I never get excited about pornstars posting nude pics…because google allows me to see them doing all kinds of fucking shit that is far dirtier than getting naked…even if those nude pics are from their first time on camera…prior to falling into that slippery devil’s world that is pornography…. It all happened in 006 in Oklahoma when Girls Gone Wild invited her into their bus, she was 18 and she got naked and masturbated with a dildo…and realized “shit, this is my calling, my career, what I am supposed to do….my calling…god’s way….what he wanted for me when he didn’t give me a dad….”….easy money….some fame and a lot of male attention to fill her void…it was way better than finishing her OSU Psych degree she was n the 2nd year of…. I had never heard of Georgia Jones before today…because porn girls annoy me…especially on TWITTER …because they think they are important and famous and successful…when they are just gutter hookers with behavioral issues…who depress me…. I prefer my naked chicks to not be so damaged…. But the story is…she’s dating Charlie Sheen in what I can imagine is a wholesome, sane, exclusive, romantic, love filled relationship from hell…. To see the more hardcore pics from the shoot CLICK ON THIS LINK via GIRLS GONE WILD TO SEE MORE HARDCORE PICS FROM THIS SHOOT CLICK THIS LINK TO SEE HER PORN CLICK THIS LINK via stepSMUT
Until today, I thought Legendary Pictures ‘ effort to make yet another contemporary Godzilla reboot was a seriously misguided idea. I know that almost 15 years have passed since Roland Emmerich’s 1998 take on the reptilian Japanese scream queen hit theaters, but that movie was such a dark, senseless and empty mess that it effectively killed my once fervent love of the big-ass monster genre. Okay, so there were other contributing factors, too, like terrorists in planes who managed to knock down the two largest buildings in New York. When that happens, big mutant lizards don’t exactly cut it anymore. But I digress. Emmerich’s Godzilla debuted three years before 9/11, and the thing that’s most infuriating about the movie is his tiresomely conventional attempt to top the original Japanese movies by just making his reboot bigger, noisier and more Godzilla -ier. The same goes for Diddy, then Sean Puff Daddy Combs, who contributed an equally bombastic song to the soundtrack, “Come With Me,” that, as far as I’m concerned is a sacrilegious use of Jimmy Page’s great guitar riff from Led Zeppelin’s “Kashmir.” (Page apparently didn’t think so at the time. He appeared in the crap-tastic video for the song, which references the 1993 World Trade Center bombing.) The more ambitious thing to do would have been to mine the campier, Mystery Science Theater 3000 – worthy elements of the Godzilla movies, such the Peanuts, the Japanese twin-sister singing group who played the tiny priestesses that were able to communicate with Godzilla’s winged rival, Mothra . But who am I kidding? Emmerich doesn’t deal in subtlety or wit. The reality is, that whether it’s Emmerich’s fault or not, movies about giant mutant creatures terrorizing a city or town don’t move the needle anymore unless they think smaller — on a human scale. J.J. Abrams’ Super 8 and the Abrams-produced Matt Reeves-directed Cloverfield worked for that very reason. The monsters in those films were really catalysts for interesting human drama. To a lesser extent, I felt the same way about Gareth Edwards’ Monsters , so my interest was piqued when he was hired to direct Godzilla and, at Comic Con last summer, promised “a grounded and realistic film that isn’t particularly sci-fi,” according to a CinemaBlend post at the time. Well, to paraphrase Leonardo DiCaprio’s signature line in Django Unchained , Legendary had my curiosity, but now they have my attention with the news, reported by Deadline , that Frank Darabont is rewriting the Godzilla script. The beauty of The Walking Dead under Darabont was that the human conflict and relationships taking place over the first two seasons of the AMC series was way more compelling than the creative zombie deaths. Each of the survivors was a distinct, fully fleshed character that I grew to care about over the course of the series, and that made their peril all the more intense and terrifying. Factor in the excellent script Darabont wrote for The Shawshank Redemption and, although the odds are pretty steep, if anyone can make me care about big-ass mutant lizard again, it’s him. [ Deadline , CinemaBlend ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
