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Gossip Girl: The Food of Love [Recaps]

Last night’s episode was all about people reaching out for one another. Unrequited lovers reaching for a warm body. Mothers reaching for sons. Daughters for fathers. Jenny for a sack of pills. Our story began this week with Jenny, a rebellious little pixie who will not follow the sacred rules of the faerie kingdom, even though mean old Queen Mab is angry at her. All Jenny wants to do is hang out with the kid from Air Bud . If you had the opportunity to hang out with the kid from Air Bud , I’m pretty sure that’s all you’d want to do too. And deal drugs. You’d want to sell pills as well. So that’s what Jenny is doing by way of revolt. She never goes to school anymore, nobody goes to school anymore on this show. Maybe they will later, when it is convenient, but for now Jenny is stuck in the house, frowning brattily at her Rufus and his Lily, and frowning sexily at her kid from Air Bud . Rufus doesn’t want Josh Framm seeing young Jennifrica anymore, because he suspects they might be creating sex together, which is something he is not comfortable with. (You know what I am not comfortable with? The fact that Matthew Settle was so good and creepy and, like, doing something real on Band of Brothers and is now stuck doing this. Acting is so depressing.) Lily also doesn’t want Framm to framm his way into Jennji’s undergarments, because she’s trying to be a good parent to Rufus’ daughter so he will forgive her for kissing her ex-husband over summer break. What tangled webs we weave! For now, though, no one is forgiving anyone. A whole hullabaloo happened with Framm and his drugz. Basically Rufus was all “Young lady you are far too young to be framming, so you are moving to Brooklyn with me, and I don’t care if Dan is upset because he’s been living there alone and framming himself into a giddy stupor in peace for months now. It’s back across the river!” and Jenny was all “Noooo” and for some reason decided a good way to not get gulag’d to Bklyn was to… show her dad her big sack of pills. I didn’t exactly get that reasoning, did you? I don’t really get any of Jenny’s motivations right now. Alls I know is that I increasingly despise Taylor Momsen and all her trying-to-act ways. Framm her! In the end, Jenny sneaked out of the house and met up with Framm and they mouth-frammed right there on the sidewalk and next week it looks like they really will produce boning together, which is a milestone for all of us — when our least-favorite fictional sixteen year olds finally do boffing, it is a landmark occasion in life. For their part, Rufus and Lily are screwed. Lily kinda found out that Rufus has frammed that lady from downstairs, and now who knows. She could be getting divorce number six. Meanwhile Lily’s real daughter was doing a lot of framming herself. Serena and Nate are still in mush-mouthed love together, and mostly all they do is bump uglies while Serena sings “A ring ding dong, a ring a ding ding ding dong…” loudly and joyously. It’s pretty gross! This week there was a delicately choreographed foodsex montage, brought to you by episode director Andrew “Cobweb Mouth” McCarthy himself. (Who, remember, got cast on that planned GG spinoff that never happened. Maybe this was his consolation prize?) It was a really beautiful scene of lovemaking. First Serena got the strawberries, blessedly smaller ones than last time . Then there was whipped cream, then caramel. Then Nate got out the mandoline and shaved some thin radish slices over Serena’s body. She laughed and moaned “Oooooo sookie sookie now.” She then opened the fridge and got out the hummus and smeared it across his chest. “Allahu akbar,” Nate purred. In turn he rubbed some leftover lasagna onto her quivering body. She got out the combination mustard/relish condiment tube and squirted it all over his face. He rubbed red bliss potatoes between various crevices. She covered him in a thin veneer of goose liver pate. He massaged her with a gloopy handful of seafood salad. She cracked an egg with her butt cheeks. He made scrapple on her stomach. She playfully stuffed his mouth full of tête de veau, bits dribbling down his chin. Finally they finished, in a great and heaving sloppy heap of mayonnaise and marmalade. “That was fun,” Serena burbled, Gogurt sluicing out of her mouth. “It was,” agreed Nate, his beautiful face covered