Tag Archives: signature

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

See the original post:
James Durbin Soars With Paul McCartney Cover On ‘American Idol’

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

Read more:
James Durbin Soars With Paul McCartney Cover On ‘American Idol’

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

See the original post here:
James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘Hunger Games’ Casting News: What We Know So Far

A long list of young actresses, including Hailee Steinfeld and Jennifer Lawrence, are up for the coveted role of Katniss. By Amy Wilkinson Jennifer Lawrence Photo: Getty Images In the dystopian world imagined by Suzanne Collins in her best-selling young-adult trilogy “The Hunger Games,” anxious teens hope against all odds that they can avoid the titular, televised fight to the death decreed by their government. But in the real world, Hollywood’s rising stars are battling to get into the arena for the upcoming adaptation of the series’ first novel due out March 23, 2012. And no role is more hotly contested than that of 16-year-old District 12 tribute Katniss Everdeen. Casting speculation has run rampant since the news came in March 2009 that the novel’s screen rights had been purchased by Lionsgate. U.K. “Skins” star Kaya Scodelario was an early fan favorite for the role and, along with , “Nikita” star Lyndsy Fonseca was reportedly among the first to receive a script. Slowly but surely, however, actresses from their early teens to their mid-20s have begun hungrily eying the part of the 16-year-old heroine. “Katniss is my homegirl,” “Kick-Ass” star Chloe Moretz told MTV News back in October 2010. “I would absolutely die to be in ‘The Hunger Games.’ I’m just sayin’ that.” A few weeks later, “Vampire Diaries” star Malese Jow spoke with Hollywood Crush , expressing a similar sentiment. “I would do my absolute best,” she promised. “I would give it 2,000 percent for everyone. I know there are some die-hard fans out there.” A couple of young actresses have gone so far as to tweet pictures of themselves done up as Katniss (and in some cases, sporting her signature bow and arrow). For Halloween 2010, “Eclipse” star Jodelle Ferland dressed as the tribute, though she downplayed the stunt tweeting, “Don’t take it so seriously … I’m not trying to say, ‘Hey, look at me. I should be Katniss.’ ” More recently, “Camp Rock” actress Alyson Stoner posted various photos of herself dressed in Katniss’ iconic Hunger Games uniform and climbing walls as part of her “training.” Though plenty of up-and-coming actresses have thrown their name into the ring, producer Nina Jacobson told The L.A. Times early on that a known name wasn’t necessary for the part. “It really comes down to finding that person who can capture the physicality, the vulnerability and the toughness,” she said. “She’s a paradoxical character and you need somebody who has the range to capture all of those dimensions.” In a piece in The Wall Street Journal detailing the hunt for the “next Hailee Steinfeld,” the paper went behind the scenes of several upcoming YA adaptations, including “The Hunger Games,” in which casting director Debra Zane explained that an open casting call had gone out for Katniss (Caucasian, between the ages of 15 and 20, someone who could portray “underfed but strong” and “naturally pretty underneath her tomboyishness”), and that she’d seen about 50 girls so far. Nonetheless, last week Variety reported that Lionsgate had three Oscar-nominated actresses in their crosshairs: Abigail Breslin, Hailee Steinfeld and Jennifer Lawrence (with Lawrence as the front-runner). Steinfeld revealed to MTV News on the Oscars red carpet that she had already met with director Gary Ross, saying, “It’s definitely something that we’re taking one day at a time and making sure that everything is in place.” Entertainment Weekly quickly filed a report that conflicted with Variety ‘s, citing sources at Lionsgate who said that there was not yet a front-runner for the role and that about 30 actresses had been seen for the part, including a few who hadn’t yet gained much “Hunger Games” heat (like “The Lovely Bones” star Saoirse Ronan). Fan site The Hob followed up with Scodelario’s people (one of the actresses included in EW ‘s report), who said she had not in fact, read for the role yet. Ultimately, Lionsgate’s pick for Katniss will influence which of Hollywood’s young actors will be eyed for the roles of fellow Hunger Games contestant Peeta and Katniss’ childhood friend Gale (age is a big factor here). Nonetheless, several actors, including Liam Hemsworth and Alex Pettyfer, have told MTV News they have met with the studio about the Peeta role. It will be a “Hunger Games” fight to the finish, indeed. Who do you hope the odds are in favor of to play Katniss? For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com .