We can all agree that 2012 has been an excellent year for the movies , but the more salacious among us will note that it’s been an awesome year to perv out at the movies. Although we didn’t get another look at the Fassmember and all the conflicting feelings it brought up (Hotness! Confusion! Embarrassment at being psyched to see him naked in Shame when actually it’s really f***ing depressing!) there were some rather interesting trends that reared their heads that invite a closer look. Whether studios are getting braver or filmmakers are getting bolder is a debate for another time — and please don’t suggest that 50 Shades had too much to do with it. Let’s salute all the sexin’ that happened onscreen in 2012. Hair Here, There, and Everywhere Merkin-makers must have been counting their coins this year because going au naturel was all the rage, although I’m sure that the Brazilian waxers weren’t going hungry either. Neither of the leading ladies in Killer Joe kept their pants on the whole time, which wasn’t too much of a shock given director William Friedkin ‘s bold career. ( Cruising , anyone?) The very first scene puts us — and Emile Hirsch — face to face with Gina Gershon’s lustrous bush* as Gershon throws open the door to the family trailer wearing nothing but a T-shirt. Juno Temple is probably the most naked, though, as the uncomfortably young and dotty Dottie, who’s given to Killer Joe (the frequently shirtless Matthew McConaughey ) as a retainer until her brother and dad can pay him for killing their mother. (Got all that?) I’m not sure if Dottie is psychic and otherworldly or, you know, touched in the head, or even if she’s of age, but let’s get back to that later in the “Is This Even Legal?” section. *(Actually a merkin, as per this interview .) In the slightly more matter-of-fact dramedy The Sessions , Helen Hunt sheds her clothes in a professional manner as a sex surrogate hired by a man who’s spent most of his life in an iron lung. Some critics have commented that it seems unfair to show Hunt’s character completely nude while John Hawkes remains covered, but even Hawkes would have a hard time pulling off a nude scene as a paralyzed polio survivor. Sarah Polley’s Take This Waltz kept it casual when it came to the full frontal females. After an apparently hilarious incident of pool-peeing, Michelle Williams and Sarah Silverman enjoyed a tête–à–tête in the communal YMCA showers with a whole bunch of other ladies from their water aerobics class. Although I’ve never enjoyed a chill convo with my shower neighbors at the gym, I did appreciate finally seeing a wider variety of female bodies on screen. The extras were different ages and ethnicities, shapes and sizes, and they were just doing what bodies do when they’re not on sexual display. They all seemed a lot less pissed than I would have been if some yahoo had ruined my water aerobics class, too. Coming in Handy Handjobs aren’t just for high school any more, y’all. In fact, some of the most highfalutin films of the year show or imply manual stimulation. There was all sorts of snickering among the less mature among us (ahem) about masturbation in The Master , wherein the sort-of-but-not-really L. Ron Hubbard stand-in played by Philip Seymour Hoffman gets an almost stern handjob from his wife, Oscar hopeful Amy Adams . Seriously: that didn’t look like much fun. Hyde Park on Hudson gives a new meaning to kissing cousins when FDR’s “distant cousin” Margaret Stuckley (Laura Linney) gives a surreptitious hand to the cigarette-chomping prez, played by Bill Murray . The less said about this, the better. It’s not even clear what to call the scene in Holy Motors when Monsieur Merde (French for shit, for those of you playing at home) suffers from some sort of ecstatic priapism in the presence of a gorgeous fashion model played by Eva Mendes. But let’s not leave out the ladies! There was nothing quite as steamy as Gina Gershon subtly but skillfully manipulating Jennifer Tilly in Bound (under the tutelage of Susie Bright, who was a consultant on the early Wachowski film), but it seems practically greedy to ask for that much hotness once every decade or so. However, the sweetly sexy Hello I Must Be Going does have a hot and heavy make-out scene between freshly divorced Amy ( Melanie Lynskey ) and younger man Jeremy (Christopher Abbott of Girls ) that involves some deft fingerbangin’. Sisters don’t always have to do it for themselves, you know. Homoerotic Tension It seems like folks were waiting on tenterhooks to see Kristen Stewart joyfully jack off Sam Riley and Garrett Hedlund in On the Road , but the real hotness