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‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

Casey Abrams, Lauren Alaina, Scotty McCreery and more make up voter-approved top 10. By Gil Kaufman Stefano Langone performs on “American Idol” Photo: FOX After what’s felt like years (OK, just two months), “American Idol” finally got to its first live elimination show Thursday night (March 3), and it was not pretty. The biggest cut-down in show history came after host Ryan Seacrest said more than 40 million votes were cast over two performance nights. The good news was that favorites like Lauren Alaina, Casey Abrams, Thia Megia and Jacob Lusk made the cut, but that meant that a few beloved singers like Brett Loewenstern and Julie Zorrilla were eliminated as the show revealed its top 13 finalists. After copious time-killing segments, Seacrest finally got to the first elimination nearly 25 minutes into the two-hour episode, with country boy Scotty McCreery moseying into the top 10 while Robbie Rosen was sent packing. Next up were Clint Jun Gamboa, Jovany Barreto and Jordan Dorsey. After blowing it with Usher’s “OMG,” Dorsey got the hook, along with karaoke host and eyeglass aficionado Gamboa and Barreto. The girls were in the hot seat next, and it was hard to believe that Pia Toscano and Alaina were standing next to each other, since Toscano got a standing ovation and high praise from the judges, and Alaina has been a favorite for weeks. It was good news for 16-year-old Alaina and, of course, for Toscano as well, as Seacrest reveled in his favorite game of elimination psych-out. But when Ta-Tynisa Wilson and Julie Zorrilla came up, after a night when both blew their chances with subpar performances, it was no surprise that both missed out on the top 10. It was hard to know who might lose out when glamazon Kendra Chantelle, baby-diva Ashthon Jones and funky bilingual singer Karen Rodriguez took center stage, though. Shockingly Jones was sent packing, as was Chantelle, with Rodriguez filling out the third women’s slot. Young Luther Vandross-alike Lusk huddled up next to bearded wild man and budding sex symbol Abrams and cutie crooner Tim Halperin. Lusk sang hallelujah when he got the call, and to no one’s surprise, Abrams was next, as Halperin made the long walk. The hits kept on coming, as funky soul singer Naima Adedapo, 16-year-old wunderkind Megia and blues mama Lauren Turner all got the boot. With only two spots left, Adedapo and Turner got some bad news, as Megia became the second high-schooler to get a magic ticket. It was anyone’s guess who would be out when two of this season’s standouts, spunky ginger Loewenstern and flair-loving showman Paul McDonald stepped up to the spotlight. Alas, sensitive teen Loewenstern would have to hope for a wild-card spot, as McDonald got the call. Vying for the final spot on the girls’ bench were Haley Reinhart and resident quirk Rachel Zevita, who went over the cliff on Wednesday night with a mannered cover of Fiona Apple’s “Criminal.” Without much drama, Reinhart got the call, as multiple-auditioner Zevita washed out. The judges were digging Stefano Langone on Tuesday night, certainly more than James Durbin, who took a chance with a Judas Priest song and may have overplayed his rocker card. But only one of the roommates could snag the final men’s spot, so it was curtains for Langone and joy for Lambert-like rocker Durbin. With 14 singers vying for the wild card, the judges chose six to get another chance. Jones was up first, strutting to her spot to sing the song that made Jennifer Hudson a star, the “Dreamgirls” classic “And I Am Telling You I’m Not Going,” giving it plenty of attitude, but coming off a bit shouty as she played to the rafters in an attempt to work her way back. Steven Tyler thought she brought it again, Jennifer Lopez felt the passion and Randy Jackson loved the attitude. Langone picked Smokie Norful’s emotional ballad “I Need You Now,” filling the tune with lots of passion and turning it into a tour de force that tugged heartstrings and seemed to punch his ticket. Randy loved that Stefano picked one of his favorites and Lopez said he nailed it when he needed to. Chantelle got the next shot with Hoagy Carmichael’s “Georgia on My Mind,” starting out low and breathy and then climbing into her high, sweet range and hitting a series of giant notes near the end that felt like her attempt to swing for the fences. Jackson wasn’t sure where it was going at first but said she totally pulled it off. Barreto dedicated Jon Secada’s “Angel” to the woman he once loved, figuring he’d try to curry some favor as well by singing a half Spanish/ half English tune. His vocals were strong and moving, but it was unclear if it was enough to get him back in the mix. All Lopez could say was “you did all you could do,” which didn’t sound promising. Tyler called Adedapo, which meant the definitive end of the line for Zorrilla, Turner and Wilson. At first Naima didn’t seem to have enough in the tank to take on soul icon Donny Hathaway’s “For all we Know,” but she gave it her all and put some smooth soul into the performance. Tyler felt she dug deep, but Naima’s tears signaled that she didn’t feel confident. The final shot went to Rosen, meaning Gamboa, Dorsey, Loewenstern and Halperin said bye-bye. Double-R chose Elton John’s “Sorry Seems to be the Hardest Hard,” reworking the song into a kind of flamenco torch song, which he sang while flashing his puppy-dog eyes and over-emoting by several measures. Jackson called it nice and tender, saying the decision was going to be a brutal one. After the break, the judges weren’t ready, so Seacrest cued up the glittery video for Lopez’s “On the Floor” to give them a chance to deliberate some more. With time running out, it was redemption time for Jones and Langone, as well as Adedapo, who helped fill out the top 13. The first live performance shows of the season kick off next Wednesday. Do you agree with the top 13? Did your favorite make it? Let us know what you think in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