Read more:
‘Hunger Games’ Casting News: What We Know So Far

Britney Spears’ ‘Inside Out’: More Leaks!

Spears wants one more tryst with her ex on the Femme Fatale song. By Jocelyn Vena Britney Spears Photo: Ethan Miller/Getty Images Last month, Britney Spears teased a snippet of her Femme Fatale track “Inside Out.” Now, a bit more of the sexy track, including some of the song’s reported lyrics, has hit the Net. In the new 30-second teaser for the song, posted on MuuMuse.com , fans are given a taste of not only part of the chorus, but also part of one of the song’s bridges, which features a booming mid-tempo beat. Spears, in her signature style, sings, “You touch me and it’s breaking me down/ and me down, and me down, and me down/ I’m telling you, let’s just give it up and get down/ and get down, and get down …” On the breakup track’s chorus, she sings, “So come on/ Won’t you give me something to remember?/ Baby shut your mouth and turn me inside out/ Even though we couldn’t last forever, baby.” Other lyrics seem like a switched-up version of those previously released. Neither set of lyrics has been confirmed as the album version. “Said you’re gonna be here in a minute/ Sitting in the mirror getting pretty/ Gotta look my best if we’re gonna break up/ Gotta look my best if we’re gonna break up,” the reported lyrics read. The lyrics go on, “I can hear you knocking at the front door/ And I know exactly what you came for/ Try to say goodbye but it’s hot and heavy.” The previously reported lyrics were: “Said you’re gonna be here in two minutes/ Sitting in the mirror getting ready/ Gotta look my best if I wanna break up/ Gotta look my best if I wanna break up/ I can hear you knocking at the back door/ And I know exactly what you’re here for/ Trying to say goodbye but I’m not that ready.” Related Videos MTV First: Britney Spears’ ‘Hold It Against Me’ Premiere Related Photos Britney Spears’ ‘Hold It Against Me’ Pop-Culture References Related Artists Britney Spears

Read this article:
Britney Spears’ ‘Inside Out’: More Leaks!

Britney Spears’ ‘Inside Out’: More Leaks!

Spears wants one more tryst with her ex on the Femme Fatale song. By Jocelyn Vena Britney Spears Photo: Ethan Miller/Getty Images Last month, Britney Spears teased a snippet of her Femme Fatale track “Inside Out.” Now, a bit more of the sexy track, including some of the song’s reported lyrics, has hit the Net. In the new 30-second teaser for the song, posted on MuuMuse.com , fans are given a taste of not only part of the chorus, but also part of one of the song’s bridges, which features a booming mid-tempo beat. Spears, in her signature style, sings, “You touch me and it’s breaking me down/ and me down, and me down, and me down/ I’m telling you, let’s just give it up and get down/ and get down, and get down …” On the breakup track’s chorus, she sings, “So come on/ Won’t you give me something to remember?/ Baby shut your mouth and turn me inside out/ Even though we couldn’t last forever, baby.” Other lyrics seem like a switched-up version of those previously released. Neither set of lyrics has been confirmed as the album version. “Said you’re gonna be here in a minute/ Sitting in the mirror getting pretty/ Gotta look my best if we’re gonna break up/ Gotta look my best if we’re gonna break up,” the reported lyrics read. The lyrics go on, “I can hear you knocking at the front door/ And I know exactly what you came for/ Try to say goodbye but it’s hot and heavy.” The previously reported lyrics were: “Said you’re gonna be here in two minutes/ Sitting in the mirror getting ready/ Gotta look my best if I wanna break up/ Gotta look my best if I wanna break up/ I can hear you knocking at the back door/ And I know exactly what you’re here for/ Trying to say goodbye but I’m not that ready.” Related Videos MTV First: Britney Spears’ ‘Hold It Against Me’ Premiere Related Photos Britney Spears’ ‘Hold It Against Me’ Pop-Culture References Related Artists Britney Spears

See original here:
Britney Spears’ ‘Inside Out’: More Leaks!