Tag Archives: preacher

10 First Impressions of the New Machine Gun Preacher Poster

I’m sworn to secrecy regarding my recent previewing of Machine Gun Preacher , director Marc Forster’s forthcoming biopic about Sam Childers, a Pennsylvania junkie ex-con-turned-born-again-orphanage-building-gunslinging savior of Sudan. But there’s nothing that I or anybody else can say about the film that isn’t summed up in its new one-sheet featuring star and co-producer Gerard Butler, which is like whoaaa .

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10 First Impressions of the New Machine Gun Preacher Poster

Kings Of Leon Have Never Been Shy About Alcohol

Past interviews have highlighted the band’s love of drinking. By Gil Kaufman Kings of Leon Photo: Getty In an era where most rock bands are about as edgy as the latest Ark Music Factory teen-sensation-in-a-box, Tennessee hell-raisers Kings of Leon have often stood out as a throwback to a messier era. The band of brothers (and cousin) raised by a Pentecostal preacher rose from humble beginnings to their current status as one of the biggest rock bands on the planet thanks to dark, moody songs, good genes (and jeans) and a well-established reputation as boozing, brawling ladies’ men who’ve been only somewhat tamed by rock stardom. In recent times, it seemed as if those hellion days were behind them, as one by one the Followill boys have gotten engaged, married or into serious relationships and talked about dialing back the partying. Questions were raised, though, over the weekend when the Kings announced they were canceling the remainder of their U.S. tour due to singer Caleb Followill’s “vocal issues and exhaustion.” The news came after a disastrous show in Dallas during which Followill repeatedly complained about the heat and abruptly left the stage, at one point telling the crowd, “I’m gonna go backstage and I’m gonna vomit. I’m gonna drink a beer and I’m gonna come back out and play three more songs.” Though Caleb never returned to the stage, frustrated bassist Jared Followill later tweeted, “There are internal sicknesses & problems that have needed to be addressed. I can’t lie, there are problems in our band bigger than not drinking enough Gatorade.” The missive clearly made it seem as if some deeper issues than the heat were afoot. Looking back at interviews the band has conducted over the past few years, it’s clear that alcohol has long been a part of the fuel that helped the band navigate their rise to stardom — for good or ill. Whether it’s Jared jokingly telling MTV News that he was impressively good at “Rock Band” while drunk or Caleb suggesting that the band’s most recent CD, Come Around Sundown, “sounds better with a cocktail,” to which Jared replied, “Everything [is better with a cocktail],” the boys have not shied away from discussing their tippling. An April 2009 cover story in Rolling Stone magazine called “The God-Fearing, Booze-Swilling Rise of America’s Hottest Band,” in fact, opens with Caleb and brother drummer Nathan arriving home late one night in 2007 after a heavy night of drinking and getting into such a vicious fight that Caleb dislocated his shoulder and Nathan shattered a $7,000 mirror and then proceeded to repeatedly stab his brother’s mattress with a kitchen knife. The rest of the story has a number of other boozy moments, from Caleb’s drunk New York apartment shopping to a description of the light in the interior of their 75-acre Tennessee property “reflecting off the endless bottles of hard alcohol and wine that cover nearly every inch of counter space.” It notes that after Caleb met his wife, model Lily Aldridge , he gave up drinking whiskey and now sticks to “wine, beer and the occasional shot of tequila.” Though their well-documented love of spirits appears to be at least somewhat to blame for recent troubles, the RS story also mentioned that, like his preacher father, Caleb “suffers from nerves, and he regularly vomits during performances.” Caleb has not made any public statement about what ails him, but on Tuesday, he told TMZ he was focused on healing. “I’m just trying to get better,” he said. Asked if the band will still hit the road as planned in September for a string of Canadian shows, he replied, “I don’t know … we’ll see how it goes.” Related Artists Kings Of Leon

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Kings Of Leon Have Never Been Shy About Alcohol

