Tag Archives: review

REVIEW: Jonah Hill, The Sitter Offer (Mostly) Inoffensive, Forgettable Fun

Having begun his career as American independent film’s great hope with delicate, languid features like George Washington and All the Real Girls , David Gordon Green has devoted the last few years to turning out goofball stoner comedies that, aside from their hip and very current casts, could seem like forgotten oddball ’80s artifacts discovered in a box of dusty VHS tapes at a garage sale. While it’s not a career trajectory anyone who went googly-eyed over his early output would have guessed for him, there’s an unmistakable undercurrent of glee to these recent films that suggests Green — who still works with many of the crew members with which he started, including composer David Wingo and DP Tim Orr — is having a great time making exactly the type of movies he wants to.

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REVIEW: Jonah Hill, The Sitter Offer (Mostly) Inoffensive, Forgettable Fun

What to Expect When You’re Expecting Trailer: What Did You Expect?

Just when you thought that a movie could not accommodate more stars and subplots than tomorrow’s Garry Marshall-directed New Year’s Eve , Lionsgate has unveiled the trailer for What to Expect When You’re Expecting . The film, an adaptation of the popular ’80s pregnancy guide, packs Jennifer Lopez, Elizabeth Banks, Cameron Diaz, Matthew Morrison, Anna Kendrick, Chris Rock, Thomas Lennon, Dennis Quaid, Wendi McLendon-Covey, the hot Brazilian from Love Actually and more actors into a sprawling tale of hormonal outbursts, catty jealousy, dads unafraid to wear Baby Björns and infants. Lots and lots of infants. Judge the trailer for yourself below.

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What to Expect When You’re Expecting Trailer: What Did You Expect?

REVIEW: Theron, Reitman and Cody Combine For Stark, Sublime Young Adult

I don’t pretend to be a feminist or even understand feminism beyond accepting the fundamental concept of gender equality. That has always seemed straightforward enough, despite the vagaries and complications evident in myriad cultural examples from Michele Bachmann to Margaret Cho to Diablo Cody, the stripper-turned-scribe whose three produced screenplays to date — Juno , Jennifer’s Body and this week’s Young Adult — make up some of contemporary cinema’s rangier ruminations on feminism. Or at least what I think is feminism.

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REVIEW: Theron, Reitman and Cody Combine For Stark, Sublime Young Adult

Allison Janney on The Help, Her Mentor Paul Newman and Overindulging in Eggnog This Holiday Season

After approximately eighty roles in television and film, four Emmy awards, two Tony nominations and countless Kaiser Permanente ads, the inimitable Allison Janney has certainly earned her place among Hollywood’s best character actresses. In her most recent film, the Civil Rights-era comedy-drama The Help — Tate Taylor’s adaptation of Kathryn Stockett’s novel — the Ohio-bred thesp channeled her own mother to play the worrisome mama bear to Emma Stone’s boundary-pushing protagonist. In lesser hands, Charlotte Phelan could have been a thin character — a Southern woman more concerned with her daughter’s marital prospects than her happiness — but Janney summoned fear, humor and subtlety for a fully-fleshed and fully-flawed character who earns her personal growth.

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Allison Janney on The Help, Her Mentor Paul Newman and Overindulging in Eggnog This Holiday Season

REVIEW: Tilda Swinton Keeps Mother-Son Horror Story We Need to Talk About Kevin on Track — Barely

If I had been working as a film critic in 1968, I would have warned pregnant women against seeing Rosemary’s Baby . Today I’d say the same thing about We Need to Talk About Kevin : You don’t know what you might be getting when your little bundle finally arrives, and it’s probably better not to think about it in advance.

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REVIEW: Tilda Swinton Keeps Mother-Son Horror Story We Need to Talk About Kevin on Track — Barely

Consider Uggie, Day 3: The Artist’s Wonder Dog Storms TV, Social Media [Video]

What a difference two days makes: Less than 48 hours after the launch of Movieline’s “Consider Uggie” crusade , the movement’s Facebook page has acquired 1,100 followers and counting, its honoree has his own Twitter page, and Uggie himself joined trainer Omar Mueller for a campaign stop on E! News. Crazy! And overdue .

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Consider Uggie, Day 3: The Artist’s Wonder Dog Storms TV, Social Media [Video]

REVIEW: Strange, Hypnotic Sleeping Beauty Sends No Clear Message — Thank God

When Australian writer-director Julia Leigh’s Sleeping Beauty made its debut at Cannes last May, the responses among critics I talked to veered from bland outrage to vexed boredom. That doesn’t leave a lot of middle ground, and I had to see Sleeping Beauty a second time before I was reasonably sure what I thought about it. I’m still not reasonably sure what I think about it: The picture is clinical in its approach and its technique, yet it leaves so many questions unanswered — it’s straightforward in a vague, maddening way. It’s also strangely, obliquely compelling.