Casey Abrams, Lauren Alaina, Scotty McCreery and more make up voter-approved top 10. By Gil Kaufman Stefano Langon performs on “American Idol” Photo: FOX After what’s felt like years (OK, just two months), “American Idol” finally got to its first live elimination show Thursday night (March 3), and it was not pretty. The biggest cut-down in show history came after host Ryan Seacrest said more than 40 million votes were cast over two performance nights. The good news was that favorites like Lauren Alaina, Casey Abrams, Thia Megia and Jacob Lusk made the cut, but that meant that a few beloved singers like Brett Loewenstern and Julie Zorrilla were eliminated as the show revealed its top 13 finalists. After copious time-killing segments, Ryan Seacrest finally got to the first elimination nearly 25 minutes into the two-hour episode, with country boy Scotty McCreery moseying into the top 10 while Robbie Rosen was sent packing. Next up were Clint Jun Gamboa, Jovany Barreto and Jordan Dorsey. After blowing it with Usher’s “OMG,” Dorsey got the hook, along with karaoke host and eyeglass aficionado Gamboa and Barreto. The girls were in the hot seat next, and it was hard to believe that Pia Toscano and Alaina were standing next to each other, since Toscano got a standing ovation and high praise from the judges, and Alaina has been a favorite for weeks. It was good news for 16-year-old Alaina and, of course, for Toscano as well, as Seacrest reveled in his favorite game of elimination psych-out. But when Ta-Tynisa Wilson and Julie Zorrilla came up, after a night when both blew their chances with subpar performances, it was no surprise that both missed out on the top 10. It was hard to know who might lose out when glamazon Kendra Chantelle, baby-diva Ashthon Jones and funky bilingual singer Karen Rodriguez took center stage, though. Shockingly Jones was sent packing, as was Chantelle, with Rodriguez filling out the third women’s slot. Young Luther Vandross-alike Lusk huddled up next to bearded wild man and budding sex symbol Abrams and cutie crooner Tim Halperin. Lusk sang hallelujah when he got the call, and to no one’s surprise, Abrams was next, as Halperin made the long walk. The hits kept on coming, as funky soul singer Naima Adedapo, 16-year-old wunderkind Megia and blues mama Lauren Turner all got the boot. With only two spots left, Adedapo and Turner got some bad news, as Megia became the second high-schooler to get a magic ticket. It was anyone’s guess who would be out when two of this season’s standouts, spunky ginger Loewenstern and flair-loving showman Paul McDonald stepped up to the spotlight. Alas, sensitive teen Loewenstern would have to hope for a wild-card spot, as McDonald got the call. Vying for the final spot on the girls’ bench were Haley Reinhart and resident quirk Rachel Zevita, who went over the cliff on Wednesday night with a mannered cover of Fiona Apple’s “Criminal.” Without much drama, Reinhart got the call, as multiple-auditioner Zevita washed out. The judges were digging Stefano Langone on Tuesday night, certainly more than James Durbin, who took a chance with a Judas Priest song and may have overplayed his rocker card. But only one of the roommates could snag the final men’s spot, so it was curtains for Langone and joy for Lambert-like rocker Durbin. With 14 singers vying for the wild card, the judges chose six to get another chance. Jones was up first, strutting to her spot to sing the song that made Jennifer Hudson a star, the “Dreamgirls” classic “And I Am Telling You I’m Not Going,” giving it plenty of attitude, but coming off a bit shouty as she played to the rafters in an attempt to work her way back. Steven Tyler thought she brought it again, Jennifer Lopez felt the passion and Randy Jackson loved the attitude. Langone picked Smokie Norful’s emotional ballad “I Need You Now,” filling the tune with lots of passion and turning it into a tour de force that tugged heartstrings and seemed to punch his ticket. Randy loved that Stefano picked one of his favorites and Lopez said he nailed it when he needed to. Chantelle got the next shot with Hoagy Carmichael’s “Georgia on My Mind,” starting out low and breathy and then climbing into her high, sweet range and hitting a series of giant notes near the end that felt like her attempt to swing for the fences. Jackson wasn’t sure where it was going at first but said she totally pulled it off. Barreto dedicated Jon Secada’s “Angel” to the woman he once loved, figuring he’d try to curry some favor as well by singing a half Spanish/ half English tune. His vocals were strong and moving, but it was unclear if it was enough to get him back in the mix. All Lopez could say was “you did all you could do,” which didn’t sound promising. Tyler called Adedapo, which meant the definitive end of the line for Zorrilla, Turner and Wilson. At first Naima didn’t seem to have enough in the tank to take on soul icon Donny Hathaway’s “For all we Know,” but she gave it her all and put some smooth soul into the performance. Tyler felt she dug deep, but Naima’s tears signaled that she didn’t feel confident. The final shot went to Rosen, meaning Gamboa, Dorsey, Loewenstern and Halperin said bye-bye. Double-R chose Elton John’s “Sorry Seems to be the Hardest Hard,” reworking the song into a kind of flamenco torch song, which he sang while flashing his puppy-dog eyes and over-emoting by several measures. Jackson called it nice and tender, saying the decision was going to be a brutal one. After the break, the judges weren’t ready, so Seacrest cued up the glittery video for Lopez’s “On the Floor” to give them a chance to deliberate some more. With time running out, it was redemption time for Jones and Langone, as well as Adedapo, who helped fill out the top 13. The first live performance shows of the season kick off next Wednesday. Do you agree with the top 13? Did your favorite make it? Let us know what you think in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

