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How Did Ellen DeGeneres Do During Her ‘American Idol’ Debut?

DeGeneres quickly made her mark as a judge during first Hollywood Week episode. By Gil Kaufman Ellen DeGeneres on “American Idol” Tuesday Photo: Fox “So this is it,” Ellen DeGeneres said, staring into fellow judge Simon Cowell’s eyes as they sat down for the first day of Hollywood singing on Tuesday night’s (February 9) “American Idol.” “I come on, you leave.” And with that, that newest member of the “Idol” panel quickly made her mark on day one of work, immediately putting to rest weeks of chatter about Cowell’s imminent leave-taking at the end of this season and establishing what seems like a good-natured, jokey tension between the two new co-workers. DeGeneres tried to put the nervous singers at ease from the moment she first stepped onstage at Los Angeles’ Kodak Theater, telling the 181 wannabes, “I don’t know how you feel right now. … When people say, ‘What do you know about music?’ I’ll tell you what I do know: I do know what it’s like to stand on a stage and try to please an entire roomful of people. … That is a hard thing to do.” Though she got to sit down while the singers took the stage, DeGeneres made her presence felt, tossing off funny asides and coherent, helpful advice while flashing just enough of her signature wit to bring a fresh feeling to the judges’ panel. “You frighten me,” she told shticky singer Antonio “SkiiBoSki” Wheeler after his so-so run through “Ain’t Too Proud to Beg” in one of the night’s funnier moments. “You were stalking us. You were like a leopard behind a cage. … I was watching you looking at us like, ‘I’m gonna getcha.’ ” As the only judge to make comments, DeGeneres was firm and direct with her humorous suggestion to not frighten the audience and to remember the fine line between sexy and scary. Seemingly eager to put her “So You Think You Can Dance” guest-judging debacle behind her, DeGeneres spoke early and often, at points seemingly doing the impossible: shutting Cowell up. She also proved that she can match the acerbic Brit with her clever put-downs, riffing in one montage, “I’m tired as it is; that almost put me right out,” “It was crazy, I think, in a bad way” and reminding one contestant from Florida to wear shoes because “it’s filthy here. Hollywood is a disgusting town.” At one point, after Kara DioGuardi praised Andrew Garcia’s radical acoustic revamp of former judge Paula Abdul’s “Straight Up,” saying the onetime pop star would have loved it, DeGeneres threw her hands in the air and did a loving imitation of Abdul’s signature straight-armed hand clap — putting to rest any question of whether she feels awkward taking the former judge’s seat. And when Tennessee bridge-jumper Vanessa Wolfe was clearly overtaken by nerves, DeGeneres gave her Abdul-esque, caring advice: “You’re unique. I think you have a unique quality that you should embrace and just really accept who you are. You’re hiding inside and just scared to death. You gotta let go of that, because those nerves are gonna kill ya.” While she might have channeled Abdul for that critique, Ellen’s comments were mostly an antidote to the sometimes rambling, bizarre statements Paula made during her eight seasons on the show. It wasn’t all Ellen, however, as Cowell still got in plenty of harsh digs, eviscerating a number of performers who hid behind poorly played instruments and ill-conceived song choices. DeGeneres provided exactly what the panel lacked in the past: a strong, confident voice of reason with the right combination of humor and useful advice that could prove to be the first-ever challenge to Cowell’s domination of the critiques. “You have an amazing voice and you were very in that song,” she told mom rocker Mary Powers after a rough-and-tumble cover of Pink’s “Sober.” With tensions running high at one point, she played around with one group, telling them to step up, back, to the side and then up again before putting them all through to the next round to loud applause and laughs. Speaking to host Ryan Seacrest backstage at the top of the show, DeGeneres set the tone for what her likely contribution to the show will be: arch but broad humor. “There’s been a lot said about what kind of judge you will be on the show,” Seacrest said. “Kind, generous, honest, but at the same time pretty direct. And one of the few people I think that can be honest with Simon about how he takes on the contestants. Is that your plan?” Without missing a beat, DeGeneres shot back, “I’m sorry, I wasn’t listening.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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How Did Ellen DeGeneres Do During Her ‘American Idol’ Debut?