Jean Grae, DJ Drama Bring ‘Worlds Together’ On Mixtape

Cookies or Comas ‘opened me up to another audience,’ Grae tells Mixtape Daily. By Rob Markman Jean Grae Photo: Getty Images / MTV News Don’t Sleep: Necessary Notables Mixtape : Cookies or Comas Headliner : Jean Grae Key Cameo : “R.I.P.” featuring Styles P and Talib Kweli Real Spit : DJ Drama’s Gangsta Grillz mixtape series gets a bad rap. Not in a qualitative sense — actually the Atlanta-based DJ has many well-regarded mixtapes under his belt with the likes of Young Jeezy, Gucci Mane and T.I., all which conjure up imagery of Southern trap houses, where drug-dealing raps dominate. So when New York-based lyricist extraordinaire Jean Grae announced that she would be partnering up with Mr. Gangsta Grillz for her latest mixtape, Cookies or Comas, many hip-hop purists let out a collective groan. “He’s definitely a hip-hop dude, and perception is always very interesting,” Grae told Mixtape Daily . “It was interesting to see the reaction to people, even just announcing the mixtape before even putting out. It was already like, ‘I don’t wanna hear it.’ I’m like, ‘Really? You’re kinda just making an uninformed decision. You can’t say no to something, you haven’t even heard it yet, you haven’t even tried.’ ” Cookies or Comas is vintage Jean. In addition to her playful flows and humorous ad-libs, Grae brought her celebrated lyrics to the table as well. On “R.I.P.” featuring Styles P and Talib Kweli, JG trades bars with the two veteran rappers over a hard-hitting Run DMC-sampling beat. She then recruits Pharoahe Monch for the punch-line packed “Killing Em,” proving that she hasn’t switched up a thing. “What was great about it was after getting it, they were like, ‘Oh well, that’s not what I expected at all, and I’m sorry. I’m really, really sorry. I thoroughly enjoyed it,’ ” Grae said mockingly. “It was great to kind of watch people apologize for it. You don’t have to say that you love it, but at least give something a chance without going to a snap judgment. I think it was a great idea, and of course it opened me up to another audience that probably wouldn’t have any idea that that mixtape came out at all. It kind of brought a couple of worlds together.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos Mixtape Daily: Jean Grae’s Cookies Or Comas Related Artists Jean Grae DJ Drama

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Jean Grae, DJ Drama Bring ‘Worlds Together’ On Mixtape

Wyclef To Make Feel Good Music On Next Album

‘I’m just taking my time,’ the former Fugees frontman tells MTV News. By Rob Markman Wyclef Photo: MTV News Wyclef Jean refuses to be boxed in. The rapper/producer may have gotten his start with hip-hop trio the Fugees in the mid-1990s, but he has since branched out, working with artists from multiple genres. From Carlos Santana to Shakira to Bono, ‘Clef has spread his musical wings and crafted hits in various international markets, so fans can expect his next album to encompass a little bit of everything. “My music is always like an iPod, like when you put on an iPod. It’s just you could never define me or put me in a box,” Wyclef told MTV News last week while he was in Orlando, Florida, performing at a Zumba fitness convention . ‘Clef’s sound has mostly been centered on the dance floor. With the Fugees, he produced “Ready or Not” and “Fu-Gee-La”; with Shakira, he gave fans “Hips Don’t Lie”; and with Destiny’s Child, it was “No, No, No.” Wyclef’s 1997 solo debut, The Carnival, featured the Bee Gees-sampling “We Trying to Stay Alive,” and for his upcoming ninth solo album, the Preacher’s Son wants to continue to keep things upbeat. Wyclef’s new single “La Historia” was handpicked by Zumba fitness founder and choreographer Alberto “Beto” Perez. The Latin-inspired song is used in Zumba classes across the world and will set up his next release. “The album is going to be called Feel Good Music and I’m just taking my time,” ‘Clef revealed. “My albums, you have to listen to them from beginning to end. It’s going to be like a stage play, but it’s definitely gonna feel good.” What do you think Wyclef’s next album will sound like? Share your thoughts in the comments! Related Artists Wyclef Jean

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Wyclef To Make Feel Good Music On Next Album

Critics’ Choice Movie Awards Ruled By ‘The Social Network,’ ‘Inception’

Natalie Portman shouts out her ‘Black Swan’ director for bringing her and her fianc

