Tag Archives: romance

Lady Gaga’s ‘Government Hooker’ Makes Fashion-Show Debut

Dance track from Born This Way has a thumping beat and operatic vocals. By Jocelyn Vena Lady Gaga walks the runway during the Mugler’s Paris Women’s Fashion Week show Photo: Francois Durand/ Getty Images Lady Gaga managed to look like a seasoned pro when she hit the catwalk for Mugler’s Paris Women’s Fashion Week show , where she made her debut as a model. The singer donned two looks, one all-black and the other white, for her rousing appearance. While her runway appearance was certainly headline-making, it was the fact that Gaga previewed part of a Born This Way song for the fashionistas that was even more noteworthy. The dance track, “Government Hooker,” was the latest song Gaga has teased fans with from her May release. It featured a thumping beat, operatic vocals and a trance-y vibe. On it, she sings sexy lines like, “I can be anything/ I’ll be your everything/ Just touch me, baby.” The massive club track features Gaga’s full voice sharing requests like, “Put your hands on me.” On the track about desire, she sings, “I’m gonna drink my tears tonight/ I’m gonna drink my tears and cry/ ‘Cause I know you love me, baby.” During the show, she also played “Schei

Lady Gaga’s ‘Born This Way’ Video: A Pop-Culture Cheat Sheet

Gaga’s latest is full of nods to fashion, film, fine art and the occasional West Texas weirdo. By James Montgomery Lady Gaga Photo: Tom Briglia/ WireImage By now, you’ve had a few hours to digest Lady Gaga’s brand-new “Born This Way” video , a starry, swirly, some would say gnarly clip that features plenty of astral afterbirth, a snarling man-zombie and exactly one shimmering unicorn. So, yes, “BTW” is most definitely an eye-catching, high-concept thing — as Gaga told BBC’s Radio 1 , it’s meant to showcase “the birth of a new race,” which doesn’t make it all that different from all of her videos, if you think about it. And, much like her earlier work, “BTW” is also loaded with blink-and-you’ll-miss-it moments, carefully constructed odes to fashion, film, fine art and, uh, West Texas weirdos. So, in the same way we broke down her “Telephone” and “Alejandro” clips, we’ve decided to put “Born This Way” under the microscope, watching (and rewatching) each frame to compile a pop-culture cheat sheet that’s alphabetized and cross-referenced for your convenience. Believe us, this took way longer than you could imagine, but it was worth it. (Oh, and despite our best efforts, we’re sure there’s something we missed, which is why we need your help: Let us know what you spot in the comments below!) And so, without further ado, here’s our “Born This Way” pop-culture cheat sheet”: Alexander McQueen : The late fashion designer has always been an influence on Gaga (she wore his famous “armadillo heels” in the “Bad Romance” video and one of his creations on the red carpet of the 2010 MTV Video Music Awards), and in “Born This Way,” her outfit at the beginning of the video — where she’s hovering above Earth, giving birth to a starchild (or something) — seems directly influenced by the natural flourishes of McQueen’s final collection , which featured feathers, mock scales and faux wings. Denny Brewer : Deep-fried Texas musician/oddball who, along with his son, plays in the band Refried Ice Cream. In recent weeks, Brewer has risen to fame thanks to his recorded ramblings about alternate dimensions, phase-shifting, lizard people and pomegranates that serve as the through-line to Bright Eyes’ The People’s Key album. Much of what Gaga declares in her “Manifesto of Mother Monster” is lifted from Brewer’s playbook: a “mitosis of the future,” a “multiverse” and the constantly changing concepts of “temporal” and “eternal.” H.R. Giger : Swiss-born surrealist painter and sculptor, perhaps best known for designing the terrifying, sexualized beasts in the “Alien” franchise. After Gaga gives birth to her “evil” spawn, he contorts his body in a way that, when coupled with sinewy fabrics, appears to be a direct nod to Giger’s chilling work. Janus : The two-faced Roman god of gates, doorways, beginnings, endings and time. At the very beginning of “Born This Way,” Gaga’s Mother Monster features two faces, and, given the whole “rebirth” concept behind the video, that seems less than coincidental. Madonna : By now, you’re probably aware that, sonically, “Born This Way” sounds a lot like Madonna’s “Express Yourself.” So, perhaps as a bit of a joke, Gaga closes “BTW” by mimicking Madge’s iconic gap between her two front teeth. Michael Jackson : As she tries to assure her spot in the upper echelons of pop royalty, Gaga is obviously taking cues from the man who eternally sits on the throne: the late, great King of Pop. At the end of “Born This Way,” she pays direct homage to the man, strutting down a dark alleyway, slightly glowing (