in that movie is Hedlund’s portrayal of Dean Moriarty’s playful pansexuality. His toothy, mischievous grin reels in not just the ladies but soulful men like Tom Sturridge’s Carlo Marx, a stand-in for Allen Ginsberg. And honestly, I don’t believe for a second that Marylou (Stewart) was the only one who wanted that threesome with Sal (Riley). Movieline has already explored the bondage-y vibe between James Bond and Skyfall villain Silva , which gave many viewers all sorts of naughty thoughts about Javier Bardem and Daniel Craig. I’d be seriously remiss if we left out Ezra Miller , the freaky fashion plate who came out as queer in a delightful Out magazine feature . As Patrick, Miller is the best part of The Perks of Being a Wallflower , and not just because he’s the best Frank-N-Furter this side of Tim Curry. (Those gams!) The tumultuous relationship he has with a closeted schoolmate is heartbreaking and the realest part of this YA adaptation. Also, he is extremely hot, and I don’t care if that makes me a dirty old lady. Plenty of people fall in love at the office, and in About Cherry , their office is a porn studio, filmed at Kink.com ‘s headquarters at the Armory in San Francisco. Young porn starlet Angelina (Ashley Hinshaw) and director Margaret (Heather Graham) feel the heat when Rollergirl gets behind the camera for a movie, but it’s not until they break up with their respective significant others that they become a sexy power couple. Jack and Diane is full of smoldering teen lust, and Riley Keough is fully channeling her grandfather Elvis as a young soft butch falling for Brit pixie Diane, played by Juno Temple. There’s lots of smooching and yearning and whatnot, including an ill-fated attempt at shaving Diane’s pubes, but there’s also a werewolf interlude because teenage lust can be scary or something. NEXT: First timers, role-playing, and Rust & Bone
A Connecticut attorney blames the state for the brutal massacre at Sandy Hook Elementary School, and is looking to sue for $100 million on behalf of one of the survivors. According to the Hartford Courant, Irving Pinsky filed legal documents with the Claims Commissioner, asking permission to sue the state on behalf of a 6-year-old student. The Newtown, Conn., resident (only ID’d as “Jill Doe”) was in another classroom at the time Adam Lanza open fire and suffered emotional and psychological trauma. Pinsky believes that the December 14 shooting was foreseeable, claiming a “fellow like Adam Lanza would have been known as a potential problem to the police.” As a result, he wants permission to sue Connecticut for nine figures. The state is immune from most lawsuits, which is why Pinsky must ask for permission to even file the suit; he could be allowed to and later lose the case itself. Or he could be rejected outright. No decision has been made regarding whether or not the suit will go through, but it’ll be interesting to see what happens.
Here’s a lil FYI for ya! If you mad be mad cuz it might add an additional two years to your life! A new study published in the Health Psychologies journal by a team of German researchers shows that people who release their anger live an average of two years longer than those who hold their tempers in. The study followed 6,000 people, primarily Italians and Spanish folks and found that “repressors,” the patients who internalized their emotion, often experienced an elevated pulse which increases the risk of high blood pressure, heart disease and other medical problems. In findings published in the journal Health Psychologies, the analysis of 6,000 patients showed those who internalized anxiety ran the risk of an elevated pulse — increasing the risk of high blood pressure, heart disease and other ailments. On a positive note, repressors were found to recover from illness more quickly — likely due to their discipline. Shutterstock
Harry Styles has himself a new tattoo; and it’s clearer than ever, a new girlfriend with whom to share it. The One Direction member stopped Shamrock Tattoo Parlor in Los Angeles this week, adding more ink to an ever-growing collection, but doing it this time with Taylor Swift by his side. Tattoo artist Freddy Negrete posted a photo of himself and the couple on Instagram, showing off both Harry’s fresh pirate ship and the singer who likely stared at it that night in bed: COINCIDENCE ALERT: In Swift’s I Knew You Were Trouble video , she hangs with a young man (played by Reeve Carney) who also gets a tattoo. We’re not sure what that means. But we’re guessing Taylor will let us know in a future song.