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REVIEW: Strange, Hypnotic Sleeping Beauty Sends No Clear Message — Thank God

Eminem Critiques B.o.B’s Strange Clouds

Bobby Ray calls working with Slim Shady, featured on his new E.P.I.C. (Every Play Is Crucial) mixtape, ‘a dream come true.’ By Steven Roberts B.o.B Photo: MTV News B.o.B ‘s first album, B.o.B Presents: The Adventures of Bobby Ray, featured plenty of guest appearances, but arguably the biggest was Eminem ‘s feature on “Airplanes Part II.” Em is not exactly ubiquitous, but he found his way onto the up-and-comer’s track. So, it shouldn’t be much of a surprise that they’d team up again. When Bobby Ray dropped his newest mixtape, E.P.I.C. (Every Play Is Crucial), seemingly out of nowhere Monday, it featured an older track with Eminem, titled “Things Get Worse.” Though the track leaked in February, B.o.B decided to not let it go to waste. When MTV News caught up with Bob on Tuesday evening, he said the track was recorded in Detroit around the same time as the “Airplanes” sequel. He also said he relished the opportunity to work so closely with two artists — B.o.B is signed to T.I.’s Grand Hustle — that were already legends. “Working with artists like Tip and Eminem, you really learn a lot from people who have put out countless albums,” he said. “Being that I’m fresh in the industry and really eager to learn and really show people everything I can do musically, they kind of help me. I remember Tip telling me, ‘I’m with you. I support everything you do.’ ” B.o.B revealed that he and Em have been in touch, and he had a chance to play Slim Shady his new record, Strange Clouds. Bobby Ray said it was still surreal to sit down with Em and have the rapper critique his work, especially since Em has been supportive of what he’s already done. “I grew up listening to Eminem, so to be able to work and get advice on your music from him is a dream come true,” he said. “It was free, a free environment. It really wasn’t rigid, just real free with the music, no ego.” Share your review of B.o.B’s E.P.I.C. (Every Play Is Crucial) mixtape in the comments below! Related Artists Eminem B.o.B

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Eminem Critiques B.o.B’s Strange Clouds

Frank Ocean Charms New York Audience

Odd Future crooner wins over Bowery Ballroom with soulful covers and originals, including new songs ‘Super Rich Kids’ and ‘Disillusioned.’ By Rob Markman Frank Ocean Photo: MTV News Be it for a crowd of one or 100, you get the feeling that Frank Ocean would be just as charmingly awkward when performing tracks from his breakthrough digital album Nostalgia, Ultra . On Monday evening, the Odd Future singer/songwriter performed his second in as many days, making up for the scheduled November 6 concert that was cancelled , citing illness. There was no opening act or host for the evening, just Ocean, who stormed the Bowery Ballroom stage at exactly 9:30 p.m. wearing a black jacket, white button-down shirt and a red bandana tied around his forehead. “You think I’d leave your side baby/ You know me better than that,” he sang, starting out his set with a soulful rendition of Sade’s “By Your Side.” As the 23-year-old New Orleans export serenaded the crowd, the screen behind him played clips of old Western films and changed themes with each song: sometimes playing scenes from “Boyz n the Hood,” other times playing animated “Dragon Ball Z” clips. After the opening number, Frank addressed the crowd, professed his love for NYC and revealed to fans that he first fell in love, then ultimately got his heart broken, in Southern California. The charming anecdote set up “Thinking About Forever,” a hopelessly romantic slow jam about recapturing lost love. Ocean isn’t the type of singer who rips off his shirt, nor does he show any signs of being a dancer — two qualities typically associated with modern-day crooners. Frank, however, remains relatable on a level most artists are not, which makes him able, in between each song, to simply chat and laugh with the audience, and though he seemed uneasy at times, it was enough to keep his adoring fans engaged. The female portion of the crowd squealed when he eased into “Dust,” and when Ocean belted out the opening line from “Swim Good” — “That’s a pretty big trunk on my Lincoln Town Car” — most of the crowd shot their hands into the air, swaying them side to side. Though his diehards know him for so much more, the OFWGKTA breakout is most popular for his contributions to Jay-Z and Kanye West’s inescapable Watch the Throne LP, so of course, he performed his portions of “No Church in the Wild” and “Made in America.” His catalog isn’t deep, but for an hour, Ocean kept fans entertained by running through fan favorites and even giving a taste of his next album, singing two new songs: “Super Rich Kids” and the bouncy and bassy “Disillusioned.” The show’s only downfall was that for much of the show, Ocean simply stood center stage, but boy did he sound great. He switched things up on “American Wedding,” his heartbreaking flip of the Eagles’ classic “Hotel California.” For the track’s iconic guitar solo, Ocean turned his back to the crowd, faced the screen, picked up a video-game guitar controller and played out the song’s closing notes on “Guitar Hero.” The crowd — mixed with industry mainstays, star-gazing girls, frat boys and even a few celebs (Mos Def was in attendance) — ate it up. After his version of Coldplay’s “Strawberry Swing,” Ocean said goodnight and left the stage. The crowd stood, demanding an encore, and were granted their wish when Ocean remerged onstage sitting by a piano. He closed with “I Miss You,” a song he wrote for Beyonc

About That Lost Sexual Hysteria Project For Julia Roberts

In David Cronenberg’s new film A Dangerous Method , Keira Knightley plays Sabina Spielrein, a young woman who at times lapses into fits of hysterics and at other times, comfortably discusses masturbation and the arousing aspects of her father’s beatings. Originally though, this complicated character (and the onscreen spankings she endures) were not intended for the Pirates of the Caribbean star — but for Julia Roberts, America’s Longest-Reigning Sweetheart.

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About That Lost Sexual Hysteria Project For Julia Roberts