in clam chowder. So that was a gross scene, and I don’t know who Gossip Girl thought that was going to be sexy for. Is food sexy for anyone? Eugh. When they were done they heard Blair making fake sex noises and there was a whole weird joke about that but mostly it was a setup scene so we could find out that Chuck is still hiding something from Blair. Mostly he is hiding that he is still tracking down Mother Bass. Ohhhh big plotline! Teenaged boy sits glowering in suits while a prim lady does various things in hotel lobbies. That woman is always doing things in hotel lobbies. Whenever Chuck spots her, she’s always just there, doing things. In hotel lobbies. Anyway, with Serena’s nosy help (nosy or freighted with meaning ?) Chuck and Mother finally sat down to speak, but he rebuked her advances and gave her money so she would go the hell away. And she listened, sort of. Later on Serena went to talk to her. This woman only does two things. She does stuff in hotel lobbies, and she talks to teenagers. Most of the time she’s actually talking to teenagers in hotel lobbies, which I guess seems slightly less weird than talking to teenagers in your hotel room. It’s still weird though. See, Serena wanted Chuck to reunite with Mother Bass because of her own bad dad, an abandoner who abaondoned her many moons ago. The strangely-accented Mother Bass represented that abandonment to Serena. If Ma Catfish could explain why she left Chuck, maybe someday Serena would understand her dad’s reasoning. It’s perfectly sound logic, except that they are two entirely different people with completely different stories, but never mind. So there it was, after all that build-up. We were going to find out why this lady left Baby Bass with his cruel, cruel daddy. What was the nefarious reason? Oh, she was young and couldn’t handle a kid. That was it. Not that she’s a fugitive spy or exotic animal smuggler or actually a man or anything. She was just 19 and like couldn’t deal . Sigh. Gossip Girl , why do you always set us up just to knock us down? Anyway, after talking to this complete stranger of a blonde teenager, M. Bass decided to stay and wait for Chuck to come to her and of course he did and they got to chatting and she’s gonna stick around. It was nice to see Chuck smile again and please please please, dear writers, please tell us that this is that last we’ll see of Sad Chuck for a long time. I am so sick of sad moody Chuck, and I’m sure Ed Westlywickens is too. Give us happy, scheming Chuck! Drunken, clowning Chuck! Terrified, ski jumping Chuck! Any kind of Chuck but Sad, Moping Chuck. He is no fun. Also no fun is Serena, who was back at one of the dimly-lit places where these people live, having a heart to heart with the Nate robot. It stroked her head stiffly and said “What is your emotional malfunction, earth child?” Serena whimpered and told him about her dad. The robot said “There there. There there. Would you like me to put some egg salad in your cu—” and then Serena jumped up and said “That’s it!” She grabbed the phone and called her father. She left a message saying that she was done looking for him. That was it. No more, no more. Or is there? In case you don’t live under this rock where people who watch Gossip Girl live, Billy Baldwin is popping by for a few episodes this season to play Serena’s dad. So, expect more boring things with that! Speaking of boring things, Dan & Vanessa. Oh god, Dan & Vanessa. They’ve been doing the San Francisco Sidestep around each other for weeks now, and finally things came to a head (and, likely, head) last night. There was some sort of party, of course. Vanessa’s floor or dorm or group of pretend friends or something were having a South Beach , Miami party that involved, because these things are so totally South Beach, leis and Hawaiian-print skirts and shirts. (Was it just painfully accurate art direction of what a poorly-themed college student’s party would look like? Perhaps, but probably not.) Vanessa pretended that she was going with her gay theater boyfriend, and Dan found a random girl named Melissa to come with him. How he pulled that one off I will never know. “Hello, my name is Dan Humphrey and I am a walking, talking pile of chins. Would you escort me to this year’s annual Florida-Hawaii Ball?” “Suuuuuuure. I’m Melissa.” “Oh, I know. Oh I know .” “You have the cutest maniacal laugh.” At the party everyone was doing the traditional