Tag Archives: peter jackson

Skyfall A Box Office Smash In U.K.; Donald Trump’s Post-Election Meltdown (And Reaction): Biz Break

Also in Wednesday morning’s round-up of news briefs, theater chains are OKing Peter Jackson ‘s Hobbit technology; Sundance Channel is developing programs by Robert Redford and Michael Fuchs; And the MPAA gives Obama a congratulations. MPAA Chief Chris Dodd Congratulates Barack Obama “I congratulate Barack Obama on his victory tonight. President Obama has demonstrated a great understanding of the importance of intellectual property to the fundamental strength of the American economy. In an era of partisan discord, there is bipartisan agreement that protecting American creativity and innovation is critical to our competitive edge in the global marketplace. I look forward to continuing to work closely with the Obama Administration to ensure the creative industries have every opportunity to thrive.” Around the ‘net… Theater Chains OK High Frame-Rate Hobbit Despite Format Challenges “Major exhibitors Regal and AMC lined up Tuesday to support Warner Bros. as it readies for the Dec. 14 U.S. release of Peter Jackson’s The Hobbit: An Unexpected Journey in the high frame rate of 48 frames per second. Meanwhile, the studio moves cautiously with its plans to introduce the theater technology, which has encountered a number of problems as it goes through a testing phase,” THR reports . Skyfall Results ‘Beyond Studio’s Wildest Dreams’ So far, Skyfall has exceeded the wildest dreams of even Eon, MGM and Sony, with a stunning £53.44m ($85.36 million) in just 10 days. Previously, no film had grossed £50m in 10 days in the UK. The final Harry Potter film managed an impressive £44.3m at that stage of its run, while Toy Story 3 stood at £39.8m after two weekends, The Guardian reports . Sundance Developing Dramas from Robert Redford, Michael Fuchs, More The AMC-owned network is developing five scripted dramas to join its legal entry from Oscar winner Ray McKinnon ( The Accountant ) hailing from producers including Sundance co-founder Robert Redford, THR reports . Donald Trump Has Twitter Meltdown After Election The Apprentice host said, “We can’t let this happen. We should march on Washington and stop this travesty. Our nation is totally divided!” he wrote. “Lets fight like hell and stop this great and disgusting injustice! The world is laughing at us. We can’t let this happen. We should march on Washington and stop this travesty. Our nation is totally divided!” Other celebs reacted via Twitter, including Alec Baldwin who wrote: “You trust the voters when they choose The Apprentice . But not now?” Yahoo reports .

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Skyfall A Box Office Smash In U.K.; Donald Trump’s Post-Election Meltdown (And Reaction): Biz Break

Skyfall Breaks U.K. Box Office Record; Peter Jackson Makes Hobbit Airline Safety Video: Biz Break

Also in Friday morning’s round-up of news briefs, Jodie Foster will be this year’s recipient of the Golden Globes ‘ Lifetime Achievement Award; Jack and Diane and A Late Quartet are among this weekend’s previewed Specialty Release newcomers; And Showtime set for new Roman Polanski doc. Skyfall Passes Last Harry Potter to Break 7-Day UK Record The latest James Bond pic is now the biggest 7-day gross of all time in the U.K. with $59.86 million, overtaking Harry Potter and the Deathly Hallows – Part 2 which grossed $57.4 million. The 23rd Bond pic opened October 26 in Britain and was its biggest 2-D opening weekend, Deadline reports . Jodie Foster to Receive Golden Globes’ Lifetime Achievement Award The Hollywood Foreign Press Assoc. said it will give the two-time Oscar and Globes winner its Cecil B. DeMille Award at the 70th annual Golden Globes ceremony on January 13th, Huffington Post reports . Peter Jackson Makes Cameo in Airline Safety Video Peter Jackson has made a cameo appearance in the on board safety film for Air New Zealand. The airline’s new safety video was made as an ode to Jackson’s upcoming Hobbit films, BBC reports . Specialty Release Preview: The Bay , A Late Quartet , Jack and Diane , This Must Be the Place Box office repercussions of Hurricane Sandy likely will continue this weekend in the Specialty market. Two releases, A Late Quartet and This Must Be the Place were set for launches at the Sunshine Theater in Manhattan’s Lower East Side which is still without electricity. Con Edison notified customers in the area today that power is estimated to return Saturday at 11PM. Magnolia Pictures will roll out Jack And Diane whose director Bradley Rust Gray lured a nice cache of talent, Deadline reports . Showtime to Debut Roman Polanski Documentary Roman Polanski: Odd Man Out will bow in 2013. The film is a follow-up to Roman Polanski: Wanted and Desired by Marina Zenovich. The latter recounts the filmmaker’s arrest in 2009 in Switzerland en route to the Zurich Film Festival, facing extradition to the U.S., THR reports .