Could Adam Lanza’s motive for last week’s sickening Sandy Hook Elementary School shooting have been fear of being committed to a psychiatric facility? Nancy Lanza, the 20-year-old’s mother, was in the process of having her son committed when he went on the killing spree, a lifelong family acquaintance said. A senior law enforcement official also confirmed that Adam Lanza’s anger over his mother’s plan is being investigated as a possible motive for the massacre. Lanza killed 28 people – himself, his mother, six adults and 20 children – in Newtown, Conn., marking one of the worst mass murders in recent memory. “From what I’ve been told, Adam was aware of her petitioning the court for conservatorship and (her) plans to have him committed ,” said Joshua Flashman, 25. Flashman grew up not far from where the shooting took place. “Adam was apparently very upset about this. He thought she just wanted to send him away. From what I understand, he was really, really angry.” “I think this could have been it, what set him off.” It’s unclear whether Adam’s mother, Nancy Lanza, was really filing that specific paperwork, because court officials say that such records are sealed. She would have had to go through a protracted process to acquire legal rights to commit an adult to a hospital or psychiatric ward against his will. As for ties to the school, Nancy Lanza was not a teacher, as was initially reported, but she reportedly volunteered with kindergartners there for years. Flashman said that Adam “believed she cared more for the children than she did for him.” On the day of the massacre, Nancy was Adam’s first victim at the house were they lived. Flashman said Nancy was good friends with the school’s principal, Dawn Hochsprung , and psychologist, both of whom were killed during the incident. Adam had also reportedly cut off communication with his father, Peter, in 2010. It’s unclear if he kept in touch with his older brother, Ryan Lanza , 24. Investigators’ efforts to gain insight into the deeply disturbed mind that planned and executed this massacre have been exhaustive, and not without roadblocks. Police believe Adam Lanza’s hard drive may have been damaged by the killer in the days leading up to the shooting, rendering its data unreadable.
Game developer Crytek has hired director Albert Hughes to bring its Crysis gaming franchise to the big screen. Half of the Hughes brothers team behind Menace II Society and T he Book of Eli , Albert is directing The 7 Wonders Of Crysis 3 , an online series set in a reforested future New York 2047. Behold the teaser: Production companies often have trouble converting video game properties to film, which is why Crytek isn’t bothering — with the production companies. Using no actors or movie cameras, Hughes is directing the game engine itself, rendering his cinematic vision with the same software players will use to shoot each other in the face. And here are four reasons to look forward to it. 1. The Greatest Graphics The Crysis series has always been famous for its stunning visuals. While other games worry about the mass-market, Crytek’s approach is “Bring us your most powerful and expensive computers and we will make them cry gorgeously detailed tears with realistic fluid dynamics.” Its CryEngine is the heart of the entire company, rendering massive, fantastically detailed worlds. In fact, Crytek’s first game, Far Cry, began as a technology demo which impressed people so hard it was developed into a full game. The engine has been constantly updated every since. The latest iteration, CryEngine 3, eats supercomputers and spits out state-of-the-art graphics cards. 