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Casey Abrams Redeems Himself On ‘American Idol’ With ‘Your Song’

Singer even cleans up his look during Elton John week — though the trademark beard stays put. By Adam Graham Casey Abrams performs on “American Idol” Wednesday Photo: FOX Following last week’s dramatic judges’ save, Casey Abrams was reborn on Wednesday’s (March 30) “American Idol.” Abrams initially came into the competition one of the favorites to win it all, though a series of health problems and a couple of bum performances — including last week’s train-wreck take on Marvin Gaye’s “I Heard It Through the Grapevine” — stalled his momentum to the point where America sent him packing. But the judges threw their weight behind the shaggy-haired soul man, and this week it was up to him to prove they made the right decision. But first, he had to deal with the fallout from last week’s performance. When mentor Jimmy Iovine rolled tape of Abrams’ Motown week effort, the singer found it difficult to even watch. “You know what was wrong with that performance?” Iovine asked. Abrams sheepishly replied “some … things?” while Iovine corrected him: “Everything!” Iovine went on to say Abrams “killed himself” with the Gaye cover, saying he’d lost his way in the competition and needed to refocus. Producer Rodney Jerkins was just as critical, but had a far more concrete solution to Abrams’ problems: “Get rid of the beard.” Abrams took Jerkins’ advice to heart and took his mug to Baxter Finley, a Los Angeles barber shop, where a team of skilled professionals trimmed his bushy facial fuzz and hacked away at his unkempt hair. The results weren’t unveiled until Abrams hit the “Idol” stage, though it wasn’t as dramatic as the segment led viewers to believe. Instead, Abrams’ look was simply a fresher, cleaner version of the wild man he’d come to be known as — Abrams 2.0, if you will. His performance was where he really showed his rededication to the competition. Taking on Elton John’s “Your Song,” Abrams stayed seated and didn’t do laps around the studio as he did during Motown week or thrash in place as he did during his risky take on Nirvana’s “Smells Like Teen Spirit” two weeks prior. He dialed himself way back, delivering the song in a comfortable, heartfelt manner and letting the lyrics take over. (Some tabloid reports have tied Abrams to fellow contestant Haley Reinhart, though there was no word whether he was singing the song to his alleged new squeeze.) Eventually, he let out his inner Casey, grunting a few notes near the song’s close, but overall it was the most reserved he’d been onstage yet. He delivered a high closing note that noted music scholar Randy Jackson would later identify as a Major 9. Jackson called the performance “brilliant,” “nice” and “tender,” while Steven Tyler praised Abrams’ range of styles, saying that makes him a “true artist.” Jennifer Lopez called the performance “very Casey” and reiterated that the judges made the correct decision by keeping him around. “Along the way, we’ve had to make some hard decisions and send some really, really great people home, and I’ve lost sleep over that. But one decision I didn’t lose one ounce of sleep over was saving you,” she said. “I slept like a baby!” What did you think of Casey Abrams’ performance? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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Casey Abrams Redeems Himself On ‘American Idol’ With ‘Your Song’