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Skyfall Breaks U.K. Box Office Record; Peter Jackson Makes Hobbit Airline Safety Video: Biz Break

WATCH: ‘Leaked’ ‘Evil Dead’ Trailer Is Now Official! Compare It To Sam Raimi’s Original

The Evil Dead  Red Band trailer has arrived, and it turns out to be the same one that had audiences at NY Comic-Con screaming in their seats (and, apparently, leaking it on the web) . If you can stomach it, make sure to hang tight for the tongue-slicing scene at the end.  It will make you talk funny for hours.  I’ve also posted the trailer to Sam Raimi’s  original 1981 film, The Evil Dead , so that you can compare elements of the first film with Uruguayan director Fede Alvarez’s remake .  As with most contemporary reboots,  Alvarez’s moves a lot faster. (He’s even lost the ‘The’ in the title for a more streamlined effect.)  That said, the new trailer suggests that his Evil Dead will borrow some of Raimi’s filmmaking flourishes, particularly the way in which the camera would take the perspective of the evil spirit that infects the unfortunate cabin dwellers.  Like the original, Alvarez’s version also has scenes involving evil vines and dismemberment by power tools, including what looks like a chain saw. Despite these similarities, when I interviewed Bruce Campbell at NY Comic-Con , he told me that the new Evil Dead, which opens early next year, will actually be quite different.  For one thing, Campbell — who starred in the original trilogy and is a producer of the remake — said Alvarez’s version will be “dead serious” and won’t feature an Ash, the character he played. “There are no similar characters whatsoever. And we wanted that. That was intentional,” Campbell explained. “We didn’t want anything compared to anything. We didn’t want to put any burden on any actor to act like Ash or to imitate him.” Related Story: Read Movieline’s interview with Bruce Campbell. Read More at: http://movieline.com/2012/10/14/bruce-campbell-interview-evil-dead-remake-fede-alvarez-jane-levy-sam-raimi/#utm_source=copypaste&utm_campaign=referral Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: ‘Leaked’ ‘Evil Dead’ Trailer Is Now Official! Compare It To Sam Raimi’s Original

Idris Elba A Possible Heir To James Bond Role

Speculation is mounting in the U.K. over who will take over the reins as 007 post- Daniel Craig . Bond girl Naomie Harris delivered a bit of a news flash, saying that the next 007 may be Idris Elba . If so, the star of The Wire and films Prometheus and Thor would become the first non-Caucasian James Bond in his eternal 50 years. Harris hinted that Elba met with Bond producer Barbara Broccoli about the possibility. Even if he is the eventual heir, he would have plenty of time to hone in on his 007 skills. Current Bond incarnate Daniel Craig has signed on for at least two more rounds as the virile British spy. “I didn’t realize that there was this talk and then I did a film with Idris and he said that he met Barbara Broccoli and that it does seem like there is a possibility in the future that there could very well be a black James Bond,” she told Huffington Post. “And I would have to vote for Idris because I just finished working with him and he’s a great guy.” Idris alluded to the role earlier this year, saying he wouldn’t want to be identified as the ‘black’ James Bond. “I don’t want to be the black James Bond. Sean Connery wasn’t the Scottish James Bond, and Daniel Craig wasn’t the blue-eyed James Bond, so if I played him, I don’t want to be called the black James Bond.” At 44, Daniel Craig said he doesn’t want to carry the 007 mantle beyond his years and said the time will come when he has to step out of the part. “I am not going to outstay my welcome. Someone else will have to have the chance to have a crack at this,” he said. The latest Bond pic Skyfall opens in early November in the U.S. [ Sources: Yahoo! Movies U.K. , Huffington Post ]

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Idris Elba A Possible Heir To James Bond Role

Peter Jackson Says ‘Hobbits R Us’ − And Other Spoilery Secrets Of ‘An Unexpected Journey’

