Tag Archives: rotten-tomatoes

Guess Which Movie Was the Highest Grossing 2010 Release for Fox?

Considering Twentieth Century Fox executives are probably still counting the cash they made from Avatar , it seems silly to pass around the collection plate for them after a down year of releases in 2010. That said, which surprising Fox production managed to top the ticket sales of such high profile disappointments as The A-Team , Knight and Day and The Chronicles of Narnia: The Voyage of the Dawn Treader ? Hint: Lesbians.

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Guess Which Movie Was the Highest Grossing 2010 Release for Fox?

Is King’s Speech Really Better Than Unforgiven, The Sting, and These Other Best Picture Oscar Winners?

The folks at Rotten Tomatoes have tabulated their annual Best of the Best list, inserting Tom Hooper’s 2011 Best Picture winner The King’s Speech into the annals of Oscar history. But comparing great films to other great films has always been something of an apples to oranges situation; how can you measure, say, The Godfather Part II against An American in Paris — two very different films that occupy adjoining slots on the list and have the same Tomatometer ranking (98 percent)? With a carefully calculated algorithm, that’s how! Still… why does The King’s Speech not quite feel right sitting so high above other bona fide classics?

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Is King’s Speech Really Better Than Unforgiven, The Sting, and These Other Best Picture Oscar Winners?

Adam Sandler’s Box-Office Victory Over Justin Bieber Explained

Experts weigh in on how ‘Just Go With It’ beat ‘Never Say Never.’ By Eric Ditzian Jennifer Aniston and Adam Sandler in “Just Go With It” Photo: Sony Pictures Contrary to Bieber Fever-induced speculation that “Never Say Never” was going to gross seven gajillion dollars this weekend, Justin Bieber’s 3-D concert flick fell just short of the #1 box-office spot. Instead, Adam Sandler’s weakly reviewed rom-com “Just Go With It” came out on top , with the film’s estimated $31 million haul just besting the $30.3 million that “Never Say Never” took in. Both films deserve B.O. kudos, but the question remains: With a rabid fanbase and a premium ticket price, why didn’t Bieber’s movie do better? After all, “Hannah Montana/ Miley Cyrus: Best of Both Worlds Concert Tour” opened in 2,400 fewer theaters in 2008 yet managed to open with $31.1 million. So what happened? “I think two reasons why Justin didn’t beat Miley were that the ‘Hannah Montana’ movie came at the beginning of the 3-D boom, so it was more of a special and rare event,” Gitesh Pandya, editor of BoxOfficeGuru.com, told MTV News. “Plus it was promoted as a one-week-only run, so fans felt there would not be another time to see it. In addition, tickets were $15 each for Miley where they varied across the country for Justin but were mostly lower.” There’s also potentially a gender-based explanation, according to Jeff Bock, box-office analyst for Exhibitor Relations . “Tween girls showing their ‘love’ for another girl is widely acceptable, because at that age, they are more than likely to have mostly girls as friends,” he said. “As a tween-ager, often admitting you like boys is still a bit of a taboo, which makes the nearly $30 million debut of Biebs all the more impressive.” The “Never Say Never” audience, it should be noted, was 84 percent female, according to Paramount’s exit data. “Just Go With It,” meanwhile, appealed to a vastly different demographic. So the two films didn’t suffer from audience cannibalization. The truth just might be that $30.3 million, at this point in time, is as high as “Never Say Never” could ever go. As Bock put it, the movie “definitely maxed out its box-office appeal over the weekend.” That being said, it remains impressive that “Just Go With It” — which received a measly 18 pecent freshness rating at the Rotten Tomatoes review aggregator — was able to notch a $30 million-plus opening. To begin with, while it didn’t benefit from premium 3-D ticket prices, Sandler’s comedy debuted on about 700 more screens than “Never Say Never.” And though Bieber is new to Hollywood, Sandler has become one of its most reliable brands. “Reviews are irrelevant in Sandler’s world,” Pandya said. “He makes formulaic comedy vehicles that are easy to digest and require little thinking and a lot of people like that sort of thing. It’s the same formula for hit sitcoms but used in a multiplex. Say what you want about his talents, but the man has had $100 million hits in 10 of the last 13 years and has accomplished this without doing sequels, even though it seems he plays the same guy every time.” Check out everything we’ve got on “Just Go With It” and “Justin Bieber: Never Say Never.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Justin Bieber: Never Say Never’ Sneak Peeks Related Photos Justin Bieber’s ‘Never Say Never’ L.A. Premiere Related Artists Justin Bieber

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Adam Sandler’s Box-Office Victory Over Justin Bieber Explained

Yes, Sorry: Zac Efron Left a Party with Teresa Palmer

Last night, Movieline attended the first press screening of Take Me Home Tonight , the upcoming 80’s-themed rom-com featuring Topher Grace, Anna Faris and Teresa Palmer — the latter of whom arrived at the film’s afterparty with a famous date whose attendance might have sparked a minor cultural meltdown.

