I saw the Mad Men Barbies. Pretty good resemblance, but does Jon Hamm get an extra cash payment for that? —JameeFr1, Texas via the Answer B!tch mailbox Indeed, the Don…
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Tagged answer, barbies-pretty, bennyhollywood, extra-cash, first-look, good-resemblance, gyllenhaal, persia, prince
Remember Omer Bhatti? Michael Jackson’s former protege and alleged secret son, is treating Blanket, the late pop icon’s youngest son, as if he were his own. Bhatti has been living with the Jackson family and telling poor little Blanket, along with his siblings Prince and Paris, that he’s their father , according to reports. The 25-year-old Norwegian rapper, who is rumored to be Michael’s son, first showed up on the Jackson scene in 1996. There’s no doubt he and MJ were close. But you have to admit, it’s pretty weird that Omer Bhatti tells Jackson’s children, “Call me Michael” introduces himself as Michael and is changing his name. “Omar has even told the children he’s changed his name from Omar Jamal Bhatti to Omar Michael Bhatti,” a source close to the dysfunctional family reveals. Omer Bhatti holds a picture of Michael Jackson. They must be related! The chaotic environment of the L.A. compound where MJ’s children live with their grandma, Katherine Jackson, and others has been in the news a lot lately. California’s Department of Children and Family Services visited several times recently and has an open investigation into a stun gun incident involving Blanket. As for Bhatti, he’s lived there for some time: “He has infiltrated the Jackson family in a way that many find to be disturbing and detrimental to the children.” At various times Bhatti has told Blanket, Paris and Prince that he is their father, that their father sent him to take care of him and that he is “a real Jackson.” He dresses identical to Michael, who seemed to revel in the confusion and controversy Omer generated. Michael even told some people that Omar was his son. Joe Jackson says he is as well. Still, detractors say that since Michael died, Bhatti has latched on to the family and is manipulating Michael’s kids constantly. “Prince has been particularly vulnerable to Omar and his claims,” the family source said. “He’s starting to believe Omar’s claims that Michael is his father.” Long lost love child? Or random dude exploiting Michael’s traumatized children? Either way, he’s living off the Jacksons’ money! Sweet deal!
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Omer Bhatti to Michael Jackson’s Kids: I am Your Father!
Posted in Celebrities, Gossip
Tagged bennyhollywood, children, family-services, Gossip, Hollywood, jackson, jacksons, jamal-bhatti, michael, michael-bhatti, News, omer bhatti, prince, remember-omer
Lynche sang Kate Bush’s 1989 song, which was later covered by Maxwell. By Gil Kaufman Michael Lynche on Wednesday’s episode of “American Idol” Photo: Frank Micelotta/ Getty Images “American Idol” judges often rail on contestants for not making the right song choices. But on Wednesday night, personal trainer and new dad Michael Lynche provided a textbook example of how to pick the perfect song. The 26-year-old Florida native, whose wife gave birth their firstborn while he was performing during the show’s Hollywood Week, moved judge Kara DioGuardi to tears with his sensitive take on British singer Kate Bush’s “This Woman’s Work.” On a night when the judges criticized some singers for not connecting with the words they sang, Lynche astutely picked a song that mirrored the tumultuous changes in his personal life. The combination of Lynche’s velvety, gospelized vocals and the song’s connection to his life’s journey made for dramatic TV. DioGuardi felt the emotion, tearfully telling Lynche, “I’ve never cried after hearing something like that. It’s amazing. You were amazing. And it’s so relevant for you and I can feel it. It’s your life right now. It’s your respect for your wife, what you’ve gone through … and as a woman who doesn’t have a child, I can relate to it so much and it brought me to tears.” “This Woman’s Work” is one of Bush’s most beloved tunes, and the biggest commercial success from an artist who has always followed her peculiar muse. Bush’s career began in the late 1970s, when Pink Floyd guitarist David Gilmour turned label EMI on to the then-teenaged songwriting prodigy. In 1985, she released her most celebrated album, Hounds of Love . That album featured the hits “Running Up That Hill” and “Cloudbursting,” and it helped cement her reputation as an enigmatic pop poet. In 1988, Bush provided “This Woman’s Work” to director John Hughes for his coming-of-age drama “She’s Having a Baby.” The song, reportedly written specifically for the film, plays during a scene in which new father Kevin Bacon is pacing outside the delivery room where his wife is having their first child, fretting about the changes his family is about to face. Bush’s self-directed video for “Work” parallels the story of the film. The primly dressed