If you’d like Peter Jackson’s The Hobbit: An Unexpected Journey to be a total surprise when it opens on Dec. 14, then, by all means, skip to another post on this page.  You won’t want to read my reference to a very in-depth — and whimsically illustrated — piece on the secrets of the first installment of the Hobbit trilogy. The piece, entitled “Massive Secrets of The Hobbit - Revealed!”  was written and drawn by Lauren Davis after a visit to the set of The Hobbit in Wellington, New Zealand this past spring.  Since cameras were forbidden, Davis drew the illustrations that accompany her report,  which provides the back stories of dwarves, secrets of Thorin’s sword and behind-the-scenes look at the Hobbit homeland, Hobbiton, where the female of the species dress in the style of 18th-Century Sardinian women. Jackson also explains that because the first Hobbit adventure is meant to be a tad lighter than The Lord of the Rings trilogy, the Ring’s effects  on Bilbo will be noticeable but not as dark as they were in the first films. Jackson says moviegoers will see some of the Shadow World when Bilbo slips on the Ring, “but it won’t be so nightmarish,” he explains in Davis’ report because, “It’s in its infancy, before attracting the Eye of Sauron.”   Similarly, costume designer Bob Buck explains that the Hobbit homeland, Hobbiton, will also be depicted as a much more colorful place because the ring has not been there to “suck the life out ” of the place. Which can happen, too, if you read too many spoilers.  Just sayin’, Precious. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter. 

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Peter Jackson Says ‘Hobbits R Us’ − And Other Spoilery Secrets Of ‘An Unexpected Journey’

WATCH: Peter Jackson’s Hobbit Video Reveals Over Ten Minutes of Behind the Scenes Footage

Hobbit director Peter Jackson is nothing if not a man of the people, so when he took to San Diego’s Comic-Con earlier this month to present footage to 6,000+ lucky fans shortly after wrapping, he recorded a video diary to share with the rest of the Lord of the Rings faithful. Watch as Jackson navigates the perils of press junkets and Hall H’s screaming fans, filming on his trusty iPhone along the way! Or, y’know… skip ahead a few minutes to fantastic 10+ minutes of behind-the-scenes peeks from the set of The Hobbit . The set footage is the real treat for fans hungry for Hobbit peeks, but you’ve got to also hand it to Jackson and his videography crew for interviewing just about everybody involved in production, down to the freaking key grip. And yet, my favorite part? Mark Hadlow in costume as the Dwarf Dori, quoting Anchorman . Runner-up line of the vid: “I’ve never worked on such a hairy movie.” The Hobbit: The Unexpected Journey hits theaters December 14, with its conclusion, There and Back Again , following in 2013. [ Peter Jackson via Facebook ]

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WATCH: Peter Jackson’s Hobbit Video Reveals Over Ten Minutes of Behind the Scenes Footage

The Hobbit, The Silmarillion, and 48 FPS: More Tolkien In Store for Peter Jackson?

