Tag Archives: pop-culture

Gary Coleman Made Undeniable Impact On Pop Culture

Onetime child actor lived a complicated public life following star-making turn on ‘Diff’rent Strokes.’ By Brian Warmoth Gary Coleman Photo: Michael Loccisano/Getty Images Gary Coleman’s career in the public eye introduced nearly as many tangled issues as his “Diff’rent Strokes” character Arnold Jackson grappled with amid laughs. The 42-year-old actor died due to an intercranial hemorrhage Friday (May 28) after being taken off life support at Utah Valley Regional Medical Center, and he left behind one of television’s most iconic characters, as well as an adult life that reflected the problems he carried away from his experiences as a child actor. Coleman’s recent appearances in works like the documentary “Midgets vs. Mascots” and the TV show “Divorce Court” demonstrated the personal issues he dealt with in the shadow of a young role that defined him for many and the public displays of anger he became known for later on in life. As an actor whose early television work brought discussions about race relations and class into homes across the country, his legacy will also encompass the 1989 lawsuit he filed against his real-life adopted parents for mismanaging his money and the parodies his role as Arnold spawned, both in Coleman’s own work and elsewhere. “Diff’rent Strokes” hit on dramatic real-world topics during its run, notably inviting Nancy Reagan on during an episode focused on drugs. The show also took a stand against racism in a story where Arnold’s adopted father, Dr. Drummond, tried to get him and his brother Willis (played by Todd Bridges) into his exclusive prep-school alma mater. In that case, the criteria in the school’s entrance exam became part of the issue. During its run, “Diff’rent Strokes” revisited such themes, though, including an episode where Willis encountered more overt discrimination while trying to take a white girl to a dance. Coleman’s signature catchphrase from the 1980s — “Whatchoo talkin’ ’bout, Willis?” — cemented his prominent place in pop culture but also followed him throughout the rest of his life into works like the musical “Avenue Q,” where Coleman didn’t collaborate or necessarily approve, but was presented as a puppet landlord in the song “It Sucks to Be Me.” Coleman left his mark on video games as well, though, voice-acting the part of lemonade seller Kenny Falmouth in the cult-classic LucasArts game “The Curse of Monkey Island.” Even there, the exaggerated pouting attitude he exhibited on “Diff’rent Strokes” became part of his charm. Even the sketches and Arnold’s frequently quoted quips at his onscreen brother are a testament to the affection that still exists now for Coleman’s character. Few performers ever achieve the lasting presence in the public consciousness that Coleman grabbed playing Arnold Jackson, and his work at the age of 10 will undoubtedly outlast his talk-show and reality-television appearances later in life as he is remembered. Share your own memories and favorite Gary Coleman roles in the comments below. Related Videos Remembering Gary Coleman Related Photos Gary Coleman: A Life In Photos Related Artists Gary Coleman

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Gary Coleman Made Undeniable Impact On Pop Culture