Casey Abrams, Lauren Alaina, Scotty McCreery and more make up voter-approved top 10. By Gil Kaufman Stefano Langon performs on “American Idol” Photo: FOX After what’s felt like years (OK, just two months), “American Idol” finally got to its first live elimination show Thursday night (March 3), and it was not pretty. The biggest cut-down in show history came after host Ryan Seacrest said more than 40 million votes were cast over two performance nights. The good news was that favorites like Lauren Alaina, Casey Abrams, Thia Megia and Jacob Lusk made the cut, but that meant that a few beloved singers like Brett Loewenstern and Julie Zorrilla were eliminated as the show revealed its top 13 finalists. After copious time-killing segments, Ryan Seacrest finally got to the first elimination nearly 25 minutes into the two-hour episode, with country boy Scotty McCreery moseying into the top 10 while Robbie Rosen was sent packing. Next up were Clint Jun Gamboa, Jovany Barreto and Jordan Dorsey. After blowing it with Usher’s “OMG,” Dorsey got the hook, along with karaoke host and eyeglass aficionado Gamboa and Barreto. The girls were in the hot seat next, and it was hard to believe that Pia Toscano and Alaina were standing next to each other, since Toscano got a standing ovation and high praise from the judges, and Alaina has been a favorite for weeks. It was good news for 16-year-old Alaina and, of course, for Toscano as well, as Seacrest reveled in his favorite game of elimination psych-out. But when Ta-Tynisa Wilson and Julie Zorrilla came up, after a night when both blew their chances with subpar performances, it was no surprise that both missed out on the top 10. It was hard to know who might lose out when glamazon Kendra Chantelle, baby-diva Ashthon Jones and funky bilingual singer Karen Rodriguez took center stage, though. Shockingly Jones was sent packing, as was Chantelle, with Rodriguez filling out the third women’s slot. Young Luther Vandross-alike Lusk huddled up next to bearded wild man and budding sex symbol Abrams and cutie crooner Tim Halperin. Lusk sang hallelujah when he got the call, and to no one’s surprise, Abrams was next, as Halperin made the long walk. The hits kept on coming, as funky soul singer Naima Adedapo, 16-year-old wunderkind Megia and blues mama Lauren Turner all got the boot. With only two spots left, Adedapo and Turner got some bad news, as Megia became the second high-schooler to get a magic ticket. It was anyone’s guess who would be out when two of this season’s standouts, spunky ginger Loewenstern and flair-loving showman Paul McDonald stepped up to the spotlight. Alas, sensitive teen Loewenstern would have to hope for a wild-card spot, as McDonald got the call. Vying for the final spot on the girls’ bench were Haley Reinhart and resident quirk Rachel Zevita, who went over the cliff on Wednesday night with a mannered cover of Fiona Apple’s “Criminal.” Without much drama, Reinhart got the call, as multiple-auditioner Zevita washed out. The judges were