After bringing 12 minutes of The Hobbit to Comic-Con — where Peter Jackson purposefully did not present footage in the 48 frames per second/3-D presentation that perplexed audiences at CinemaCon — the Lord of the Rings filmmaker spoke further about his desire to explore even more ground in the fantasy universe created by J.R.R. Tolkien. One possibility may be a third Hobbit film culled from Tolkien’s expansive LOTR notes and appendices, though Jackson admitted that the author’s posthumously published Silmarillion might present more of a challenge. Familiar faces filled the screen in the Hobbit preview, which gave Comic-Con fans glimpses of Cate Blanchett’s Galadriel, Ian McKellan’s Gandalf, Orlando Bloom’s Legolas, and new cast member Martin Freeman as Bilbo Baggins in the two-parter, which will hit screens in December 2012 and 2013. Speaking with press, Jackson acknowledged his choice to present the footage in 2-D rather than the 48 fps that earned mixed-to-negative buzz at CinemaCon. “We have to try to figure out ways to make this cinematic experience much more spectacular, more immersive,” he said. “But you know, Hall H isn’t the place to do it.” Neither is showing just ten minutes of footage in 48 fps an adequate way to introduce the format to thousands of uninitiated fans who may not even be used to big screen 3-D, he insisted. CinemaCon seems to have also taught Jackson not to let 48 fps overshadow the actual film at hand. “I didn’t want to repeat the CinemaCon experience where literally people see this reel and all they write about is 48 frames a second. That doesn’t do us any good. It doesn’t do 48 fps any good. To accurately judge that, you really need to sit down and watch the entire film.” Meanwhile, Jackson and collaborators Philippa Boyens and Fran Walsh are in the early stages of looking at a potential third Hobbit film based on the vast 125-page appendices in Tolkien’s Return of the King , some of which was used to flesh out The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again . “Philippa and Fran and I have been talking to the studio about the other things we haven’t been able to shoot and seeing if we can possibly persuade them to do a few more weeks of shooting — possibly more than a few weeks, actually — a bit of additional shooting next year,” Jackson said. “There are other parts of the story that we’d like to tell that we haven’t had the chance to tell yet.” Jackson looked to the additional Tolkien notes to fill in certain character backstories and events missing from the primary texts. “For instance, in The Hobbit where Gandalf mysteriously disappears for chapters on end and it’s not really explained in any detail where he’s gone, much later Tolkien fleshed those out in these appendices,” he explained. “It was altogether a lot more dark and more serious than what was written in The Hobbit . And I do want to make a series of movies that run together so if any crazy lunatic wants to watch them all together in a row, there will be a consistency of tone.” A completist’s cinematic tour of the LOTR world might include Tolkien’s Silmarillion , a collection of universe-building mythology edited and posthumously published by Tolkien’s son Christopher in 1977. The problem, Jackson says, is in who controls the rights to the work. “ The Silmarillion is the big volume, but that’s owned by the Tolkien estate,” he said. “It’s not owned by Warner Bros. or MGM — and I don’t think the Tolkien estate are very fond of these movies, so I wouldn’t expect to see The Silmarillion any time soon.” Read more from Comic-Con 2012 here. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Hobbit, The Silmarillion, and 48 FPS: More Tolkien In Store for Peter Jackson?

Spider-Man Amasses Cash, Hobbit Concludes Principal Photography: Biz Break

In Friday morning’s round-up of news briefs, The Amazing Spider-Man drums up solid numbers at the box office, while Peter Jackson’s latest concludes shooting. Several of this weekend’s new specialty releases are profiled; AMC ticket takers are taking the chain to court. And Valley Girl is getting a re-do. Amazing Spider-Man Spins $75.5M After Three Days The pic made about $16.3M on Thursday and is expected to make about $140M in its first six days of release, which would make it 27th in the record books for the time period, Deadline reports . Previews of Specialty Releases Hitting Theaters This Weekend Here is the lowdown and some insider info on some of this weekend’s newest limited release titles including The Do-Deca-Pentathlon , China Heavyweight , Collaborator and Crazy Eyes , Deadline reports . Hobbit Pic Completes Principal Photography Peter Jackson has finished shooting his two Hobbit films, four months ahead of when the first is due to open in theaters. The director posted on Facebook from New Zealand, which was “shoot day 266,” Variety reports . AMC Theatres Ticket Takers Sue Over Being Forced to Stand It’s alleged the movie theater chain forced its box office cashiers and ticket takers to were forced to stand though their tasks could have allowed them to sit in violation of California regulations, THR reports . Valley Girl Remake Signs a Writer A remake of the 1983 movie that helped launch the career of Nicholas Cage is in the works with Marti Noxon set to re-write the teen romance about a “valley girl” who falls for a punk rocker from the other side of the tracks. Newcomer Clay Weiner is set to direct the MGM and Paramount production, The Tracking Board reports .

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Spider-Man Amasses Cash, Hobbit Concludes Principal Photography: Biz Break