‘Lost’ Finale: Experts Talk Impact Of Religion On The Island

‘Lost’ dealt intimately with suffering and redemption, concepts central to Christianity, Buddhism and more. By Eric Ditzian Matthew Fox and Terry O’Quinn in the finale of “Lost” Photo: ABC Christian Shephard. The Dharma Initiative. Japanese temples and reproductions of Egyptian statues. The ever-present questions of fate, faith, suffering, atonement and redemption. Over six seasons of “Lost,” religious traditions were a key component of the show, informing characters’ decisions, shedding light on the mysterious and raising new questions about just what the heck is going down on that wacked-out island. The series finale brought these religious elements to the forefront like never before. It turned out that the so-called sideways timeline in which our Losties had been living alternate lives — their plane landing in safety rather than crashing on the island — was really a sort of way station for souls: Jack, Kate, Sawyer and the rest had collectively created this universe as a way to find one another again, experience an awakening about their island lives and ultimately free themselves from it and move forward into the Great Beyond. But how much of that story line actually lined up with identifiable elements from actual religious doctrines and traditions? Quite a bit, it turns out. In creating their mythology, the minds behind “Lost” sampled from Hinduism, Christianity, Buddhism, Islam, Taoism and other traditions. “They were drawing on a number of religious traditions,” James McGrath, an associate professor of religion at Butler University and an avid “Lost” fan, told MTV News. “It didn’t closely resemble any one religion, although there were points of similarity. It was like that ‘Coexist’ bumper sticker . “There’s this Hindu idea of passing into one life and remembering another one,” he continued. “There is also the notion of purgatory, which is largely connected with Christian doctrine and tradition — essentially suffering as a way of atoning for sin and wrongdoing. But that didn’t seem to be a part of the sideways universe. If anything, they seemed to be fairly happy,” McGrath said. “And I suppose you could give a Buddhist slant to it, but in Buddhism it’s that our consciousness perceives reality wrongly. The reality that we perceive, we may create it, but that’s a bad thing. In ‘Lost,’ it was a good thing.” Put another way, taking that tack was how “Lost” gave us a happy ending. But this sort of salad bar-like sampling of religious tradition should not be seen as disrespectful to any one faith. Rather, there’s a long history of such storytelling assemblage. “Myths are always mashups, not just in pop culture, but from thousands and thousands of years of traditions,” explained S. Brent Rodriguez Plate, a visiting associate professor of religious studies at Hamilton College and a big fan of the show. Just look at the Losties’ final meeting place in the finale: an interfaith church with iconography from Judaism, Christianity, Hinduism and more. McGrath also pointed to Jack’s descent into the bubbling source of the Island’s power — a glowing stone hole whose energy is stoppered by a large stone plug. “The technical description of these artifacts would be a lingam and a yoni,” he said. “It basically is the representation of the male and female aspects of the deity, quite common with Hindu religious iconography and connected with sexuality.” And then there is the fact that the sideways Losties recovered memoirs of their other lives. John Hawley, a professor of religion at Barnard College and a specialist in the devotional traditions of North India, sees a connection to Buddhist and Hindu traditions. “In terms of remembering past lives, some of that comes up with the Buddha, when he is said to have had that night of awakening that made him the Buddha,” Hawley told MTV News. “He is said, in the course of that long night [of meditation], to have gone through a whole series of moments in which he remembers all of his past lives. It is a major feature of Hinduism — one of the accomplishments that can be achieved by someone who takes the time to step aside from ordinary, everyday reality and meditate, think and watch things.” Iconography, purgatory, remembrance of other lives — all this is just scratching the surface of how the show explored various religious practices. “Lost” dealt intimately with the idea of suffering and redemption, concepts that are central, in one way or another, to Christianity, Buddhism and other religions, according to the experts with whom MTV talked. And while “Lost” freely sampled from all the various religious principles, Plate sees a unifying theme connecting it all together. “What the show was ultimately about is the fact that we need each other, we’re a community, and we all die,” Plate said. “The final scene — it doesn’t matter if you’re a Hindu or a Jew or a Buddhist — we all die,” he added. And those are probably the deepest shared ideas across the world and history. No religion can deny that we need each other. No religion can deny that we die. The differences come when you try and explain what happened.” What do you think of how “Lost” used religion to tell stories? Share your thoughts in the comments. Related Videos All About The ‘Lost’ Finale Related Photos The Sexiest Men Of ‘Lost’ Spin-Offs For The Characters Of ‘Lost’

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‘Lost’ Finale: Experts Talk Impact Of Religion On The Island

Everybody Draw Mohammed Day: Was it freedom of expression or dangerous provocation?