singer, seated at a grand piano, plays the haunting melody, and shots of her are intercut with images of a nervous man in the waiting room of a hospital. A ghostly image of Bush stands behind the man and hugs him as he breaks into tears and stares ominously into the dark. A flashback then reveals Bush collapsing and being rushed to the hospital as the man wails in agony. At the end of the clip, a smiling nurse comes over to the man and puts her hand on his shoulder, appearing to give him good news as Bush quietly shuts the lid on the piano. “Work” later appeared on Bush’s 1989 album The Sensual World , which contained a number of tunes about the perils and pitfalls of love (“Love and Anger,” “Between a Man and a Woman”) and a title track inspired by Irish author James Joyce’s epic “Ulysses.” In the years that followed, the song underscored dramatic scenes in a number of TV shows (“Felicity,” “Alias,” “Party of Five”). In 1997, it was covered by Maxwell during his MTV Unplugged appearance. He later included a studio version of the track on his 2001 album Now , and it peaked at No. 58 on the Billboard Hot 100 that year. Bush has rarely toured, and she took a lengthy break between her 1993 album The Red Shoes — which featured contributions from Prince, Jeff Beck and Eric Clapton — and her 2005 double album Aerial to raise her family. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances Related Artists Kate Bush
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‘This Woman’s Work’: Story Behind Michael Lynche’s ‘Idol’ Cover
Frontman’s workmanlike attitude is on full display in the rock doc, in Bigger Than the Sound. By James Montgomery The White Stripes Photo: Autumn DeWilde In any other lifetime, Jack White would have been a woodblock printer, a pirate, a missionary, a wheelwright, a buckskin-clad frontiersman, a statesman, a Union soldier, a sharecropping bluesman, a cigar-chomping newsman, an oil baron, an electrical engineer or one of the Wright Brothers. He would have worked very hard for a very long time with very little recognition, would have died for duty and country, would have bested foes with guile and determination, and he would have done all of it simply because that’s what you were supposed to. Instead, he’s trapped in this lousy century, where he’s forced to toil away as one of the most enigmatic, misunderstood musicians on the planet. He spends an exorbitant amount of time on an extraordinary number of projects, usually working within a preconceived set of conditions, for reasons that are usually only apparent to him. He suffers the slings and arrows of his critics not because he wants to, but because he has to. It’s just part of the job. After all, a wheelwright wouldn’t complain, would he? And all of this isn’t meant to serve as some pseudo-psychological profile on White. Rather, it’s about all I could think of after watching the White Stripes ‘ “Under Great White Northern Lights,” a documentary that is very much about doing things the hard way. Filmed in 2007, it follows the Stripes on their ultra-ambitious Canadian tour, on which they decided to play at least one show in every province and territory — 13 in all — mostly because, as White puts it, “Canada is the only country that’s ever turned us away.” This is no easy task: Canada is the world’s second-largest country ( thanks, Wikipedia! ), and getting to places like Yellowknife and Iqaluit is about as difficult as you’d imagine. And not content to simply play straightforward, standing-room-only shows in each city, White also decided that the Stripes would be playing “secret” shows during the day, in places like a bowling alley in Saskatoon, a pool hall in Halifax and aboard a boat in Charlottetown (that’s on Prince Edward Island, FYI). Along for the ride is the band’s shamanic road crew, who White maintains must always be dressed in matching black suits, red ties and bowler hats. And a film crew, that, based on a few glimpses of cameramen in the background of shots, was also required to adhere to the same dress code. In keeping with Stripes mythology, everything involved in the film also incorporates the band’s famous three-color palette (red, white and, the latest addition, black), which means red-and-white propeller planes, amplifiers, guitars, drums and outfits, even during travel days. And, in perhaps the most striking example, the film itself, which is presented almost exclusively — something like 98 percent — in those three colors. Backstage moments are appropriately black and white, onstage performances are a fiery red. You don’t notice it, but it’s there. Because it has to be. And what is most amazing is that White didn’t have to do any of this. Something inside him drives him to operate this way; makes him don a traditional tartan kilt for a ceremony in Halifax (and then wear it onstage that night), meet with Inuit elders in Iqaluit to get their blessing before a show or grind out songs on wholly inadequate — and, in some cases, downright antiquated — instruments. He sums it up best in one of the most compelling “Lights” scenes: an interview segment in which he attempts to explain himself and his ethos. “When I used to work as an upholsterer, it wasn’t always fun. … Sometimes, it was just work, and you do it because you’re supposed to. You force yourself to work,” he sighed. “I like to do things that make it really hard on myself. … I’m constantly fighting all these tiny little things, because all of those little things create tension.” And that tension gives birth to great things. Witness the Stripes’ entire discography, a workmanlike collection of songs built around two people and something like three instruments (occasionally, there’s a piano). Or their rise to fame, which was anything but meteoric, built over the course of a decade’s worth of blisters and bruises. Or this film, which most certainly ranks as one of the best rock docs in recent memory, if not of all time. The onstage moments are incendiary — standouts include a soulful and surging take on “Jolene” in Iqaluit and an undying version of “I’m Slowly Turning Into You” taken from their Yellowknife performance — and the backstage stuff is gripping, particularly the last scene, filmed after their 10th anniversary show in Nova Scotia. While I don’t want to give too much away, it manages to raise goose bumps, a masterful presentation of unspoken emotions and weighty subtext. But mostly, “Lights” serves as testament to the Charles Kane-ian will of Jack White himself (no wonder “Citizen Kane” is one of his favorites) and the greatness that determination can create in its wake. It’s a love letter to his unwavering dedication to doing things the hard way and his uncompromising, Old World work ethic. In fact, the only time he complains about anything during the entire film is when he learns he’s scheduled to do an interview with The Associated Press, and even then, he still ends up doing it. Because he has to. It’s pathological. Psychological. But it is very much him. After all, a wheelwright wouldn’t complain, would he? Questions? Concerns? Hit me up at BTTS@MTVStaff.com .
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The White Stripes’ ‘Under Great White Northern Lights’: Jack White Invades Canada, Because He Can!
Posted in Music
Tagged autumn, bennyhollywood, energy, mixtape-daily, Mtv, Music, prince, slowly-turning, uncompromising
Filed under: Paparazzi Photo , Michael Jackson On a family outing for the first time since the LAPD began investigating that whole stun gun mess, Jackson family children (L-R) Paris, Blanket, Prince, Jaafar and Jermajesty all went to the movies in Los Angeles yesterday, reportedly to see “Alice … Permalink
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Jackson Kids Emerge Post Stun Gun Incident
Tagged blanket, jaafarjackson, jermajesty, MichaelJackson, Movies, Photo, prince, since-the-lapd, the-movies
Children and Family Services called in after Jermaine Jackson’s son obtains stun gun in home where Michael Jackson’s children live. By Gil Kaufman Michael Jackson Photo: Sony The Los Angeles County Department of Children and Family Services concluded a six-hour investigation at the Jackson family compound in Encino, California, on Tuesday after reports surfaced that one of Jermaine Jackson’s sons, Jaafar, was in possession of a stun gun in the same home where Michael Jackson’s three young children live. According to TMZ , DCFS workers first arrived on Monday night after a tip that 13-year-old Jaafar was playing with a stun gun at the home. But despite earlier reports, the lawyer for Katherine Jackson, Adam Streisand, insisted that neither of Michael’s boys, Blanket, 8, and Prince Michael, 13, were in the room with Jaafar when he was playing with the stun gun. Unnamed sources told TMZ that social workers interviewed all the children in the house, including Michael’s three kids, as well as other family members and staff, and that the plan was to return to the residence on Wednesday (March 3) for further questioning. There was reportedly some dispute about the timeline of when Jaafar obtained the stun gun. Some staffers said the teen had it for several days before a security staffer allegedly stumbled upon him playing with it and pointing it at Blanket and Prince, while Streisand said that it was in his possession for just a few minutes before being confiscated and that no other children were in harm’s way. According to a statement from Streisand , Jaafar ordered what he termed a “taser” online, and it was delivered to the compound two weeks ago. The lawyer said Jaafar opened the package alone in a bathroom and then “tested it on a piece of paper.” After Katherine and members of the security staff heard the sound, they confiscated the device. The statement claimed that Katherine removed the taser from the home, but TMZ claimed it was still there when DCFS arrived and confiscated it. “Blanket Jackson never saw or heard the stun gun,” Streisand said. “Neither did Paris Jackson. Prince saw the stun gun in the possession of security.” He added, “All of the kids are happy, healthy and wonderful and that is Mrs. Jackson’s only objective and concern.” Michael’s three children have been in the custody of their grandmother since the singer’s death in June. The manufacturer of the pocket-sized Scorpion stun gun that is reportedly at the center of the probe said it is the smallest, most powerful single-battery unit on the market, capable of delivering a 300,000-volt jolt. Related Artists Michael Jackson