Peter Jackson: Everyone Just Chill Out About 48 FPS Hobbit

Peter Jackson is currently experiencing the direct opposite of the CinemaCon Oscar Hype phenomenon explored here last week, with his Hobbit — shot at the adventurous rate of 48 frames per second — drawing more than a few skeptics out of the geek woodwork. This calls for damage control. “Nobody is going to stop,” Jackson told EW late Friday, days after his 10-minute Hobbit preview was dismantled by the CinemaCon press corps. “This technology is going to keep evolving.” That wasn’t all, and oddly or not, Jackson’s admonitions didn’t sound so different from those of CinemaCon darling Ang Lee , who would really rather you just wait and see the entire movie before leaping to conclusions: “At first it’s unusual because you’ve never seen a movie like this before. It’s literally a new experience, but you know, that doesn’t last the entire experience of the film–not by any stretch, [just] 10 minutes or so,” Jackson tells EW. “That’s a different experience than if you see a fast-cutting montage at a technical presentation.” So what does he say to people who just decide they don’t like the glossy new look of the format he’s using? “I can’t say anything,” Jackson acknowledges. “Just like I can’t say anything to someone who doesn’t like fish. You can’t explain why fish tastes great and why they should enjoy it.” When it debuts Dec. 14., The Hobbit: An Unexpected Journey will be the first major performance for 48-frames, while this week’s showcase was just an audition. Jackson says those who remain unconvinced should wait to see more before closing their minds completely. “There can only ever be a real reaction, a truthful reaction, when people actually have a chance to see a complete narrative on a particular film,” he said. Now watch it sweep the Oscars . I’m just saying. [ EW ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Peter Jackson: Everyone Just Chill Out About 48 FPS Hobbit

Oscar Doc Preview: Ken Burns’s Central Park 5 Vs. Peter Jackson’s West Memphis 3?

Are the Central Park Five the next West Memphis Three? The teenagers wrongfully convicted in the vicious 1989 rape and beating of jogger Tricia Meili — and only released after the actual attacker came forward in 2002 — will be showcased in a forthcoming Ken Burns documentary entitled, appropriately enough, The Central Park Five . And while the film was funded in part by Burns’s longtime patrons at PBS, the two-time Oscar nominee and four-time Emmy winner (who co-directed the project with his daughter Sarah Burns and son-in-law David McMahon) is taking the film to Cannes next month with the hope of finding a theatrical distributor: “We want to do it [theatrically] because the running time makes it manageable, and there’s something urgent about it,” he told TV Guide this week. This sounds… familiar? At least a little familiar, anyway: Directors Joe Berlinger and Bruce Sinofsky made the festival rounds last year with their HBO-produced documentary Paradise Lost 3: Purgatory , another chronicle of miscarried justice made right-ish with the release — if not the exoneration — of wrongly convicted “West Memphis 3” murder suspects Damien Echols, Jessie Misskelley and Jason Baldwin. After arranging a qualifying run for Oscar consideration (and helping prompt Academy rule changes ), the film went on to lose this year’s Best Documentary Feature to the stirring football doc Undefeated . That theoretically cleared a path for the Peter Jackson-produced WM3 doc West of Memphis , recently acquired by Sony Pictures Classics , to cruise to the front of the preliminary 2013 Oscar pack. Meanwhile, Burns and Co. have cited some canny timing of their own: The Central Park Five’s wrongful conviction lawsuits brought against New York City, which plaintiffs Antron McCray, Kevin Richardson, Raymond Santana, Kharey Wise and Yusef Salaam are expected to finally bring to court in “the next year or two,” according to TV Guide’s Gregg Goldstein : One of the main financiers, PBS, has tentative plans to air the doc next year, but is open to a 2014 broadcast depending on its theatrical rollout. “We’d hope for some kind of harmonic convergence, where this story could be spread on the eve of the trial and potentially affect the outcome,” says McMahon, a producer/writer on Burns’ 2010 PBS doc Baseball: The Tenth Inning . “It would seem only fair, given that media coverage affected the outcome of the original trial.” The idea for the film came in 2006, two years after Sarah Burns began writing her May 2011 book, The Central Park Five: A Chronicle of a City Wilding . When production began three years ago, it was planned as a feature produced by the trio and directed solely by Ken Burns. “In the end, those ultimate decisions made in the editing room were all of ours, so it became clear we should all be directors of the film,” says Sarah Burns, who’s been involved with the case for nine years. She met two of the men during a college internship at a law firm and also wrote her undergraduate thesis on the case. The film marks the 29-year-old’s first effort on any documentary, McMahon’s first helming duties, and has several distinctions from a typical “Ken Burns film.” Goldstein explains those distinctions in his piece, but for our own radically speculative purposes, is there any more distinct difference than Oscar-readiness? Burns hasn’t earned a nomination since 1986, when he shared a nod for his Statue of Liberty centennial doc, and if a guy like Harvey Weinstein — the Oscar-doc incumbent who might as well kiss his awards chances for Bully goodbye — can get a hold of this, there’s no telling what the 2013 race might look like. Just throwing it out there… [ TV Guide ]

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Oscar Doc Preview: Ken Burns’s Central Park 5 Vs. Peter Jackson’s West Memphis 3?