twitter .

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Selena Gomez, Vanessa Hudgens & James Franco Get Raw(ish) In Spring Breakers: ‘We Freed Ourselves’

From Bridesmaids To Bachelorette: Why Rebel Wilson Is The Most Interesting Woman In Hollywood

I slid into a booth at the Four Seasons recently to chat with Rebel Wilson , the comedienne and rising scene-stealer of this week’s Bachelorette and the upcoming toe-tapper Pitch Perfect , smitten with her work in Bridesmaids , in which she turned a brief turn as Kristen Wiig’s terrible British roommate into one of the more indelible comic Hollywood debuts in recent memory. Over the course of our conversation about everything — her dog show past, her law degree, gangsta rap , reality TV, her Bring It On obsession, WWII-era international relations, and why she considered The Grove her “happy place” when she moved from her native Australia to L.A. two years ago — I realized that Rebel Wilson is, indeed, the most interesting woman in Hollywood. She’s so naturally funny she gets laughs even when playing the straight woman, as she does in Leslye Headland ‘s R-rated Bachelorette (in limited release today) opposite the bad-girl trifecta of Kirsten Dunst, Lizzy Caplan, and Isla Fisher. In a wicked reversal of fortune it’s Wilson’s former freak/chubby bride-to-be Becky who’s eclipsed her cooler and prettier friends in life — and, even as they inadvertently threaten to ruin her wedding, Becky’s naive loyalty underscores the point: Mean girls finish last. Wilson’s knack for memorable characters, honed by years in Australian TV and a stranger-than-fiction upbringing (“I try to do it take the tragic things in my life and make them into comedy”) led her to October’s college a capella comedy Pitch Perfect , in which she plays as a confident Aussie student who calls herself “Fat Amy.” “In the script the character is called ‘Fat Amy,’ so it’s really hard to send it to actresses,” joked producer Elizabeth Banks. “Rebel recognized what an iconic character Fat Amy would be.” Next she appears in Chris Colfer’s coming-of-age debut Struck By Lightning and Michael Bay’s Pain & Gain . Wilson’s also set to write, produce, and star in her own ABC sitcom, Super Fun Night , working with Conan O’Brien. “It’s about three girls who live in New York,” she explained. “They’re just very nerdy and they really don’t have a social life … they used to have a thing called Friday Night Fun Night where they stayed indoors and watched DVDs and ate pizza. Super Fun Night is their new concept as they try to become more cool and popular. It’s kind of based on me.” It really feels like you’re in the midst of a big moment in your career, with Bachelorette and Pitch Perfect coming out… Ahh! It has been pretty good. When I came to America I thought, wouldn’t it be awesome to get into one movie? And then I get cast in Bridesmaids as my first job here and it’s such a huge movie. Even though sometimes to me it doesn’t feel fast, because I have been here two years now, I’ve done eight movies in that time so there are days and weeks where to me it doesn’t feel fast at all. But all my agents, who represent super famous people, are like, ‘Rebel, this is, like, really fast!’ [Laughs] And it has turned out like the dream — I couldn’t have even dreamt that things would go this well. I don’t know how often you look at your own Wikipedia page or Google yourself, but your bio is the stuff of legend. Is it? I guess my life is interesting. Tell me this is all true: Your parents were dog showers? Yes. Like Best in Show ? Exactly like Best In Show . Beagles. And it was so embarrassing, but what I try to do is take the tragic things in my life and make them into comedy. I used to hate the dog show — it was so boring and it was so dorky, but now I look back on it fondly. Every weekend we’d go to the dog shows and show the dogs, but now I’m like, I guess it was an interesting environment to grow up in… it was a weird, competitive environment of this group of people who loved dogs and they’d wear weird outfits and go to weird places out in the country to do these dog shows. [Laughs] But it was an interesting upbringing. More interesting than most. It wasn’t like I was a child actor who got pimped out by their mother to do commercials. You also have the coolest name ever. Did you always love it? Oh, thank you — but not always. I went to a Christian high school so I went under my middle name. I don’t think they would have accepted me in the school — ‘This is Rebel ’… so I have two middle names, Melanie Elizabeth, and I went under those. But Rebel’s way cooler. Another true fact: Your siblings were on The Amazing Race ? Yes! The first ever Australian series, which is exactly the same as the American one. And they came in last! My sister was on the show five days and vomited five times on camera. It was pretty funny because my family, we love reality shows like The Amazing Race and Survivor , and so when they had the opportunity to go on we were like, ‘Yay, you’re probably going to win!’ And we thought up all of this strategy, but they came in last. They said doing it is so different from watching it on TV. It’s so hard. They get no sleep, no food, it was a really hard experience. [Laughs] So your real life is almost stranger than fiction. Did you always want to end up here in Hollywood? As a kid I never thought I’d be an actress. Never, ever, ever, no way. I was really shy — bordering on social disorder shy — and I was really academic. Really good at math, I had weird abilities, so everyone thought I’d be a lawyer because I did really good at school. Did you want to be a lawyer? Well, I actually have a law degree. I’ve done that at the same time as acting, which was really hard — I should have quit, but then it took a lot of work to get into that law school after high school so I was like, I may as well do it on the side. So I’d often be filming or doing plays and sometimes I’d have to miss my law exams because I was in a show in Australia, but they said ok, you can come back next week and do the exam, which was cool. I’m like, ‘Um, I’m filming this movie with Nicolas Cage — I kind of can’t come to the exam…’ But I literally had to attend 80% of the classes to get my law degree, so it was really hard. Often I’d fly into law school because I’d be in another state, and have to fly in for a day of law school. It was difficult. Has that law degree come in handy in your show biz career? When I first started, I did negotiate a lot of my own