South Beach hula dance and eating poi, and things between Vanessa and Dan were awkward, mostly because he was wearing a chest hair-baring black wife beater and she was dressed up like Grok, the Cavewoman of Oahu. They “drank mojitos” and got “drunk,” though they acted exactly the same as they had before drinking mojitos, because they are both terrible actors who were, I suppose, terribly directed. Shame on you, Blaine! Eventually they got stuck behind one of those cut-out face picture taking things and some other thing and, as anyone does when caught between one of those carnival cut-out things and some other thing, they furiously smashed their faces together and Dan’s ukulele turned into a guitar and everything was just so awkward. Eventually Theatergay and Melissa figured out what was going on and were like “Ohhh noooo you didn’t. Aloha, South Beach. Aloha.” Dan and V. had about sixteen more conversations about whether or not they should get together, all of which made absolutely no sense, but it doesn’t matter because now they are together. Yes, they frammed each other long and hard, and then made jokes about “elbow incidents” and other gross things that shouldn’t exist. There was some grim foreshadowing as Dan lustily eyed the refrigerator and Vanessa stared at some margarine sitting in a tub on the counter. The Lion King ahhhh seee whenn yaaaaa mamadeetseeabah (is that how you spell mamadeetseeabah?) music began and the camera blessedly turned off. So everyone was together and in love, except for poor Erik. At the very end of the episode, we saw lonely Erik walking through Central Park holding a little red balloon. He was thinking of other places, other climes, other lives entirely. He wanted to go somewhere warm and blue, somewhere with crystal seas and spiky palms. He wanted to go to the islands of South Beach, but he wasn’t sure if he could stand such a long flight. He ended up at Vanessa’s dorm instead, standing amidst the party feeling kind of miserable, until a young man with dark tanned skin sauntered up to him and said, “Aloha. Surf’s up?” Erik grinned his shy little grin. “Sure is, he said. Sure is.” So that’s that! A happy ending for Erik. Now Brian, why don’t you tell us where everyone stands, Power Rankings-wise, after this episode. Thank you, Richard. Here is this week’s tally: Dorota : Power Play : Even though she was off on important espionage business, she still makes her boyfriend Vanya tell Lily that Rufus is dogging around on her: +3 Total : 3 Season to Date : 51 Power Position : Even Blair : Fashion Points : Louis Vuitton metallic booties? We likey!: +1, Gorgeous chunky yellow necklace: +1 Sexual Intrigue : Is only pretending to have sex with Chuch: -2, Finally, Chuck is back in her bed: +1 Social Schemes : Gets totally outplayed by stupid Serena in the “should Chuck talk to his mom” debate: -1, Gets proven wrong by Serena when Chuck starts enjoying talking to his mother: -1 WTF : Smart enough to have Chuck’s couch scotch guarded now that Serena is dating his roommate: +1 Total : -1 Season to Date : 34 Power Position : Down Chuck : Fashion Points : Wore suits to kindergarten: +1, His black Chinese pajamas make him look like the world’s sexiest mandarin: +1 Personality Flaw : Knows Blair only apologizes to get something she wants: +1, Is the only one who thinks he doesn’t need a mommy: -1 Sexual Intrigue : He has Blair so whipped it’s not even funny: +1 Social Schemes : Breaks into his mother’s room and steals her locket: +2, Gets tricked by Serena into talking to his mom: -2, Blows it big time by offering her a check: -1, Finally relents and talks to mommy: +1, And he’s glad that he did: +2 Total : 4 Season to Date : 31 Power Position : Up Rufus : Power Play : Finally steps up as the father to the most unruly teenager on Earth: +2, Tells Lily that she didn’t raise Serena right. Oh, snap!: +1, He’s so right: +1, Falls for Damien’s sad little rich drug dealer fable: -2, Still stands firm with Jenny: +1 Sexual Intrigue : Running away from his problems with Lily, his meal ticket: -1, Lily knows he was hanging with the sexy downstairs neighbor: -1, She is informed by the help: -1 WTF : Seriously, how long is it going to take this man to figure out he just needs to buy his daughter a leash: -1 Total : -7 Season to Date : 0 Power Position : Down Nate : Personality Flaw : Sorry, Nate. Waffles are Rufus’ department: -1 Sexual Intrigue : He is now dating Serena, which is like letting a homeless man into an all-you-can-eat buffet. In this case, literally: +2, Serena broke his dresser: -1, Oh…She did it during sex: +2 Social Schemes : Is a horrible liar: -2, Is basically Chuck’s errand boy: -1, If you have to be someone’s errand boy…: +1 WTF : Even when he has a storyline he has absolutely nothing to do: -1 Total : -1 Season to Date : -1 Power Position : Up Jenny : Power Play : Is sent back to Brooklyn: -1, Still totally at the whims of her evil stepmother and her negligent father: -1 Sexual Intrigue : Suddenly her drug dealer is her boyfriend: -1, Doesn’t know what statutory rape means: -2, Gets caught by Lily: -1, Taller than her man: no points, just an observation, She is lucky that man is smart and devious: +2 Social Schemes : Jenny, you stupid fucking bitch. You threw the pills on the floor. You threw the pills on the floor in front of your father and step mother. Did you think something good was going to come out of this? This is the most idiotic thing you have ever done: -5, Doesn’t think that getting caught with enough pills to kill a room full of hipsters is that big of a deal: -2, She runs away: -1, For the second time ! Has she already forgotten the last time when she was sleeping under a bridge hugging her sewing machine for warmth?: -2 Total : -14 Season to Date : -6 Power Position : Down Vanessa : Fashion Points : Of course the first thing we see her in is some Mama Cass caftan that looks like it has vomit on it: -1, The lady dreads aren’t that bad:+2, Her “costume” for the beach party is something that she would wear on the street on a Tuesday: -1 Power Play : She would be smart to latch onto Dan. He is the best she’s ever going to do: +2, Says she wants to take it slow. God, what is wrong with this girl?: -2 Sexual Intrigue : Turns down Dan: +1, She met her boyfriend at a cabaret and he is wearing a neon neckerchief. Does she not have any gaydar at all?: -1, The gay dumps her: -1, Finally lands her Dan: +1, When they’re doing it wishes Olivia was there, because she’s not enough: -1, On the other hand, we like kinky: +3 WTF : She has now had sex with every male character on this show other than the dad and the gay kid. And we thought Serena was a skank: -2 Just for being back: -1 Total : -1 Season to Date : -11 Power Position : Up Dan : Fashion Points : Manguns!: +2 Power Play : Has to lie to Vanessa about having a girlfriend: -1 Sexual Intrigue : Turns down a hot bimbo: -1, Vanessa is dissing him for an obvious gay: -1, Wants to do it with Vanessa: -1, Gets dumped by a skank: -2, Has to work really hard to get laid. With Vanessa !: -2, At least he’s getting some: +1, Get’s an A- in the sack: +1, His girlfriend wants more threeways: +2 Total : -2 Season to Date : -23 Power Position : Up Lily : Personality Flaw : Has absolutely no defense when Rufus calls her a bad mother: -2, Speaking of which, why is she so concerned about her slutty stepdaughter when she has a sad, lonely, suicidal gay kid of her own?: -2, And has she forgotten about her own slutty daughter completely?: -2, OK, now she has resolved herself to be a good mother: +1 Power Play : Knows Jenny is a teenage slut because, well, we saw the flashback episode: +2, Has very loyal servants: +1 Sexual Intrigue : Ooooh, she knows that Rufus is getting some on the side: +2 WTF : If she had known about that giant bag of pills in her house, she would have eaten them all: -1, Jenny steals her prescription: -1 Total : -2 Season to Date : -29 Power Position : Up Serena : Fashion Points : Even makes a man’s shirt slutty: -1, The low-cut grey top and blue leggings. Nip slip and camel toe all in one: -1 Personality Flaw : Hasn’t eaten bread since middle school: +1 (for dedication), Major daddy issues: -2 Power Play : Actually gives Chuck some sound advice about talking to his mother: +2, Calls up her daddy and tells him she’s over him: +3, We know daddy is going to come and fuck with her head: -1 Sexual Intrigue : She can not be awake for five minutes without fucking something: -2 Social Schemes : Arranges lunch so that Chuck can meet his mother: +2, Chuck is mad at her and he is not an enemy you want: -1, She can’t leave Chuck’s mom alone: -1, It turns out that she gives Chuck’s mom some great advice: +2, Chuck and his mom get together and all is well, just like she said: +2 Total : 3 Season to Date : -32 Power Position : Up

