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Andrew Garcia vs. Todrick Hall: Semifinalist Showdown!

Congratulations are in order for Andrew Garcia and Todrick Hall . They have each advanced to the semifinals on season nine of American Idol . Along with 22 other aspiring stars, these crooners will compete for viewer votes next week on the show, as performances go live and phone lines open up for all contestants. With such an intense competition set to begin, it’s time to prepare Garcia and Hall by pitting them against one another in a showdown of hopeful semifinalists. Andrew is considered the early favorite by many, following an incredible acoustic version of the Paula Abdul classic “Straight Up.” But Todrick possesses an impressive resume for an amateur, having appeared in a Broadway production of The Color Purple . Two men. One dream. Cast your vote below. W hich singer will advance farther on American Idol?

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Andrew Garcia vs. Todrick Hall: Semifinalist Showdown!

‘American Idol’ Reveals Final Top 24 Contestants

Andrew Garcia, Katie Stevens, Janell Wheeler, John Park and other early front-runners make the cut. By Katie Byrne Janell Wheeler on “American Idol” Wednesday Photo: Fox In an “American Idol” first, seven contenders for the season-nine top 24 were revealed during Tuesday’s how. On Wednesday (February 17), the 17 remaining semifinalists were unveiled. Now, you can reacquaint yourself with those singers before next week’s live shows kick off: Andrew Garcia While Garcia’s story about his parents’ gangbanger past and trying to make a better life for his kid earned him some audition-round screen time, his Hollywood Week performances are what set him apart from the pack. His acoustic reworkings of female-fronted songs — Paula Abdul’s “Straight Up” and Adele’s “Chasing Pavements” — earned him a ride to the top 24. Katie Stevens The precocious 16-year-old caught our attention with her old-soul vocal chops and compelling backstory. She backed up the positive first impression with Stevie Wonder’s “For Once in My Life” and her group performance of Alicia Keys’ “No One.” Her age begs the question: Will she be the next Jordin Sparks and go all the way or Lisa Tucker and flame out? Janell Wheeler Wheeler’s Hollywood Week was filled with ups and downs, between nailing her acoustic take on Estelle’s “American Boy” and choosing the “wrong song” (according to Simon) with Taylor Swift’s “Love Story.” But the judges must have kept her silky-smooth “House of the Rising Sun” audition into account, keeping her around for the semifinals. John Park Guest judge Shania Twain praised Park’s “bottom end” during his audition performance of Gary Moore’s “I’ll Love You More Than You’ll Ever Know.” The 20-year-old college student was able to show off all the other facets of his voice during Hollywood Week, earning a coveted spot in the top 24. Ashley Rodriguez The Berklee College of Music student proved she knows her way around a diva anthem, tackling Alicia Keys’ “If I Ain’t Got You” in her audition, Beyonc

Andrew Garcia, Crystal Bowersox Round Out "American Idol" Top 24

Seventeen more finalists join the top 24 as confusion reigns over final male slot. By Gil Kaufman Andrew Garcia on “American Idol” Wednesday Photo: Fox With a wait almost as painful as the one the contestants went through, “American Idol” fans finally got the rest of this year’s top 24 on Wednesday night (February 17), with a number of early favorites making the semifinals, including Andrew Garcia, Crystal Bowersox, Katie Stevens, Ashley Rodriguez and Haeley Vaughn. After seven singers made the cut on Tuesday, the first woman through the gate on night two was Orlando’s Janell Wheeler, 24, whose Hollywood Week was filled with ups and downs, swinging between a strong acoustic performance of Estelle’s “American Boy” to a blown take of Taylor Swift’s “Love Story.” New judge Ellen DeGeneres kept up her rope-a-dope style, seemingly setting the blond wine-sales rep up for disappointment only to wave Wheeler through. With the pace much quicker than Tuesday night’s pedantic two-hour torture session, deep voiced, shaggy-haired ’70s rocker Tyler Grady quickly got his ticket punched. “I think we wanna see those moves again,” Kara DioGuardi told the drummer about his Roger Daltrey-inspired stage acrobatics. He was swiftly followed by second-timer Lacey Brown, who made the top 50 last season and was back in the hot seat. Despite Simon Cowell telling her the female competition was even tougher this year, Brown got in thanks to a haunting rendition of “Over the Rainbow.” Diva-in-training Ashley Rodriguez was next, followed by ukulele-strumming Alex Lambert, little seen Joe Mu

