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‘Game Of Thrones’ Prepares For Battle Of Blackwater

The Lannisters and the Baratheons are gearing up for battle in season two’s penultimate episode. By Josh Wigler Lena Headey and Peter Dinklage in “Game of Thrones” Photo: Paul Schiraldi/HBO The calm before the storm is upon Westeros — and that says a lot, considering that the so-called “calm” includes an obscenely abused prostitute in King’s Landing, two charred hanging corpses in Winterfell, stolen dragons in Qarth and bruised, beaten prisoners of war north of the Wall. But believe it or not, that really is just the palate-cleanser before a monumental battle strikes the Seven Kingdoms. All season long, HBO’s “Game of Thrones” has warned viewers that “war is coming,” and next week, it’ll finally be here via the fabled Battle of Blackwater, an all-out slugfest between the Lannister forces and the trueborn Baratheons. Which side will win? It’s too early to say. But no matter who emerges victorious, we can promise you this: Just as Daniel Day-Lewis as Daniel Plainview once warned, there will be blood. Keep reading for a recap of this week’s “Game of Thrones,” which sets the stage for next week’s epic battle. The Princes of Winterfell Theon Greyjoy has fallen hard throughout season two. Last year, he was simply an unlikable boy; now, he’s a full-on baby-killer who doesn’t know when he’s lost. Theon’s unquenchable desire to please his father and prove himself a worthy Ironborn has turned him into one of the most wanted men in Westeros. Even his sister Yara, typically the type to smack Theon across the face well before offering him words of encouragement, expresses her sibling loyalty to the younger Greyjoy, doing her best to get him the hell out of Winterfell before Northerners come calling for his head. Her words fall on deaf ears; Theon stays in Winterfell, and the bastard Ramsay Bolton is just days away from claiming vengeance on behalf of Team Stark. Meanwhile, unbeknownst to Theon, the boys he’s so desperately looking for — Bran and Rickon — are more or less right under his nose, hiding in the crypts of Winterfell. A brilliant hiding spot … spooky but brilliant. The Seeds of Betrayal Further north, Jon Snow’s inability to kill the wildling girl Ygritte has led to his captivity at the redhead’s hands, but it also might prove his saving grace: Ygritte clearly has interest in Jon, enough to keep him alive a little bit longer. (It doesn’t hurt that the other wildlings, the Lord of Bones in particular, know that Jon’s the bastard son of Ned Stark, either; that makes him a decent bargaining chip worth holding onto.) Another reason why Jon might flourish under captivity: Qhorin Halfhand, also a prisoner, is doing everything he can to distance himself from Jon, to make it clear that Snow betrayed his vows and the Night’s Watch in keeping Ygritte alive. How much of it is Qhorin’s actual wrath against Jon or just a ploy to weaken the wildlings? We’ll have to keep watching to find out. What’s a Stark Without Honor? Jon Snow isn’t the only Stark dealing