It’s bad enough that Blake Lively doesn’t show any skin in the upcoming Oliver Stone thriller Savages (2012). But wait, it gets worse- not only did Blake refuse to go bare for a threesome scene with co-stars Taylor Kitsch and Aaron Johnson , she and co-star Salma Hayek suggested that the dudes drop their drawers instead. But(t) don’t take it from us. Take it from an interview Blake and Salma did with Access Hollywood earlier this month… “ Yeah, it was definitely a choice on my part, ” Blake said when asked about her lack of nudity in the film. ” That’s a nice thing that you don’t have to see all the parts, but it made… ” “ It made sense for the guys, ” Hayek chimed in. “’ Do you want to see some butts? Well, show yours! ’” The interview goes on, but all Skin Central heard after that was Blake and Salma laughing at us, so we won’t recount it here. At least Salma Hayek’ s been nude in the past- check out her full frontal skinny dip in Ask The Dust (2006) and her SKINtillating lesbian scene in Frida (2002) right here at MrSkin.com!
I had some awesome cleavage shots of Salma Hayek on the site yesterday, she’s quite voluptuous you know, and I enjoyed them so much that I thought I would look for some more. Here she is on the set of some movie in which the producers have clearly put an emphasis on very large breasts…. It sounds amazing. I can’t wait for the scene where she goes for a jog in the pouring rain, then bumps into someone like Kate Upton carrying a big tub of baby oil. You know you’d watch it.
It seems that every time I see Salma Hayek , her breasts keep getting bigger. Is it my imagination? I’m not complaining, she’s always had some of the best breasts in the business so if they happen to be getting larger I’m all for it. Here she is on the set of something, showing off not only a substantial amount of cleavage, but a pretty nice little spandex booty shot. That’s a two for one special I’d be willing to pay for.
It seems that every time I see Salma Hayek , her breasts keep getting bigger. Is it my imagination? I’m not complaining, she’s always had some of the best breasts in the business so if they happen to be getting larger I’m all for it. Here she is on the set of something, showing off not only a substantial amount of cleavage, but a pretty nice little spandex booty shot. That’s a two for one special I’d be willing to pay for.
Obviously Salma Hayek was busty to begin with, how else did she make it in Hollywood, her acting? But ever since she squeezed out a human from her vagina, those breasts seem to have gotten even better. I know that women’s, and some men’s, can swell up after giving birth, but I always thought they just went back to normal. Apparently Salma is one of the lucky ones. If I were her kid I’d kick and scream and put up such a fight so that she would breast feed me for as long as possible. Like until college.
I’m not going to make any stupid jokes about all the hot women and their cans at the Cannes Film Festival , that’s pretty hacky, but I am going to say how much I’d like to have Salma Hayek smother me with her big breasts. Here she is on the red carpet showing off those very special talents. Although, aside from her amazing latina cleavage, she’s kinda showing her age. Not cool. I had Carmen Electra up on the site earlier and she didn’t look this old, and I actually think Salma is younger than Carmen, so why is she looking so old? Ah yes, she squeezed a human being out of her vagina…. Kids are the worst.
Facebook.com – Become a Fan! Twitter.com – Follow Us! Salma Hayek and her husband François-Henri Pinault dined at Katsuya Brentwood… and the power couple jetted out in style out of the famous sushi restaurant!
A couple of weeks ago Burger King got in trouble for putting a black chick in an ad about fried chicken…something that based on the black people I know…seemed pretty culturally relevant….but no one seemed to give a fuck when they put Sofia Vergara as a Burger King worker, something equally culturally relevant, except that Vergara was more of a whore than the other Colombians, you know sucking coke dealing millionaire dick until they helped her get famous with her tits….tits that Burger King didn’t exploit despite her willingness to exploit them….making that the real tragedy of this campaign….but at least they tried to save themselves by using Salma Hayek’s Mexican Mom Tits…..and here’s the Salma Hayek ad…that I should be getting paid to post, but I’m not. Here’s the less successful Sofia Vergara ad….for obvious reasons….like no cleavage and total misuse of her…
Morgan Spurlock’s latest documentary Comic-Con Episode IV: A Fan’s Hope plants a sloppy, moist kiss on the sweaty brow of geek culture’s premiere event. Where it stops short from also getting on its knees and offering a different sort of sloppy, moist service to the four-day San Diego affair is in the sight of one of the film’s subjects weeping in the audience of a panel entitled “Breaking into Comics the Marvel Way.” Comic-Con Episode IV is indulgent to a fault about everything that happens on the convention floor, but Spurlock makes the smart decision to shape the film primarily around subjects who have an economic stake in the goings-on. The doc makes sure to peek into the many different corners of the con, from the studio previews in massive Hall H to the cosplayers’ Masquerade to the toy collector sales to the portfolio reviews of would-be artists to the comic book dealers fretting over their fading profile, but the tangible goals being pursued by the main characters add a needed sense of urgency. Comic-Con may be heaven on Earth for fanboys and fangirls (“I want to die and go to Comic-Con,” insists one man), but that doesn’t mean everyone’s going to be able to make a living there. The concept of fandom gets a tough workout in Comic-Con Episode IV , which breaks up its exploration of the 2010 San Diego Comic-Con with interviews against a white backdrop with attendees both famous and not. Some of those interviewees were also involved in the making of the movie — the always charming Joss Whedon co-wrote the film, and also produced it alongside Stan Lee and Ain’t It Cool News’s Harry Knowles, ensuring its geek bona fides. While the love of all things convention-related gets directly addressed, with Seth Rogen confessing to toy collecting and Eli Roth addressing how it’s become acceptable to continue to treasure