digging Stefano Langone on Tuesday night, certainly more than James Durbin, who took a chance with a Judas Priest song and may have overplayed his rocker card. But only one of the roommates could snag the final men’s spot, so it was curtains for Langone and joy for Lambert-like rocker Durbin. With 14 singers vying for the wild card, the judges chose six to get another chance. Jones was up first, strutting to her spot to sing the song that made Jennifer Hudson a star, the “Dreamgirls” classic “And I Am Telling You I’m Not Going,” giving it plenty of attitude, but coming off a bit shouty as she played to the rafters in an attempt to work her way back. Steven Tyler thought she brought it again, Jennifer Lopez felt the passion and Randy Jackson loved the attitude. Langone picked Smokie Norful’s emotional ballad “I Need You Now,” filling the tune with lots of passion and turning it into a tour de force that tugged heartstrings and seemed to punch his ticket. Randy loved that Stefano picked one of his favorites and Lopez said he nailed it when he needed to. Chantelle got the next shot with Hoagy Carmichael’s “Georgia on My Mind,” starting out low and breathy and then climbing into her high, sweet range and hitting a series of giant notes near the end that felt like her attempt to swing for the fences. Jackson wasn’t sure where it was going at first but said she totally pulled it off. Barreto dedicated Jon Secada’s “Angel” to the woman he once loved, figuring he’d try to curry some favor as well by singing a half Spanish/ half English tune. His vocals were strong and moving, but it was unclear if it was enough to get him back in the mix. All Lopez could say was “you did all you could do,” which didn’t sound promising. Tyler called Adedapo, which meant the definitive end of the line for Zorrilla, Turner and Wilson. At first Naima didn’t seem to have enough in the tank to take on soul icon Donny Hathaway’s “For all we Know,” but she gave it her all and put some smooth soul into the performance. Tyler felt she dug deep, but Naima’s tears signaled that she didn’t feel confident. The final shot went to Rosen, meaning Gamboa, Dorsey, Loewenstern and Halperin said bye-bye. Double-R chose Elton John’s “Sorry Seems to be the Hardest Hard,” reworking the song into a kind of flamenco torch song, which he sang while flashing his puppy-dog eyes and over-emoting by several measures. Jackson called it nice and tender, saying the decision was going to be a brutal one. After the break, the judges weren’t ready, so Seacrest cued up the glittery video for Lopez’s “On the Floor” to give them a chance to deliberate some more. With time running out, it was redemption time for Jones and Langone, as well as Adedapo, who helped fill out the top 13. The first live performance shows of the season kick off next Wednesday. Do you agree with the top 13? Did your favorite make it? Let us know what you think in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Spares Stefano Langone, Naima Adedapo, Ashthon Jones