with issues of honor. After his mother, Catelyn, betrays the cause by freeing the king-slayer Jaime Lannister and shipping him back to King’s Landing with Brienne in tow — all in an effort to rescue Sansa and Arya from the Lannisters’ clutches, mind you — Robb is left feeling more crushed than ever. With the entire North looking to him for leadership and his own flesh and blood betraying him — not to mention the recent treachery of his best friend Theon — the King in the North is understandably down and out. So who can really blame him for doing the proverbial “dance with dragons” with Talisa of Volantis? Sure, he’s promised to a Frey, but the man’s got needs, and it’s clear that this is more than just a physical fling. That said, there’s also no doubting that Robb’s dishonored himself by blemishing his pledge to marry a daughter of House Frey. Just how badly that comes back to haunt him and his is something we’ll see in the future, I’m sure. The Wolf and the Lion Break Up More heartbreak for Team Stark, though this is more of the viewership variety: The secret “Tywin Loves Arya” show-within-a-show is now at an end. The Lannister patriarch leaves Harrenhal to defend King’s Landing against Stannis, without so much as a parting word of advice for the young wolf. Their dynamic stands out as one of the highlights of season two, and it’ll certainly be missed in the episodes to come. Still, Arya’s continued friendship with faceless man Jaqen H’Ghar remains a strongpoint of the season, and I suspect we’re not completely finished with their kill-happy partnership … not just yet. War, War Everywhere King’s Landing has been a spit-show all season long, and come next week’s episode, it’ll be a full-on bloodbath. The upcoming episode is appropriately titled “Blackwater,” as in the bay King’s Landing sits upon and the site of the impending battle between Lannister loyalists and Baratheon banner-men. Sunday’s episode perfectly set the stage: In King’s Landing, Tyrion does his best to keep himself together in light of Cersei ordering the prostitute Ros beaten beyond recognition (because she incorrectly believes her to be Tyrion’s lover), the peoples’ growing mistrust of Tyrion despite his behind-the-scenes efforts to protect them, and the very real threat of war coming to the Seven Kingdoms’ capital in just a few short hours. Out at sea, Davos Seaworth is given the unexpected news that if Stannis beats Joffrey and claims the Iron Throne, the title of Hand of the King will be his. Without a doubt, the stakes are big on both sides of the battle, and it’s hard to find someone to root for: Davos is likable enough, and Stannis, hard as he is, is certainly a better pick for king than the cruel Joffrey. But even though the Lannisters are horrible people, Tyrion’s on their side, and we love Tyrion. What happens to the Imp if Stannis and his men win the day? For Tyrion’s sake, let’s hope we don’t find out. Tell us what you thought of this week’s “Thrones” in the comments section below! Related Videos Watching The ‘Thrones’ Related Photos ‘Game Of Thrones’ Season Two