Yesterday was Draw Mohammed Day. Did it help or hurt dialogue? http://current.com/news/92443478_its-draw-mohammed-day.htm added by: afitzgerald

Top 5 Worst SNL Movies

Every few years, a Saturday Night Live sketch earns the chance to become a feature film. While some of these movies have become pop culture classics, like Wayne's World, others have been lost in the ether. MacGruber is the latest SNL film, opening this weekend, but before that, we're counting down the Top 5 Worst SNL movies made to date. The Rotten Tomatoes Show is a movie review show that airs on Thursday nights at 10:30 e/p on Current TV. From reviews of the newest releases to commentary on cult favorites and movie trends, each episode of The Rotten Tomatoes Show is a fast-paced, comedic journey through the week in cinema. For more from the Rotten Tomatoes Show: http://rottentomatoesshow.com added by: Ellen_Fox

Adam Lambert Dishes and Sings on Ellen

It was a major episode of Ellen today for fans of pop culture, talent and generally bright, young man. First, as previously reported, Robert Pattinson sat down with Ellen DeGeneres and discussed his recently-shorn hair . On the same installment, Adam Lambert chatted with the host and sung for the audience. The crooner dished on his inclusion in People’s Most Beautiful People issue, while also expressing surprise that American Idol asked him to serve as a mentor this season. He had nothing but kind things to say about the new batch of finalists. See and listen for yourself: Lambert Interview From there, Adam busted out a few dance moves and performed his latest single, “If I Had You.” Watch below. Adam on Ellen DeGeneres

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Adam Lambert Dishes and Sings on Ellen

Tom Cruise Talks Suri, Stunts And Scrabble On ‘Oprah’

‘I look at buildings and think, how could I climb it?,’ actor says of stunt work. By Eric Ditzian Tom Cruise and Cameron Diaz on “The Oprah Winfrey Show” Photo: Harpo Maybe the key was that there was no couch this time. When Tom Cruise stopped by “The Oprah Winfrey Show” on Friday (May 14), the Hollywood star and the talk show host each sat on beige chairs, and so there was no chance of repeating his infamous couch-jumping incident in 2005 — that indelible moment of pop culture history that had Oprah saying, “You’re gone!” and the rest of the world agreeing with her. Or perhaps they’d already moved on, seeing as how the two had already rehashed the wacky episode during a 2008 interview at Cruise’s Telluride home. In any event, their talk on Wednesday focused on Cruise’s career, his wife, Katie Holmes, and how the couple raises their children in the midst of constant media and paparazzi attention. “We don’t make it a problem,” Cruise — who is one of the presenters at the 2010 MTV Movie Awards next month — said. “We don’t get nervous about it. You get used to it after so long, and Kate is a very relaxed person, and you just deal with it.” Addressing how his 4-year-old daughter Suri has become a constant presence in tabloid magazines and recognized for her burgeoning fashion sense, he said, “Whatever she wants to wear, she wears it. I’m not going to tell her different. She’s got great taste, too. She tells me what to wear.” When Cruise and Holmes are not a film set, they make sure to spend their evenings together at home with their families. “Saturday night we have dinner, and then it’s games,” he said. “We play Quick Scrabble, and then it’s usually movie night. We spend the whole night figuring out what movies we want to see.” Usually they watch new releases, but every so often his kids request to see one of their dad’s old flicks. Cruise’s upcoming movie is “Knight and Day,” an action-comedy co-starring Cameron Diaz. Cruise did almost all his own stunts. “I’m always thinking of different stunts,” he said. “I look at buildings and think, how could I climb it? How could I jump out? I was working on this … and I said, ‘Look, we’ve got to do something where Cameron is on the bike and I get to flip her around and she shoots guns.’ I’m very careful about it when I do it — very studied, but I enjoy it. When I was a little kid, I used to go up on a roof and jump off the roof into the snow and do flips and stuff, and now I get to do it in movies.” Don’t miss the MTV Movie Awards , airing Sunday, June 6, at 9 p.m. ET on MTV!