Hollywood Tuna’s AmaTuna Moment – Pillow Fight Babes

There should be a sports league made for pillow fighting. It would be HUGE! *Submit sexy, funny, interesting videos here Pillow Fight Babes Video More AmaTuna

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Hollywood Tuna’s AmaTuna Moment – Pillow Fight Babes

Stacy Keibler Chilling At Home In Her Undies

I’m not sure what this new Me In My Place photoshoot for Esquire magazine is all about, but if it gets Stacy Keibler on her knees in her underwear I’m all for it. Here’s the leggy hottie relaxing at home in various sexy little panties and booty shorts. I had a feeling she spent her days lounging half naked on her furniture… I knew it, I’m like a psychic, I guess that means she spends her evenings having pillow fights and practicing kissing on her hot girlfriends. Amaze. more pictures of Stacy Keibler here

A Look At Militant Bill Cosby’s “Black History: Lost, Stolen or Strayed” [Video]

Bill Cosby’s controversial documentary is examined. Bill Cosby’s “Black History: Lost, Stolen or Strayed” As we close out Black History Month, Hip-Hop Wired evaluates Bill Cosby’s Black History: Lost, Stolen or Strayed’ and takes a look at how Cosby tried and helped change the way African-Americans are portrayed on television starting with this documentary which went against the grain and could have ruined his carrer in the 1960′s. But if you don’t stand for something, you’ll fall for anything so take a look and read about a militant Bill Cosby. “Now, this country has a psychological history – there was a master race, and there was a slave race – and though there’s no political slavery anymore, those same old attitudes have hung around,” determined a socially-conscious Bill Cosby during his revealing documentary. read more at HipHopWired

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A Look At Militant Bill Cosby’s “Black History: Lost, Stolen or Strayed” [Video]