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‘Game Of Thrones’ Prepares For Battle Of Blackwater

Cannes: Mid-Way, Haneke’s Amour Charges Ahead With Palme d’Or Momentum

As Cannes hits the half-way mark Monday night with the world premiere of Iranian director Abbas Kiarostami’s Like Someone in Love , momentum for the coveted top prize, the Palme d’Or, appears — for now — to be with German-born director Michael Haneke’s Amour ( Love ). Not to say there are not some strong fellow contenders, and the whims of any jury member may run counter, near or parallel to general opinion. But here are some of Palme d’Or’s other big suitors at the mid-way point. Wes Anderson’s Moonrise Kingdom received mostly positive accolades by attendees, with one journalist commenting at the press conference on the opening day that “it was a surprisingly good opening film.” Opening titles at Cannes (or other festivals for that matter) are often not the strongest of any lineup, or even in the top tier, though they usually offer up some kind of flash in the form of stars. Jacques Audiard’s Rust and Bone came out of the gate strong. Its early morning press screening concluded at the Lumière with rounds of applause and chatter among some attendees was that it’s the director’s best film — and his most accessible. But the film has its detractors, though any eventual Palme d’Or winner isn’t without its critics. Also among the big Official Selection competitors this year, Reality by Italian director Matteo Garrone passed muster. Garrone was hailed back in 2008 for the Naples mob feature Gomorrah , receiving the Cannes Grand Prix. His latest has not generated the same emotional responses of that film, but it has achieved sustained reaction. John Hillcoat’s Prohibition-set Lawless has picked up boosters and detractors since its debut Saturday. Some fest-goers have praised the director’s use of violence — it’s raw and quick. One of the many trade print editions here in Cannes declared that Danish director Thomas Vinterberg “is back” with his latest film, Jagten ( The Hunt ). He was a toast of Cannes back in 1998 for The Celebration , part of the Danish Dogme 95 movement he spearheaded along with fellow Dane filmmaker, Lars von Trier. Von Trier has gone on to attend many a Cannes, occasionally putting his foot in his mouth publicly (he awkwardly joked that he ” understood Hitler ” last year) but he consistently makes headlines worldwide. Finally, this may be a bit of a long-shot, but hey, Cannes can be unpredictable. In 2010 Thai director Apichatpong Weerasethakul smashed through the establishment and grabbed the Palme d’Or for his film about, well… Uncle Boonmee recalling his past lives. So perhaps a bit of a wild card might be Ulrich Seidl’s Paradies: Liebe ( Paradise: Love ). The premise goes something like this: Middle-agish European women travel to Africa seeking the affections of African boys. The movie is essentially about Euro-cougars who head down to Africa to get it on with young African men who earn a living satisfying their yearnings. The promo-material journalists received in their mailboxes at the Palais des Festivals is pretty straightforward: Plumpish naked women; lean, naked African 20-somethings… you get the picture. Check out the clip below of Paradies and some of the other competition films that have screened so far, with accompanying official Cannes Film Festival descriptions: Moonrise Kingdom : Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in every which way. Amour Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s bond of love is severely tested. Rust and Bone ( De Rouilles et D’Os ) Ali suddenly finds himself in charge of Sam, his 5-year-old son that he barely knows. Penniless and without friends, he leaves the north of France to seek shelter at his sister’s in Antibes. Even though she and her husband do not have much money, they make a room for them in their garage and take care of Sam. Ali finds work as a bouncer at a local nightclub. After diffusing a fight one evening, he meets Stephanie, a beautiful, self-confident woman. He takes her home and leaves her his number. But she is a princess and he is a poor fellow. Stephanie is a killer whale trainer at the local Marineland. After a terrible accident one day, Ali gets an unexpected phone call from Stephanie. When he sees her again she is crammed into a wheelchair. She has lost both her legs and her dreams. Ali will share genuine moments with her, without pity, and help her to live again… Lawless Lawless is the true story of the infamous Bondurant brothers, bootlegging siblings who made a run for the American Dream in Prohibition-era Virginia. In this epic gangster tale, inspired by true-life tales of author Matt Bondurant’s family in his novel The Wettest County In The World , the loyalty of three brothers is put to the test against the backdrop of the nation’s most notorious crime wave. Jagten ( The Hunt ) Following a tough divorce, 40-year-old Lucas has a new girlfriend, a new job and is in the process of reestablishing his relationship with his teenage son, Marcus. But things go awry. Not a lot. Just a passing remark. A random lie. And as the snow falls and the Christmas lights are lit, the lie spreads like an invisible virus. The shock and mistrust gets out of hand, and the small community suddenly finds itself in a collective state of hysteria, while Lucas fights a lonely fight for his life and dignity. (In Danish) Reality Luciano is a Neapolitan fishmonger who supplements his modest income by pulling off little scams with his wife Maria. A likeable, entertaining guy, Luciano never misses an opportunity to perform for his customers and countless relatives. One day his family urge him to try out for Big Brother . In chasing this dream his perception of reality begins to change. (In Italian) Read more of Movieline’s coverage from Cannes.

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Cannes: Mid-Way, Haneke’s Amour Charges Ahead With Palme d’Or Momentum

Disney’s Brave Premiere, Cannes’ Beasts and Colin Firth’s Mad Dogs: Biz Break Cannes