‘American Idol’ Unveils Seven Top-24 Contenders, Including Casey James, Michael Lynche

The rest of the semifinalists will be revealed on Wednesday’s show. By Eric Ditzian Michael Lynche on “American Idol” Tuesday Photo: Fox Tens of thousands of potential “American Idol” winners became 181 Hollywood Week hopefuls who were then considered, criticized and often condemned until 71 singers gained passage to the next round at Los Angeles’ Kodak Theatre. Tuesday night’s (February 16) show saw that number winnowed once again as the first crooners of the top 24 were announced by Simon Cowell and his fellow “Idol” judges. Early notable contestants Casey James (he of the shirtless Denver audition), Michael “Big Mike” Lynche (the hulking guy who skipped the birth of his child in favor of a stay at Hollywood Week) and Didi Benami (who sang Sarah McLachlan’s “Angel” in memory of her deceased best friend) all made the top 24. Joining them are dancer-turned-singer Todrick Hall, curly-haired Duffy-ite Katelyn Epperly, high-schooler Aaron Kelly and singer-songwriter Lee Dewyze. The fates of early favorites like 17-year-old Katie Stevens (tipped by Kara DioGuardi as a possible champ), Andrew Garcia (the acoustic impressario of “Straight Up” renown) and Crystal Bowersox (she of the blonde dreads and the soulful growl) were left up in the air until Wednesday’s show, when the rest of the top 24 will be announced. With the reality-show circus of the audition rounds and the manufactured drama of group day behind us, one could not be faulted in thinking Tuesday’s episode would focus, finally, on the music. Yet the show oddly skipped over nearly the entire round of tunes — as contestants sang for the first time with a backing band — in favor of 10- or 15-second flashes of a chosen few contestants. The result was an overall disjointed viewing experience, denying us true insight into everyone’s performances and leaving us frustratingly detached from the tension of the elimination. For all the actual music “Idol” producers aired, the show rightfully should have lasted as long as a network sitcom rather than the two-hour snoozefest Fox offered up as entertainment. What little we did see veered from the enticing to the forgettable. Casey James did his cowboy-cool singer-songwriter thing with a cover of Colbie Caillat’s “Bubbly” and 19-year-old Siobhan Magnus came out of her shell of shyness during a lively version of Stevie Wonder’s “Living for the City.” Crystal Bowersox hauled out the harmonica for a powerful take on Sheryl Crow’s “If It Makes You Happy.” Coming off his funky rejiggering of Paula Abdul’s “Straight Up,” Andrew Garcia stuck with the female artists as he busted out Adele’s “Chasing Pavements” competently, if considerably less memorably. Meanwhile Alex Lambert flubbed a ukulele-driven channeling — a la Jason Castro — of Jason Mraz, and both Jermaine Sellers and Thaddeus Johnson found themselves struggling to stay on the same page with the band. Mom-rocker Mary Powers’ rendition of Katy Perry’s “Hot n Cold” had Simon saying, by way of the most backhanded of compliments, “I think she’s interesting because she’s old.” As all this action zipped by at a frenzied pace, the contestants bided their time in one of three holding rooms and the judges traded photos of them in an attempt to cull their choices. One of the rooms, we were teased all episode, would be eliminated. To begin, judges visited room one, which housed Casey James, Lilly Scott, Katie Stevens and Siobhan Magnus. After a not particularly convincing bit of you-might-be-going-home misdirection, Ellen DeGeneres announced, “Ya’ll are going through!” Room two was not as lucky — when it was Simon’s turn to deliver the verdict, he told singers like Mary Powers, Charity Vance and Hope Johnson, “It’s bad news. You haven’t made it.” The judges then popped over to room three to let those contestants — among them Janell Wheeler, Ashley Rodriguez and Shelby Dressel — that they were still in the running for the coveted top 24. “It’s really hard to tell you this, but you guys are going to stay,” DioGuardi said. At the end of this round of elimination, 46 contestants were left sweating it out. They wouldn’t have another chance to flex their vocal cords — rather, the judges gathered onstage at the Kodak to call each singer one by one for a face-to-face elimination round. The question of why the show had to have two rounds of elimination on Tuesday — stretching the show to two hours instead of one — should hardly need to be answered after nine seasons of “Idol.” In all, seven of the top 24 singers were announced. While Big Mike was called onstage first and made the cut, reports indicate he has in fact been booted from the competition after his father was said to have broken the show’s confidentiality agreement. Didi Benami and Kaitlin Epperly, the second and third contestants brought in front of the judges, became the first and second women to make it through to the top 24. Casey James sauntered up in a paisley button-down and bounded away a fist-pumping, Kara-hugging member of the semifinalists. Sixteen-year-old shy guy Aaron Kelly battled through ups and downs during Hollywood Week but ended the night on a high note. Lee Dewyze, accused by Simon of having no charisma, nonetheless convinced the judges he had the confidence to go far this season. Only two singers were sent home: Shelby Dressel (who suffers from partial paralyzation of her face) and two-time Hollywood Week bootee Jessica Furney. The remaining 17 contenders in the top 24 will be revealed on Wednesday. “The drama continues tomorrow night,” as Ryan Seacrest put it at show’s end, just before the screen flashed to an image of a closed bathroom stall behind which a heartbroken contestant had fled to bawl his eyes out. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Unveils Seven Top-24 Contenders, Including Casey James, Michael Lynche