Lady Gaga Salutes Town That Made Her ‘Brave’ At MSG

Gaga shouts out Liza Minnelli, Marisa Tomei and a gay unicorn in the second of two hometown shows. By Vaughn Schoonmaker Lady Gaga performs at Madison Square Garden on Sunday Photo: Kevin Mazur/ WireImage NEW YORK — “Tonight, in the town where the gays birthed me, you can be free!” Lady Gaga announced at her Monster Ball show Tuesday night at Madison Square Garden. On this second night in her hometown, Lady Gaga was being filmed by HBO for her concert special that will air in early May. And though it wasn’t her first time playing MSG, she still felt the significance of headlining the venue. “I used to live 20 blocks from here, so I saw all those names go up on the marquis, and I always wanted to see my name up in those lights. “You made me brave, little monsters,” she informed her squealing fans of all ages, “and New York made me brave.” Liza Minnelli and Marisa Tomei were both in the audience, and Gaga asked for her monsters to cheer on the two women, who she said greatly influenced her. “I don’t lip-synch,” Gaga reminded the audience who was already quite aware of that impressive fact, considering all of the heavy dancing mixed with extended high notes. “I’m not going to waste your time watching some bitch lip-synch her way to an HBO special, especially not with Liza watching.” Gaga recently said in an interview that she would want Marisa Tomei, above anyone else, to play her in a movie. While performing all of her hits from The Fame and The Fame Monster, Gaga took plenty of time to speak to the crowd directly, and her witty banter had the room laughing every moment they weren’t cheering their lungs out. Someone in the audience held up a bright purple unicorn stuffed animal, and Gaga caught sight of it when flashing her disco stick flashlight around the crowd. “That is the most fabulous gay unicorn I have ever seen,” she remarked, as straight-faced as ever. “The only thing better than a unicorn is a gay unicorn.” The evening flowed seamlessly from the moment Gaga took the stage with her dark pop tune, “Dance in the Dark,” disguising her dozen or so costume changes with dazzling art videos. The videos often depicted Gaga in a pose or in extreme slow motion, creating the sense of a moving portrait, surrounded by driving club dance beats. Some of the images included tears of blood, neon-green vomit, gothic clothing and bondage attire. The show itself could be an installment at a high-end gallery. Gaga’s incessant devotion to LGBT rights was in full effect during her two hours on stage. She called a fan in the audience, Jimmy DiPasquale, who had made a generous donation to her LGBT youth fund, to thank him personally. At the end of “Alejandro,” while the beat continued to thump, two of her male backup dancers took the stage and made out passionately as the curtain came down. As Gaga drove the night toward her two encores of “Bad Romance” and new single “Born This Way,” she looked on the verge of tears and announced, “This is the last of five sold-out shows here, but I hope this song and this record bring us back here next year.” Related Photos Lady Gaga’s Madison Square Garden Performance Related Artists Lady Gaga

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Lady Gaga Salutes Town That Made Her ‘Brave’ At MSG