Quentin Tarantino Honored At Critics’ Choice Movie Awards

Filmmaker receives inaugural Music+Film Award with some help from Ice Cube, Keri Hilson, Adam Levine and Tim Roth. By Kara Warner Quentin Tarantino receives the inaugural Music+Film Award at the 2011 Critics’ Choice Awards Photo: Kevin Winter/ Getty Images With brief yet genuine words of praise from former colleagues, a flashy movie-clip mash-up and a musical tribute in his honor, Quentin Tarantino stepped into the Critics’ Choice Movie Awards history books Friday night (January 14) after receiving the show’s inaugural Music+Film Award. Ice Cube started things off by telling everyone to hurry up and sit down so he could present before introducing an impressive clip reel that included Tarantino classics “Reservoir Dogs,” “Pulp Fiction,” “Jackie Brown,” “Kill Bill: Vol. 1” and “Vol. 2” and “Inglourious Basterds.” Then, Maroon 5’s Adam Levine (who, along with his bandmates, was moonlighting as the show’s house band for the evening) hit the stage with his guitar for a performance of the “Dogs” musical number “Stuck in the Middle With You,” which doubled as a tribute to late Stealers Wheel frontman Gerry Rafferty . That was followed by a saucy version of “Son of a Preacher Man” by Keri Hilson. “Reservoir Dogs” castmember Tim Roth took the stage after Levine’s and Hilson’s performances to officially hand off the award to Tarantino, who was shown smiling from the audience throughout the tribute. Roth noted that no one deserves the award more than Tarantino and that he was happy to help “celebrate Quentin for using music so damn effectively.” Then the man himself graciously took the stage and talked about how he started filmmaking by hanging out alone in his room, playing records like Duane Eddy’s “Rebel Rouser” and writing scenes to go along with them. “I’m kind of still doing the same thing right now,” he joked. What do you think of Quentin Tarantino’s use of music in film? Let us know in the comments! Related Photos 2010 Critics’ Choice Awards Celebrity Candids Critics’ Choice Movie Awards Red Carpet 2011 2011 Critics’ Choice Movie Awards Show

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Quentin Tarantino Honored At Critics’ Choice Movie Awards

‘Machete’: The Reviews Are In!

Most critics give high marks to Robert Rodriguez’s mix of exaggerated violence and political satire. By Eric Ditzian Danny Trejo in “Machete” Photo: 20th Century Fox “Machete” is everything “The Expendables” could have been but isn’t: vicious, witty, funny, ridiculous, engrossing. The sight of Sly Stallone cavorting with Dolph Lundgren and Jet Li in “Expendables” wears off pretty quickly, and what you’re left with is dull dialogue, explosions-by-numbers action sequences and characters that you never get to know enough to actually care about. “Machete,” by contrast, springs from the same creative well as “Expendables” — wacky and hyper-violent and fanboy-friendly — but there the similarities end. As nutty as “Machete” is, it’s actually smart, with snappy dialogue, clever kills and a story line crackling with social commentary about the heated immigration debate in North America. Why, then, did “Expendables” open to $34.8 million in ticket sales, while “Machete” won’t even cross the $20 million mark over this Labor Day weekend? Credit Stallone and his ’80s action pals. All we can say is that “Machete” delivers one of the most purely fun movie experiences of the summer. And most of the critics agree. Here’s what they’re saying about the film, which should hold the #1 box-office spot after the weekend. The Story “Three years after his wife and daughter were murdered by the druglord Torrez (Steven Seagal), the deadly Mexican Federale known as Machete (Danny Trejo) is working as a day laborer when he’s hired to assassinate the racist Texas Senator McLaughlin (Robert De Niro) in a plot to take down the network of illegal immigrants by the mysterious Sh

‘The Last Exorcism’ Director Enjoys Viewers’ Debate Over Conclusion

Director Daniel Stamm explains the controversial ending to the #2 movie in country this week. By Adam Rosenberg Ashley Bell in “The Last Exorcism” Photo: Lionsgate SPOILER WARNING: Before you read past this point, be warned: This article discusses the end of “The Last Exorcism” in depth, so stop reading if you intend to see the movie and don’t want to know how it ends. Director Daniel Stamm’s mock documentary concludes on an open-ended note. As predicted earlier in the film by Nell’s (Ashley Bell) paintings, the cinematographer gets his head chopped off, the producer is hacked to pieces and the preacher, Cotton (Patrick Fabian), his faith seemingly restored, walks into the flame to ward off Hell, his cross held high and his ultimate fate left unclear. That ending has spurred quite a bit of discussion among many who have seen it. MTV News talked to Stamm about that response and his reaction to it. “I don’t mind the passion that the discussion has spurred,” he said. “I’m getting threats now, which is a whole new thing for me. People are [tweeting] me, telling me to jump headfirst off the Empire State Building, really hateful [comments], which I can only take as a compliment. Which movie do you care about so much that you get so hateful and so passionate about it?” Of the dialogue that’s sprung up, the director admits that he understands where the dissenters are coming from. “I think that a lot of the people that are upset by the movie [feel] that they are paying for you to enlighten their world a little bit with an answer about what’s going on around them,” he said. “They want a statement that is clear. That is a very legitimate position to me, but that is not what the movie does. The movie leaves you with a question. And it was very true to the format of the documentary style that you don’t understand everything. ” By “staying true to the documentary style,” Stamm is referring specifically to the death of the camera operator in the film’s final scene. “Yes, it’s abrupt, because your point of view is gone, you’ll never find out what happened after that. There is no scene that neatly ties it all together and explains it all to you because that’s not how it would go down. I think the rest of the movie is naturalistic enough … that it would be a complete betrayal of the movie [to tie things together].” He appreciates that the film’s conclusion has a very definable impact on the scale of the story, from an intimate gathering of concerned individuals and one troubled little girl to a community full of Devil-worshipping Satanists. “I understand that people are maybe overwhelmed by the openness of the ending, but at the same time … I can’t think of a different ending to this movie. I think it completely does it justice and I think it does the characters justice.” Check out everything we’ve got on “The Last Exorcism.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Last Exorcism’ Director Enjoys Viewers’ Debate Over Conclusion

