I haven’t seen The Paperboy, but I hear it has some steamy Nicole Kidman scenes in it, including but not limited to peeing or being peed on and that sounds like a lot of fun because I have a thing for Nicole Kidman….but only because I’ve never banged a ginger…but am dying to….even when they have hands like this that look like they’ve already died…cuz I guess BOTOX doesn’t work on anything but face… I came across these crotch shots and figured I’d put them up….even if I have nothing to say about them…cuz I’m too busy watching the pantyhose being ripped the fuck off…HOT….like a rushed masturbation or fuck… FOLLOW THIS LINK
There are plenty of actresses willing to go topless on film, but seldom is the celeb who will take off her bottoms. Harder yet is finding an A-List star willing to display this rarely viewed treat. Thankfully Jennifer Connelly , Kate Winslet , and Julianne Moore are making it easy to grab your Holly-woody, because they’re all Top 10 A-Listers Who’ve Bared Bush!
Nicole Kidman is a gorgeous Australian actress that never seems to age and here she is showing off her sexy body completely nude in this video clip from the movie Eyes Wide Shut Continue reading →
Academy ballots were mailed out last week to 5,586 voting members, the most significant news on the Oscar front. Not that it was a quiet week in Lake Globesbegone. The New York Times ’ critics A.O. Scott and Manohla Dargis both named Amour 2012’s best film, as did the Los Angeles Times ’ Kenneth Turan. The AP triumvirate of Christy Lemire, David Germain and Jake Coyle anointed Argo , Moonrise Kingdom and Amour , respectively. The flyover states also weighed in: The Kansas City Film Critics Circle named The Master best film, while the Chicago and Austin Film Critics Associations went with Zero Dark Thirty . The Southeastern Film Critics Association backed Argo , as did the Nevada, St. Louis and Florida Film Critics. The criticspalooza that is the Village Voice Top 10 poll (86 – count ‘em) named The Master best film, while The Atlantic ’s lone Christopher Orr picked Zero Dark Thirty . Put them together and what have you got? Mostly Oscar pundits still gobsmacked that Nicole Kidman got a Best Supporting nomination from the Screen Actor’s Guild and the Hollywood Foreign Press. The Voice ’s Michael Musto pondered whether she could be one of a handful of actors to have earned nominations for Oscar and a Razzie for the same performance . In the immortal words of Max Bialystock, “Worlds have turned on such thoughts.” From here on, those little intangibles that John Gavin so rhapsodically preached to Maureen O’Hara about in Miracle on 34th Street (Merry Christmas, by the way) come in to play. Will Academy members filling out their ballots be influenced by Reese Witherspoon’s open letter to The Impossible ’s Naomi Watts (“Not since Meryl Streep’s performance in Sophie’s Choice …) in Entertainment Weekly , moved by Hugh Jackman welling up during his recent “60 Minutes” interview, or swayed by journeyman character actor Ann Dowd’s plucky self-financed campaign to distribute screeners of her career pinnacle performance in Compliance ? Let’s go to the Gold Linings Playbook to see how the Oscar field shifted last week. And Academy Members: Complete your ballots before the Jan. 3 deadline, lest you fall off the Oscar cliff. Best Picture To paraphrase Oscar Wilde, the only thing better than being nominated for a SAG award or Golden Globe is not being nominated. That may be the case for Beasts of the Southern Wild , whose non-union production was deemed ineligible for Screen Actors Guild consideration. It was also snubbed by the Hollywood Foreign Press. Now everyone’s talking about the beauty of the Beast and the producers are rekindling adoration for the art house darling with stepped-up promotion. Zero Dark Thirty and Lincoln remain Best Picture front-runners, but while the former continues to be preoccupied with answering a rising tide of critics (“Senators condemn Zero Dark Thirty torture,” reported USA Today ) all the latter has to do is look presidential (“ Lincoln aims to enlighten as it entertains,” praised a Los Angeles Times feature). Argo , too, is assured a Best Picture nomination, and while Zero Dark Thirty is getting critics awards buzz (as well as detractor’s brickbats), Argo , to its credit, has built up enormous good will. It’s a rousing, real-life “America, f*** yeah” that Hollywood could still rally around. Django Unchained ’s stock with critics continued to rise last week, although Spike Lee set off a Twitter firestorm Saturday when he said that slavery was a holocaust, “not a Sergio Leone spaghetti western” and that he would “honor” his ancestors by not seeing the film. The Drudge Report splashed an incendiary headline across its home page regarding the film’s prodigious use of the “n-word.” It also remains to be seen how the film’s graphic violence will play with audiences in the wake of the incomprehensible tragedy in Connecticut. 1. Lincoln 2. Zero Dark Thirty 3. Argo 4. Silver Linings Playbook 5. Les Miserables 6. Django Unchained 7. Life of Pi 8. Best Exotic Marigold Hotel 9. Beasts of the Southern Wild 10. Moonrise Kingdom Ones to watch: Amour, The Dark Knight Rises, The Impossible, The Master, Skyfall Best Director Sure, the Golden Globes are Hollywood’ most reliable punchline (except maybe for Rob Schneider), but Gold Derby gives them their props as “one of the most reliable Oscar crystal balls.” That doesn’t bode well for Les Miserables director Tom Hooper, who was snubbed, leaving wiggle room for David O. Russell, but Quentin Tarantino is, as ever, the wild card. Like Spielberg, his name alone has a Hitchcockian mass appeal and recognition. As he observed in his recent Playboy interview, “I was actually quite proud when I read that Django is one of the most anticipated movies coming out this year. It’s a black Western. Where’s the anticipation coming from? I guess a lot of it is me. That’s pretty f***ing awesome.” 1. Steven Spielberg ( Lincoln ) 2. Kathryn Bigelow ( Zero Dark Thirty ) 3. Ben Affleck ( Argo ) 4. Ang Lee ( Life of Pi ) 5. David O. Russell ( Silver Linings Playbook ) Ones to watch: Paul Thomas Anderson ( The Master ), Michael Haneke ( Amour ), Tom Hooper ( Les Miserables ), Quentin Tarantino ( Django Unchained )