Paula Abdul — Stern ‘Hates’ American Idol, But …

Filed under: American Idol Paula Abdul finally declared her opinion on the Howard Stern situation this morning …. but moments after taking a stand, the former “American Idol” judge seemed to flip-flop worse than John Kerry. It all went down when Paula was leaving a radio … Permalink

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Paula Abdul — Stern ‘Hates’ American Idol, But …

Kara DioGuardi in Maxim: Hot or Not?

There’s little question that Kara DioGuardi is annoying on American Idol . She comes across as cocky and condescending, taking extreme offense any time Simon makes a dig in her direction and somehow managing to be neither reassuring to the contestants nor especially criticial. She doesn’t even have a Randy Jackson, dawg-like catchphrase. But there is one debate regarding this singer/songwriter: Is she attractive? We wondered about this issue when DioGuardi strutted her stuff in a bikini on last May’s Idol finale. We’re now forced to ponder the question again because Kara is featured on Maxim.com: During an interview with the men’s magazine, DioGuardi touches on her fellow judges. A few excerpts: On missing Paula Abdul : During the auditions, I missed her. She was so nurturing, and I try to have some of that in my critiques. I wouldn’t say I have the maternal instinct that she had, though. I’m a little bit more New York, a little more hard-edge. On Simon leaving the show : All I can say is the guy can do things not many folks can get away with, and people like when someone is true to himself. On the addition of Ellen DeGeneres : I was like, “Rock on!” Are you kidding? The thing with Ellen I don’t think everybody understands is that she’s a huge music lover. That’s what you need to be on Idol . DioGuardi stood up for Ellen yesterday, following the latter’s first night as a judge. But we still come back to the pertinent topic at hands. These photos are Kara are…

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Kara DioGuardi in Maxim: Hot or Not?