Lady Gaga’s ‘Born This Way’ Video: A Pop-Culture Cheat Sheet

Gaga’s latest is full of nods to fashion, film, fine art and the occasional West Texas weirdo. By James Montgomery Lady Gaga Photo: Tom Briglia/ WireImage By now, you’ve had a few hours to digest Lady Gaga’s brand-new “Born This Way” video , a starry, swirly, some would say gnarly clip that features plenty of astral afterbirth, a snarling man-zombie and exactly one shimmering unicorn. So, yes, “BTW” is most definitely an eye-catching, high-concept thing — as Gaga told BBC’s Radio 1 , it’s meant to showcase “the birth of a new race,” which doesn’t make it all that different from all of her videos, if you think about it. And, much like her earlier work, “BTW” is also loaded with blink-and-you’ll-miss-it moments, carefully constructed odes to fashion, film, fine art and, uh, West Texas weirdos. So, in the same way we broke down her “Telephone” and “Alejandro” clips, we’ve decided to put “Born This Way” under the microscope, watching (and rewatching) each frame to compile a pop-culture cheat sheet that’s alphabetized and cross-referenced for your convenience. Believe us, this took way longer than you could imagine, but it was worth it. (Oh, and despite our best efforts, we’re sure there’s something we missed, which is why we need your help: Let us know what you spot in the comments below!) And so, without further ado, here’s our “Born This Way” pop-culture cheat sheet”: Alexander McQueen : The late fashion designer has always been an influence on Gaga (she wore his famous “armadillo heels” in the “Bad Romance” video and one of his creations on the red carpet of the 2010 MTV Video Music Awards), and in “Born This Way,” her outfit at the beginning of the video — where she’s hovering above Earth, giving birth to a starchild (or something) — seems directly influenced by the natural flourishes of McQueen’s final collection , which featured feathers, mock scales and faux wings. Denny Brewer : Deep-fried Texas musician/oddball who, along with his son, plays in the band Refried Ice Cream. In recent weeks, Brewer has risen to fame thanks to his recorded ramblings about alternate dimensions, phase-shifting, lizard people and pomegranates that serve as the through-line to Bright Eyes’ The People’s Key album. Much of what Gaga declares in her “Manifesto of Mother Monster” is lifted from Brewer’s playbook: a “mitosis of the future,” a “multiverse” and the constantly changing concepts of “temporal” and “eternal.” H.R. Giger : Swiss-born surrealist painter and sculptor, perhaps best known for designing the terrifying, sexualized beasts in the “Alien” franchise. After Gaga gives birth to her “evil” spawn, he contorts his body in a way that, when coupled with sinewy fabrics, appears to be a direct nod to Giger’s chilling work. Janus : The two-faced Roman god of gates, doorways, beginnings, endings and time. At the very beginning of “Born This Way,” Gaga’s Mother Monster features two faces, and, given the whole “rebirth” concept behind the video, that seems less than coincidental. Madonna : By now, you’re probably aware that, sonically, “Born This Way” sounds a lot like Madonna’s “Express Yourself.” So, perhaps as a bit of a joke, Gaga closes “BTW” by mimicking Madge’s iconic gap between her two front teeth. Michael Jackson : As she tries to assure her spot in the upper echelons of pop royalty, Gaga is obviously taking cues from the man who eternally sits on the throne: the late, great King of Pop. At the end of “Born This Way,” she pays direct homage to the man, strutting down a dark alleyway, slightly glowing (

Darren Aronofsky Calls Spirit Award Winner Black Swan ‘Fun,’ Defines Indie Film

Backstage at the Spirit Awards Saturday afternoon, Darren Aronofsky was in a jaunty mood. And why not? With Black Swan ‘s two biggest Oscar rivals, The Social Network and The King’s Speech , absent from competition at the penultimate awards show of the year ( TSN excluded by budget, TKS relegated to the foreign film category), the night belonged to Aronofsky’s stylish psychological ballet thriller. So after Black Swan took home Best Cinematography (Matthew Libatique), Best Actress (Natalie Portman), Best Director, and Best Feature, Aronofsky took to the winners’ room to have some fun with the press.

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Darren Aronofsky Calls Spirit Award Winner Black Swan ‘Fun,’ Defines Indie Film