your favorite childhood franchises into adulthood, the time the film spends with subjects who are there solely as fans — James Darling, who intends to propose to his girlfriend Se Young Hang during the Q&A at the Kevin Smith panel — is actually its most grating. The codependent couple spend their entire days in Hall H, as the guy tries unsuccessfully to get a few minutes to himself to surreptitiously go pick up the ring he had made by a jeweler who’s also in attendance. (The proposal, when it does happen, is admittedly sweet.) It’s through Chuck Rozanski, the owner of Mile High Comics, that Comic-Con Episode IV gets at one of the major changes to the event, which is that its shifted away from its comic book foundations to a become a major marketing tent-pole for blockbusters and video games. Chuck’s been coming for 38 years (the comic book panel-inspired interstitial graphics designate him “The Survivor”) and has watched the crowds slowly drift away from his booth. This year, he’s brought along his prized copy of “Red Raven #1,” an incredibly rare comic that he hopes (and may need) to sell for $500,000. (“There’s three billion women on the planet and not a lot of good comics,” he explains to his protege about how romance should never come between a man and his collection.) The quiet distress with which Chuck acknowledges his initial low sales is palpable — there are downsides to having your business and your passion been one and the same. The same goes for Skip Harvey and Eric Henson, who tote portfolios of their art to different publishers hoping to be contracted for work — the two have very different expectations of what will happen, and one is pleasantly surprised while the other is heartbroken. Spurlock knows his way around a pop doc, and Comic-Con Episode IV moves limberly between subjects and areas of the convention and its history, an entertaining watch even as it feels a little unnecessary in documenting one of the year’s most photographed, liveblogged, tweeted about and videotaped cultural gatherings. It’s the urge to create that ends up proving more interesting than the one to collect or to observe — seen not just in Skip and Eric’s stories, but in the work of Holly Conrad, who with her friends has designed insanely intricate costumes based on Mass Effect 2 , hoping that the attention they’ll get will lead to paid work. They’ve constructed in their basement an animatronic head for the person dressed as the alien Urdnot Wrex that could be professional quality, and the crowd is adoringly appreciative of their efforts. It’s not until the credits are rolling that Comic-Con Episode IV touches on any real negatives of the convention, and even that’s done in the most genial way (“It’s real, the stink is real!”). While the film deserves credit for not taking the fond freak-show route of many docs about subcultures — though can Comic-Con really be seen as such anymore? — it’s really a slow softball pitch. There’s little delving into the rise of the Twilight fandom and none into the hostility they’ve faced, or into the other competitive and regressive aspects that are part of the dark side of geek culture. No, Comic-Con Episode IV is a valentine to an event and a group of people so in ascension they don’t really need it, but it’s still a pleasant thing to watch. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
Why would a Berkeley grad weed dealer and his ex-Navy SEAL partner take on a Mexican cartel who wants in on their business? To get their kidnapped shared girlfriend back, of course! Since said shared girlfriend is Blake Lively , I can understand why Aaron Johnson and Taylor Kitsch would risk life and limb to fight off Salma Hayek’s gun-wielding goons. I’m not quite as sold on why Oliver Stone would make a movie like this, but after watching the trailer for Savages , hell — I’m in. Let’s catalogue all the things in the first trailer for July 6’s Savages , which debuted on MTV , that are intriguing: – Aaron Johnson’s UC Berkeley white boy dreads, which I might otherwise find unappealing if they weren’t on him and only for like 5 seconds – (Side note: I went to Cal and I never once encountered a pot dealer who looked like Aaron Johnson. Sigh.) – Aaron Johnson and Taylor Kitsch as odd couple bro-buddies – Blake Lively as a woman who is so in love with both Aaron Johnson and Taylor Kitsch she decides she’ll just date them both at the same time in some sort of super progressive three-way relationship – Blake Lively embracing her sensuality and being actually interesting for once (see above) – Salma Hayek’s bangs – Taylor Kitsch stabbing John Travolta out of nowhere – Evil Benicio del Toro literally twirling (okay, nervously stroking) his evil moustache – The return of California surfer-outlaw chic — are skeleton hoods the new President masks? Verdict: Bring on the Johnson-Kitsch sandwich. Get More: Emile Hirsch , Blake Lively , Benicio Del Toro , Aaron Johnson , Uma Thurman , Salma Hayek , John Travolta , Movie Trailers , Movies Blog Savages is adapted from Don Winslow’s novel, with a script penned by Winslow and Shane Salerno. Official synopsis: Three-time Oscar®-winning filmmaker Oliver Stone returns to the screen with the ferocious thriller Savages, featuring the all-star ensemble cast of Taylor Kitsch, Blake Lively, Aaron Johnson, John Travolta, Uma Thurman, Benicio Del Toro, Salma Hayek, Emile Hirsch and Demian Bichir. The film is based on Don Winslow’s best-selling crime novel that was named one of The New York Times’ Top 10 Books of 2010. Laguna Beach entrepreneurs Ben (Johnson), a peaceful and charitable Buddhist, and his closest friend Chon (Kitsch), a former Navy SEAL and ex-mercenary, run a lucrative, homegrown industry—raising some of the best marijuana ever developed. They also share a one-of-a-kind love with the extraordinary beauty Ophelia (Lively). Life is idyllic in their Southern California town…until the Mexican Baja Cartel decides to move in and demands that the trio partners with them. When the merciless head of the BC, Elena (Hayek), and her brutal enforcer, Lado (Del Toro), underestimate the unbreakable bond among these three friends, Ben and Chon — with the reluctant, slippery assistance of a dirty DEA agent (Travolta) — wage a seemingly unwinnable war against the cartel. And so begins a series of increasingly vicious ploys and maneuvers in a high stakes, savage battle of wills.