‘American Idol’ Judge Kara DioGuardi Talks Ellen, Tension With Simon

‘I felt she had a really good handle on whether a contestant had a potential,’ she says of DeGeneres’ debut. By Eric Ditzian Ellen DeGeneres and Kara DioGuardi on “American Idol” Photo: Fox “American Idol” Hollywood Week kicked off on Tuesday night (February 9) with a slew of new faces up on the stage and one new face behind the judges’ table. Some singers soared (like Andrew Garcia with his soulful take on Paula Abdul’s “Straight Up”), while others crashed and burned (like Vanessa Wolfe and her shaky version of Blind Melon’s “No Rain”). Almost everyone could agree, though, that new judge Ellen DeGeneres rocked out on her “Idol” debut . Count Kara DioGuardi as one of the enthusiastic supporters. “When I was sitting next to her, I felt she had a really good handle on whether a contestant had a potential, whether they had star quality,” she said of Ellen during a conference call with reporters. “She knew if something was off in the vocals or in the performance. I thought she delivered the message with kindness, but also had criticism in there.” DioGuardi was also quick to dismiss rumors of any on-set tension between Ellen and fellow judge Simon Cowell. “I think you have to take any rumor you hear about ‘American Idol’ with a grain of salt — they’re usually not true,” she said. “Last year it was Kara and Paula [Abdul] fighting, hating each other, Kara sits in the corner. These things are just ridiculous. We’re all there to do one thing and that’s to find the greatest contestant, the greatest ‘American Idol’ winner we can find.” The Ellen/Simon contretemps wasn’t the only rumor DioGuardi responded to during the call. She also took a whack at reports that Howard Stern might be replacing Cowell at the judges’ table when he leaves the show at the end of the current season. “I don’t think he has musical background or any kind of music anything,” she said of Stern, clearly unhappy with the possibility. “If you’re going to replace Simon, you have to have that background, you have to be somebody who knows about signing great artists and being a part of their career from the very beginning to the very end. And then there’s perhaps the most talked about element of Tuesday night’s show: the new VitaminWater cups that replaced the long-established Coke cups on the judges’ table. What’s going on? Before being sure to point out that Coca-Cola owns VitaminWater, Kara gave the new cups a sort of Hollywood Week golden ticket. “They were kind of colorful, different,” she laughed. “Everything’s always changing on the show. I kind of just drink from the cup and assume there isn’t poison in it.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos Simon Cowell Leaves ‘American Idol’ Related Photos Who Should Replace Simon Cowell On ‘American Idol’? ‘American Idol’ Kicks Off In Boston

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‘American Idol’ Judge Kara DioGuardi Talks Ellen, Tension With Simon

American Idol Rundown: Ellen, Female Contestants, Guitars Rule Hollywood

Thank goodness it’s Hollywood week on American Idol . Goodbye embarrassing contestants, hello major talent! Before we get to that talent, however, let’s also greet Ellen DeGeneres… with open arms. Wasn’t she great on her first night as a judge? The comedian was funny (we loved when she had singers moving all around the stage before letting each one through), but also fresh and straightforward. Ellen won’t be Paula Abdul 2.0, sugarcoating every critique and covering up bad performances by telling the contestants how nice they look. She’ll bring the criticism, but in a humorous fashion, such as when she told one dude his routine “scared” her and resembled a leopard stalking his prey. As for the best of the night… Didi Benami has finalist written all over her. She came across as a more polished Brooke White, strumming her guitar and bringing an emotional singer/songwriter vibe. Probably our favorite performance. But the “infectious, real” Crystal Bowersox , as Simon put it, was a close second. She also relied on her guitar and had fellow contestants applauding before she even completed “Natural Woman.” The third impressive female was Haley Vaughn . Only 16, she offers a unique pop/country sound and a healthy dose of charisma. We were very happy to see her advance. Two men stood out, as well: Andrew Garcia proved that guitar-playing was a theme for the top performers so far, impressing the judges with a soulful acousting rendition of “Straight Up.” We wouldn’t refer to him as “genius” or compare him to Adam Lambert (closer to Kris Allen), as Kara did, but certainly someone to keep an eye on. The same can be said for Casey James , and not just because he took off his shirt for his initial, pre-Hollywood audition. We loved his bluesy number… played with the help of a guitar, of course. WHO WAS YOUR FAVORITE?

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American Idol Rundown: Ellen, Female Contestants, Guitars Rule Hollywood

How Did Ellen DeGeneres Do During Her ‘American Idol’ Debut?