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Gossip Girl: The Food of Love [Recaps]

‘American Idol’ Top 10 Men’s Report Card

Michael Lynche, Alex Lambert lead the pack in a week that showed much-needed improvement. By Eric Ditzian Michael Lynche performs on “American Idol” on Tuesday Photo: Frank Micelotta/ Getty Images The top 10 “American Idol” men could only improve after last week’s string of uninspiring, borderline panic-inducing, “Hoo boy, this season is looking weak” musical performances. On Tuesday night’s show , improve is exactly what they did … most of them, anyway. The evening was still pocked with pitchy renditions, poor song choices and “How is this dude still around?” confusion, but overall the men stepped up in their second week of live shows. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top 10 men’s report card. (And don’t miss Jim Cantiello’s review in the Newsroom .) Excellent Michael Lynche : Not to toot our own horn, but before last night’s show, we urged Big Mike to ditch the guitar and show us what kind of artist he truly wants to be, because we weren’t sure Jason Mraz? James Brown? On Tuesday the new daddy delivered, busting out a soulful take on Brown’s “It’s a Man’s, Man’s, Man’s World.” What’s more, during his post-performance banter with Ryan Seacrest, he cemented his reputation as the season’s most engaging personality. While we wouldn’t go so far as to give him a standing ovation, as Randy Jackson did, Lynche still deserves much credit and the chance to keep singing for weeks to come. Alex Lambert : You could see this one coming, since the kid was torn apart last week. Nothing’s better on reality TV than the rise of the underdog, and that’s exactly what happened to Lambert during his performance of John Legend’s “Everybody Knows.” Who knew the Mulleted One had soul? His pre-performance package displayed a winning vulnerability — I was so nervous! I just love to sing sooo much! — that only augmented Lambert’s comeback-kid-of-the-week status. Satisfactory Casey James : We’d been hoping to see James’ rock and roll side, and we got what we asked for — but we’re just not sure we were asking for the right thing from James, a realization that became clear during his southern-fried rock rendition of Gavin DeGraw’s “I Don’t Want to Be.” His electric guitar noodling felt a bit like amateur hour and the whole song sounded like the work of a bar band, but you know what? It was a bar band that’d have you doing a sweaty group boogie and ordering another pitcher. Even though Kara DioGuardi finally found the opportunity to criticize the guy, James ain’t going away this week. Andrew Garcia : Garcia followed the pleas of the judges to stop futzing with tunes and just step up to the mic and wail. Well, he went with a straight-forward arrangement in James Morrison’s “You Give Me Something.” He just didn’t seem to have the vocal fortitude to blow us away. Is it possible that behind all that technical wizardry lays a mediocre singer? We don’t think so, and Garcia is going to have to pull himself together next week to convince the rest of America. Tim Urban : The brothers, the sisters, the prayers! Urban might be as brilliant a tactician as he is middling a singer. His take on “Come on Get Higher” by Matt Nathanson reeked of high school talent show blandness, which honestly doesn’t matter after Urban established himself as a God-fearing family boy from Texas. Simon Cowell made a savvy decision to fete Urban for his work ethic and ability to listen to criticism, rather than focus on his singing. The judge knows better than anyone: Urban is safe this week. Lee DeWyze : The judges implored Dewyze to drop the coffehouse singer-songwriter vibe last week and indulge his rock instincts. That’s exactly what he did with “Lips of an Angel” by Hinder. Was it as ethereal a performance as Simon wanted us to believe? Is DeWyze really one of this season’s frontrunners? We’re not willing to go there yet, but after two solid weeks of live shows, the 23-year-old is one of the most comfortable contestants up on stage. It should only get better for him in the coming weeks. Unsatisfactory John Park : Dude, what is going on? Simon nailed it when he said Park put on a so-what performance. We’ve been rooting for this kid for a while, but it might be time to give up on him. His song choice was at least something written in the 21st Century (“Gravity” by John Mayer), but the delivery was still reminiscent of something you might hear at a retirement home soiree. His sweet story about growing up in a bilingual Korean-American home might win him enough votes to make it through to next week, but we’re fairly certain he doesn’t deserve it. Todrick Hall : We’ve actually enjoyed Hall’s risky song choices: Kelly Clarkson’s “Since U Been Gone” last week, Tina Turner’s “What’s Love Got to Do With It” on Tuesday. Whereas his twisted take on Clarkson was oddly amusing, his butchering of Tina was sacrilegious. Two straight eviscerations from the judges do not bode well for Hall. The guy’s in trouble this week. Jermaine Sellers : Was it that the judges were cut-throat last week or that Hall just plain stunk up the joint? For two straight weeks, the church singer has ditched the soulfulness we loved and amped up his cheeseball ’70s lounge singer impulses. The guy can still nail a high note, as evidenced with “What’s Goin’ On” by Marvin Gaye, but many of the others made our ears hurt. Jesus may be his homeboy, but the viewers at home hold his fate in their cell phones. To quote Randy, “Ah man, it’s like urrrggggh!” Aaron Kelly : Pardon us while we head for another cup of coffee, because even thinking about Kelly’s insipid performance of the Temptations’ “My Girl” makes us drowsy. In the 16-year-old’s defense, that song was no worse than last week’s rendition of “Here Comes Goodbye” by Rascal Flatts. The only difference was that Simon and Ellen seemed to have tired of, um, whatever it was they liked about him in the first place. We’d say Kelly is in serious trouble this week, but that was our opinion last week and look what happened. With praise from Randy and Ellen DeGeneres, expect the oldest teenager in the history of the world is stick around the “Idol” stage. How do you think the guys did this week? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page, where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Top 10 Men’s Report Card