2. A True Video-Game Movie It was only a matter of time until someone saw video games and asked “Wait a minute, why do we even still need people?” The answer is lots of reasons. But when most of the people in your film are extras designed to catch the heroes’ bullets, those reasons become less important. The technology for vactors — “virtual actors” — simply isn’t ready yet. But computers have been better than reality at special effects for years. Live-action movies already use computers for all the difficult bits. So when you’re setting the entire movie inside a computer, the whole world’s a stage: a special-effects stage loaded with pyrotechnics. And when you consider that Crysis 3 is about a nanosuit-enhanced soldier battling corrupt security forces, like the guy above, whose name is “Psycho,” and aliens, which do you think will be a bigger part of that story: facial expressions or explosions? Big-name videogames have become more like movies every year. Where once the player was a roving character exploring a maze of hallways, now they’re a single cog in a vast cinematic machine. Carefully guided from set piece to set piece by invisible walls and an omnipresent director, distributing cutscenes between every 10 explosions. Setting the game to “play” itself by hiring a director to say what happens instead of a gamer is just the logical next step in that evolution. 3. The Product Is The Advertisement Calling The 7 Wonders of Crysis 3 a fusion of video games and cinematics would be incomplete. It’s really a combination of video games, cinematics, and advertising. And that’s no bad thing. Sure, it’s blatantly designed to show off the proprietary Crytek graphics, but video games, movies, and adverts are the three fields most based on showing off amazing visuals and compelling stories that completely capture our attention. The resulting cinematic chimera has great promise. After all, Guy Ritchie has already directed an ad for Black Ops II . When the guy behind the Sherlock Holmes franchise is directing the star of that franchise in a video-game commercial, anyone who doubts they’re just as big as movies simply hasn’t been paying attention. Besides, any product is meant to be its own advertisement. Here that advice is literally true. Games As Art (And New Ideas) Hybridization always creates new ideas. And the only people still arguing about whether video games are art were eligible to retire before we started playing them. Even the most violent shooter can be stuffed with artistic flourish and deeper meanings. Bioshock was a beautiful steampunk fantasy which turned a generation onto Atlas Shrugged . The “soldier shoots other soldiers, also aliens” might not sound like a vehicle for quite as much content, but it’s beautiful. Crysis has always been about binaries, and not just in the 1s and 0s that make it happen. Every aspect of the games has a duality. You fight armed human soldiers, then inexplicable aliens. You’re outfitted with state-of-the-art technology but find yourself enmeshed in nature. You’re encased in a nanotechnological miracle of body-enhancing armor and you find yourself wielding a bow and arrow. And it looks awesome. And it looks awesome. The series started on Dec 12. You can watch the first episode right now on the Crysis YouTube channel . (Be sure to choose max HD quality for the full effect.) Luke McKinney loves the real world, but only because it has movies and video games in it. He responds to every tweet . Follow Luke McKinney on Twitter. Follow Movieline on Twitter.
Sandy Hook Elementary School Principal Dawn Lafferty Hochsprung, 47, was killed as she, along with school psychologist Mary Sherlach, attempted to overtake gunman Adam Lanza during the Dec. 14 mass shooting at the school. Hochsprung and Sherlach reportedly both lunged at Lanza in an effort to defend the students and teachers at the school. Both women were killed. All the victims of the Connecticut elementary school shooting were killed up close by multiple rifle shots, a medical examiner said.