Also in Saturday’s (mostly) Cannes related news round up, actress Isabella Rossellini gets a new festival jury gig, Lincoln Center teams with Dubai to spotlight Arab cinema, and two groups join for a $150 million equity fund for indie filmmakers. Also check out this weekend’s specialty film releases. Disney/Pixar’s Brave to Open Dolby Theatre The world premiere of Brave will mark the opening of the newly re-dubbed Dolby Theatre in Hollywood, the home of the Academy Awards. The Los Angeles Film Festival will co-host the event as a red carpet special presentation. The animated feature is an epic tale set in the mystical Scottish Highlands where the film’s headstrong protagonist, Merida, is “forced to discover the meaning of true bravery.” Disney opens the film wide in theaters June 22nd. Dubai and Film Society of Lincoln Center Team for Arab Cinema Arab cinema will take center stage in a new program partnered by the Dubai International Film Festival and the Film Society of Lincoln Center, the groups said in Cannes Saturday. Dubbed DIFF Focus taking place August 24 – 30 in New York, the program will feature Venice Film Festival love story Habibi Rasak Kharban and Gulf Film Festival opener City of Life. $150M Independent Film Equity Fund Launched Financier and production outfit AngelWorld Entertainment and independent merchant bank First Wall Street have set up a $150 million fund dedicated to independent productions, the groups said in Cannes. AWE funds 100%, providing a single source of funding allowing the equity investor to sit in the first position, minimizing its risk by securing against all of the film’s assets including foreign sales, tax credits, minimum guarantees and  intellectual property rights until the investor has fully recouped its money. Walk Away Renee to Bow in North American Online Premiere The Cannes 2011 documentary by Jonathan Caouette will have its North American debut via Sundance Selects’ digital sister SundanceNOW. Walk Away Renee is a follow up to Caouette’s lauded 2004 doc Tarnation . Renee will be debut along with its North American premiere June 27th at BAMcinemaFest. Around the ‘net… Preview This Weekend’s Specialty Releases The Cannes Film Festival is in full swing and at least two distributors are bowing their Cannes cache this weekend. Zeitgeist Films is debuting  Elena in the U.S. The film won awards in Cannes and elsewhere before its long (and somewhat bizarre) road to the screen. Sundance Selects, meanwhile will roll out French César and Cannes winner Polisse in theaters and day-and-date VOD using some of its past offerings as a distribution template. Oscar-winning screenwriter Dustin Lance Black’s directorial debut Virginia  opens in limited release and documentary Never Stand Still  starts its rollout in New York before heading to other cities, Deadline reports . Fox Searchlight Fetes Beasts of the Southern Wild in Cannes The 2012 Sundance winner hit the Croisette Friday, basking in two standing ovations. The mystical story set in the deep Louisiana Delta’s swamp country deals with a young girl’s search for her mother after her father’s deteriorating health and environmental disaster put her life in peril. Searchlight will release the feature in the U.S. June 27th, Deadline reports . Colin Firth Boards Mad Dogs Oscar winner Colin Firth has joined Noel Coward’s Mad Dogs and Englishmen, the story of flamboyant English playwright, director and actor singer’s engagement at Las Vegas’ Desert Inn in 1955. THR reports from Cannes. Isabella Rossellini to Lead Abu Dhabi Film Festival Jury Rossellini has been named president of the narrative jury for the festival’s 2012 edition taking place October 11 – 20. The actress last chaired a jury at the Berlinale in February, which gave the best film, best actor and best actress prizes to Iranian director Asghar Farhadi’s A Separation , which went on to win the Oscar for Best Foreign Language Film earlier this year, Cannes Market News reports.

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Disney’s Brave Premiere, Cannes’ Beasts and Colin Firth’s Mad Dogs: Biz Break Cannes

Sophie Vlaming TItties for Maison Scotch of the Day

Sophie Vlaming is some hot Dutch 24 year old – who didn’t have to work in a Red Light District fucking tourists or students from North America on their summer back packing trips…she didn’t have to work in the wind mills or spend her days crafting wooden shoes….she didn’t have to work in the Tulip fields….or doing whatever the fuck it is Dutch people do….because she was hot enough, tall enough, skinny enough, to get a modeling contract that lead to showing her titties to the world….instead of to just one or a handful of unappreciative asshole like most girls….making her a hero amongst women…something you should all aspire to be…according to me… And here is her tit in a mesh top.

