Tag Archives: song

Lady Gaga Joins Bruce Springsteen, Elton John At Sting’s Rainforest Benefit

Gaga performed duets of ‘Speechless’ and ‘Your Song’ with John at New York show. By Gil Kaufman Lady Gaga and Bruce Springsteen perform in New York on Thursday Photo: Kevin Kane/ Getty Images In the past year Lady Gaga has risen from little-known dance act to one of today’s major international superstars. But how do you know you’ve really arrived? It’s when you get invited to perform at Sting’s annual Rainforest Fund benefit show. On Thursday night (May 13) Gaga was on-hand for the star-studded show at New York’s Carnegie Hall, which also featured performances by Bruce Springsteen, Elton John, host Sting, Mary J. Blige and Blondie’s Debbie Harry. Wearing a frumpy gray old-lady wig, a white mini-hoop skirt and matching leggings that looked like they were made out of Ace bandages, Gaga sat down at the piano for what the New York Daily News described as a “sober version of one of the most earnest pop songs of all time,” Ben E. King’s timeless “Stand by Me.” She also hooked up with pop icon John again for a run through her song “Speechless,” which segued into his hit “Your Song” in what the paper described as a seamless collaboration between two stars who seemed “made for each other.” The 21st annual show opened with Sting singing “Englishman in New York.” He later hooked up with Mary J. for their duet, “Whenever I Say Your Name.” Springsteen belted out Bryan Adams’ “Cuts Like a Knife” and “Dancing in the Dark.” Though he played such classics as “Philadelphia Freedom,” John also got in on the cover action, taking on the Lovin’ Spoonful’s “Summer in the City” and Madonna’s “Like a Virgin” and “Material Girl,” accompanied by a kick line of male go-go dancers wearing Speedos. Harry performed the Blondie classic “The Tide Is High,” while Dame Shirley Bassey busted out two of her iconic James Bond themes, “Goldfinger” and “Diamonds Are Forever,” as well as her hit “Big Spender.” Chic leader Nile Rodgers served up “Le Freak” and Sting returned later in the show for a cover of the Fine Young Cannibals’ 1989 hit “She Drives Me Crazy.” The whole gang ended the night by taking on Journey’s “Don’t Stop Believin’.” Related Artists Lady Gaga Elton John Bruce Springsteen

Link:
Lady Gaga Joins Bruce Springsteen, Elton John At Sting’s Rainforest Benefit

Stone Temple Pilots Roar Back With ‘Between the Lines’ Video

Druggy clip has ‘an off point of view,’ Scott Weiland tells MTV News. By James Montgomery, with additional reporting by Kelly Marino On The Set Of ‘Between The Lines’ Video Photo: MTV News As anyone who caught Stone Temple Pilots’ recent run of shows can attest — which kicked off with a thunderous set at South by Southwest in March — after more than five years on the shelf, the alt-rock demigods certainly haven’t lost a step. But if you weren’t lucky enough to catch the first string of shows, don’t fret: Next week, STP will launch the second leg of their U.S. tour, which runs through June 5. (They’ll spend the summer darting across Europe, before returning to the stage in August.) On May 25, the band’s self-titled sixth album is due — their first since 2001’s Shangri-La Dee Da — and it features the snarling first single “Between the Lines.” Chances are, you’ve heard it, since it sits at #1 on Billboard ‘s rock chart. And now, there’s a video to go with it, a burner directed by Christopher Sims, who has helmed clips for the likes of Staind and Jimmy Eat World. And yes, it stands as further proof that STP are back. MTV News was on the set of the video, shot last month in Los Angeles. Much like the song, it’s a sweaty, claustrophobic affair, documenting frontman Scott Weiland’s past history of drug use. Portions of it were shot in gloriously blurry, swirly first-person, much like another debauched, druggy classic. “It’s sort of like an off point of view, similar to [the Prodigy’s] ‘Smack My Bitch Up,’ ” Weiland told MTV News. “[It] was one of the coolest videos that came out in the last 15 years.” But while the video does recall clips from the past, what’s most notable about it is how much it feels like classic STP. Weiland, the DeLeo brothers and drummer Eric Kretz flail and hammer with artful abandon, and the song, with its chain-saw guitars and Weiland’s trademark gruff yowl, sounds like it could’ve been lifted from any of their previous albums. It’s a welcome return, to be certain, one that’s indebted to the past, yet deeply rooted in Weiland’s personal travails — something he’s not shying away from this time out. “The verse is sort of an ‘I Am the Walrus’ kind of thing, where it’s a bunch of stuff that phonetically sounds good,” he said alluding to the Beatles song. “And then you get to the meat of the idea in the chorus … it’s a reference to my ex. It’s a real rock-and-roll song that has our own individuality.” How does the “Between the Lines” video compare to the Prodigy’s ’97 clip? Share your take in the comments! Related Artists Scott Weiland Deleo Bros

Continue reading here:
Stone Temple Pilots Roar Back With ‘Between the Lines’ Video

Ke$ha’s New Video: Love It or Loathe It?