Lady Gaga Salutes Town That Made Her ‘Brave’ At MSG

Gaga shouts out Liza Minnelli, Marisa Tomei and a gay unicorn in the second of two hometown shows. By Vaughn Schoonmaker Lady Gaga performs at Madison Square Garden on Sunday Photo: Kevin Mazur/ WireImage NEW YORK — “Tonight, in the town where the gays birthed me, you can be free!” Lady Gaga announced at her Monster Ball show Tuesday night at Madison Square Garden. On this second night in her hometown, Lady Gaga was being filmed by HBO for her concert special that will air in early May. And though it wasn’t her first time playing MSG, she still felt the significance of headlining the venue. “I used to live 20 blocks from here, so I saw all those names go up on the marquis, and I always wanted to see my name up in those lights. “You made me brave, little monsters,” she informed her squealing fans of all ages, “and New York made me brave.” Liza Minnelli and Marisa Tomei were both in the audience, and Gaga asked for her monsters to cheer on the two women, who she said greatly influenced her. “I don’t lip-synch,” Gaga reminded the audience who was already quite aware of that impressive fact, considering all of the heavy dancing mixed with extended high notes. “I’m not going to waste your time watching some bitch lip-synch her way to an HBO special, especially not with Liza watching.” Gaga recently said in an interview that she would want Marisa Tomei, above anyone else, to play her in a movie. While performing all of her hits from The Fame and The Fame Monster, Gaga took plenty of time to speak to the crowd directly, and her witty banter had the room laughing every moment they weren’t cheering their lungs out. Someone in the audience held up a bright purple unicorn stuffed animal, and Gaga caught sight of it when flashing her disco stick flashlight around the crowd. “That is the most fabulous gay unicorn I have ever seen,” she remarked, as straight-faced as ever. “The only thing better than a unicorn is a gay unicorn.” The evening flowed seamlessly from the moment Gaga took the stage with her dark pop tune, “Dance in the Dark,” disguising her dozen or so costume changes with dazzling art videos. The videos often depicted Gaga in a pose or in extreme slow motion, creating the sense of a moving portrait, surrounded by driving club dance beats. Some of the images included tears of blood, neon-green vomit, gothic clothing and bondage attire. The show itself could be an installment at a high-end gallery. Gaga’s incessant devotion to LGBT rights was in full effect during her two hours on stage. She called a fan in the audience, Jimmy DiPasquale, who had made a generous donation to her LGBT youth fund, to thank him personally. At the end of “Alejandro,” while the beat continued to thump, two of her male backup dancers took the stage and made out passionately as the curtain came down. As Gaga drove the night toward her two encores of “Bad Romance” and new single “Born This Way,” she looked on the verge of tears and announced, “This is the last of five sold-out shows here, but I hope this song and this record bring us back here next year.” Related Photos Lady Gaga’s Madison Square Garden Performance Related Artists Lady Gaga

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Lady Gaga Salutes Town That Made Her ‘Brave’ At MSG

Justin Bieber Aims for Mature Look With New Haircut

In the romance department, the ‘Baby’ hitmaker has reportedly bought out an entire flower shop on Wednesday, February 16 to fill Selena Gomez ‘s house with flowers.

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Justin Bieber Aims for Mature Look With New Haircut

Justin Bieber Aims for Mature Look With New Haircut

In the romance department, the ‘Baby’ hitmaker has reportedly bought out an entire flower shop on Wednesday, February 16 to fill Selena Gomez ‘s house with flowers.

Here is the original post:
Justin Bieber Aims for Mature Look With New Haircut

Justin Bieber Aims for Mature Look With New Haircut

In the romance department, the ‘Baby’ hitmaker has reportedly bought out an entire flower shop on Wednesday, February 16 to fill Selena Gomez ‘s house with flowers.