Adam Lambert, Sarah Palin Don’t Cross Paths On ‘The Tonight Show’

Olympic gold medal winner Shaun White was also on Jay Leno’s program. By Gil Kaufman Adam Lambert performs on the “Tonight Show with Jay Leno” on Tuesday Photo: NBC If this whole not running for office thing doesn’t work out, former Alaska Governor Sarah Palin really should consider taking a shot at hosting a cable chat show. The 2009 Republican vice presidential candidate sat on the couch on Tuesday night for Jay Leno’s second night back on “The Tonight Show,” on a stacked program that also featured a somewhat sedate visit from Adam Lambert and a chat with Olympic gold medal snowboarder Shaun White. Dressed down for the occasion, the Fox News contributor wore skinny jeans and a black jacket on the show and happily chatted about her maverick nature, did a bit of fake stand-up and discussed how she’s gone from being a media target to a member of the press. “I’m back there wanting to build some trust back in our media,” said Palin, who earned a communications degree in college in hopes of becoming a sportscaster. She called the mainstream media “broken” and said she joined Fox because of its slogan about being “fair and balanced.” “I studied journalism,” she told Leno. “It was all about the who, what, where, when and why. It was not so about the opinion interjected in hard news stories.” Asked about the media reporting on her children, Palin took a dig at a “lame” recent episode of “The Family Guy” cartoon that not so subtly mocked Palin’s son, Trig, who has Down syndrome. She complained that she wasn’t able to really comment appropriately on the controversy. “Jay, you’ve gone through this, too, especially in the last few months,” Palin said, alluding to the recent “Tonight Show” turmoil. “It’s like that old saying, a lie can travel halfway around the world before the truth can even get its pants on in the morning.” Palin also joked about the “poor boy’s version of the TelePrompter” she used at a recent Tea Party event, when she was caught on camera referring to notes scribbled on her palm. “I took notes [when I was a kid], I take notes today, even on the palm of my hand, and just to get the left all whee-whee’d up and get their heads spinning, I’m going to promise to keep doing it!” said Palin, who noted that her dad, an elementary school teacher, used to come home at night with notes scribbled all over his hand. She also took a dig at Leno when he asked if she might consider doing her own talk show. “I hear once in a while this comes open,” she joked, slapping his desk. The segment ended with Palin doing a mock show-opening monologue while pretending to be a stand-up comedian and making jokes about cold weather in Alaska, botox, health care, moose meat and Congress’ low approval rating — all of which she clearly read from a Teleprompter. Leno opened the show by joking about how he was glad NBC called him Monday night to tell him he should come back for another shot at the gig on Tuesday night. He continued with the high-power hour with White, who came out in black jeans and a black leather jacket covered with gold studs. The “Flying Tomato” handed Leno is gold medal as chants of “USA! USA!” broke out and Leno held up his new Rolling Stone cover featuring White’s homage to Jimi Hendrix: a flaming snowboard. White said he couldn’t compare winning his second gold medal to the first time four years ago in Torino, Italy, when he was 19, but that he just tried to savor the moment a bit more this time. “I do [feel the pressure],” he said of the scrutiny this time. “I just remember being at the top and taking that pressure and using it as my will to do better.” The show ended with a performance from Adam Lambert, who sang the ballad “Sleepwalker” from his debut, For Your Entertainment . With his hair swept up in a towering punk pompadour and his eyelids covered in sparkly dark eye shadow that accented his bedazzled black jacket, black pants and chain-draped riding boots, Lambert gave one of his typically hair-raising, impassioned performances of the rock song about chronic insomnia. While White came out to shake Lambert’s hand at the end of the show, Palin, a vocal opponent of gay marriage, did not. Related Artists Adam Lambert

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Adam Lambert, Sarah Palin Don’t Cross Paths On ‘The Tonight Show’