When Ke$ha performed “Your Love is My Drug” on Saturday Night Live last month, it was awful. Atrocious. Just really, really bad. But the song has been edited and properly mixed and sounds like another fun dance song from this artist in her official music video for it. Shot last month in the California desert, it features live action and animation, as Ke$ha glides through the sand, rides an elephant and dances with a python. All in a day’s work. Watch it now and then sound off on “Your Love is My Drug.” Official Video for Your Love is My Drug What do you think of the video?

See the original post here:
Ke$ha’s New Video: Love It or Loathe It?

Crystal Bowersox Shines On ‘American Idol’ Movie Night

‘After that performance, you, Crystal, are back in the game,’ critiqued judge Simon Cowell. By Eric Ditzian Crystal Bowersox on “American Idol” Tuesday Photo: FOX Would it be a blockbuster or a bomb? That was the key question heading into Songs of the Cinema Night on Tuesday’s (May 11) “American Idol,” a theme whose approved song list heavily favored a perplexing mix of tunes from golden oldies, ’80s action flicks and Disney cartoons. And while this Hollywood-centric episode might not be the stuff of awards-season glory, the “Idol” crew handled themselves well in front of the camera. Crystal Bowersox shined like a seasoned A-lister and made Lee Dewyze look like a breakout star during their duet. Meanwhile, Casey James and Michael Lynche proved they just might not be bankable solo stars at this point in the competition. Dewyze got the night started with “Kiss From a Rose,” a nod back to season eight contestant Danny Gokey, thanks to mentor Jamie Foxx. During the pre-performance video, the Oscar-winning actor got up in Dewyze’s face as he did with Gokey last year, giving the singer what Foxx called the Michael Mann treatment (a reference to the famously intense director of “Miami Vice” and “Collateral”). “Yeah, it’s different,” said a visibly uncomfortable Dewyze of his mentor’s approach. Dewyze brought that unease to the stage during his straightforward take on Seal’s hit from “Batman Forever.” His higher register was simply not up to the song’s requirements. Ellen DeGeneres alone was impressed with the rendition. Randy Jackson wanted to see more of a rocker attitude and more of an effort to switch up the song’s arrangement, while Simon Cowell laid down one his most dreaded analogies: “That was verging on — I’m afraid to say — karaoke,” the Brit judge said. And so the night proceeded on from karaoke to what DeGeneres mockingly dubbed “one of the classic, great movies of all time.” Yes, Michael Lynche selected a tune from “Free Willy,” one sung by Michael Jackson but nonetheless made famous in a movie about a boy’s enduring friendship with an Orca whale. Foxx was not impressed during rehearsals, nor were the judges when they heard his live version. Backed by a choir and with a lovely gospel vibe to the song, Big Mike sounded perfectly lovely. But Kara DioGuardi nailed it when she said, “You played it safe. What you did tonight, you can do in your sleep.” Just as Kara wished Lynche had done something in the vein of past R&B performances like “This Woman’s Work,” Jackson wondered why Big Mike abandoned what is so clearly his strongest genre. “You’re an R&B dude,” said the disappointed judge. “I wish you’d chosen something R&B.” Next came the first duet of the season, as Dewyze and Crystal Bowersox teamed up onstage. Facing each other with guitars sandwiched between them, they traded and shared lyrics from “Falling Slowly,” a beautiful number from “Once.” It marked a welcome return to form for Dewyze and a stunning debut for MamaSox. His growly tone contrasted nicely with her innate bluesiness. The judges then took turns trading superlatives to describe the performance. “One of my favorite moments from the entire season,” said DioGuardi, seconds before Cowell declared, “I don’t know if I’d call that a good song. I’d call that a fantastic song.” It was a tough act to follow, but as they say in showbiz, the show must go on! And on came Casey James with a ukulele and a bluegrass-tinged take on “Mrs. Robinson,” the Simon & Garfunkel classic from “The Graduate.” Foxx seemed to be channeling DioGuardi when he asked the singer to seduce him during rehearsals. The seduction didn’t necessarily pay off. “For me, this is you fighting to stay in the competition,” DioGuardi said as she pointed out how Casey’s more comfortable standing back and rocking out. “For me this was actually a good choice.” That was less of a compliment than it might sound in print. Cowell was more direct when he said, “I didn’t think the song or the performance had the substance required on this important night for you. … I thought it was a little bit lazy and I think you could have made more of an impact.” After the break, Bowersox headed back onstage for a country-rock version of Kenny Loggins’ “I’m Alright” from the comedy “Caddyshack.” Like the movie, her rehearsal was marked by some foul language. But by the time of her live performance, MamaSox had found her form. The judges feted the 24-year-old for switching the song up far more than any of the other contestants dared during their performances. Both DioGuardi and DeGeneres announced that she “made it better.” Cowell, who had criticized Bowersox in recent weeks, welcomed her back by saying, “After that performance, you, Crystal, are back in the game.” To finish up the night, Big Mike and James sauntered back onstage for another guitar duet. Though it lacked the energy on display during Bowersox and Dewyze’s performance, their take on Bryan Adams’ “Have You Ever Really Loved a Woman” was still far better than either man’s individual effort. “The duets tonight were incredible,” said DioGuardi, summing up the judges consensus. “They were better than all of the solo performances.”