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Jackson Compound Investigated After Stun Gun Scare
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Tagged california, Family, family-services, Hollywood, jaafar, jackson, kids, Lawyer, news article, package, prince, security, timeline
‘I feel like I have to prove myself to myself,’ MC says of upcoming The Crystal Meth. By Jayson Rodriguez, with reporting by Steven Roberts Method Man Photo: MTV News Method Man has been in a collaborative state of mind lately, after last year’s The Blackout 2 with Redman and the forthcoming Wu-related effort with Raekwon and Ghostface — but the MC is still a soloist at heart. He’s working on his new album The Crystal Meth, and the Def Jam star has his sights set high in terms of output, aiming for a classic on his next opus. “I just want my classic,” he told MTV News. “People always say, ‘You already got a classic first LP,’ but not to me. I want my classic LP, the five-mic-er for myself. Not based on The Source ‘s five mics but a five-mic-er to myself. I don’t feel like I have to prove myself to anybody. But I feel like I have to prove myself to myself. “It’s like when your child brings home an 80 on a test,” he continued. “That’s a good grade, but you know they can do better.” The Crystal Meth will be the veteran rapper’s fifth solo album and first since 2006’s 4:21 … The Day After. Method Man is currently promoting his joint project with Rae and Ghost and the trio recently shot a video in New York for the lead single “Our Dreams.” The three are set to travel overseas soon where Method Man will start writing more for his forthcoming effort. He told MTV News he only makes solo albums now because his fans keep calling for them . “This is the most comfortable I’ve been in my whole career, because I don’t have all those obligations that I’ve had before,” Meth explained. “You know, doing the Wu-Tang, then the Wu-Tang solo projects, then my project, then me and Redman. Right now, I can do it at my own leisure. Honestly, I don’t want to make an album by myself, but it’s something that’s required, and the fans want that, so I’m gonna do that.” Related Artists Method Man
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Method Man Wants Next Solo Album To Be ‘My Classic LP’
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Tagged crystal, forthcoming, Money, Mtv, Music, news article, Photos, pregnancy, prince, rumors, shanell, source, steven-roberts, TMZ
‘It’s so foolish we’ve haven’t paid it any attention,’ Shanell tells MTV News of rumors. By Hillary Crosley, with additional reporting from Rahman Dukes Lil Wayne and Shanell Photo: Prince Williams/ATLPics.net Lil Wayne may have an impending jail sentence, but in recent days some news about the MC has set the Internet chatter ablaze: Does he have another baby on the way? The Cash Money MC has been spotted attending events and snuggling with a new artist on his Young Money label named Shanell. The Massachusetts-born/Atlanta-raised songstress (real name: Shanell Woodgett), sister of former Danity Kane member D. Woods, began as a background dancer for artists like Kandi Burress, Petey Pablo and Ne-Yo before deciding to write songs. Teaming with her high school friend and producer Bangladesh, Shanell recorded a demo tape and aimed to become an artist herself along with writing for other people. She met Wayne while serving as a back-up dancer for Ne-Yo during the Up Close and Personal Tour (which featured the rapper along with Chris Brown) and eventually passed the rapper Bangladesh’s beat for “A Milli,” which became a huge street hit for the Young Money leader. Soon after, Shanell joined Lil Wayne’s artist enclave and began recording, touring and performing her single “Play in My Band” as well as co-writing songs for Wayne. Now, as she preps her as-yet-untitled debut album, Shanell said the rumors about whether she’s dating Lil Wayne have run rampant but have no basis in reality. “Basically it came from a corny rumor that escalated,” Shanell told MTV News.”First I was dating him, then I was his girlfriend, then we were getting married, then we were settling down and now I’m pregnant. It’s so foolish we’ve haven’t paid it any attention.” So what of the widely circulated photo where the two are hugging? “We’re taking a picture,” she said. The singer-songwriter says that the dating rumors were fine, but the pregnancy chatter was not. “All the rest of the rumors were kinda funny except that one,” she admitted. “When my mother called me like, ‘Um?,’ [I was] like, ‘No! Are you serious?’ I don’t care about the rumors, but I just want people to know that I’m not pregnant. I’ve got an album coming out, I’m a dancer, I’m in shape and children are not anywhere in my future.” Lil Wayne agrees. “Let me clear up this rumor, man: Shanell is not pregnant from me,” Wayne said in a serious tone on a Ustream video last weekend. “Shanell isn’t even pregnant! Period. Clear that up right now, man. Everybody talking about Shanell pregnant by … No, she not even pregnant. Period.” Lil Wayne may not be the father this go round, but he saw the birth of three sons — from an unnamed Ohio native, singer Nivea Nash and actress Lauren London — between 2008 and 2009 alone. His first child’s name is Reginae Carter, from his marriage to Toya Carter. Related Photos Lil Wayne, Drake Celebrate Shanell’s Birthday Related Artists Lil Wayne
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Lil Wayne, Shanell Deny They’re Having A Baby
Girrrrrrrrrl. Episode two of RuPaul’s beautiful gift from the thin slip of heaven that still remains has come and gone, and we still don’t know just what the hell we’re watching. But it’s OK. We’ll watch it anyway. No offense meant to the Logo network or anything, but is this the lowest-budget television show in the history of television shows? I think Robyn Bird has more to spend each week than this program does. There is a lady on public access in Newton, MA who literally puts kittens on an electric lazy Susan and talks about them as they spin around and around, and I’m pretty sure her budget is slightly higher than the few tarnished shekels that Ru is given every week to put her little carnival together. But maybe that’s kind of intentional? I mean, part of the extremely odd charm of the show — which is equal parts charm and strange sexual menace — is that it looks like it was filmed in some drag queen’s basement. Mostly because it was. And you just have like a heap of wigs in the corner and an old Sanyo boombox tinnily playing some old ’90s standards (En Vogue! Crystal Waters! Late/Mid-Career Annie Lennox!) and then RuPaul’s mom comes down with some laundry and is like “Oh, don’t mind me boys. Do you need anything? Ya hungry?” And all the drag queens say, in unison “No thank you, Mrs. Paul.” And then a few people smoke some meth and that’s the episode. It’s all pretty cute. Pretty strange, but pretty cute. Anyway! This episode was all about hooking. Hooking and stripping. Really! These drag queens adore the working girl, be she diva or disheveled. So in came RuPaul on one of those mechanized stair-chairs (I wish) and she told all them queens that it was time to do a makeover… on a Barbie doll! Well, OK, I don’t think it was actually a Mattel product, but it was some sort Barbie-esque figure modeled after RuPaul. There was a sad little pile of fabric and, in teams of two, the girls were to construct a ho outfit for this doll that was created for a very specific subset of adult males. There was a mad scramble of claws and fists and elbows as everyone lunged for the cloth, and then a feverish bout of very serious designing. With hot glue guns and glitter and I think some elbow macaroni and not but a few popsicle sticks. Seriously guys. One of the challenges on a reality show on television was to just do a doll makeover. A makeover, on a doll. My sister and I used to do that when we were eight and six years old. Chop off the doll’s hair and then regret it terribly, because it will never grow back. One time we had one of the black Barbies, Christy I think her name was, and my sister cut her hair sooo well. It looked like Oprah’s hair. We were very happy with that. But usually? It comes out gross and sad, and those mangled short-haired dolls become the scorned rejects in whatever story you’re imagining for them that day. (But none so scorned as the one we just called Legless, who had, in addition to a terrible haircut, one leg missing. A few years later, her hand was chewed off by the dog and a couple hours later, my mother tells me, there was a lone, grotesque doll hand poking up out of his poop, like someone trying to escape hell.) Anyway. The point is: This was on a television show last night. Doll makeovers. It’s wonderful! But it’s also sort of terrible. In the end only one team could emerge victorious and that was Pandora Boxx and Sahara Davenport (I think?) Though many of the dolls were bashed up, missing teeth and the like, theirs was the worst. They broke that poor plastic bitch’s heels and everything. I guess RuPaul appreciates a bashed-up ho. So, good for them. They then got to be team captains for the next big challenge, which involved stripper poles and burlesque and selling cherry pie coupons on the street. Yes, selling coupons like those kids who’d sign up for those ads in the back of Archie comics or something similar about how to sell oven mitts and steak knives door-to-door in order to win cash or points toward a new Huffy or Nintendo home