DeGeneres quickly made her mark as a judge during first Hollywood Week episode. By Gil Kaufman Ellen DeGeneres on “American Idol” Tuesday Photo: Fox “So this is it,” Ellen DeGeneres said, staring into fellow judge Simon Cowell’s eyes as they sat down for the first day of Hollywood singing on Tuesday night’s (February 9) “American Idol.” “I come on, you leave.” And with that, that newest member of the “Idol” panel quickly made her mark on day one of work, immediately putting to rest weeks of chatter about Cowell’s imminent leave-taking at the end of this season and establishing what seems like a good-natured, jokey tension between the two new co-workers. DeGeneres tried to put the nervous singers at ease from the moment she first stepped onstage at Los Angeles’ Kodak Theater, telling the 181 wannabes, “I don’t know how you feel right now. … When people say, ‘What do you know about music?’ I’ll tell you what I do know: I do know what it’s like to stand on a stage and try to please an entire roomful of people. … That is a hard thing to do.” Though she got to sit down while the singers took the stage, DeGeneres made her presence felt, tossing off funny asides and coherent, helpful advice while flashing just enough of her signature wit to bring a fresh feeling to the judges’ panel. “You frighten me,” she told shticky singer Antonio “SkiiBoSki” Wheeler after his so-so run through “Ain’t Too Proud to Beg” in one of the night’s funnier moments. “You were stalking us. You were like a leopard behind a cage. … I was watching you looking at us like, ‘I’m gonna getcha.’ ” As the only judge to make comments, DeGeneres was firm and direct with her humorous suggestion to not frighten the audience and to remember the fine line between sexy and scary. Seemingly eager to put her “So You Think You Can Dance” guest-judging debacle behind her, DeGeneres spoke early and often, at points seemingly doing the impossible: shutting Cowell up. She also proved that she can match the acerbic Brit with her clever put-downs, riffing in one montage, “I’m tired as it is; that almost put me right out,” “It was crazy, I think, in a bad way” and reminding one contestant from Florida to wear shoes because “it’s filthy here. Hollywood is a disgusting town.” At one point, after Kara DioGuardi praised Andrew Garcia’s radical acoustic revamp of former judge Paula Abdul’s “Straight Up,” saying the onetime pop star would have loved it, DeGeneres threw her hands in the air and did a loving imitation of Abdul’s signature straight-armed hand clap — putting to rest any question of whether she feels awkward taking the former judge’s seat. And when Tennessee bridge-jumper Vanessa Wolfe was clearly overtaken by nerves, DeGeneres gave her Abdul-esque, caring advice: “You’re unique. I think you have a unique quality that you should embrace and just really accept who you are. You’re hiding inside and just scared to death. You gotta let go of that, because those nerves are gonna kill ya.” While she might have channeled Abdul for that critique, Ellen’s comments were mostly an antidote to the sometimes rambling, bizarre statements Paula made during her eight seasons on the show. It wasn’t all Ellen, however, as Cowell still got in plenty of harsh digs, eviscerating a number of performers who hid behind poorly played instruments and ill-conceived song choices. DeGeneres provided exactly what the panel lacked in the past: a strong, confident voice of reason with the right combination of humor and useful advice that could prove to be the first-ever challenge to Cowell’s domination of the critiques. “You have an amazing voice and you were very in that song,” she told mom rocker Mary Powers after a rough-and-tumble cover of Pink’s “Sober.” With tensions running high at one point, she played around with one group, telling them to step up, back, to the side and then up again before putting them all through to the next round to loud applause and laughs. Speaking to host Ryan Seacrest backstage at the top of the show, DeGeneres set the tone for what her likely contribution to the show will be: arch but broad humor. “There’s been a lot said about what kind of judge you will be on the show,” Seacrest said. “Kind, generous, honest, but at the same time pretty direct. And one of the few people I think that can be honest with Simon about how he takes on the contestants. Is that your plan?” Without missing a beat, DeGeneres shot back, “I’m sorry, I wasn’t listening.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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How Did Ellen DeGeneres Do During Her ‘American Idol’ Debut?