Continued here:
Justin Bieber Aims for Mature Look With New Haircut

Justin Bieber’s ‘Baby’: Story Behind The ‘Glee’ Cover

Hit show covered two Bieber songs on Tuesday night’s episode. By Aly Semigran “Glee” cast on Tuesday’s episode Photo: FOX Just in time to mend the wounded hearts of Justin Bieber fans still reeling from his Grammy loss on Sunday, “Glee” paid tribute to the pop powerhouse the best way they know how: by covering two of his hit songs, “Baby” and “Somebody to Love.” During Tuesday night’s new episode, “Comeback,” Chord Overstreet’s worrisome Sam attempts to woo back his possibly straying lady (Dianna Agron) by serenading her in glee club’s practice room with a rendition of Bieber’s “Baby.” But before a Bieber-ized Chord (The purple hoodie! The hair!) belted out the simple yet addictive chorus — “I was like, baby, baby, baby, ooh,” — on the show, the song, and its subsequent video, helped propel Bieber to staggering fame. Released as the lead single off of Bieber’s gold-certified debut studio album My World 2.0, “Baby” first hit the airwaves in late January 2010. The song begins quietly, with Bieber harmonizing accompanied by a guitar, and unfolds into a three-and-a-half-minute unapologetic pop/R&B smash. Bieber co-wrote the track with rapper Ludacris (who appears on the song), Christina Milian, and Christopher “Tricky” Stewart and Terius “The-Dream” Nash (both of whom also worked with the 16-year-old on his single “One Time”), and it has been his biggest single to date. Though it never reached #1 on the Billboard charts (it debuted at #5 on the Hot 100 ) in the United States, nor in Bieber’s native Canada, “Baby” became certified platinum the world over. The song fared even better as a digital download , going to #1 in the U.S. after it was released on March 23, 2010. Bieber continued to bring “Baby” to the masses, performing the song on various TV programs like “Saturday Night Live” (he was the musical guest on April 10, 2010), “The Oprah Winfrey Show,” “The Kids Choice Awards” and the “Today” show, in which throngs of Beliebers showed up on the plaza at Rockefeller Center to sing along. But it’s the music video for “Baby” that’s made the biggest impact. The clip features cameos by Bieber’s friend and fellow Canadian performer Drake, as well as “Baby” collaborator Lucadris. ‘Cris, who first met Bieber in Atlanta in 2009, told MTV News last year that the video reminded him of “a 2010 version of Michael Jackson’s ‘The Way You Make Me Feel.’ ” While Ludacris predicted, “Mark my word, [‘Baby’ is] going to be one of the biggest songs of the year 2010,” there was no indication of things to come for the video. Last week, ReadWriteWeb.com reported that Bieber’s “Baby” clip is the most-watched YouTube video of all time. It currently has a staggering 463,506,023 hits, besting other viral vids like Lady Gaga’s “Bad Romance” and “Charlie Bit Me.” Since then, the song has been included on the compilation album Now 34: That’s What I Call Music! and is currently featured in Bieber’s 3-D documentary/concert film “Never Say Never” and has been used in the movie’s trailers. The G-rated movie earned an impressive $30.3 million in its opening weekend. What did you think of the “Glee” renditions of Bieber’s songs? Tell us in the comments. Related Videos Musical ‘Glee-Caps’ Of Season Two Related Artists Justin Bieber

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Justin Bieber’s ‘Baby’: Story Behind The ‘Glee’ Cover

Lady Gaga Gives Whitney Houston Grammy Awards Shout-Out

‘When I wrote ‘Born This Way,’ I imagined she was singing it,’ Gaga said accepting award for Best Pop Vocal Album. By Jocelyn Vena Lady Gaga accepts the Grammy for Best Pop Vocal Album Photo: Kevin Winter/Getty Images After hatching from her egg and being “Born” onstage, Lady Gaga won the Grammy for Best Pop Vocal Album for The Fame Monster. Gaga beat out Justin Bieber, Katy Perry, Susan Boyle and John Mayer for the big prize. Taking the stage in a high ponytail, dominatrix-style leather bustier, knee-high boots and sunglasses, Gaga took the trophy from Selena Gomez and her onetime tourmate, New Kid on the Block Donnie Wahlberg. “Thank you so much from the bottom of my heart to all my fans, all the monsters, watching,” she said, clutching her prize. “Thank you to my father, my mother, my beautiful sister, Natalie, I love you.” After thanking family and friends, as well as her managers and record label team, the singer shared a personal message. “I had this dream when I was really young that I could be whoever I wanted to be … and no matter what I envisioned for myself, that I would do it, no matter who didn’t believe in me,” she said. “Thank you so much.” Although most of Gaga’s acceptance speech was devoted to the people you would imagine, she also had a thank-you for one unexpected person. “I need to say thank you tonight to Whitney Houston. I wanted to thank Whitney because when I wrote ‘Born This Way,’ I imagined she was singing it because I wasn’t secure enough in myself to imagine I was a superstar. So Whitney, I imagined you were singing ‘Born This Way’ when I wrote it. Thank you.” Moments before winning the Best Pop Vocal Album Grammy, Gaga performed “Born This Way,” the first single off of her May album of the same name. The pop star also took home the prize for Best Female Pop Vocal Performance for “Bad Romance” earlier on Sunday night (February 13). For Grammy Awards winners list, analysis, interviews, fashion and more, stick with MTV News during the big show and beyond. Related Videos 53rd Annual Grammy Awards Performances Related Photos The 2011 Grammy Awards Show Related Artists Lady Gaga

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Lady Gaga Gives Whitney Houston Grammy Awards Shout-Out

‘Just Go With It’: The Reviews Are In!