entertainment system. Except these girls were just selling coupons for cherry pies at some random cafe down the corner. The girls were straight up yelling at people walking down the sidewalk, wrapping themselves unsexily around lampposts, and doing awkward splits. I don’t think they sold much cherry pie. While one team was hoofing it in full drag gear down on the strip, the other ladies were performing an afternoon “burlesque” show at a club. Earlier they’d learned how to do the stripper pole from two “burlesque” performers. Oh and the best part about the stripper poles? They had a sponsor. Ru was like “two poles, courtesy of Paul’s Pole Palace” or some shit. Logo, girl, you need to reassess your portfolio if you need a sponsor to pay for two raggedy stripper poles. But anyway. Everyone was pretty into this challenge, because it’s fun to pretend to be a hooker or stripper if you’re not actually a hooker or stripper, except for one person. Tyra is one of the prettiest queens, but, lady, she is also so nasty . Not like gross nasty. Plain old mean nasty. And lazy. She just stood there while things were sewn for her, choreographed for her, and, uh, poled for her. She wouldn’t even take a single lesson from the nice stripper, excuse me burlesque , ladies! Tyra was also snippy to all the other contestants. I mean, all the contestants are terribly snippy to each other, but Tyra is the worst by far. She know she pretty, she know she young , and that’s all that matters I suppose. But I do not like her attitude. She probably won’t get voted off any time soon, even though she’s mean and lazy (Ru caught her napping!), because she’s pretty and, I suppose, provides necessary entertainment value. But if I ever meet her in a dark alley… Well, I’ll probably run scared in the other direction. So after the girls had done their pole routines — writhing and jiggling and stretching and, I’ll admit, looking surprisingly competent for the most part — it was time for judgment. I do so love the judging parts because I’m pretty sure the girls are getting made up by professionals, or at least they have better lighting, so they all look wayyy better than they do in the challenges. Plus we get to hear Ru’s gonzo color commentary as the girls come strutting down the runway. I can’t remember any specifics, but her puns just get weirder and weirder, with stranger and more delightfully strained references. She’s like “Oohhh girl! Pandora Boxx is bringin’ tulips to Amsterdam tonight, honey!” Or, “Ohhh lawwwd no! Tatianna just signed the Treaty of Ver sigh with that number!” “The dingo sure didn’t eat Raven’s baby today, chile!” It’s just so weird and terrific. RuPaul should be the voice for so very many things. “Oh heavens girl, put in your damn pin number!” “Your balance is a raggedy three hundred dollars!” “Baby, I think this is 8th Street/NYU, but lady I don’t know for sure. Next stop is Prince Street. Heyyyyyyy. Watch them doors, girl!” My two favorites this week were: 1. Raven. Even though she is a straight up mean old crab, she looks so striking with her eagle-eye makeup and stern, chopped wigcuts. 2. Sonique! I was so surprised by Sonique this… wique. Last episode she didn’t stand out at all, but this go around she looked pretty and terrific. All cool beauty and pursed lips. Plus she’s definitely the best looking out of drag, so that doesn’t hurt. Alas because she had the second-lowest tips, Raven was forced to Lip-Sync for Her Life, alongside the kind of painfully sad Nicole Paige Brooks. Something about Nicole tells me that she was maybe something of a big, old fish in a small, also old pond? But out in the bigger world, matched up against some 21-year-old thang in a big bubble wig, her skinny minimalism just doesn’t do the trick. Plus she barely even seemed to try during the lip-sync. Raven was busting around with funny little bits and moves, while Nicole just sorta stood there and… lip-synced. Snoozer. Understandably, she went home. Which is good. She seemed nice, but her presence was just increasingly awkward. She seemed a little desperate in an unpleasant way. Who knows. At least now she can go back to her son. Yes, son. Again with another son on this show. Curiousssss! Girl, I think that’s it? Huh? What’s that Ru? “Fool, if you wanna make a call, please hang UP the damn phone and try that shit again. And don’t fuck it up!” Thanks, Ru.
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RuPaul’s Drag Race: Miss Tyra If You Nasty
Posted in Celebrities, Hot Stuff
Tagged amsterdam, drag-queens, nintendo, pandora, pandora-boxx, prince, recaps, rupaul's drag race, Sex, Street, stripper, TMZ
Filed under: Paparazzi Photo If you like watching famous people eat it — then you’ll get a kick out of Prince Harry taking a nasty fall during a polo match this weekend. The event was for charity, so don’t enjoy it too much. More Prince Harry Prince vs
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Prince Harry Goes Down!
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