You Decide: Did Gerard Butler Grow a Mullet for Machine Gun Preacher?

God bless Gerard Butler’s agent, who is nothing if not relentless. Despite a seeming lack of fans and/or likeability, the burly Scottish actor has what seems like an unending stream of generically titled films playing in a permanent loop. Quick: Tell me the difference between The Bounty Hunter , Law Abiding Citizen , Gamer and The Ugly Truth without resorting to IMD b. While you attempt to suss those out, remember that Butler also has Machine Gun Preacher in the works, too. That film was supposed to be a more serious-minded affair: Based on the true story of Sam Childers, a former drug dealing biker who found God and rescued a bunch of Sudanese children. As Marty McFly would say: Heavy. But then why does the first look of Butler-as-Childers on-set look so… ridiculous. Click ahead to answer the age old question: Is that a mullet or not?

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You Decide: Did Gerard Butler Grow a Mullet for Machine Gun Preacher?

Sons Of Sylvia: From ‘Next Great American Band’ To ‘American Idol’

The trio, previously known as the Clark Brothers, have opened for Carrie Underwood on her current tour. By Gil Kaufman Sons of Silvia’s Ashley Clark performs on “American Idol” Wednesday Photo: Fox Shakira, Rascal Flatts, Lady Antebellum and Sons of Sylvia — wait, who? Millions of Americans could be forgiven if they weren’t familiar with the handsome brotherly trio who performed on Wednesday night’s (April 28) “American Idol” elimination show, where Siobhan Magnus got the boot. But if you’ve been paying attention for the past three years, you might just recognize brothers Ashley, Austin and Adam Clark. They’ve been opening for good pal Carrie Underwood — who helicoptered in from her tour just to introduce them on “Idol” — on her current tour, and they played backup in her touring band right after she won season four. They were also the winners of the first and only season of “Idol” spinoff “The Next Great American Band,” back when they were known as the Clark Brothers. After years of trying to make it in Nashville and Hollywood, that win landed them a contract with Interscope Records and a management deal with 19 Entertainment, which explains how they landed on “Idol.” Kind of. “We never tried out for ‘Idol,’ but we’ve been watching it all the time and … man, it’s like a dream, we were so pumped,” said guitarist Austin, 26, the youngest of the trio, who are three of 11 kids born to their preacher parents. (Yes, their mom’s name is Sylvia.) The band of brothers performed their debut single, “Love Left to Lose,” from their just-released debut album, Revelation, on “Idol,” and Austin said the experience was a mind-blower. The tune mixed straightforward radio rock with country touches, including fiddle, mandolin and rocked-out resonator guitar over a thudding backbeat. The swirly, urgent rock ballad was co-written and produced by the boys’ second cousin and good pal, OneRepublic hitmaker Ryan Tedder, who gave it his signature wide-open, yearning sound and instantly alluring hooks. “I can’t believe it’s happening,” Austin said of their rocket ride to fame after years of hard work. “It feels like a childhood dream as far as: start a band, get a record out and being on tour. All of this is actually happening. I wake up every day baffled.” Though they’ve had reality-show experience, Austin said pre-taping their “Idol” performance was a once-in-a-lifetime experience. “It’s surreal up there,” he said. “You see the big ‘American Idol’ logo, things are spinning around. [I was thinking] ‘I’ve watched the show and now it’s my turn.’ You’re just thinking about not screwing up.” Though they didn’t have a chance to meet any of this year’s finalists — and haven’t really had time to watch the show since they’re busy on the road with Underwood — Austin said it was probably a good thing the judges weren’t around when they visited the set. “If Simon would have critiqued us, we would have been nervous!” What did you think of Sons of Sylvia’s performance? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

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Sons Of Sylvia: From ‘Next Great American Band’ To ‘American Idol’