‘American Idol’ Hollywood Week Kicks Off With Ellen DeGeneres’ Debut

Judges send 95 singers through to Wednesday’s group round. By Gil Kaufman Ellen DeGeneres and Kara DioGuardi on “American Idol” Tuesday Photo: Fox Finally! After what felt like an eternity, “American Idol” served up the first dose of Hollywood Week on Tuesday night (February 9). In addition to the 181 potential superstars filing into the Kodak Theater, the show marked the debut of newest judge, talk-show host/ comedian Ellen DeGeneres, who quickly proved that she not only has plenty to say, but says it in an entertaining, thoughtful manner. “So this is it,” DeGeneres said, staring into fellow judge Simon Cowell’s eyes as they sat down for the first day of Hollywood singing. “I come on, you leave.” The quip immediately put to rest the weeks of chatter about Cowell’s imminent leave-taking at the end of this season and established what seems like a jovial tension between the two new co-workers. The singers came out in groups of eight, given the option to sing a cappella or with an instrument. The first bunch included 17-year-old Katie Stevens, who charmed the first time with a husky voice and a backstory that included her caretaking role for her aging grandmother. Cowell still liked her and Randy praised her natural talent, while the verging-on-annoying Antonio “SkiiBoSki” Wheeler might have worn out his welcome with a herky-jerky “Ain’t Too Proud to Beg.” “You frighten me,” DeGeneres said over loud laughter. “You were stalking us. You were like a leopard behind a cage. … I was watching you looking at us like, ‘I’m gonna getcha.’ ” But seriously, she said, don’t frighten your audience, don’t be so intense. “Sexy and scary, it’s a fine line.” He appeared to cross that line, as he didn’t make the cut, while Stevens did. The second group featured young dad Andrew Garcia , strumming former judge Paula Abdul’s “Straight Up” as a Jason Mraz-like acoustic jam that showed some serious soul and arranging chops. “That was genius,” Kara DioGuardi said. “Paula would be screaming and yelling and dancing,” she added, praising him for radically interpreting a song the way last season’s runner-up Adam Lambert did. Tennessee bridge jumper Vanessa Wolfe was shaken by a serious case of nerves, warbling her way through Blind Melon’s “No Rain.” Ellen praised her “unique quality,” encouraging her to embrace that special something. Garcia, not surprisingly, made the cut, while Wolfe’s first trip out of her small hometown came to a swift end. Also flaming out were jump-splitter Cornelius Edwards; Maegan Wright, the cosmetologist whose supportive little brother made a memorable appearance on the show; and Italian stallion Amedeo DiRocco, who begged for another chance to no avail after a shouty performance that didn’t live up to his initial promise. Tampa, Florida’s Janell Wheeler made another great impression with an acoustic-guitar ramble through Estelle’s “American Boy” that Ellen called “amazing.” They were also still feeling the love for another strummer, wannabe country star Haeley Vaughn,16, who did a charming sandpaper take on Taylor Swift’s “Change,” as well as 28-year-old rocker mom Mary Powers, who eerily channeled Pink on “Sober.” Both made it through to the next round, along with Fantasia co-star Todrick Hall , Chicago’s Charity Vance and Boston’s Ashley Rodriguez , one of 46 to make it through on day one. Day two dawned rough with annoying beatboxing from Miami’s Jay Stone, while Michael Lynche stepped to the mic as his wife was about to give birth to their first child, warning he had to make it or else he’d be in big trouble. The massive bodybuilder — who reportedly has been dropped from the show because his father is alleged to have blabbed about his son’s Hollywood trip — killed it with a gospel-y take on John Mayer’s “Waiting for the World to Change.” Sandwich maker Lilly Scott went quirky with an acoustic-guitar version of Ella Fitzgerald’s “Lullaby of Birdland,” which DioGuardi loved. “Everything about you is refreshing,” she gushed, just before putting Scott through. Also making it to the group round was Texas’ Tim Urban, who redeemed his initial weak audition with a strong take on David Cook’s “Come Back to Me,” while Utah cancer survivor Justin Williams was sent packing after an overly dramatic performance. Whip-cracking former “Barney” girl Erica Rhodes didn’t make it, and neither did tanned and teased Orlando, Florida, sisters Bernadette and Amanda Disimone . Maddy Curtis, the 16-year-old Virginia native who pulled heartstrings with the story of her four Down Syndrome brothers, also blew it with an uneven cover of Fitzgerald’s “The Nearness of You,” while shirtless wonder Casey James ripped it up and made it through with his gritty acoustic-blues cover of Ray Charles’ “I Don’t Need No Doctor.” In the last group, weepy Knoxville, Tennessee, waitress Didi Benami sang a touching take on DioGuardi’s “Terrified” that sounded like it was radio-ready. “I hate to admit it, but I really like that song,” Cowell said, adding that he also liked the idea of a just-folks waitress making it big. “It’s what it’s all about,” he told her. Dreadlocked Chicago single mom Crystal Bowersox brought some gritty rock/soul to Aretha Franklin’s “(You Make Me Feel Like a) Natural Woman,” getting the audience so hyped they threw in some impromptu backing vocals and a standing ovation, with both women making it through round two. In all, 95 advanced to Wednesday’s group round. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Hollywood Week Kicks Off With Ellen DeGeneres’ Debut