contracts. People look at me and they see my funny, stupid characters and they have no idea. Sometimes when I say yeah, I could practice as a lawyer if I wanted to, people are like, “What? Who’d want you as a lawyer?” I would totally hire you as my lawyer . I’d be good. I’d crack good jokes, I’d be all friendly with the judge. I think it could work. How did Bachelorette come to you? Another girl, Casey Wilson, was actually cast as the bride but she was on a TV show so she couldn’t come to New York and film it. They had all this amazing cast in place already, Kirsten [Dunst] and Lizzy [Caplan] and Isla [Fisher] and James Marsden, and they were looking for a girl to play the bride. Obviously I think they wanted a girl who was bigger, for the “Pig Face” stuff to work, and I read the script and it wasn’t an easy fit, because normally I play the wacky character and not the straight girl. This could kind of be a challenge because Becky has to be the more grounded straight character. It’s a fun reversal, to see you playing it straight and Kirsten, Lizzy, and Isla running with the jokes. Yeah! And yet sometimes I think because of my delivery I get a few laughs in the film, but I’m not playing for laughs. It’s not like I’m in a studio comedy where I’m putting all my improvised jokes in. This was based on a play, and it gets very serious in parts. These are real quality actors in this! So I just try to play it quite genuinely. Theirs is a much different tone to your character; Becky is clearly aware a lot of the time that these girlfriends of hers are real bitches and kind of terrible. They are mean to her, sometimes! But she’s the fourth wheel in a group of four girls, so she does think they’re cooler than her and wants to hang out with them. But at the point of the movie where the movie starts, she’s got this amazing fiancé and she’s going to have a really good life, and those girls who were probably way cooler than her in high school, the tables have turned — little Becky is now on top of the heap! The mean girls get a comeuppance. Yeah — I always think in real life, eventually they do. If you are really mean and super bitchy eventually that’s going to come back to haunt you. It’s tempting to juxtapose your work in Bachelorette with your performance in Bridesmaids . Two wedding movies! I was actually in another wedding movie, called A Few Best Men , that comes out in the U.K. this month. With Xavier Samuel, of Twilight fame. Yeah, of Twilight fame! He’s very cute, and a really nice guy. And Olivia Newton-John played my mother! In that one I played the sister of the bride. But in Bridesmaids I had nothing to do with the wedding. I was really curious — I think I only had four scenes in Bridesmaids and I was wondering if that would be enough to make an impact. I remember Jonah Hill was in one scene in 40-Year-Old Virgin , and that was enough for people to go, “Oh my god, who is that guy, he’s super hilarious!” But people adored [ Bridesmaids ] because it was so great and I booked five movies straight off the back of that as soon as it came out. That was the first time I ever saw you and I remember watching your scenes thinking, is this girl for real? So clearly it was an effective turn. [Laughs] That’s what happened in Australia! My very first character I was famous for was this Greek drug-dealing gangster girl, and people thought I was that girl. People were scared that there was a girl like that out on the streets! I try to play things convincingly, so I tried to be the British girl that was really annoying and a bit psycho, and try to annoy Kristen Wiig. What was your experience working in Bachelorette with folks like Kirsten, who’s not necessarily known for comedy? I mean, Bring It On was hilarious. Oh my god, I stand corrected. Bring It On was hilarious. Have you seen the musical? I was going to go with Kiki [Kirsten Dunst] to see Bring It On: The Musical , but she was busy. I bought tickets and everything, but my sister went instead. I didn’t get to go because I said if Kiki’s not going, I’m not going. I think that is the way to see Bring It On: The Musical — sitting next to Kirsten Dunst. Yes! I called up and bought the tickets and said to the guy, “It’s actually for me and for an actress, Kirsten Dunst… who was in the original Bring It On . We are coming to see the musical.” And he’s like, “She’s not in the musical. She was in the movie.” I’m like, yeah, I know. I was trying to say this is a big deal, you’ve got the original Torrance coming into this show, but it backfired. [Laughs] Was it tempting as a Bring It On fan to quote that movie constantly to Kirsten on set? I harassed her every day. I was like, “Remember when you did this bit, and that bit…” and I asked her all the questions. I’m fascinated by that movie, I just thought it was so good. I don’t watch many movies twice because I have a really good memory so to watch movies again is really boring to me, but Bring It On I’ve seen five or six times and I just love it. One time I was walking in Los Feliz and I saw the girl who plays Missy, Eliza [Dushku], and I didn’t know what to say! I was like, oh my god, what do I do? I should have gone up to her and said, “Remember that bit where you were auditioning for the Toros and they didn’t think you were good and you did the backflips?” [Laughs] I’m the biggest dork.

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From Bridesmaids To Bachelorette: Why Rebel Wilson Is The Most Interesting Woman In Hollywood

Today In Inspired Casting: Al Pacino As Joe Paterno?

Deadline reports that Al Pacino has been tapped to play famed Penn State fixture Joe Paterno, the legendary football coach who enjoyed the winningest reign in history before the Jerry Sandusky sexual abuse scandal marred his legacy. A little side-by-side photo comparison shows that Pacino bears a resemblance to the late coach, if you squint a bit; after a spotty run in film and TV of late (veering from the TV movie You Don’t Know Jack , which earned him an Emmy and Golden Globe, to the Adam Sandler comedy Jack & Jill — let’s not even talk about Dunkaccino ), JoePa’s rise and fall might offer some meaty material for the Oscar-winner. Though the project is still in development — ICM is shopping it around, according to Deadline — Pacino is attached, and a script will be adapted from Joe Posnanski’s New York Times bestselling biography Paterno . [ Deadline ]

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Today In Inspired Casting: Al Pacino As Joe Paterno?