The shooter killed his mother first before he ran rampant in the school. Via the Associated Press : Nancy Lanza’s body was found later at their home on Yoganda Street in Newtown – after the carnage at Sandy Hook Elementary School; after a quiet New England town was scarred forever by unthinkable tragedy; after a nation seemingly inured to violence found itself stunned by the slaughter of innocents. Nobody knows why 20-year-old Adam Lanza killed his mother, why he then took her guns to the school and murdered 20 children and six adults. But on Friday he drove his mother’s car through this 300-year-old town with its fine old churches and towering trees, and arrived at a school full of the season’s joy. Somehow, he got past a security door to a place where children should have been safe from harm. Theodore Varga and other fourth-grade teachers were meeting; the glow remained from the previous night’s fourth-grade concert. “It was a lovely day,” Varga said. “Everybody was joyful and cheerful. We were ending the week on a high note.” And then, suddenly and unfathomably, gunshots rang out. “I can’t even remember how many,” he said. The fourth-graders, the oldest kids in the school, were in specialty classes like gym and music. There was no lock on the meeting room door, so the teachers had to think about how to escape, knowing that their students were with other teachers. Someone turned the loudspeaker on, so everyone could hear what was happening in the office. “You could hear the hysteria that was going on,” Varga said. “Whoever did that saved a lot of people. Everyone in the school was listening to the terror that was transpiring.” Gathered in another room for a 9:30 meeting were principal Dawn Hochsprung and Diane Day, a school therapist, along with a school psychologist, other staff members and a parent. They were meeting to discuss a second-grader. “We were there for about five minutes chatting, and we heard Pop! Pop!, Pop!” Day told The Wall Street Journal. “I went under the table.” But Hochsprung and the psychologist leaped out of their seats and ran out of the room, Day recalled. “They didn’t think twice about confronting or seeing what was going on,” she said. Hochsprung was killed, and the psychologist was believed to have been killed as well. A custodian ran around, warning people there was a gunman, Varga said. “He said, `Guys! Get down! Hide!’” Varga said. “So he was actually a hero.” Did he survive? The teacher did not know. In a first-grade classroom, teacher Kaitlin Roig heard the shots. She immediately barricaded her 15 students into a tiny bathroom, sitting one of them on top of the toilet. She pulled a bookshelf across the door and locked it. She told the kids to be “absolutely quiet.” “I said, `There are bad guys out there now. We need to wait for the good guys,’” she told ABC News. “The kids were being so good,” she said. “They asked, `Can we go see if anyone is out there?’ `I just want Christmas. I don’t want to die, I just want to have Christmas.’ I said, `You’re going to have Christmas and Hanukkah.’” One student claimed to know karate. “It’s OK. I’ll lead the way out,” the student said. In the gym, crying fourth-graders huddled in a corner. One of them was 10-year-old Philip Makris. “He said he heard a lot of loud noises and then screaming,” said his mother, Melissa Makris. “Then the gym teachers immediately gathered the children in a corner and kept them safe.” Another girl who was in the gym recalled hearing “like, seven loud booms.” “The gym teacher told us to go in a corner, so we all huddled and I kept hearing these booming noises,” the girl, who was not identified by name, told NBC News. “We all started – well, we didn’t scream; we started crying, so all the gym teachers told us to go into the office where no one could find us.” An 8-year-old boy described how a teacher saved him. “I saw some of the bullets going past the hall that I was right next to, and then a teacher pulled me into her classroom,” said the boy, who was not identified by CBSNews.com. Robert Licata said his 6-year-old son was in class when the gunman burst in and shot the teacher. “That’s when my son grabbed a bunch of his friends and ran out the door,” he said. “He was very brave. He waited for his friends.” He said the shooter didn’t utter a word. “Then our teacher, somebody, yelled, `Get to a safe place.’ Then we went to a closet in the gym and we sat there for a little while, and then the police were, like, knocking on the door and they were, like, `We’re evacuating people, we’re evacuating people,’ so we ran out.” Children, warned to close their eyes so they could not see the product of his labors, were led away from their school. Parents rushed to the scene. Family members walked away from a firehouse that was being used as a staging area, some of them openly weeping. One man, wearing a T-shirt without a jacket, put his arms around a woman as they walked down the middle of the street, oblivious to everything around them. Gov. Dannel P. Malloy and other public officials came to the firehouse. So did clergymen like Monsignor Robert Weiss of Newtown’s St. Rose Roman Catholic Church. He watched as parents came to realize that they would never see their children alive again. “All of them were hoping their child would be found OK. But when they gave out the actual death toll, they realized their child was gone,” Weiss said. He recalled the reaction of the brother of one of the victims. “They told a little boy it was his sister who passed on,” Weiss said. “The boy’s response was, `I’m not going to have anyone to play with.” We’ll keep you updated on this developing story… Images via twitter