On Johnny Cash’s Birthday, A Look Back At His Final Interview

Shortly before his death in 2003, the Man in Black talked about death, drugs, and hearing from fans. By Kyle Anderson, with reporting by Kurt Loder Johnny Cash talks to Kurt Loder in 2003 Photo: MTV News The great country legend Johnny Cash passed away in 2003, but his legacy remains alive. This week saw the release of American VI: Ain’t No Grave , which pulls together the last of the songs Cash recorded with superproducer Rick Rubin. And on Wednesday, Cash’s 1958 tune “Guess Things Happen That Way” became the 10 billionth song purchased from the iTunes Store . That milestone earned downloader Louie Sulcer a $10,000 iTunes Store gift card, as well as phone calls from Apple CEO Steve Jobs and Cash’s daughter Rosanne. Today would have been the Man in Black’s 78th birthday, and in honor of the outlaw icon, we take a look back at MTV News’ conversation with Cash just a few weeks before his death in 2003. Kurt Loder visited Cash’s sprawling estate in Tennessee and talked openly to the legend about his career, his music and — in very frank terms — about the prospect of death. The conversation would be Cash’s final interview. He never made it to 2003’s Video Music Awards, where he was nominated for six prizes for the clip for his cover of Nine Inch Nails’ “Hurt.” Cash’s remarkable career renaissance was in large part thanks to Rubin, who stripped Cash’s sound down to its core parts and applied his wise, haunting, world-weary voice to a number of traditional standards and covers. The American albums grabbed the attention of stars like Kid Rock and Bono, put Cash back on the radio and introduced him to an entirely new generation of fans. “I hear from a lot of fans,” Cash told Loder. “I appreciate all that — all the praise and the glory. It doesn’t change the way I feel about anything, though. I just do what I do.” Johnny Cash released his first recordings for Sun Records in 1955 and was an integral part of both the country scene and the birth of rock and roll. Success came quickly, and he indulged in the rock and roll lifestyle. “There was a package of myself, Jerry Lee [Lewis], Roy Orbison and Carl Perkins,” he said. “We were all young and wild and crazy. As crazy as you can get. We discovered amphetamines — or I did, anyway. Jerry thought he was going to Hell for not preaching. He went to seminary and wanted to be a preacher, but he turned to rock and roll. He would tell us all we were going to hell. I said, ‘Maybe you’re right, Killer. Maybe you’re right.’ ” At the time of the interview, Cash was no stranger to death. In May 2003, his longtime wife and performing partner June Carter Cash passed away. But despite his failing health and loss of his life partner, Cash continued recording with Rubin. “She told me to go to work,” Cash told Loder. “Three days after the funeral, I was in the studio. Everybody thought I was crazy, but I was in the studio for two weeks. It was great therapy for me.” A man of great faith, Cash knew that the end was coming, but he didn’t fear death and was comfortable with the idea of his own mortality. “I expect my life to end pretty soon. I’m 71 years old, but I have unshakeable faith,” he said. “I’ve never turned my back on God. I never thought that God wasn’t there. He’s my counselor, my wisdom — all the good things in my life come from him.” When Loder asked, “Where do you think we go?” Cash knew right away. “We all hope to go to Heaven,” he told him. Related Videos MTV News RAW: Johnny Cash Related Artists Johnny Cash

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On Johnny Cash’s Birthday, A Look Back At His Final Interview

‘American Idol’ Top 12 Females Take Stage For First Performance Night

Underdogs Paige Miles, Lilly Scott and Katelyn Epperly shine during new judge Ellen DeGeneres’ first official show. By Gil Kaufman Paige Miles on ‘American Idol’ Tuesday Photo: Fox After endless weeks of prep, “American Idol” finally went live Tuesday (February 23), offering fans of the show the first look at the top 12 female performers as well as new judge Ellen DeGeneres, who quickly established that she will be offering up plenty of good advice mixed with comedy chops and support. DeGeneres, who uncharacteristically seemed nervous at times, set the tone early, setting up a video gag explaining why she was on the opposite end of the judge’s table from Simon Cowell, explaining that he “wants” her via a doctored clip in which he appeared to be feeling her leg under the table during Hollywood week. And then it was on to the real business of the night as preschool teacher Paige Miles, 24, went first, growling her way through a peppy, gritty cover of Free’s classic rock staple “All Right Now.” “I think out of all the girls you have the best voice,” Cowell said, before blasting her for the poor choice of what he called a cheap wedding-singer tune. Kara DioGuardi loved the soulful take on the rock song, also praising her chops. One of the season’s early audience favorites, 22-year-old student Ashley Rodriguez, took on Leona Lewis’ “Happy,” offering up a breathy, dramatic and sometimes off-key version of the song by one of Cowell’s prot

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Rapper attends fianc

‘American Idol’ Top 12 Women: How Do They Stack Up?