This year’s nominees for the Golden Globes have been announced, and the nods include plenty of talent… and skin! It’s nice to see these nude ladies getting the credit they so hardily deserve from Tinseltown’s most titillatingly named award show. The Best Actress in a Drama category features the most nominudes [ nude in the role they were nominated for- SC ], with three of the five delivering the naked goods. Marion Cotillard in Rust and Bone (2012), Naomi Watts in The Impossible (2012), and Rachel Weisz in The Deep Blue Sea (2012). Other highlights include Best Supporting Actress nominude Helen Hunt who made her full-frontal debut in The Sessions (2012), Best Actress In A TV Series – Comedy with a nod to Lena Dunahm for consistently showing her girls in Girls , and Best Actress In A Series, Mini-Series Or TV Movi e acknowledging that Nicole Kidman made us very Gel-horny in Hemingway & Gellhorn (2012). Finally, the Lifetime Award is going to Jodie Foster , who is also a lifetime skinchiever here at Mr. Skin for flashing her pint-sized pair! See pics after the jump!
Jolly old St. Nicholas may come bearing gifts, but Mr. Skin’s Top 10 Nude St. Nikkis are spreading a whole lot more than cheer! Whether you’ve been naughty or nice, you’ll enjoy seeing Nicole Eggert , Nicole Kidman and the rest of our St. Nikki’s unwrapping their presents! Ho ho HOT!
Charlotte Gainsbourg and Willem Dafoe played a crazily estranged couple in Lars von Trier ‘s erotic/thriller/surreal Antichrist in 2009. And now, Dafoe is set to return to Von Trier’s latest, Nymphomaniac along with Gainsbourg, Shia LaBeouf , Christian Slater , Stellan Skarsgard and Uma Thurman . Others are joining the cast, while one big name has pulled out. Nicole Kidman had been rumored as another possible addition to the cast, but she has more regal obligations and cannot join, according to THR. Kidman, who played the lead role in von Trier’s Dogville is currently busy playing Grace Kelly in Olivier Dahan’s Grace of Monaco . Dafoe, meanwhile, will play a supporting role in the two-part erotic Nymphomaniac , which will be released in both a hardcore and soft core version. Dafoe is currently in Hamburg, starring in Anton Corbijn’s drama A Most Wanted Man . Von Trier veteran Udo Kier, who has taken part in a number of von Trier’s films including his most recent Melancholia has also joined the cast along with French actor Jean-Marc Barr ( Dogville ), Caroline Goodall ( Schindler’s List ), Kate Ashfield ( Shaun of the Dead ), Saskia Reeves ( Butterfly Kiss ) and Danish actor Omar Shargawi ( R ). In the film, Gainsbourg stars as Jo, a self-described nymphomaniac who reveals her story to an older bachelor played by Stellan Skarsgard. Rumors have flown over the summer whether named actors would take part in sexually explicit scenes, though porn-star “stand-ins” have also been rumored to be engaged on camera. Shia LaBeouf fueled the rumor when he said he was ready to “go all the way” in Nymphomaniac . [ Source: THR ]
Also in Thursday morning’s round-up of news briefs, Daniel Day-Lewis will be honored in another awards-season ceremony. An Afghan film that won awards at festivals heads home. And Girls creator Lena Dunham continues on her winning roll. Quentin Tarantino’s Django Unchained to be Honored at Hollywood Film Awards The first awards-season show will honor Tarantino’s Civil War-era spaghetti Western Django Unchained . Tarantino will receive the Hollywood Screenwriter Award at the 16th Hollywood Film Awards October 22nd, THR reports . Smithsonian to Lend Dorothy’s Ruby Slippers to U.K. The ruby slippers from The Wizard of Oz will leave Washington for an international journey to the Victoria and Albert Museum in London. Judy Garland wore the shoes in the 1939 film, A.P. reports . BAFTA to Honor Daniel Day-Lewis with Stanley Kubrick Britannia Award The British Academy of Film and Television Arts Los Angeles will present Daniel Day-Lewis with the Stanley Kubrick Britannia Award for Excellence in Film at the 2012 BAFTA Los Angeles Britannia Awards on November 7 at the Beverly Hilton Hotel, Deadline reports . Afghan Film to Premiere in Kabul After Winning International Awards Buzhashi Boys is the story of two young boys in Kabul who dream of playing buzkashi, the Afghan national sport where horseback riders compete for possession of a headless goat. Before the boys can compete in the sport, they must confront the stifling limitations of life for poor Afghans. The film won best drama at LA Shortfest, making it eligible for an Academy Award, The Guardian reports . Lena Dunham Book Bids Coming at $3.6 Million HBO Girls creator Lena Dunham’s book proposal reached $3.6 million. The Tiny Furniture filmmaker turned premium television sensation should have a final deal soon, Deadline reports .