View post:
Crystal Bowersox Shines On ‘American Idol’ Movie Night

Drake, Lady Gaga, M.I.A.: ‘Storyline’ Videos Return!

Improvements in online video have meant that artists can say what they want, for as long as they want. By James Montgomery Drake Photo: Young Money Entertainment In 1992, Guns N’ Roses wowed fans — and tormented programmers — with the release of “November Rain,” a nearly nine-minute-long super video that featured lavish costuming, gratuitous supermodel-ing, lots of emoting, plenty of the titular rain and exactly one screaming guitar solo played outside a church. It was remarkable as much for its excess as it was for its scope. GNR certainly weren’t the first group to test time constraints (Michael Jackson’s iconic “Thriller” clip went beyond the 13-minute mark), nor were they the last, but with “November Rain,” they accomplished something few had ever attempted: a clip that kicked off an expansive, (sort of) linear storyline, one that would continue in subsequent videos. It almost didn’t matter if said storyline didn’t make a whole lot of sense, the point is Guns (or, more specifically, Axl Rose) realized they had the means to launch something this epic, and they went for it. Of course, nearly 20 years later, this kind of thing is no big deal: Lady Gaga pulls off the whole “storyline” thing in her sleep. And she’s not the only one to go big with her clips. In recent months, much to the delight of superfans and the woefully employed, a host of artists — from Beyonc

Drake Was ‘Fearless’ In Making ‘Find Your Love’ Video, Director Says

‘It’s kind of like the anti-love love story,’ Anthony Mandler says. By Jayson Rodriguez Drake Photo: Young Money Entertainment As both a newcomer and budding superstar, Drake draws a high level of scrutiny toward himself with each new song or video he releases. That trend continued Tuesday (May 11) with the premiere of his latest clip, “Find Your Love,” directed by Anthony Mandler. “It’s unbelievable the amount of attention that he garners,” Mandler told MTV News. “Since the video dropped, I think I’ve received 200 e-mails, Facebook questions, tweets. There’s a fascination with him and there’s certainly been a void in music that he’s come to fill.” According to Mandler, Drake’s allure lies in his ability to fit in across various groups. That idea was at the heart of the two clips he’s helmed for Drake, “Over” and “Find Your Love.” For their collaboration, he explained, the two played against the convention of who Drake may or may not be. “I think part of that is the kind of way he works across genres, the way he works across tonalities: is he black, is he white, he’s aligned with Wayne and the streets, but he’s a nice guy from Toronto,” Mandler said. “And that really was the theme with ‘Over.’ Especially with the album and the dualities in the music to come, in one song he rhymes and another song he sings, the artists he working with — he’s very hard to pin down. Part of the objective of making this video was to do that same twist again, to give you something unexpected, not only tonality with the song but with the video thematically. It’s kind of like the anti-love love story.” In the video, Drake is advised to get out of dodge when he tries to woo the love interest of a local gang lord. He ignores the words of the elder Jamaican sage and instead ventures into the ghettos of “Gully Side” to see his leading lady once more. As Drake and the man speak, words run across the screen warning of the perils of unknowingly taking things too far. “It’s really about crossing lines, what was said in the first scene,” Mandler said about Drake’s chase for love. “It’s about really understanding what’s right and what’s wrong and it’s really easy to lose that when you’re the center of attention.” The director said the idea of “Find Your Love” was to serve as a follow-up to “Over,” which he felt helped to clear the slate of everything pre- Thank Me Later, Drake’s forthcoming debut album. The idea behind “Find You Love” was to feature visuals to begin a new story in the young rapper’s life. Mandler applauded Drake’s efforts in making the clip happen. “He did it fearlessly,” Mandler beamed. “He did it without any sign of hesitation. That was incredible. He wanted to do something that went further with the song, that took the essence of the song but communicated it with imagery that made people think, rather than go up the middle and make an obvious R&B video. That’s completely not who Drake is.” What do you think the story behind Drake’s video? Let us know in the comments! Related Videos Storyllne Videos: Drake, Lady Gaga, M.I.A