Janell Wheeler and Crystal Bowersox have an edge, while Michelle Belamor and Paige Miles need to make up for a lack of screen time. By Eric Ditzian Janell Wheeler Photo: FOX And now, the show finally begins. “American Idol” has bid farewell to dudes in bikinis and chicks with whips , to rocker moms and warring groups of singers caught in bad romances . This week brings the start of the semifinals, when the manufactured reality-show drama gives way to 24 singers taking their turn alone on the stage in the hope they’ll live to sing another week on TV. On Tuesday night (February 23), the women kick off this next phase of “Idol” season nine. Who’s sure to be voted through and who might be going home? Let’s take a look at how these 12 ladies stack up. Ashley Rodriguez This 22-year-old Berklee College of Music student is perhaps the most polished of all the female contestants, from her confident presence onstage to her warm, genuine personality off it. Thus far, we’ve heard her belt out fierce takes on Alicia Keys’ “If I Ain’t Got You” and Beyonc

Who Drummer Zak Starkey: Who Is He?

The son of another famous drummer, Starkey has actually been working with the band since 1996. By Gil Kaufman Zak Starkey performs during the Super Bowl XLIV halftime show Photo: Jeff Kravitz/ FilmMagic Every classic-rock fan knows the titanic twosome that fronts the Who : singer Roger Daltrey and windmilling guitarist Pete Townshend. But as the only two original members left of the iconic British rock band, the duo front a group of backup players who are decidedly more anonymous than late madman drummer Keith Moon and steady-on bassist John Entwistle, who died in 2002 on the eve of one of the band’s seemingly endless final tours. One of the sidemen that stood out for many football fans watching the Super Bowl halftime extravaganza on Sunday was splashy drummer Zak Starkey, who kept the beat on a medley of the band’s most beloved hits : “Pinball Wizard,” “Baba O’Riley,” “Who Are You?,” “See Me, Feel Me” and “Won’t Get Fooled Again.” Though at 44 a relative youngster compared to Townshend (64) and Daltrey (65), Starkey is actually a nearly 15-year veteran of the touring version of the Who and a well-regarded rock sideman. He’s played with Oasis, the Waterboys, the Icicle Works, Paul Weller and former Smiths guitarist Johnny Marr. The son of Beatles drummer Ringo Starr, Starkey has been a touring member of the Who since 1996. The gig is a fitting one, considering that Moon was Starkey’s godfather and one of dad Ringo’s best pals before the Who drummer’s death in 1978. In fact, Starkey, Ringo’s son from his first wife, Maureen Cox, received his first drum kit and lessons as a child from Moon, despite Ringo’s desire that his son not follow in his rock-and-roll footsteps. Starkey began performing professional gigs in British pubs at age 12 with his band the Next and hooked up in 1985 with the reunited Spencer Davis Group, lead by Steve Winwood, when he was still a teenager. In addition to touring with his dad’s All Starr Band, Starkey performed with Daltrey in 1994 on the singer’s Daltrey Sings Townshend tour, as well as performing on Entwistle’s solo albums. After years of appreciating his style, Starkey was formally asked to play with the Who in 1996, during the band’s string of special dates performing their iconic album Quadrophenia. . He has performed with the group ever since, alongside other longtime sidemen bassist Pino Palladino, rhythm guitarist Simon Townshend and keyboardist John “Rabbit” Bundrick. Related Artists The Who

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Who Drummer Zak Starkey: Who Is He?

Lauren Conrad Says Follow-Up To ‘L.A. Candy’ Gets ‘Deeper’

‘The second book … gets a little bit deeper into Hollywood and the behind-the-scenes look of a reality show,’ she says of ‘Sweet Little Lies.’ By Jocelyn Vena Lauren Conrad Photo: MTV News With “L.A.

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Lauren Conrad Says Follow-Up To ‘L.A. Candy’ Gets ‘Deeper’

Mary J. Blige Records Led Zeppelin’s ‘Stairway To Heaven’

Blige works with Travis Barker, Randy Jackson, Steve Vai and Orianthi on the cover, which is set to appear on her album re-release. By Gil Kaufman Mary J.

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Mary J. Blige Records Led Zeppelin’s ‘Stairway To Heaven’