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Yes, Sorry: Zac Efron Left a Party with Teresa Palmer

Us Online News: Yahoo Still Silent On Today’s Layoffs, But Employees Vent

may be tight-lipped about the layoffs that are taking place at once within the company, but that’s not stopping employees who have been handed pink slips from commotion unattended quietly. A Yahoo employee in the Flickr group just Tweeted added by: Nadia_Khan1

The internet is being captured by organised trolls – including covert biotech lobbyists

They are the online equivalent of enclosure riots: the rick-burning, fence-toppling protests by English peasants losing their rights to the land. When MasterCard, Visa, Paypal and Amazon tried to shut WikiLeaks out of the cyber-commons, an army of hackers responded by trying to smash their way into these great estates and pull down their fences. In the Wikileaks punch-up the commoners appear to have the upper hand. But it's just one battle. There's a wider cyberwar being fought, of which you hear much less. And in most cases the landlords, with the help of a mercenary army, are winning. I’m not talking here about threats to net neutrality and the danger of a two-tier internet developing(1,2), though these are real. I’m talking about the daily attempts to control and influence content in the interests of the state and corporations: attempts in which money talks. The weapon used by both state and corporate players is a technique known as astroturfing. An astroturf campaign is one that mimics spontaneous grassroots mobilisations, but which has in reality been organised. Anyone writing a comment piece in Mandarin critical of the Chinese government, for example, is likely to be bombarded with abuse by people purporting to be ordinary citizens, upset by the slurs against their country. But many of them aren't upset: they are members of the 50 Cent Party, so-called because one Chinese government agency pays 5 mao (half a yuan) for every post its tame commenters write(3). Teams of these sock-puppets are hired by party leaders to drown out critical voices and derail intelligent debates. I first came across online astroturfing in 2002, when the investigators Andy Rowell and Jonathan Matthews looked into a series of comments made by two people calling themselves Mary Murphy and Andura Smetacek(4,5). They had launched ferocious attacks, across several internet forums, against a scientist whose research suggested that Mexican corn had been widely contaminated by GM pollen. Rowell and Matthews found that one of the messages Mary Murphy had sent came from a domain owned by the Bivings Group, a PR company specialising in internet lobbying. An article on the Bivings website explained that “there are some campaigns where it would be undesirable or even disastrous to let the audience know that your organization is directly involved … Message boards, chat rooms, and listservs are a great way to anonymously monitor what is being said. Once you are plugged into this world, it is possible to make postings to these outlets that present your position as an uninvolved third party.”(6) The Bivings site also quoted a senior executive from the biotech corporation Monsanto, thanking the PR firm for its “outstanding work”(7). When a Bivings executive was challenged by Newsnight, he admitted that the “Mary Murphy” email was sent by someone “working for Bivings” or “clients using our services”(8). Rowell and Matthews then discovered that the IP address on Andura Smetacek’s messages was assigned to Monsanto's headquarters in St. Louis, Missouri(9). There’s a nice twist to this story. AstroTurf TM – real fake grass – was developed and patented by Monsanto. Reading comment threads on the Guardian's sites and elsewhere on the web, two patterns jump out at me. The first is that discussions of issues in which there’s little money at stake tend to be a lot more civilised than debates about issues where companies stand to lose or gain billions: such as climate change, public health and corporate tax avoidance. These are often characterised by amazing levels of abuse and disruption. Articles about the environment are hit harder by such tactics than any others. I love debate, and I often wade into the threads beneath my columns. But it's a depressing experience, as instead of contesting the issues I raise, many of those who disagree bombard me with infantile abuse, or just keep repeating a fiction, however often you discredit it. This ensures that an intelligent discussion is almost impossible – which appears to be the point(10). The second pattern is the strong association between this tactic and a certain set of views: pro-corporate, anti-tax, anti-regulation. Both traditional conservatives and traditional progressives tend be more willing to discuss an issue than these right-wing libertarians, many of whom seek instead to shut down debate. So what's going on? I’m not suggesting that most of the people trying to derail these discussions are paid to do so, though I would be surprised if none were. I’m suggesting that some of the efforts to prevent intelligence from blooming seem to be organised, and that neither website hosts nor other commenters know how to respond. For his film (Astro)Turf Wars, Taki Oldham secretly recorded a training session organised by a rightwing libertarian group called American Majority. The trainer, Austin James, was instructing Tea Party members on how to “manipulate the medium”(11). This is what he told them: “Here's what I do. I get on Amazon; I type in 'Liberal Books'. I go through and I say 'one star, one star, one star'. The flipside is you go to a conservative/ libertarian whatever, go to their products and give them five stars. … This is where your kids get information: Rotten Tomatoes, Flixster. These are places where you can rate movies. So when you type in 'Movies on Healthcare', I don’t want Michael Moore's to come up, so I always give it bad ratings. I spend about 30 minutes a day, just click, click, click, click. … If there's a place to comment, a place to rate, a place to share information, you have to do it. That's how you control the online dialogue and give our ideas a fighting chance.” cont. added by: JanforGore

Top Five Sluts

Rotten Tomatoes counts down film’s Top Five Sluts of all time — how many Bond girls (and Bond men) can make one list?

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Top Five Sluts

George Clooney in 3 Minutes or Less

George Clooney might be known for smoldering, distinguished roles in movies like “The American” now, but it took him a while to become a leading man. Ellen Fox gives us the ultimate breakdown of George Clooney's rise to fame in Three Minutes or Less. The Rotten Tomatoes Show is a movie review show that airs on Thursday nights at 10:30 e/p on Current TV. From reviews of the newest releases to commentary on cult favorites and movie trends, each episode of The Rotten Tomatoes Show is a fast-paced, comedic journey through the week in cinema. For more from the Rotten Tomatoes Show: http://rottentomatoesshow.com added by: Brett_Erlich

Did You Pay to See Twelve in Theaters? Movieline Wants Your Stories!

The numbers are in for the second, far more limited, and presumably final weekend of release for Joel Schumacher’s outlandish , preposterous teen-excess drama Twelve . And they’re not good: A week after grossing a stunning $477 per screen (adjusted up from the original $463 average ), the film tumbled to an even more abysmal $286 average on (appropriately) 12 screens. The total gross as of Sunday was $181,591, meaning roughly 17,000 Americans paid money to see a film with a 4-percent fresh Rotten Tomatoes rating . If you’re among them, Movieline wants to hear from you!

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Did You Pay to See Twelve in Theaters? Movieline Wants Your Stories!