Tag Archives: radiohead

The Arcade Fire: Rock And Roll Champions Of The World

Their #1 album and Lollapalooza-closing set solidified their position atop the rock heap, in Bigger Than the Sound. By James Montgomery Win Butler of The Arcade Fire performs at Lollapalooza Photo: Tim Mosenfelder/ Getty Images On Wednesday morning (August 11), the long-vacated Rock and Roll Championship belt finally found a new home: around the waists of multi-hyphenate Montreal rockers the Arcade Fire (it’s a pretty big belt). With the rather startling #1 debut of their sublime third album The Suburbs here in the U.S. (and its slightly less startling #1 debut in the U.K. ), they are now, officially, the heavyweight champions of the rock world. At least until Radiohead put something out. Of course, this doesn’t mean they’re the biggest band in the world (because they’re not), or the best (because that’s purely subjective). It merely means they’re the standard-bearers for “important” rock, for globe-uniting, stadium-packing sentiment, for the betterment of mankind. They are the band that magazine editors slap on the cover along with the headline “Can _____ Save the World?” And while a #1 debut certainly helps, being champion of the rock world is less about album sales (because then, like, Nickelback would be the champs) than it is about mystique, about power, about intangibles. It is not easily definable, but you definitely know the Rock and Roll Champions when you see them. And for me, that moment occurred this past weekend, during the Arcade Fire’s festival-closing set at Lollapalooza . Pitted opposite the reunited Soundgarden (themselves former holders of the belt), AF blew me away — along with the 50,000-something folks who packed in with me — with a set that was as hard-fought and far-reaching as it was grandiose. Sure, their older stuff packed a wallop, but the soaring choruses of songs like “Neighborhood #2 (Laika)” and “Wake Up” are tailor-made for huge crowds and even huger expanses. What impressed me the most was the way the band — and the husband/wife tandem of Win Butler and Regine Chassagne — translated the quieter, more personal sentiments of the songs from The Suburbs into universal, crowd-uniting statements. Songs like “Ready to Start,” “Rococo” and especially the title track are all deeply muted, winsome tragedies (the kind of uniquely suburban angst that plays out in most of our hearts and minds), and yet, on Sunday night, in Chicago’s Grant Park, they too became life-affirming, chill-inducing sing-alongs. It was cathartic: 50,000 people releasing their inner demons. And during all that, I realized that the Arcade Fire had ascended to the heights of former champions like Radiohead and prime-era U2 and probably even Coldplay. Their shows had become events. Spiritual things. And yet, much like Radiohead (and unlike U2 or Coldplay), there was still an aura to them, a well-cultivated mystique. They emerged in silhouette at the beginning of their set, spoke very little during it and departed with a series of simple waves and bows. You don’t know very much about them, and they prefer to keep it that way. They seem genuinely unnerved by the attention they receive. This is the crucial part of any championship band: the mystery remains intact. And it’s from that mystery that the magic emerges. That is why the Arcade Fire picked up the belt vacated by Radiohead sometime in 2007 (post- In Rainbows ). They have the mystique of a champion. And while, using the WWE scale, the Rock and Roll Championship is sort of comparable to the Intercontinental belt these days (the Pop Championship would probably be the heavyweight division, which makes Lady Gaga Kane , and the Hip Hop Championship — currently held by Eminem or maybe Rick Ross — would be the WWE title), it’s nice to have a champion again. How long they hold the belt is anybody’s guess, but for now, it’s theirs to run with. Rock and roll is important again. And who knows? Maybe the Arcade Fire will be the band that finally figures out how to save the world. Long may they reign. Do you agree, or would you give the Rock and Roll Championship belt to a different band? Share your thoughts in the comments! Related Artists Arcade Fire

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The Arcade Fire: Rock And Roll Champions Of The World