‘American Idol’ Elton John Night Boosts Haley Reinhart, Casey Abrams

Pia Toscano and Scotty McCreery also wow the judges. By Gil Kaufman “American Idol” top ten plus one Photo: FOX Theme nights are always tricky, and on Wednesday (March 30), the “American Idol” top 11 had to take on the imposing catalog of Elton John. Some soared and some crashed, and a couple of recent cellar dwellers — Casey Abrams and Haley Reinhart — appeared to pull themselves out of the fire with gutsy performances. As always on non-country theme weeks, the question was “What is Scotty McCreery going to do this time?” He made the obvious choice, the obscure “Country Comfort,” which he picked because it had the word “country” in it, but also because it’s one of Elton’s only country-leaning tunes. With lyrics about grandmas and factory closings, it was pretty much what you’d expect: a Vince Gill-esque, aw-shucks acoustic amble accented by pedal steel and piano — with a shout-out to his real granny! — that, well, sounded like just about everything McC has done so far. “Nothin’ I could say to you that an old-fashioned pair of high-heeled cowboy boots wouldn’t fix,” Steven Tyler gushed cryptically, adding that he (still) loves everything about the teen crooner. Once again, Jennifer Lopez gave the most sage advice, encouraging Scotty not to get too in his head and doubt himself. Randy Jackson marveled at how fast Scotty has matured on the program and said he felt like he was at a headlining show by the “Idol” finalist. If Scotty always brings the country rumble, dreadlocked rude girl Naima Adedapo similarly finds a way to add a reggae swag to her songs. Wearing a white jumpsuit with red, yellow and green accents, she gave a Bob Marley-esque island vibe to “I’m Still Standing,” struggling at points to keep in tune but truly making it her own and creating one of the most unique “Idol” makeovers in the recent memory. Lopez and Jackson loved the reggae lilt but weren’t sure if it wasn’t a better idea than the payoff, and maybe a bit corny. Talk about someone totally in the pocket on Elton night. Paul McDonald went for it with the legendary “Rocket Man,” which mentor Jimmy Iovine suggested he play like it was an encore in front of 20,000 screaming fans. Wearing his signature flowered country suit and strumming an acoustic guitar, McDonald started out mellow and seductive, with just a piano for accompaniment. It seemed like he blew off Iovine’s advice, because while he retained that ragged Ray LaMontagne vibe, he barely got out of second gear, keeping things mostly low-key and feathery. Randy called it “quiet comfort” and said, despite being pitchy, Paul’s soft, gentle voice was once again infectious, and Jennifer suggested he was holding back and needed to let loose. “Don’t Let the Sun Go Down on Me” is an old “Idol” favorite, and despite being counseled to move out of the ballad-ballad-ballad routine, Pia Toscano went with the emotional staple. With a subtle arrangement, Toscano put the focus squarely on her powerful voice and, backed by a gospel choir, she seemed to hit the sweet spot once more. “Pia, you’ve done it again,” Tyler said, gently needling Randy’s suggestion that Pia switch it up. “That’s what you are and you sang it, you nailed it. And you know how I know a good song? It makes me cry inside … that’s just about as good as it gets.” Lopez said the notes Pia chooses take the audience to “an otherworldly place” and that Toscano seems poised to break through to another level. Stefano Langone made his first trip to the bottom three last week, so he was probably hoping that the epic “Tiny Dancer” would do the trick. But the cheesy arrangement and his smarmy Disney-style performance probably didn’t save the day. All three judges liked it and said Stefano seemed to be really taking their notes and trying to connect with the audience, keep his eyes open and his voice focused on his sweet, high range. Teen Lauren Alaina was just a toddler during the second revival of ultimate weeper “Candle in the Wind” in 1997, but her restrained, country lilt came off like the ultimate mash-up of past “Idol” divas Kelly Clarkson and Carrie Underwood. Though the performance was a bit sedate, her vocals were controlled and crisp and she gave off her usual