View post:
Drake Was ‘Fearless’ In Making ‘Find Your Love’ Video, Director Says

Miley Cyrus cant be tamed video

The video for “Can#39;t Be Tamed” is below, with some screengrabs below that. Miley Cyrus, 17, plays a caged bird. She has said “The video isn#39;t about being s-exy or about who can wear less clothes. It#39;s about explaining the song and living the lyrics.” Singer/actress Miley Cyrus‘ new music video for her single Can’t Be Tamed may throw the teen’s s-exy new look in your face but she swears it’s about more than that. “I wanted it to be something different for a female artist,” the teen

More here:
Miley Cyrus cant be tamed video

Britney Spears’ Purported Demo Of Lady Gaga’s ‘Telephone’ Leaks

Gaga allegedly wrote song for Spears, but track’s authenticity is in doubt. By Gil Kaufman Britney Spears Photo: Kevin Mazur/Wire Images According to rumors, before recording “Telephone” herself and making its WTF-tastic video with Beyonc

Alice In Chains, Deftones, Mastodon Hit Road On Blackdiamondskye Tour

‘We’re really looking forward to touring with our friends,’ says Alice in Chains guitarist/vocalist Jerry Cantrell. By James Montgomery Alice in Chains’ Jerry Cantrell Photo: Barry Brecheisen/ WireImage After a week’s worth of mysterious YouTube clips and countdown clocks , it’s officially time to make the announcement: This fall, Alice in Chains , Deftones and Mastodon , three of the heaviest and most influential bands in the business, will join forces for a tour of epic proportions. Dubbed “Blackdiamondskye” (an amalgamation of AIC’s Black Gives Way to Blue, Deftones’ upcoming Diamond Eyes and Mastodon’s Crack the Skye album titles), the trek will kick off September 16 in Chicago and will pummel cities across the U.S. and Canada, before coming to a close on October 16 in Las Vegas. According to a statement from tour organizers Live Nation, additional dates will be announced shortly. Tickets will go on sale in select markets beginning May 15 at Blackdiamondskye.com and LiveNation.com . Fan-club presales begin on May 10. For more information, check out the tour’s official site. And after spending all that time building up the mystery, both organizers and the bands are raring to unleash this beast on their legions of fans. “We’re really looking forward to touring with our friends, Deftones and Mastodon,” Alice in Chains guitarist/vocalist Jerry Cantrell said in a statement. “Each band has its own unique flavor and the combination of all three will make for a great show and a good time on the road.” Blackdiamondskye Tour dates are as follows:

Eminem Calls Relapse ‘Ehh’ In New Song, ‘Not Afraid’

‘Let’s be honest, that last Relapse CD was ehh, ‘ Em raps on lead single from Recovery. By Shaheem Reid Eminem Photo: Chelsea Lauren/ Getty Images Eminem unveiled “Not Afraid,” the first single from his forthcoming Recovery album , on Thursday morning (April 29), and the track is a strong departure from the usual lead cuts Slim Shady delivers: There are no jabs at pop-culture icons, no jovial goofballing. Mr. Mathers is reflective and remorseful over the Boi-1da-produced track. “It’s been a ride, I guess I had to go to that place to get to this one. Some of you might still be in that place. If you trying to get out, follow me,” he says, talking at the beginning of the track. As the raps starts to kick in, Em threatens to “tear down” those who looked down on him. “You can try to read my lyrics off of this paper before I lay ’em/ But you won’t take the sting out these words before I say ’em. “I’m not afraid/ To take a stand,” he continues on the chorus. “Everybody come take my hand/ We’ll walk this road together through the storm/ Whatever weather come the war/ Just letting you know that you’re not alone/ Holla if you feel been down the same road.” On the second verse, Em admits to some artistic missteps and declares that his last album, Relapse, was a bit of letdown. “To the fans, I never let you down again, I’m back/ I promise to never go back on that promise,” the MC says in the song’s second verse. “In fact, let’s be honest/ That last Relapse CD was ehh / Perhaps I ran them accents into the ground/ Relax, I ain’t going to do that now.” Later in the verse, Em talks about his personal struggles. “But I think I’m still trying to figure this crap out/ Thought I had it mapped out, but I guess I didn’t/ It’s time to exorcise these demons / These muthaf—as are doing jumping jacks now.” As the song comes to a close, Em says he doesn’t want any more drama and wants to focus on raising his family. “I can’t just keep living this way,” he sings. “So starting today, I’m breaking out of this cage / I’m standing up, I’mma face my demons/ I’m manning up, I’mma hold my ground/ I’ve had enough, I’m so fed up/ Time to put my life back together right now.” Recovery is slated for a June 22 release. What do you think of Eminem’s “Not Afraid”? What do you think of his lyric about Relapse ? Let us know in the comments below! Related Artists Eminem

Follow this link:
Eminem Calls Relapse ‘Ehh’ In New Song, ‘Not Afraid’