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Sophie Vlaming TItties for Maison Scotch of the Day

Sophie Vlaming TItties for Maison Scotch of the Day

Sophie Vlaming is some hot Dutch 24 year old – who didn’t have to work in a Red Light District fucking tourists or students from North America on their summer back packing trips…she didn’t have to work in the wind mills or spend her days crafting wooden shoes….she didn’t have to work in the Tulip fields….or doing whatever the fuck it is Dutch people do….because she was hot enough, tall enough, skinny enough, to get a modeling contract that lead to showing her titties to the world….instead of to just one or a handful of unappreciative asshole like most girls….making her a hero amongst women…something you should all aspire to be…according to me… And here is her tit in a mesh top.

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Sophie Vlaming TItties for Maison Scotch of the Day

Eli Roth Gets Green Inferno, Saudi Arabia’s 1st Film, and News from Cannes: Biz Break

Also in Thursday morning’s round of Biz Break: Philip Seymour Hoffman is in the running for a spy thriller, The Dictator comes under fire as a modern-day minstrel show, and more… Cannes: First Saudi Feature Nears Completion Wadjda , the first feature-length film ever shot in Saudi Arabia, has completed principal photography in Riyadh, the Cannes Market News reports. Written and directed by the country’s first female filmmaker Haifaa al-Mansour, Wadjda revolves around an 11-year-old girl growing up in the capital’s suburbs who challenges the restrictions of Saudi Arabia’s traditional society in order to own and ride a green bicycle. Al Mansour previously directed three short films. The Match Factory is set to begin pre-sales of this Razor Film production. Eli Roth’s Latest Horror The Green Inferno Gets Green Light New York-based Worldview Entertainment will finance and produce the latest from the horror maestro behind Hostel ; details on the story are being kept under wraps. Production will begin in this fall in Peru and Chile from a script co-written by Roth and Aftershock co-writer Guillermo Amoedo from an original story by Roth. Phase 4 Nabs Rights to See Girl Run Starring Robin Tunney ( The Mentalist ) and Adam Scott ( Parks and Recreation ), the film centers on what happens when a 30-something woman allows life’s “what ifs” to overwhelm her. Disregarding her current obligations, she digs into her romantic past in hopes of invigorating her present. Phase 4 Films will distribute the film by writer/director Nate Meyer in North America. Around the ‘net… Cannes: Distributors to Watch Buying in Cannes has already been underway even before Wednesday’s opener Moonrise Kingdom . Deadline offers up its distributors to watch at the festival including some usuals: The Weinstein Company, Lionsgate, Sony Pictures Classics, FilmDistrict and LD Distribution. Philip Seymour Hoffman Set for A Most Wanted Man The actor appears to be headed to star in the Anton Corbijn-directed adaptation of the John Le Carre spy thriller of the same title, Deadline reports . Cannes: Buyers Get Early Jump into the Fray On Tuesday, two key deals were announced for IM Global and Alliance Films’ Ends of the Earth , with CBS Films taking domestic rights and Sony Pictures Acquisitions buying rights to multiple international territories. The film uses both found footage and narrative to tell the story about two best friends traveling through Europe and encounter life-altering “impossible phenomenon,” THR reports . The Dictator Gets Arab-American Criticism Sacha Baron Cohen has come under fire from an Arab-American group that says his portrayal of the Wadiyan leader Aladeen reinforces negative stereotypes about their community at a time when prejudice towards US citizens of Middle Eastern origin has never been more prevalent, The Guardian reports .

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Eli Roth Gets Green Inferno, Saudi Arabia’s 1st Film, and News from Cannes: Biz Break