The act of directing suggests, well, direction — that whether it comes together as planned or not, a filmmaker is pursuing a particular vision he or she wants to put on screen. But this is not the sense you get from The Paperboy , the new film from Precious’ Lee Daniels , a feature that feels like it’s been assembled scene by scene on whatever whims were guiding the director that day. No return to an opening framing sequence with narrator Macy Gray? Zac Efron ‘s face superimposed over the bright Florida sky? The already infamous jellyfish-enabled watersports scene? Another in which Nicole Kidman and John Cusack have mind sex in a prison visiting room in front of an audience? Check, check, check and check. The Paperboy is a nutty movie in terms of content, but it’s also assembled in a demented fashion — there’s a sense that literally anything could happen, and that its raunchy, heat-dazed story could wander down any path without regard to sense or an overall narrative. It resembles the relatively straightforward Precious far less than it does Daniels’ wild-eyed directorial debut Shadowboxer , which offered up Cuba Gooding Jr. and Helen Mirren as stepson and stepmother turned assassin lovers. Like that film, The Paperboy doesn’t seem intended to be taken entirely seriously but also offers few signals as to how it then is meant to be taken — it’s an exploitation pastiche that never seems to be actually referencing anything, a campfest that approaches its most over-the-top scenes with a deadly straightforwardness. For better or worse — mostly worse — Daniels has made one of the most unpredictable movies of the year. Set in 1969, The Paperboy is narrated by Anita (Macy Gray), who works as a housekeeper for the Jansen family, owners of a local newspaper. Anita is being interviewed about a book about the events on screen that was written by Jack (Efron), the younger of the two Jansen sons, but that’s an element that, like the mystery around which the story theoretically revolves, fades away in the face of more fleshly distractions. Jack is definitely one of those, a college drop-out delivering papers for his dad W.W. (Scott Glenn) and spending a lot of time in the pool or lounging around in his tighty-whities. Efron gets ogled by the camera even more than Nicole Kidman, who makes a big entrance in a little dress as Charlotte Bless, a woman with a taste for dangerous men who’s fallen in love via letters with convict Hillary Van Wetter (a laudably greasy John Cusack). Charlotte’s convinced Hillary has been falsely imprisoned for the murder of the town’s sheriff, and has lured Jack’s brother Ward (Matthew McConaughey), a reporter working in Miami, back to town to investigate his story with his partner Yardley (David Oyelowo). But this is just a loose structure to allow Jack to spend time with his object of lust, Charlotte, who as Anita helpfully puts it in voiceover serves as “his mama, his high school sweetheart and an oversexed Barbie doll all in one.” If Jack’s love of Charlotte is pure pop psychology, so is Charlotte’s affection for the beast-like Hillary, sex and death in one white trash package — in a scene that makes the beach urination sequence look tame, the pair bring each other to mutual orgasm without touching in their first in-person meeting at the prison while Jack, Ward and Yardley look on, bemused, horrified and aroused. The Paperboy ‘s approach to sexuality is bold, unabashed and discomforting. The movie has a stupefying physicality to it, particularly when it comes to bodily fluids — the gloss of sweat everyone wears, the semen dampening Hillary’s pant leg, the piss Charlotte lets loose on Jack’s body when he’s stung by jellyfish, the blood that pools around a character’s face onto the plastic tarp he’s spread out to accommodate his particular desires. Everyone is shown to harbor dark animal impulses, and the movie coyly ducks away from its only affection-driven hookup, with Anita scolding in voiceover that we’re seen enough — rich, given what does make it onto the screen. The Paperboy provides a lurid spectacle, but it’s one that leaves you wanting to scrub yourself clean in the shower afterward. While Efron plays a primarily decorative role, Kidman gives it her all as the sultry, crazy Charlotte. It’s a certainly a brave and dedicated performance, if one that comes to no notable end other than to serve as a reminder that she capable of playing more than glacial or regal. It’s Gray’s grounded, rounded-out take on the mammy archetype who stands out as the only relatable, human character amidst all the outsized sleaze, a woman who’s cared for the motherless Jack and has become a friend to him. Like so many of the other elements in the film, racial tensions are raised and then allowed to drift away, but the scenes between Efron and Gray are poignant and funny, and provide a slight counterbalance to all the grotesquery in this otherwise offputting jumble. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