Kris Allen Aims For ‘Street Cred’ On Tour With Radiohead Cover

After ‘Paranoid Android,’ the ‘American Idol’ alum is working on a cover of MGMT’s ‘Electric Feel.’ By Jim Cantiello Kris Allen Photo: Frank Micelotta/ Getty Images While you should never judge a book by its cover, “American Idol” season-eight champ Kris Allen hopes concertgoers judge him for his cover. More specifically, his out-of-left-field take on Radiohead’s epic prog-rocky anthem “Paranoid Android,” which he’s currently performing on his first headlining tour. “It’s our street-cred song,” Allen told MTV News backstage at Yankee Stadium, where he was about to play the CBS Radio Expo. “I’ve always loved the song, and I’ve always loved playing it, and so we worked it out as a band, because we thought it would be cool.” Street cred is a tricky thing when you’re a dude from a show that forces contestants to sing songs from the Barry Manilow songbook. But Kris and his band are eager to prove to audiences that their music tastes reach wider than the mainstream tunes fans might expect from an artist with an “Idol” past. And, in some cases, the Radiohead cover — now a fan favorite — expands the musical horizons of Allen’s “Idol” followers. “Some people come up to me after the show, they didn’t even know the song, and they were like, ‘That was incredible!’ My brother, he has no idea who Radiohead is, and he thought it was awesome,” Allen said. Not all audiences are ready, however, to hear the good-natured Southern boy sing lyrics like “When I am king, you will be first against the wall.” “We won’t play it every night. We’ll play it every once in a while,” the Arkansas native said. “I think we played it in Shreveport [Louisiana], and people were just like, ‘What is this? This guy’s creepy!’ And then we move on to the next song,” Allen laughed. This isn’t the first time Kris has taken a risk with his set list. In addition to rocking songs from his self-titled debut album, including the hit “Live Like We’re Dying,” Kris and the band have performed straight-faced, sincere mash-ups of Kanye West’s “Heartless” and Coolio’s “Gangsta’s Paradise,” as well as a “Falling Slowly”/ “With or Without You” interpolation that caught the eye of original artist the Swell Season. (Glen Hansard even performed Kris’ U2-ified arrangement on their last tour). Kris Allen has his fingers crossed for a similar shout-out from Radiohead. “What if Thom Yorke sees this?” the singer said wide-eyed. “And what if he’s like, ‘This is great’? That would be incredible!” While Kris and his band daydream about props from the Radiohead frontman, they’re busy working on another cred-grabbing cover to add to their set. “We’ve been trying to work up ‘Electric Feel’ for a while, the MGMT song, which would be pretty cool.” Kris Allen is on tour with his band through September, performing both headlining shows as well as opening for Barenaked Ladies, Keith Urban and Maroon 5. What song would you like Kris to cover on tour? Let us know in the comments! Related Videos MTV News Extended Play: Kris Allen Related Photos MTV.com Exclusive: Kris Allen Related Artists Kris Allen Radiohead

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Kris Allen Aims For ‘Street Cred’ On Tour With Radiohead Cover

Radiohead Frontman Predicts Imminent Demise of Record Industry

If his music is any indication, Thom Yorke’s not exactly possessed of the most optimistic mind-set, but the Radiohead singer may be onto something when he says that the record industry as we know it is about to implode . Related Entries May 31, 2010 What’s Not to Like About Civil Rights? May 31, 2010 Memorial Day and Our Discontents

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Radiohead Frontman Predicts Imminent Demise of Record Industry

This Weekend on Cable: 4 Movies Worth Adding to Your Permanent Collection

And now, Movieline’s home-viewing guru Michael Atkinson introduces a new feature dedicated to this weekend’s most recordable films on a movie channel near you. I don’t much trust the “cloud” — what if a comet hit the Earth and took out all of those data-center servers? Then where’d your “copy” of Radiohead’s full catalog be? I like to have copies I can hold, and I say, movie channels are rewarding sources of movies for when that comet hits. Then, all you’d need is a generator, a DVD player and your DVD -R rip of Children of Men to have a Saturday night.*

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This Weekend on Cable: 4 Movies Worth Adding to Your Permanent Collection

Conan O'Brien to Weezer: 11 Covers of Radiohead's “Creep”

So as you may have heard , Conan O'Brien warmed up during soundcheck with a cover of Radiohead's “Creep.” It's a song that's gotten a lot of play over the years—so a round-up of excellent and not-so-excellent renditions of the iconic tune. View

13-Year-Old Ke$ha Performs Karma Police

How did a thirteen year old Radiohead fan become the person who brought us “Tik Tok?” Watch

‘Piracy isn’t killing music’ Radiohead’s guitarist says

Last year, Radiohead expressed their growing discomfort with record labels that abuse copyrights for their own benefit, while harassing their fans. In a recent interview, Radiohead guitarist Ed O’Brien said that he doesn’t believe piracy is killing the music industry, but that the industry will kill itself if it doesn’t adapt to the digital age

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‘Piracy isn’t killing music’ Radiohead’s guitarist says

NWA Flight 253: Winners, Losers, Heroes, and The Schadenfreude of Burning Balls

Some guy tried to light an explosive devise, ended up producing a mediocre fireworks show inside of an airplane. So, he failed, ended up with burned balls. Now we have heroes and tighter air travel regulations.

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NWA Flight 253: Winners, Losers, Heroes, and The Schadenfreude of Burning Balls

Jared Fell Off The Wagon

Uh oh, Jared the Subway Guy pulled a KFed. It was probably the 3 for a $1 cookies that did him in

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Jared Fell Off The Wagon

Expressionist Renderings of Classic Arcade Games

Here are some of the classics viewed from an expressionist's point of view.

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Expressionist Renderings of Classic Arcade Games