One Direction Tease ‘More Than This’ From Live DVD Release

The guys make girls swoon in a 30-second clip from ‘Up All Night: The Live Tour,’ out May 29. By Jocelyn Vena Harry Styles of One Direction in “Up All Night: The Live Tour” Photo: Sony Music Can’t wait for One Direction to drop their “Up All Night: The Live Tour” DVD on May 29? Well then, One Directioners, the guys are offering up a tease of what’s to come. In a 30-second preview of the release, the guys gather around a lime-green couch onstage and sing their Up All Night mid-tempo love song “More Than This.” In the clip, the guys belt out the song about unrequited love while fans in the audience sway in tune. The teaser premiered on “Entertainment Tonight” Wednesday evening, and the full clip will officially debut Thursday afternoon (May 10). Just before they drop their DVD, the guys will hit the road for their U.S. tour beginning on May 24 in Fairfax, Virginia. The show will travel across North America through July 1. It marks the group’s first-ever Stateside headlining trek . They previously opened for Big Time Rush . Fans shouldn’t worry, though, if they miss the group this time around. One Direction will also play a special show at Madison Square Garden in December before coming back to the U.S. in 2013 as part of their world tour. The 2013 North American dates will begin on June 13 in Fort Lauderdale, Florida, before continuing around the U.S. and Canada and coming to a close on August 7 in Los Angeles. “Our fans are simply the best in the world,” Niall Horan said in a statement about the tour. “The support they have shown us has been incredible and we’re all so grateful to each and every one of them. We can’t wait to see everyone this summer at Madison Square Garden and, of course, when we play our world tour in 2013.” Do you plan to see One Direction when they hit the road? Tell us in the comments! Related Videos MTV News Extended Play: One Direction Related Photos One Direction Light Up The ‘Today’ Show Related Artists One Direction

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One Direction Tease ‘More Than This’ From Live DVD Release

Emily Maynard on The Bachelorette Premiere: Thank Goodness For New Faces!

Emily Maynard is happy to be The Bachelorette, and even happier that the producers didn’t pull any major stunts with the casting. That we know of. Yet. The Bachelorette spoilers for this season are still trickling in, so who knows what surprises await the beautiful single mom from Charlotte, North Carolina. The season premiere last night was relatively drama-free and went off without a hitch, with the exception of a helicopter that had her fearing the worst. That being the return of Brad Womack … or Bentley Williams. Fortunately for Emily Maynard , the producers weren’t cruel enough to subject her to her ex-fiancee, or that jackass from Ashley’s season, as a stunt. Instead, she met 25 great guys, many of whom went all out to impress her. Who made the best first impressions with the former Bachelor winner? Some excerpts from Emily’s blog about the opener below: “First of all, I can’t even begin to say how grateful and blessed I feel to be The Bachelorette . It’s still hard for me to wrap my head around the idea.” “It was a big decision to come back. I was in love with Brad and what we had was very real and true, but when things didn’t work out with him, I was reminded that sometimes when people grow they grow apart.” “I can’t tell you how many times I said no, but I know God allows us to meet people at the right time and I just hope this is the right time for me.” “I put a lot of pressure on myself to make it work because I’ve been in this situation before and in a way feel as though I’ve already had my chance.” “It’s always scary meeting new people for the first time, especially like this! I wasn’t sure if I would like any of the guys or if any of the guys would like me, but so many of my fears were calmed after just the first limo.” “I definitely felt a connection with a few of the guys and it made me confident that my decision to come back was worth it. So many of the guys stood out to me. Even though he was the last to show up, I think I have to start by acknowledging Kalon.” “What an entrance! A million thoughts were going through my mind. I was extremely nervous it was Brad or possibly Bentley! I was relieved to see a fresh face.” “As extravagant as the helicopter was, Jef showing up on the skateboard was way more impressive in my mind! I immediately loved that he wasn’t trying to impress me with some over the top entrance.” “Anyone who knows me knows I have an extreme love for shoes, so Tony hit it out of the park with his glass slipper entrance.” “He did a great job making a memorable impression because as he walked away he made me realize how much I want the fairytale ending and how this time I really hope the glass slipper fits and I find my Prince Charming! “Last but not least, Doug. What a sweetheart! The letter his son wrote to me was one of the sweetest things I have ever received and if anyone can appreciate how hard it is being away from their child, it’s me.” “I’m so grateful that Doug took a chance on love, and I was honored that he saw something in me. It meant a lot and I wanted him to know that I would take a chance on him too and that’s why I gave him the first impression rose.”

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Emily Maynard on The Bachelorette Premiere: Thank Goodness For New Faces!

Les Miserables Trailer Leak Reveals Anne Hathaway Singing

A trailer for Tom Hooper’s upcoming Les Miserables film leaked onto the interwebs today, revealing looks at Hugh Jackman in action in the musical adaptation. But nevermind the handsome, jaunty period stylings of 19th century France in turmoil as envisioned by Hooper; get an earful of Anne Hathaway’s warbly voice singing a tearful rendition of “I Dreamed a Dream”… and sound off on her Fantine. Are you excited or worried, theater nerds? To be completely fair, this is the worst-quality video you could imagine for a trailer, which appears to have been filmed off of a computer. Even so, the footage looks great to me — sweeping shots, dynamic camera moves, Jackman’s Jean Valjean disappearing into the shadows. What’s most concerning is also the most important element of the film: The singing. According to reports from CinemaCon (where similar footage from the film was screened, including portions of Hathaway’s “I Dreamed a Dream” number), Hooper’s plan was to film most of the musical numbers with his cast singing live, which might explain why Hathaway’s voice sounds a bit unpolished. Or maybe that was intentional. Or maybe it’s just me. [Video removed at studio’s request.] Perez Hilton first posted the video today, along with fawning words for Hathaway’s performance: “If we had any doubts about this, they are GONE now!!!” Over at The Atlantic Wire , Richard Lawson called it “unsettling,” a reaction more in line with my own. My theater nerd pal (and Popular Mechanics editor) Erin McCarthy immediately sent over this video of stage goddess Lea Salonga singing the same number with a much stronger, yet still deeply emotional voice, but perhaps the comparison — or any comparisons, as the entire film’s cast is bound to suffer scrutiny — is unfair. Hathaway is a strong singer in her own right (see: The Oscars) but she’s probably deep in character as the desperate Fantine and her vocal interpretation may reflect that. Was it wise to film the largely sung-through story with live singing? That’s the biggest question so far as we await better looks at Hooper’s Les Mis , due in theaters December 14. [ Perez Hilton , Atlantic Wire ]

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Les Miserables Trailer Leak Reveals Anne Hathaway Singing

REVIEW: Sacha Baron Cohen Says the Things Most of Us Are Afraid to Say in The Dictator