‘American Idol’ Elton John Night Boosts Haley Reinhart, Casey Abrams

Pia Toscano and Scotty McCreery also wow the judges. By Gil Kaufman “American Idol” top ten plus one Photo: FOX Theme nights are always tricky, and on Wednesday (March 30), the “American Idol” top 11 had to take on the imposing catalog of Elton John. Some soared and some crashed, and a couple of recent cellar dwellers — Casey Abrams and Haley Reinhart — appeared to pull themselves out of the fire with gutsy performances. As always on non-country theme weeks, the question was “What is Scotty McCreery going to do this time?” He made the obvious choice, the obscure “Country Comfort,” which he picked because it had the word “country” in it, but also because it’s one of Elton’s only country-leaning tunes. With lyrics about grandmas and factory closings, it was pretty much what you’d expect: a Vince Gill-esque, aw-shucks acoustic amble accented by pedal steel and piano — with a shout-out to his real granny! — that, well, sounded like just about everything McC has done so far. “Nothin’ I could say to you that an old-fashioned pair of high-heeled cowboy boots wouldn’t fix,” Steven Tyler gushed cryptically, adding that he (still) loves everything about the teen crooner. Once again, Jennifer Lopez gave the most sage advice, encouraging Scotty not to get too in his head and doubt himself. Randy Jackson marveled at how fast Scotty has matured on the program and said he felt like he was at a headlining show by the “Idol” finalist. If Scotty always brings the country rumble, dreadlocked rude girl Naima Adedapo similarly finds a way to add a reggae swag to her songs. Wearing a white jumpsuit with red, yellow and green accents, she gave a Bob Marley-esque island vibe to “I’m Still Standing,” struggling at points to keep in tune but truly making it her own and creating one of the most unique “Idol” makeovers in the recent memory. Lopez and Jackson loved the reggae lilt but weren’t sure if it wasn’t a better idea than the payoff, and maybe a bit corny. Talk about someone totally in the pocket on Elton night. Paul McDonald went for it with the legendary “Rocket Man,” which mentor Jimmy Iovine suggested he play like it was an encore in front of 20,000 screaming fans. Wearing his signature flowered country suit and strumming an acoustic guitar, McDonald started out mellow and seductive, with just a piano for accompaniment. It seemed like he blew off Iovine’s advice, because while he retained that ragged Ray LaMontagne vibe, he barely got out of second gear, keeping things mostly low-key and feathery. Randy called it “quiet comfort” and said, despite being pitchy, Paul’s soft, gentle voice was once again infectious, and Jennifer suggested he was holding back and needed to let loose. “Don’t Let the Sun Go Down on Me” is an old “Idol” favorite, and despite being counseled to move out of the ballad-ballad-ballad routine, Pia Toscano went with the emotional staple. With a subtle arrangement, Toscano put the focus squarely on her powerful voice and, backed by a gospel choir, she seemed to hit the sweet spot once more. “Pia, you’ve done it again,” Tyler said, gently needling Randy’s suggestion that Pia switch it up. “That’s what you are and you sang it, you nailed it. And you know how I know a good song? It makes me cry inside … that’s just about as good as it gets.” Lopez said the notes Pia chooses take the audience to “an otherworldly place” and that Toscano seems poised to break through to another level. Stefano Langone made his first trip to the bottom three last week, so he was probably hoping that the epic “Tiny Dancer” would do the trick. But the cheesy arrangement and his smarmy Disney-style performance probably didn’t save the day. All three judges liked it and said Stefano seemed to be really taking their notes and trying to connect with the audience, keep his eyes open and his voice focused on his sweet, high range. Teen Lauren Alaina was just a toddler during the second revival of ultimate weeper “Candle in the Wind” in 1997, but her restrained, country lilt came off like the ultimate mash-up of past “Idol” divas Kelly Clarkson and Carrie Underwood. Though the performance was a bit sedate, her vocals were controlled and crisp and she gave off her usual

Bossip Exclusive: Fefe Dobson Talks Joy, Jimi Hendrix And Being A Black Girl That Rocks