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Tom Cruise Talks Suri, Stunts And Scrabble On ‘Oprah’

Ridley Scott Didn’t Treat Robin Hood Like A ‘Myth’

‘I really believe he existed,’ director says of Russell Crowe’s character. By Eric Ditzian, with reporting by Todd Gilchrist Ridley Scott Photo: MTV News Between Monty Python’s send-up, Kevin Costner’s heartthrob-centric take and Mel Brooks’ farce, the mythic character of Robin Hood hasn’t fared very well in pop culture these last few decades. Ridley Scott isn’t a fan of such depictions either, which is why he was dead-set on reinventing the character for a 21st-century audience in his upcoming “Robin Hood.” “I never liked the green tights,” he told MTV News. “I didn’t like the feather in the hat. It didn’t work for me. Even as a kid, it was not my idea of Robin Hood.” His of idea of Robin Hood, rather, has more in common with the main character of “Gladiator,” a sharp-witted, tough-minded badass who knows how to handle his weaponry. No surprise there, as Scott directed that Oscar-winning flick and recruited star Russell Crowe to play the title role in “Robin Hood” (out Friday). They both knew exactly the approach they wanted to take, and it had nothing to do with Costner’s 1991 version of the folkloric hero. “Kevin Costner’s was fun, leaning more heavily on the clowning of Robin Hood,” Scott explained. “On this one, I wanted to go more real, because I really believe he existed. The ones to date always treated Robin Hood like a myth, part of a fairy story.” Scott and his screenwriters sought to ground the story in verifiable history, choosing to spin a plotline that began in the late 12th century and then proceeded through a time when the English kingdom was bankrupt and reeling from the reign of a king who became known as Bad King John. Once they plopped Robin Hood into the center of social and economic upheaval, the story gained an air of truthfulness and gravity missing from other imaginings of the character. It also gained an Oscar-winning actor as its lead. “I just wouldn’t have done it if it were a conventional take,” Crowe told us. “There’s no need for anyone in the world to see that series of clich

Iconic Characters Put in Sketchy Situations, As Told By M&Ms

Along with a bag of Skittles, you could pretty much dream up any awkward scenario running the gamut of pop culture figures. See more over at Kyle's website . The Best Links: via Urlesque View

Coming This Summer: True Blood Comic Books

It was already a series of novel. Then, it became one of the most popular shows on TV. Now, True Blood is taking another step toward its goal of dominating the world of pop culture and entertaining: the graphic novel. Look for a set of comic books to be released this July, each featuring the same characters on the HBO drama, but each focusing on different storylines. Says True Blood creator Alan Ball, the man behind the project: “I’m really looking forward to exploring this new format. Comics have no limitations, things that we could never do on the show because of time and budgetary constraints we can do in a comic. The writers of the show and I are closely involved in the creative aspects of the comic, plotting art stories, characters. “They exist in the same world, but it’s a completely different story than what you will see on TV.” In True Blood spoiler news, meanwhile: check out the first photo of Joe Manganiello as the character of Alcide. He’ll play a major role on the show, whose third season kicks off on June 12.

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Coming This Summer: True Blood Comic Books

Michelle McGee to Ref Hailey Glassman Boxing Match

Having already whored herself out for 15 minutes of fame and a couple of quick paychecks, what’s left for Michelle McGee to do but … ref Celebrity Boxing!? No, seriously, she is . One of the bout’s participants? Hailey Glassman, former Jon Gosselin plaything. Heartwarming to see these mediocre mistresses unite! Celebrity Boxing Federation promoter Damon Feldman, who was romantically linked to Hailey at one point, confirmed to the New York Post that Jesse James’ mistress will referee a May 7 bout between Glassman and porn star Gia Lynn. Hailey Glassman and Jon Gosselin parted ways bitterly in December. He accused her of vandalizing his place, she accused him of having a two-inch package. Michelle “Bombshell” McGee was the first of several Jesse James mistresses to cash in by blabbing to the media. Friday, the tattooed mother of two returned to work at Pure Platinum strip club in San Diego, Calif., where she performs topless. Michelle McGee will officiate Hailey Glassman’s next blowout fight – and we’re not talking about when she slashes up Jon Gosselin’s apartment with a butcher knife . When she’s not feuding with Chelsea Handler or getting pissed off at her haters on Facebook, McGee enjoys long walks on the beach and reading The Economist . We totally made that up. The only real question left to ask here: Which mediocre mistress would you rather … you know?

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Michelle McGee to Ref Hailey Glassman Boxing Match