Sacha Baron Cohen and Larry Charles’ The Dictator is indefensible and hilarious, an unruly thing that invites you to laugh at things you feel you shouldn’t. I’ve heard people — even some who like the picture — referring to The Dictator as offensive, and one of the guys sitting behind me at the screening laughed at some jokes and remained awkwardly mute during others. After one of these pauses — the vibrations of his uneasiness were traveling right through my seat back — I heard him say to his pal, “I’m not sure how I feel about this.” But as the end credits rolled he announced joyously, “That was great!” as if he’d endured an enema cleansing that made him feel a whole lot better afterward. Cohen has many gifts as a performer, and with The Dictator he reveals yet another one: He knows how to flush stuff right out of you. Cohen’s invented character du jour is a despot named General Admiral Haffaz Aladeen, ruler of the equally made-up North African state of Wadiya. Aladeen hates the West, hates Jews and regularly calls for the execution of anyone who undermines his authority, by, say, questioning his firm belief that nuclear missiles should be pointy and not rounded. His chief adviser is his Uncle Tamir (Ben Kingsley), who chafes under Aladeen’s authoritarian rule and seeks to undermine him. After Aladeen survives an assassination attempt, Tamir persuades him to go to New York to address the United Nations, which has been sticking its nose into his sordid doings. Once he gets to the city — he makes his grand entrance on the back of a decorated camel — he’s kidnapped, stripped of his protruding steel-wool beard and medal-and-scrambled-egg-encrusted uniform, and forced to live as an anonymous immigrant with a tenuous grasp of the English language. It’s at this point that he meets Zoey (Anna Faris), a peacenik mighty-mite who runs a whole-foods store and who, in her desire to be fair and generous to all peoples, attempts to understand his motivations as he spouts all sorts of racist and sexist invective. Meanwhile, Aladeen — who has adopted the name Alison Burgers, for reasons so ridiculous that they’re better left unexplained until you see the film — attempts to reclaim his stature with the help of scientist and Wadiyan exile Nadal (Jason Mantzoukas), who agrees to help him regain his mojo by bulking up in the nukes department. Cohen’s targets here include people who fly planes into buildings for religious reasons, people who hate Jews, and women with hair under their arms. As they used to say on Sesame Street , one of these things is not like the others, but those of you who like to cultivate fragrant jungles in your armpits will just have to deal. The satire in The Dictator is sharp but not exquisitely pointed, and the movie is better for it: It’s clear enough where Cohen’s sympathies lie — his jokes have a kind of sick buoyancy, instead of hammering you with their politics. Cohen’s humor is political, though in the end it may really only be humanitarian. At home in Wadiya, amongst his riches, his servants and his high-cost prostitutes (one of whom is Megan Fox, gamely playing herself), Aladeen likes to play video games, including a Wii-style amusement called “Munich Olympics.” I groaned, along with much of the audience, when he hit the “play” button, but there’s anger in the joke as well as audacity. Cohen doesn’t suffer bullies gladly, which makes a character like Aladeen an irresistible canvas for him. The Dictator is a written-and-rehearsed picture, unlike the extended prank Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan , and it’s probably the better film. As he did on that picture (and the more wayward Brüno ), Cohen again pairs with director Larry Charles, who’s acutely in tune with his rhythms. Charles — who has worked extensively in TV as a producer and/or writer on shows like Seinfeld , Entourage and Curb Your Enthusiasm , and who also directed the gloriously woolly 2003 Bob Dylan fever dream Masked and Anonymous — has by this point proved to be a great midwife for the ideas of oddball intellects. He gives some shape and heft even to Cohen’s silliest gags, like the one in which it’s explained that Aladeen amended the Wadiyan language so that “negative” and “positive” are the same word — this bit of silliness occasions a great little cameo for Aasif Mandvi as a doctor who’s trying to give a patient the result of his AIDS test. Add to that the pleasure of watching Cohen in all his long-legged, language-mangling glory: The Dictator works both as satire and as comedy, and the two don’t always mingle so easily. Cohen has a way of slinging lines that’s as casual as a cook flipping meat patties in a burger joint. “The police here are such fascists!” he says, aghast at the behavior of New York City cops, but he’s really just setting us up for the kicker: “And not in the good way!” By the time Aladeen has been in in New York for a while, his sartorial choices have been unduly influenced by crunchy-granola Zoey, to the point where he thinks nothing of wearing Crocs in public. When Nadal uses this footwear choice as evidence of how far Aladeen has fallen, the has-been tyrant can only agree: “Crocs,” he says dejectedly, “the universal symbol of men who have given up hope.” Cohen may be playing an autocrat, but he doesn’t let his ego run roughshod over his fellow actors. Anna Faris gets less screentime than Cohen does, but she stands up to him admirably, maybe because she’s willing to go just as far as he is for a laugh, even a painful one. As Zoey, a no-makeup martinet with firm ideas about equality among all peoples, she captures perfectly the tyrannical smugness of the tiny but powerful nation of white people known as Park Slope, Brooklyn. The Dictator , for all its liberal leanings, doesn’t let anyone off the hook, not even well-intentioned liberals. Cohen comes right out and says things that most of us, in polite conversation, wouldn’t dare. He knows it’s the impolite conversation that really gets things moving. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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REVIEW: Sacha Baron Cohen Says the Things Most of Us Are Afraid to Say in The Dictator