After a brief hiatus from the spotlight, Fefe Dobson is back with a new album and a new outlook on life. Bossip spoke to the “black rock chick” about rebounding after being dropped from her label, what she was like as a little kid and how we can all find more joy. BOSSIP: What’s up Fefe? Tell us about your new album, why did you call it Joy ? Fefe Dobson: I called it Joy because making the record was a joyful experience, but the reason it was a joyful experience was in the process of making it. I made my first record in 2003 when I was 18. I got the chance to do tons of great things – a tour withe Justin Timberlake , a show with Janet Jackson and there was so much that came out of it and then there was the trials and tribulations, parting ways with my label, which was Island Def Jam at that point. I had like 500 dollars left to my name, no boyfriend and bought a dog and wrote Joy . What joy has brought me is liberation and it was very therapeutic and a turning point in my life, that’s why it’s called Joy . Bossip: You seem to have matured – your style has changed a lot, was it the experience of seeing the “bad side of the industry?” FD: Definitely, being so young, getting all the amazing opportunities and kinda having to scale back and start again with nothing. Learning about myself in general. My dad came back into my life. On my first record there was a song called “Unforgiven” because my dad was never in my life. And now my dad has come back in my life – because of that I’m learning about my Jamaican side. I’m biracial so my mom is white and my dad’s black and I never got to know that side. Realizing I’m related to Donald Quarrie – who is an Olympic national hero in Jamaica – that has helped bring me to this point as well. Life… Naturally you have to go through every day and learn in order to fill in those missing pieces to be the person you need to be. Bossip: What goals have you set for yourself for 2011? FD: A lot of goals. My goal for 2010 was to get my album out and to spread Joy and for 2011 it’s to tour this baby like crazy and line up my own shows and hopefully next year go to the Grammys and do my thing. I really want to play big stadiums and stuff like that and hit the masses and meet more people and gain more followers in my career. Bossip: What kind of kid were you? FD: I was a little female Eddie Murphy. I was really crazy and made fun of everybody and made jokes when I shouldn’t have probably. Bossip: What experience led you to this? FD: Music made me do this. From a musical point of view – The Wizard of Oz and Michael Jackson. Music was my only outlet and escape. Bossip: What would you be doing otherwise? FD: I couldn’t do anything else. I was asked that in elementary school when I was a little kid. You know how they go around – there were kids who wanted to be firemen, there were kids who wanted to be lawyers, and I was like “Uhhh rockstar, singer?” and my teacher looked around and was like “What do you really want to be?” and I said “Uhhh I just told you” I didn’t know I had to have a Plan B. You didn’t ask the fireman if he should have a Plan B. Bossip: What was your scariest moment and how did you get through it? FD: My scariest moment was definitely not being with Island anymore. That was probably my scariest moment because I was signed when I was 18 so I was so used to being signed to a major label. At first not being with a major label was the scariest thing. I’ve come from nothing growing up as a kid to being something to now having to start again. That was scary for me. At the same time it was liberating because it was my chance to recharge and restart and not many people get the opportunity to restart with a clean slate. So I think everything happens for a reason even if it’s scary. Bossip: Is there a public figure that you’ve always admired? I really look up to like, you know, Jimi Hendrix – because I’m a woman of color and my foundation is rock and roll and my energy is rock and roll I’ve always looked up to artists that are like myself. Why? I was on rock radio in Canada and the minute they found out I was touring with Justin Timberlake they took me off rock radio and things like that and then I was told “Black girls can’t rock” so I have to look up to any artist that’s going out of their comfort zone and what people think is not the right way for them. That’s day to day – anyone being told they’re doing what they’re not supposed to do. It takes a lot of strength to break the mold. Bossip: What issue should people be more aware about? FD: One of my heroes was John Lennon and the reason I love him so much is John and Yoko’s motto about peace and that if everyone stayed in bed for the day there’d be peace. Maybe he’s a dreamer but it starts with the dream. I think we as humans if we were just a little more considerate of the person next to us. It starts with the person beside you, it starts with not tossing something on the ground, it starts with breaking the mold. Children are going to make the world. There’s abuse and all those things and it starts with a cycle. We have to start with ourselves and the person next to us and that’s where it starts. Bossip: Do you think race is or isn’t important in the U.S.? FD: That’s everywhere, that’s not just the U.S. Where ever there is someone ignorant that doesn’t realize they’re in 2011. Bossip: If you had a fortune to give away where would your money go to? My little brothers. Bossip: Is there any one book, film or album that changed your life? FD: The Alchemist [by Paulo Coehlo]. It’s amazing. It will change your life. Bossip: What has been the biggest story this year so far? FD: What hit home to me, because I could relate to it, was Kelly Williams-Bolar, the mom who got in trouble for putting her kids in a better school.For me it’s an emotional thing because I grew up with a poor mom who would have done anything to put us in a safer school district. For her to get slapped on the wrist for it? On an emotional level that hit me. Bossip: Do you have a celebrity crush? FD: Aside from Spongebob Squarepants? Kate Moss… She’s awesome. At the moment I’m like, I can’t think of any dudes. I haven’t really kept up with who is sexy, but I know Kate Moss is sexy! Bossip: Anything you are an absolute sucker for? FD: Im a sucker for cowboy boots and leather pants. But not at the same time. Bossip: Best advice you ever received? FD: Mainly just heard it throughout from people I met and that’s “Don’t Blend In.” Don’t conform, don’t try to be something you’re not because I’d rather people, even in school, I’d rather them to laugh at me because I wore something different than to accept me because I was being them. Bossip: What question are you sick of being asked? FD: Nothing really yet. Bossip: Not the Rihanna question? FD: I used to get that, not really anymore. I think people are starting to see that musically we’re very different. I think people used to ask because we’re both women of color who are edgy and we’re on the same label, I guess it comes into play for that. No one really asks me what my favorite color is… It’s black. Keep clicking to check out shots of Fefe below!

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Bossip Exclusive: Fefe Dobson Talks Joy, Jimi Hendrix And Being A Black Girl That Rocks

Crystal Harris: Cheating on Hugh Hefner With Jordan McGraw?

Is Crystal Harris cheating on fiance Hugh Hefner with Jordan McGraw, son of that blowhard Dr. Phil? What could possibly trigger such a ridiculous rumor? The fact that she’s 24 and Hugh is 84, possibly? Just an idea. Reports say the lovebirds (Crystal and Jordan) were cozy at the Chateau Marmont in LA on March 14 and that she’s “trying to keep the romance low-key.” Too bad “Jordan didn’t hide his affections, kissing her shoulder and trying to hold Crystal Harris ‘ hand – still adorned with a 6-carat engagement ring.” Jordan McGraw is the younger of that bloviating windbag Dr. Phil’s two sons. The older one, Jay, is married to Playboy model Erica Dahm, interestingly. But anyway. Jordan and Crystal “are sneaking around because Crystal is supposed to be happily engaged to Hef,” a source tells Life & Style . “Going out in public with Jordan would tarnish Hef and Crystal’s image.” We don’t really see how. She’s obviously going not dating Hef for his virility. Just putting that out there. Will they even make it to the altar? June 18 is the wedding date. A Playboy representative says Jordan and Crystal’s relationship is strictly business … the business of BONING! Just kidding. Well, probably. Really we wouldn’t be surprised either way.

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Crystal Harris: Cheating on Hugh Hefner With Jordan McGraw?

justin bieber doll uk

justin bieber doll uk JUSTIN BIEBER THE DOLL | FAMEmagazine.co.uk Justin Bieber doll/invitation when you log in if you live in the UK. THE Justin Bieber love doll can play 30-second clips of his songs and fit Toy boy: Justin Bieber’s doll will be available for fans to buy for To get a free Justin Bieber doll just follow the steps. If you are from UK The new Justin Bieber toy line will debut holiday 2010 with the JB Style Justin Bieber celebrity doll and our Top 10 pathetic plastic playthings Justin Bieber celebrity doll and our Top 10 pathetic plastic playthings justinbiebersingingdollbaby.com. Those dolls are cute but they don’t really Justin Bieber Doll – Save 13% off list price Today – Click Here To Pre Justin Bieber has revealed that he would love to act as a guest judge on the Justin Bieber Doll – JB Red Carpet Syle Collection NEW YORK (Billboard) – Justin Bieber dolls Jacket should be in a Justin Bieber bag in your suite ;]. Doll: Justin Bieber Collectible Doll. Double click on above image to view full The Justin Bieber doll is all dolls to all doll enthusiasts. Dolls Justin Bieber Doll – Carpet. On izideal since: February 2011. Rate it now. Share with friends; Share video; Write a Review Justin Bieber celebrity doll and our Top 10 pathetic plastic playthings Sep Toy boy: Justin Bieber’s doll will be available for fans to buy for

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justin bieber cartoon style

justin bieber cartoon style Teenage dream: Justin is confident enough to experiment with style How do you think Justin Bieber cartoon with a purple shirt below? hopefully This cartoon style cat money box is made from resin ad is a fun way to save This cartoon style cat money box is made from resin ad is a fun way to save it’s a cartoon-style wallpaper with bright colors, graffiti elements and Teenage dream: Justin is confident enough to experiment with style Justin Bieber Fans..I have Two Justin Bieber Cartoons in Concert. How to set the style of Justin Bieber’s Hair Style cartoon cutie: justin bieber shows off his smurf style at leblanc’s real it’s a cartoon-style wallpaper with bright colors, graffiti elements and Cartoon Credit : justinbiebergames.org Drawing justin bieber, Added by Dawn, December 26, 2009, 12:48 enlarge. Hugh Laurie · Justin Bieber Justin Bieber Smashes Kat Stacks And Birdman Breaks Lil Wayne Out Of Prison How to Draw Justin Bieber with Step by Step Drawing Lesson cartoon justin beiber – Justin Bieber 383×383 Editorial Cartoon – Justin Bieber Fan. So it seems a few Belieber’s (Justin Lawyer Wants Lady Gaga and Justin Bieber Cartoon Strip Pulled Cartoon: Justin Bieber (medium) by Gero tagged caricature Lawyer Wants Lady Gaga and Justin Bieber Cartoon Strip Pulled Justin Beiber Justin Beaver. Justin Beaver I Mean Justin Bieber Cartoon

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justin bieber cartoon style

Designer Drugs ‘Tell A Story’ On Hardcore/Softcore Album

Pennsylvania dance duo are set to take the stage at SXSW and Miami’s Ultra Music Festival. By Adam Stewart Designer Drugs Photo: MTV It’s been a long road for Pennsylvania electronic duo Designer Drugs, but for Michael Vincent Patrick and Theodore Paul Nelson, that’s half the fun. Having been making music together for well over 10 years, the duo recently debuted their second album, Hardcore/Softcore, on Ultra Records and have been thrust into the ever-expanding American dance-music audience. Now, on the heels of the album’s second single, “Through the Prism,” featuring rapper and fellow Brooklynite Cerebral Vortex, Designer Drugs are poised to bring their unique brand of grind-house electronic to the masses Thursday night (March 17) at Austin, Texas’ South by Southwest, followed by a huge set on the Live Stage at Ultra Music Festival in Miami on March 25. “We started doing a lot of remixes and just trying to make a specific kind of music,” Patrick told MTV News. “But now, with the album, we are just doing whatever we want and making more of an electronic album.” “We had, like, a hundred songs and riffs,” Nelson added. “And we just basically picked ones we thought were the best for the album and put them all on. We didn’t really have a good idea of what we wanted to accomplish, but it ended up being what it was and we were pretty happy with it at the end.” Kicking things off with the first single “Drop Down,” a wobbly synth monster reminiscent of an edgy Prodigy-esque sound garnished with Gregorian chants, the vibe DD bring to the dance-music game is unique and captivating. Hardcore/Softcore brings the art of an album back to the table, melding full-length tracks with melodic interludes. “I think it kind of helped to tell a story for this album, but we didn’t plan it,” Patrick said. “Nothing for this album was really planned. It all kind of happened; we wrote all the music and then kind of linked it together.” “We just thought, ‘This sounded cool, but let’s not make it an entire song; let’s just kind of put it in there and see what happens,’ ” Nelson added. “But we do listen to a lot of old classic-rock stuff, too, like Pink Floyd and all that other stuff. So there was a little bit of influence from there.” Will you be catching Designer Drugs on the Live Stage of Ultra Music Festival in Miami? Let us know in the comments below!

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Designer Drugs ‘Tell A Story’ On Hardcore/Softcore Album

Nicki Minaj Wants To Get Audience ‘Riled Up’ On Lil Wayne Tour

‘At the end of the day, it’s hip-hop. Let’s not get that misconstrued or anything,’ Pink Friday star says. By Jayson Rodriguez, with reporting by Sway Calloway Nicki Minaj performs during the I Am Music 2011 tour opener in Providence, Rhode Island Wednesday Photo: Getty Images Don’t get it twisted: Nicki Minaj is an MC first and foremost, she says. Forget the theatrics, ’cause when she gets onstage, she wants to pump energy into the crowd. And to do that, she goes back to her roots. “You always want to start the show and get everybody riled up,” she told MTV News during the kickoff to Lil Wayne’s I Am Music II Tour . “At the end of the day, it’s hip-hop. Let’s not get that misconstrued or anything. People see the way I’m dressed and forget what I’m really doing. Why I’m really here is ’cause I write my raps. Why I’m really here is because I’m an MC. Why I’m really here is because I can go toe-to-toe with dudes. So we want to start the show off saying, Yep, this is Nicki Minaj and this is what I do.” And the Pink Friday star certainly does do those things. She arrived onstage Wednesday night with a booming introduction courtesy of the film “Gladiator.” From there, she launched into a spirited rendition of her Lil’ Kim dis track, “Roman’s Revenge.” Later on, she moved on to her pop fare, including “Your Love” and “Right Thru Me.” But the Queens rapper said she wanted to start the proceedings off by reminding everyone of the artist she was when Lil Wayne first discovered her rapping on a DVD. When we spoke to Wayne about signing Minaj, he told us how she developed into an artist who can hold her own. “I can’t front, I just thought she was going to be the new female MC that none of these other female MCs can touch,” Wayne told MTV News about Nicki . “But now, she’s blossomed into a megastar with this new attitude and this style. Now when I talk to her, I just tell her, ‘Do what you do, baby.’ I used to be able to go into the studio and say, ‘Nah, don’t say that, don’t say that.’ You know, ‘That was better.’ Now, do what you do, baby. I don’t have a clue about what you’re doing right now, but it’s working, do it.” Related Videos Watch Lil Wayne, Nicki Minaj And Birdman On This Week’s ‘RapFix Live’ Related Artists Nicki Minaj Lil Wayne

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Nicki Minaj Wants To Get Audience ‘Riled Up’ On Lil Wayne Tour

Nicki Minaj Wants To Get Audience ‘Riled Up’ On Lil Wayne Tour

‘At the end of the day, it’s hip-hop. Let’s not get that misconstrued or anything,’ Pink Friday star says. By Jayson Rodriguez, with reporting by Sway Calloway Nicki Minaj performs during the I Am Music 2011 tour opener in Providence, Rhode Island Wednesday Photo: Getty Images Don’t get it twisted: Nicki Minaj is an MC first and foremost, she says. Forget the theatrics, ’cause when she gets onstage, she wants to pump energy into the crowd. And to do that, she goes back to her roots. “You always want to start the show and get everybody riled up,” she told MTV News during the kickoff to Lil Wayne’s I Am Music II Tour . “At the end of the day, it’s hip-hop. Let’s not get that misconstrued or anything. People see the way I’m dressed and forget what I’m really doing. Why I’m really here is ’cause I write my raps. Why I’m really here is because I’m an MC. Why I’m really here is because I can go toe-to-toe with dudes. So we want to start the show off saying, Yep, this is Nicki Minaj and this is what I do.” And the Pink Friday star certainly does do those things. She arrived onstage Wednesday night with a booming introduction courtesy of the film “Gladiator.” From there, she launched into a spirited rendition of her Lil’ Kim dis track, “Roman’s Revenge.” Later on, she moved on to her pop fare, including “Your Love” and “Right Thru Me.” But the Queens rapper said she wanted to start the proceedings off by reminding everyone of the artist she was when Lil Wayne first discovered her rapping on a DVD. When we spoke to Wayne about signing Minaj, he told us how she developed into an artist who can hold her own. “I can’t front, I just thought she was going to be the new female MC that none of these other female MCs can touch,” Wayne told MTV News about Nicki . “But now, she’s blossomed into a megastar with this new attitude and this style. Now when I talk to her, I just tell her, ‘Do what you do, baby.’ I used to be able to go into the studio and say, ‘Nah, don’t say that, don’t say that.’ You know, ‘That was better.’ Now, do what you do, baby. I don’t have a clue about what you’re doing right now, but it’s working, do it.” Related Videos Watch Lil Wayne, Nicki Minaj And Birdman On This Week’s ‘RapFix Live’ Related Artists Nicki Minaj Lil Wayne

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Nicki Minaj Wants To Get Audience ‘Riled Up’ On Lil Wayne Tour