NBA All-Stars LeBron James, Dwight Howard, More Talk Hoops, Hip-Hop

‘They say all rappers want to be basketball players, [and] all basketball players want to be rappers,’ says wife of Carmelo Anthony, La La Vazquez. By Alvin Blanco, with reporting by Rahman Dukes LeBron James Photo: MTV News Hip-hop and sports are practically kindred spirits, especially when it comes to basketball. At this year’s NBA All-Star Weekend , a number of hoop stars, and the wife of one player in particular, wholeheartedly agreed with this observation. “They always say all rappers want to be basketball players, [and] all basketball players want to be rappers,” La La Vazquez, wife of New York Knick Carmelo Anthony and ex-MTV VJ, told MTV News. Over the years, a number of NBA players have actually become rappers on the side. Besides four championships — three with the Los Angeles Lakers, one with the Miami Heat — Shaquille O’Neal also managed to release four albums. The first, 1993’s Shaq Diesel, went platinum and the third, 1996’s You Can’t Stop the Reign, featured a pair of verses from the Notorious B.I.G. on its title track. More recently, L.A. Laker Ron Artest has embarked on a rap career, while his teammate Kobe Bryant once kicked rhymes on R&B singer Brian McKnight’s “Hold Me.” Not every player necessarily has rap dreams to go along with their hoop dreams, though. “Every player except me wants to be a rapper,” said Dwight Howard of the NBA’s Orlando Magic. “I don’t want to do the rap thing.” Howard did add though about his fellow NBA stars, “We love music. We love hip-hop and we support it.” LeBron James, who is famously and charitably good friends with Jay-Z, mentioned how basketball players are frequently name-checked in song. For example, on Jay-Z’s “Empire State of Mind,” the MC rhymes, “Jesus paying LeBron, I’m paying Dwyane Wade.” This synergy between players and rappers ultimately boils down to mutual respect. “We all came from nothing,” Boston Celtic Kevin Garnett told us. “The appreciation factor for each other, the fact you gotta grind and work hard to get where you at, it’s similar. It’s a very similar industry.” Garnett’s teammate and fellow All-Star Rajon Rondo added, “We respect those guys the way they respect us. It kind of goes hand in hand. Rappers love to come see us play. We love to see them perform.” What do you think of the ongoing love between hip-hop and hoops? Sound off in the comments!

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NBA All-Stars LeBron James, Dwight Howard, More Talk Hoops, Hip-Hop

‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments

‘I’m still kind of amazed that they let me drink beer out of somebody’s skull,’ Nicolas Cage marvels to MTV News. By Kara Warner Amber Heard Photo: MTV News If the trailers haven’t already sold the fact that “Drive Angry” is outrageous , in every sense of the word, allow the cast of the film — Nicolas Cage, Amber Heard, Billy Burke and William Fichtner — to expand on the subject, particularly the scenes they thought would be left on the cutting-room floor. “I’m still kind of amazed that they let me drink beer out of somebody’s skull,” Cage admitted to MTV News recently of his character’s most over-the-top antics. “That that’s still in the movie, and it’s a credit to [director] Patrick Lussier that he had the guts to go in the most far-out places.” “Only in our movie, in the world of ‘Drive Angry,’ ” Heard said. “I wanted it to look good, like, ‘My cup runneth over,’ ” Cage explained of the big moment. “I wanted the beer to come sploshing out of the eye sockets.” Burke, who plays a very disturbed and psychotic cult leader hell-bent on infant sacrifice in the film, said he figured that one of the film’s climactic scenes would receive a less intensely violent edit. “I thought that we would probably change sacrificing a baby to maybe a lamb or something like that,” Burke said. “I didn’t think that we’d actually go forward with wanting to kill a baby, but we did, and that’s the kind of movie this is. So if you can’t take that, for the fun and spirit in which it’s intended, then you shouldn’t go see this movie,” he advised. For scene-stealer Fichtner, who plays the mysterious character the Accountant, he was most surprised that a very racy/violent love scene made the cut. “There was one scene in the movie, we all know which one I’m talking about [a ‘creative’ sex scene in which Cage engages in a gunfight with a naked woman still on top of him] where I thought, ‘Wow, that’s interesting,’ ” he said. “That’s a challenge.” In addition to the outrageousness of wrapping your head around what happens in that scene, Fichtner said he has great respect for the actors and stunt coordinators who made it happen. “Patrick [Lussier] did an amazing job and so did Charlotte [Ross] and Nic,” he said. “It’s much more than just a sex scene.” Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments