Tag Archives: picture

Britney Spears Has Powerful Nipples

Here are some shocking pictures of Britney Spears exposing her nipples in a parking lot through her tank top the other day. Alright, these are just an everyday occurrence with the pop princess, but I needed to punch it up a bit because we see her wonky nipples so often that we’ve just gotten used to it. They’re losing their appeal. She looks like she’s wearing a bra too, those things must pretty damn powerful, I bet they beat up other celebrity nipples at parties. more pictures of Britney Spears here

Daniel Radcliffe To Star In ‘All Quiet On The Western Front’

‘Harry Potter’ actor will play young German soldier fighting in World War I. By Adam Rosenberg Daniel Radcliffe Photo: Alberto E. Rodriguez/ Getty Images Daniel Radcliffe is set to move from the magical classrooms at Hogwarts to the mud-spattered trenches of World War I. The “Harry Potter” star, who only recently wrapped shooting on the two-part series conclusion of “Harry Potter and the Deathly Hallows,” is looking at another literary adaptation for his next film: Erich Maria Remarque’s novel “All Quiet on the Western Front.” Variety reports that the “Potter” star will lead the “All Quiet” cast as Paul Baumer, a young German soldier who is sent with his friends to fight in the trenches. Unlike other popular war stories, Remarque’s book eschews themes of heroism and instead presents a bleak tale of young men whose daily lives vacillate between crushing boredom and mortal terror, examining the effects such an existence has on their psyches. “All Quiet on the Western Front” has been adapted for big screens before, as well as for television and radio. Indeed, Lewis Mileston’s 1930 version won an Oscar for Best Picture (becoming the first non-musical talkie to do so), leaving this latest attempt with quite a lot to live up to. Radcliffe comes to the project after falling for the script, which comes from Ian Stokell and Lesley Paterson, who are also producing under the Sliding Down Rainbows Entertainment banner. The “Potter” star is currently committed to performing on Broadway in “How to Succeed in Business Without Really Trying”; “All Quiet” shooting will kick off in spring 2012, after Radcliffe finishes with his theater commitments in 2011. Radcliffe might be finished in front of the film cameras for “Deathly Hallows,” but he’ll spend the next year-plus posing for press photos as he promotes the two-part series closer. The first of the two films hits theaters this year, on November 19, and the conclusion follows months later, on July 15, 2011. Check out everything we’ve got on “Harry Potter and the Deathly Hallows, Part 1.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Daniel Radcliffe To Star In ‘All Quiet On The Western Front’

Adriana Lima Topless For V Magazine

This picture is pretty self explanatory if you ask me, Adriana Lima without her top on for the cover of V Magazine . I don’t know what V Magazine is, but someone should tell them that their stupid giant V is blocking my view of Adriana’s supermodel nipples. Not cool guys, if there was ever a time for a lower case v this would be it. Thanks for nothing.

‘Cyrus’: Bad Seed, By Kurt Loder

Jonah Hill goes dark. Jonah Hill, Marisa Tomei and John C. Reilly in “Cyrus” Photo: Fox Searchlight Jonah Hill has been a reliable comic presence in films for half a dozen years now. But in his Judd Apatow movies — especially “Superbad” — we began to see that he was capable of more than just roly-poly second-banana parts. So it’s been a pleasure to discover, in “Get Him to the Greek,” that Hill also has the makings of a convincing romantic lead; and now, in “Cyrus,” to find him at home in the darkly devious role of an overgrown mama’s boy from Hell. The picture is funny, but it has stalker-flick overtones that are unsettling, and the deft assurance with which Hill navigates its ambiguous narrative is impressive. The movie opens on John (John C. Reilly), an L.A. film editor and emotional basket case. He lives alone in a dreary apartment and has just learned from his ex-wife Jamie (Catherine Keener) that she’s getting married again. Jamie is still John’s best friend; she wants him to find a new love of his own, and she invites him to a party where there’ll be lots of possibilities. John gets loaded, though, and his come-ons to various women in attendance grow increasingly pathetic. (“I’m in a tailspin,” he tells one. “I have to make a phone call,” she says.) Then, however, he’s approached by Molly (Marisa Tomei), who’s been watching him and thinks he’s sweet. They go back to his place together. They go to bed. (“You’re a sex angel,” he says gratefully.) Come the dawn, though, she’s gone — although she has left behind an encouraging note. She returns the next night, and they have sex again — in fact, they’re falling in love. But once more she has to leave. “Are you a secret agent or something?” John asks. Molly is actually a single mom. And when John follows her back to her own apartment, he discovers that she lives with her son, Cyrus (Hill), who’s 21 years old, but still neurotically possessive about Molly, and, as we learn, dedicated to repelling any suitors. At first, Cyrus is oddly welcoming. (“It’s good to finally have a new dad,” he tells John.) Behind John’s back, though, this strange man-child is scheming to snuff out his mother’s kindling love affair. John is a little perplexed by Molly’s relationship with her son. They sing in the bathroom together while Molly’s taking a shower. They roll around in the park like a couple of tussling kids. Can John somehow insert himself between these codependent characters and win Molly for his own? Not if Cyrus has anything to say about it. Mumblecore kings Jay and Mark Duplass (“Baghead”) wrote and co-directed the movie, as is their usual practice. This time, though, they’ve been given a budget big enough to hire well-known actors. The picture still has the brothers’ familiar indie flourishes — sudden shaky camera zooms and an improvisational looseness — but the lead performers bring a professional heft to the picture that’s new to the Duplass oeuvre. The dialogue is sharply funny. (As his battle with Cyrus spins out of control, John hisses, “Do you know what it feels like to be knocked unconscious?”) But there are also moments that suggest the story could go in a chillier direction. (When John and Molly are about to have sex in the living room, they suddenly notice Cyrus sitting in the shadows, watching them. “Can I have a hug?” he asks.) For its first half, the film’s atmospheric uncertainty keeps us wondering which way it will go. The movie isn’t entirely successful — it’s sometimes too loose — but it’s an unusual ride. And like Cyrus, we keep holding on. Check out everything we’ve got on “Cyrus.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Cyrus’: Bad Seed, By Kurt Loder

‘Toy Story 3’: The Reviews Are In!

Pixar’s third adventure, now in 3-D, is ‘a near-perfect piece of popular entertainment,’ one critic writes of Woody, Buzz and the gang. By Eric Ditzian Lots-o’-Huggin’ Bear and Buzz Lightyear in “Toy Story 3” Photo: Disney/Pixar Pixar has done pretty well for itself over the last 15 years. The studio has yet to release a film that failed to hit the $360 million mark. “Finding Nemo,” the company’s top box-office earner, ended its theatrical run with $868 million in ticket sales. Pixar’s most recent offering, “Up,” didn’t fair too badly either, soaring to a $723 million gross last year. Given such financial triumphs, the anticipated box-office performance of “Toy Story 3,” which arrived on Friday (June 18), is nothing short of staggering. Early tracking and pre-sales suggest the third adventure of Woody and his pals will enjoy Pixar’s biggest opening ever, raking in as much as $100 million over the weekend. Thanks, premium 3-D ticket prices! Yet B.O. bucks aside, the question remains: Is the flick any good? Is this third installment of the franchise — which finds Woody, Buzz and the gang are stranded at a wacky day care center, where they struggle to find Andy, their longtime owner, before he heads off to college — worth your hard-earned cash? The answer, according to critics, is a resounding, “Yes!” ” ‘Toy Story 3’ is as sweet, as touching, as humane a movie as you are likely to see this summer, and yet it is all about doodads stamped and molded out of plastic and polyester,” wrote A.O. Scott of The New York Times. “Therein lies its genius, and its uncanny authenticity. A tale that captured the romance and pathos of the consumer economy, the sorrows and pleasures that dwell at the heart of our materialist way of life, could only be told from the standpoint of the commodities themselves, those accretions of synthetic substance and alienated labor we somehow endow with souls.” That’s some high praise, and Scott is not alone. Some reviewers are even convinced that “Toy Story 3” is Pixar’s finest recent effort, better even than “Up,” which nabbed a Best Picture Oscar nomination. ” ‘Toy Story 3’ is a better film than ‘Wall-E’ and ‘Up’ in that it succeeds completely in conventional terms,” the San Francisco Chronicle ‘s Mick LaSalle said. “For 103 minutes, it never takes audience interest for granted. It has action, horror and vivid characters, and it always keeps moving forward.” Speaking of those vivid characters, the film introduces us to some memorable new toys. “The movie has delirious fun with Big Baby, a damaged infant doll who’s a rubbery, droopy-eyed zombie,” wrote Entertainment Weekly ‘s Owen Gleiberman. “And then there’s Ken — yes, the Ken (voiced by Michael Keaton, having a ball), who’s a different sort of zombie, a polyester-brained dandy who lives in a dollhouse and wishes that it were still hip to be square. Like every other toy in the film, he comes with his own hilariously specific mental universe.” And what of the flick’s CGI animation and 3-D effects? Everyone seems to agree that “Toy Story 3” looks stunning. “Pixar’s animation skills have improved massively since ‘Toy Story 2,’ ” Katey Rich wrote on CinemaBlend.com . “And the 3-D only enhances the rich texture of [pink plush bear] Lotso’s fur or Ken’s flashy clothes; the ‘Toy Story’ movies have always thrilled us by giving us a new perspective on our own world, and the 3-D adds to that immersion in all the little details only Woody or [toy dinosaur] Rex would see. The movie is heavy on action sequences and executes each flawlessly, providing the sense of space and high stakes that few live-action films ever accomplish. Director Lee Unkrich, inheriting duties from John Lasseter, has a crack sense of timing, and even when the story strays a little Unkrich moves the story forward persistently without ever seeming rushed.” We’ll give the final word to Dana Stevens of Slate : ” ‘Toy Story 3’ is a near-perfect piece of popular entertainment, a children’s classic that will be watched and loved when my daughter’s (and one day, her daughter’s) now-beloved toys are gathering dust in a basement. Sh– — now I’m crying again.” Check out everything we’ve got on “Toy Story 3.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos “Toy Story 3”

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‘Toy Story 3’: The Reviews Are In!

‘Jonah Hex’: Dead Man Walking, By Kurt Loder

The venerable comic-book cowboy comes to life … sort of. Josh Brolin in “Jonah Hex” Photo: Warner Bros. “Jonah Hex” is about as anti- as a hero can get. It’s not just his chewed-up cowboy hat, his bullet-riddled duster and his perma-surly disposition. It’s the melted skin running down one side of his face and the ugly hole torn in the flesh next to his mouth (which makes whiskey-drinking a messy enterprise, but not — as we see just before he shoots up a barroom full of bad guys — an impossible one). In cooking down 38 years’ worth of DC comics for “Jonah Hex,” the new movie, director Jimmy Hayward and his writers have produced a lumpy soup of western action and supernatural shenanigans, heavily spiced with narrative confusion. The story leaps back and forth in time, and while the picture is sometimes funny, possibly intentionally, at some points it’s anybody’s guess what’s going on. In playing Jonah, Josh Brolin is stuck with a character whose facial constriction reduces him to little more than a walking bad attitude — he’s like Clint Eastwood’s old Man with No Name in the Sergio Leone westerns but without the warmth. The time is just after the Civil War (at least when it’s not during the Civil War). We learn that Jonah was framed for the betrayal of his Confederate battle unit, which resulted in the death of his friend, Jeb Turnbull (Jeffrey Dean Morgan). Jeb’s demented father, Quentin (John Malkovich in full cuckoo mode), retaliated by killing Jonah’s wife and son, and disfiguring his face with a red-hot branding iron. Now (or sometimes now) Jonah roams the West as a bad-ass bounty hunter, his only love connection a beautiful whore named Lilah (Megan Fox). When Ulysses S. Grant (Aidan Quinn), president of the newly reunited States, learns that Turnbull is creating a “super-weapon” that will be a “nation-killer,” he recruits Jonah to stop him. Our battered hero is well-equipped to do so. After a close call with death some years back, Jonah was left with one foot in the spirit world; and so while he spends much of the movie being shot and beaten, he appears to be unkillable. He’s attended by a pack of hellhounds (“I wouldn’t try to pet ’em if I was you”) and has the useful gift of bringing dead men back to life with a touch of his hand. (“I’m sorry I killed you,” he tells one corpse, after raising him from the grave. Says the dead guy: “I’d better be getting back under ground.”) Jonah also has a taste for esoteric weaponry — saddle-mounted Gatling guns, dynamite-firing crossbow pistols — and a talent for dodging bullets by simply leaning back a bit to let them fly by (past our madly rolling eyes). The lovely Lilah is no slouch in the slick department, either: When she and Jonah are handcuffed to an overhead rod, the cuffs suddenly snap free, and she brandishes a lock pick. “My mama didn’t raise no fool,” she says. (To which we reply, “What the hell … ?”) Despite the picture’s wall-to-wall uproar — train-jackings, bullet storms, incessant detonations — there’s little excitement to it. The action is furious from the outset and remains at that level throughout, increasingly diluting its intended effect. And the dialogue, which I take to be satirical, never quite meshes with the film’s heavy violence. Like its half-dead protagonist, the movie never comes completely alive. Check out everything we’ve got on “Jonah Hex.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos Exclusive ‘Jonah Hex’ Clip MTV Rough Cut: Megan Fox In ‘Jonah Hex’ Related Photos ‘Jonah Hex’

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‘Jonah Hex’: Dead Man Walking, By Kurt Loder

Leonardo DiCaprio To Star In J. Edgar Hoover Biopic

The movie, penned by ‘Milk’ screenwriter Dustin Lance Black, will be directed by Clint Eastwood. By Adam Rosenberg Leonardo DiCaprio Photo: Michael Buckner/ Getty Images Leonardo DiCaprio is no stranger to the Federal Bureau of Investigation. In “Catch Me If You Can” he was constantly one step ahead of the FBI as legendary scam artist Frank Abagnale Jr. He also earned the domestic intelligence agency’s attention as industrialist Howard Hughes in “The Aviator.” Now DiCaprio is set to lead the FBI, playing its very first director, J. Edgar Hoover. Deadline Hollywood reports that the “Shutter Island” star will take on the challenging task of bringing the controversial Hoover’s life to the big screen in a biopic to be directed by Clint Eastwood, who is also producing with Brian Grazer’s Imagine Entertainment. The script comes from Dustin Lance Black, the Oscar-winning screenwriter of “Milk.” Deadline further reports that the film is untitled, though IMDb identifies it simply as “Hoover.” A great deal of controversy surrounds the life of the FBI’s first director. Hoover served in a leadership role over the FBI and its precursor organizations for a total of 48 years. Although he is credited as being responsible for instituting many of the bureau’s grand-scale crime-fighting techniques, he has also been accused of misusing his power for political purposes and employing illegal methods in evidence-gathering. Following Hoover’s reign, the FBI instituted a 10-year maximum term for all directors. As for Hoover’s personal life, it is fraught with rumors that he was a closeted homosexual and cross-dresser. Many of these allegations come from untrustworthy sources and have been refuted, but it remains to be seen how Black chose to handle that aspect of the FBI director’s life in his script. DiCaprio teamed with filmmaker Martin Scorsese earlier in the year — their fourth collaboration — for an adaptation of the Dennis Lehane novel “Shutter Island.” The actor also has a major summer blockbuster coming next month, sci-fi action/thriller “Inception,” from “The Dark Knight” director Christopher Nolan. Eastwood has shifted in his later years from grizzled cowboy actor to respected filmmaker. He picked up Oscar nominations for “Mystic River” and “Letters From Iwo Jima,” and he took home Best Director and Best Picture awards in 2005 for “Million Dollar Baby,” a film for which he also received a Best Actor nom. Eastwood is set to release his latest directing effort, “Hereafter,” later this year. The Peter Morgan-penned supernatural thriller stars Matt Damon and Bryce Dallas Howard. “Hoover” is tentatively scheduled for a 2012 release. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos The Evolution Of: Leonardo DiCaprio

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Leonardo DiCaprio To Star In J. Edgar Hoover Biopic

‘Jonah Hex’: Dead Man Walking, By Kurt Loder

The venerable comic-book cowboy comes to life … sort of. Josh Brolin in “Jonah Hex” Photo: Warner Bros. “Jonah Hex” is about as anti- as a hero can get. It’s not just his chewed-up cowboy hat, his bullet-riddled duster and his perma-surly disposition. It’s the melted skin running down one side of his face and the ugly hole torn in the flesh next to his mouth (which makes whiskey-drinking a messy enterprise, but not — as we see just before he shoots up a barroom full of bad guys — an impossible one). In cooking down 38 years’ worth of DC comics for “Jonah Hex,” the new movie, director Jimmy Hayward and his writers have produced a lumpy soup of western action and supernatural shenanigans, heavily spiced with narrative confusion. The story leaps back and forth in time, and while the picture is sometimes funny, possibly intentionally, at some points it’s anybody’s guess what’s going on. In playing Jonah, Josh Brolin is stuck with a character whose facial constriction reduces him to little more than a walking bad attitude — he’s like Clint Eastwood’s old Man with No Name in the Sergio Leone westerns but without the warmth. The time is just after the Civil War (at least when it’s not during the Civil War). We learn that Jonah was framed for the betrayal of his Confederate battle unit, which resulted in the death of his friend, Jeb Turnbull (Jeffrey Dean Morgan). Jeb’s demented father, Quentin (John Malkovich in full cuckoo mode), retaliated by killing Jonah’s wife and son, and disfiguring his face with a red-hot branding iron. Now (or sometimes now) Jonah roams the West as a bad-ass bounty hunter, his only love connection a beautiful whore named Lilah (Megan Fox). When Ulysses S. Grant (Aidan Quinn), president of the newly reunited States, learns that Turnbull is creating a “super-weapon” that will be a “nation-killer,” he recruits Jonah to stop him. Our battered hero is well-equipped to do so. After a close call with death some years back, Jonah was left with one foot in the spirit world; and so while he spends much of the movie being shot and beaten, he appears to be unkillable. He’s attended by a pack of hellhounds (“I wouldn’t try to pet ’em if I was you”) and has the useful gift of bringing dead men back to life with a touch of his hand. (“I’m sorry I killed you,” he tells one corpse, after raising him from the grave. Says the dead guy: “I’d better be getting back under ground.”) Jonah also has a taste for esoteric weaponry — saddle-mounted Gatling guns, dynamite-firing crossbow pistols — and a talent for dodging bullets by simply leaning back a bit to let them fly by (past our madly rolling eyes). The lovely Lilah is no slouch in the slick department, either: When she and Jonah are handcuffed to an overhead rod, the cuffs suddenly snap free, and she brandishes a lock pick. “My mama didn’t raise no fool,” she says. (To which we reply, “What the hell … ?”) Despite the picture’s wall-to-wall uproar — train-jackings, bullet storms, incessant detonations — there’s little excitement to it. The action is furious from the outset and remains at that level throughout, increasingly diluting its intended effect. And the dialogue, which I take to be satirical, never quite meshes with the film’s heavy violence. Like its half-dead protagonist, the movie never comes completely alive. Check out everything we’ve got on “Jonah Hex.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos Exclusive ‘Jonah Hex’ Clip MTV Rough Cut: Megan Fox In ‘Jonah Hex’ Related Photos ‘Jonah Hex’

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‘Jonah Hex’: Dead Man Walking, By Kurt Loder

Anna Gray, Shannon Price Battle Over Gary Coleman

The saga surrounding the tragic death of Gary Coleman continues to become more bizarre by the day, with two former loves now locking horns over him. Coleman’s former wife Shannon Price, who he divorced in 2008 but still lived with, has called the shots (and sold the Gary Coleman death photos ) so far. But a new will surfacing that allegedly names Anna Gray , the star’s close friend and former girlfriend, as executor and sole beneficiary, Price may be SOL. Gray, of Portland, Ore., filed a 2005 will last Friday in a Utah court stating Coleman left Gray the bulk of his estate. Said her attorney, Randy Kester: “Anna just wants to carry out Gary’s wishes. Her will is the most objective reflection of what Gary wanted. We’re going to be in this for the long haul.” Gary Coleman with Anna Gray (left) and Shannon Price. Gray was a business associate of the actor’s for about eight years before living with him briefly in Utah, and her will bumps Dion Mial out of the picture. Mial, Coleman’s former business manager, had filed a now-outdated copy of the actor’s will naming him as the executor, but that’s a moot point now. Price claims she was Gary’s common law wife and sole heir according to what she says is his handwritten 2007 will, written a week after they wed. Kester says ask a judge to issue an immediate restraining order against Shannon Price, who is “invading Gary’s home and disposing of his property.” “She has no right to his things.” The lawyer notes that he and Gray would not object to Price removing her own personal items, but this is different. “But she has taken all his personal papers, evidence and other belongings. That is completely disrespectful and a further indication of her objectives.” Price’s attorney, Mitchell Maughan, counters that “Nothing ever changed between Shannon and Gary,” and that “They lived as husband and wife.” “For now, this is about who should care for Gary’s remains. Beyond that, there isn’t much to fight over in his estate, there wasn’t much financially.” In both Price and Gray’s will, he requested to be cremated and that no funeral be held . Cremation is expected to take place in the next few days. But a Utah judge ruled Monday that Anna Gray will be allowed 48 hours to view Coleman’s body before that. A third party will oversee his affairs. A trial to determine if Price was indeed Coleman’s common law wife – and therefore possibly in charge of his remains – is expected to take months. “Shannon’s doing well, but it’s obviously hard for her as his wife to have people from his past coming out of the woodwork,” Maughan says. “Gary wanted to distance himself from all his past managers and the media, so this is upsetting to her, as it would be for anyone in her position.”

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Anna Gray, Shannon Price Battle Over Gary Coleman

Katy Perry Does That Thing WIth Her Mouth

Yesterday I had some crappy quality pictures of Katy Perry flashing her hipster lady junk on French TV, and now I’ve got her wearing the same latex dress shaking her goods during some concert in Times Square . I don’t care that she’s wearing the same outfit, I’m just glad the picture quality is better so we can finally get a good look at those big old boobs of here. Besides, I like latex 80’s prostitute dresses, she reminds me of the hot hookers on Night Court that Dan Fielding used to hit on all the time. Good times. more pictures of Katy Perry here