Adam Sandler fans will surely hit the theater whether critics are into it or not. By Eric Ditzian Jennifer Aniston and Adam Sandler in “Just Go With It” Photo: Sony Pictures Like the iPhone 4, Adam Sandler movies are basically review-proof. His comedies never engender the sort of critical praise that, say, Judd Apatow’s often do, yet crowds reliably show up to watch Sandler do his thing. So perhaps we shouldn’t pay much mind to the often harsh reviews that have greeted his latest laugher, the Jennifer Aniston-co-starring rom-com, “Just Go With It.” After all, even in the face of stiff competition from Justin Bieber’s “Never Say Never,” Sandler’s flick is expected to win the weekend’s box-office crown. Possibly, though, you want to know a little more about “Just Go With It” than whose face fills nearly every scene. In that case, read on to find out what the critics have to say! The Story “Sandler plays Danny, a plastic surgeon and schlub who marries a shrew but discovers post-divorce (and post-nose job) that the gold band is a magnet for bar chicks. That changes when he meets Palmer (the stunning Brooklyn Decker), which prompts him to shove the ring in his pocket to woo her beachside. Everything’s hunky-dory until Palmer discovers the ring in Danny’s pocket and naturally assumes he’s married. Here’s where the film takes its first characteristic step: Instead of explaining himself, Danny concocts a bizarre lie that he’s separated from his wife and close to a divorce. To maintain that lie, he persuades his assistant, Katherine (Aniston), to not only play his soon-to-be-ex-wife but to come with her two children to Hawaii to, well, make the movie feature length.” — Scott Bowles, USA Today The Look and the Laughs “[Director Dennis] Dugan constantly shoots their paid vacation and indeed the entire film like a commercial, and with the rampant product placement, it’s hard not to believe that’s the case. Cuts are sloppy, dialogue looping is obvious, and although they must’ve seemed fresh after every take on set, Sandler’s perpetual off-the-cuff name checks become a monotonous crutch in scene after scene. The man can’t resist ethnic stereotypes, plastic surgery mishaps, shots to the groin or sheep resuscitation gags (a moment any other film would’ve played off as something funnier said than shown), and the film runs nearly two hours for all its allegedly comedic indulgences.” — William Goss, Cinematical The Chemistry “[Aniston] has got expert comic timing when all those around her have none; she’s got lightness and finesse when everyone else is being indulgently silly. She plays like a grown-up; she looks fab. And she gets a real commitment out of Sandler — her performance makes him grow up, too. Amidst the wreckage of ‘Just Go With It,’ Aniston and Sandler have a real chemistry. They should go elsewhere with it.” — Lisa Schwarzbaum, Entertainment Weekly The Dissenters “Adam Sandler’s Happy Madison production team has rarely put much stock in the rules of classical storytelling, but its newest project, ‘Just Go With It,’ manages to misfire in two seemingly incompatible directions. A puerile kiddie-comedy without the anarchic energy, and a schmaltzy romantic comedy without the sweetness, this Hawaii-set farce is too frantic and too lackadaisical a take on the oft-adapted French play ‘Cactus Flower.’ Working with longtime director Dennis Dugan, Sandler and the rest of the film’s marquee cast could nonetheless steer it toward good returns.” — Andrew Barker, Variety The Final Word “It had been one of the minor inducements to longevity, this crazy hope of one day actually seeing Jennifer Aniston in a good movie. That day arrives with ‘Just Go With It,’ a very funny romantic comedy that nicely combines Adam Sandler’s acerbic sweetness with Aniston’s down-to-earth warmth — and that finds an excuse for Aniston to both play an average person and yet dress like a movie star. The screenplay has a setup that borders on farce, but the romantic heart of it is strong and expresses something unusual. It’s a movie about the romance of familiarity, about the satisfaction and spiritual necessity of actually knowing someone and being known. So much of movie romance is usually about the opposite of that, about going off into the unknown, about adventure in the form of, not physical danger, but emotional danger. ‘Just Go With It’ makes a feint in that direction, but not enough to fool anybody.” — Mick LaSalle, San Francisco Chronicle Check out everything we’ve got on “Just Go With It.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Just Go With It’: The Reviews Are In!