‘American Idol’ Hollywood Week Kicks Off With Ellen DeGeneres’ Debut

Judges send 95 singers through to Wednesday’s group round. By Gil Kaufman Ellen DeGeneres and Kara DioGuardi on “American Idol” Tuesday Photo: Fox Finally! After what felt like an eternity, “American Idol” served up the first dose of Hollywood Week on Tuesday night (February 9). In addition to the 181 potential superstars filing into the Kodak Theater, the show marked the debut of newest judge, talk-show host/ comedian Ellen DeGeneres, who quickly proved that she not only has plenty to say, but says it in an entertaining, thoughtful manner. “So this is it,” DeGeneres said, staring into fellow judge Simon Cowell’s eyes as they sat down for the first day of Hollywood singing. “I come on, you leave.” The quip immediately put to rest the weeks of chatter about Cowell’s imminent leave-taking at the end of this season and established what seems like a jovial tension between the two new co-workers. The singers came out in groups of eight, given the option to sing a cappella or with an instrument. The first bunch included 17-year-old Katie Stevens, who charmed the first time with a husky voice and a backstory that included her caretaking role for her aging grandmother. Cowell still liked her and Randy praised her natural talent, while the verging-on-annoying Antonio “SkiiBoSki” Wheeler might have worn out his welcome with a herky-jerky “Ain’t Too Proud to Beg.” “You frighten me,” DeGeneres said over loud laughter. “You were stalking us. You were like a leopard behind a cage. … I was watching you looking at us like, ‘I’m gonna getcha.’ ” But seriously, she said, don’t frighten your audience, don’t be so intense. “Sexy and scary, it’s a fine line.” He appeared to cross that line, as he didn’t make the cut, while Stevens did. The second group featured young dad Andrew Garcia , strumming former judge Paula Abdul’s “Straight Up” as a Jason Mraz-like acoustic jam that showed some serious soul and arranging chops. “That was genius,” Kara DioGuardi said. “Paula would be screaming and yelling and dancing,” she added, praising him for radically interpreting a song the way last season’s runner-up Adam Lambert did. Tennessee bridge jumper Vanessa Wolfe was shaken by a serious case of nerves, warbling her way through Blind Melon’s “No Rain.” Ellen praised her “unique quality,” encouraging her to embrace that special something. Garcia, not surprisingly, made the cut, while Wolfe’s first trip out of her small hometown came to a swift end. Also flaming out were jump-splitter Cornelius Edwards; Maegan Wright, the cosmetologist whose supportive little brother made a memorable appearance on the show; and Italian stallion Amedeo DiRocco, who begged for another chance to no avail after a shouty performance that didn’t live up to his initial promise. Tampa, Florida’s Janell Wheeler made another great impression with an acoustic-guitar ramble through Estelle’s “American Boy” that Ellen called “amazing.” They were also still feeling the love for another strummer, wannabe country star Haeley Vaughn,16, who did a charming sandpaper take on Taylor Swift’s “Change,” as well as 28-year-old rocker mom Mary Powers, who eerily channeled Pink on “Sober.” Both made it through to the next round, along with Fantasia co-star Todrick Hall , Chicago’s Charity Vance and Boston’s Ashley Rodriguez , one of 46 to make it through on day one. Day two dawned rough with annoying beatboxing from Miami’s Jay Stone, while Michael Lynche stepped to the mic as his wife was about to give birth to their first child, warning he had to make it or else he’d be in big trouble. The massive bodybuilder — who reportedly has been dropped from the show because his father is alleged to have blabbed about his son’s Hollywood trip — killed it with a gospel-y take on John Mayer’s “Waiting for the World to Change.” Sandwich maker Lilly Scott went quirky with an acoustic-guitar version of Ella Fitzgerald’s “Lullaby of Birdland,” which DioGuardi loved. “Everything about you is refreshing,” she gushed, just before putting Scott through. Also making it to the group round was Texas’ Tim Urban, who redeemed his initial weak audition with a strong take on David Cook’s “Come Back to Me,” while Utah cancer survivor Justin Williams was sent packing after an overly dramatic performance. Whip-cracking former “Barney” girl Erica Rhodes didn’t make it, and neither did tanned and teased Orlando, Florida, sisters Bernadette and Amanda Disimone . Maddy Curtis, the 16-year-old Virginia native who pulled heartstrings with the story of her four Down Syndrome brothers, also blew it with an uneven cover of Fitzgerald’s “The Nearness of You,” while shirtless wonder Casey James ripped it up and made it through with his gritty acoustic-blues cover of Ray Charles’ “I Don’t Need No Doctor.” In the last group, weepy Knoxville, Tennessee, waitress Didi Benami sang a touching take on DioGuardi’s “Terrified” that sounded like it was radio-ready. “I hate to admit it, but I really like that song,” Cowell said, adding that he also liked the idea of a just-folks waitress making it big. “It’s what it’s all about,” he told her. Dreadlocked Chicago single mom Crystal Bowersox brought some gritty rock/soul to Aretha Franklin’s “(You Make Me Feel Like a) Natural Woman,” getting the audience so hyped they threw in some impromptu backing vocals and a standing ovation, with both women making it through round two. In all, 95 advanced to Wednesday’s group round. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Hollywood Week Kicks Off With Ellen DeGeneres’ Debut

Mexico drug cartels go into the rehab business

Mexico's powerful drug cartels have been operating drug rehabilitation clinics, turning some into bloody killing fields and forcing recovering addicts into their ranks of hit men and smugglers. At least two of the country's six major drug cartels have used treatment facilities to further their trade, top Mexican law enforcement officials told The Associated Press in exclusive interviews. One group even opened its own centers where they brainwashed addicts during rehabilitation, offering them an ultimatum once they kicked their habits: work for us or we'll kill you. Here, just across the border from El Paso, Texas, 41 people have been killed in massacres at rehab clinics over the past year and a half — massacres prompted not only by recruitment efforts within the clinics, but also by more common reasons like failure to pay for drugs or betrayal of a dealer. 'Extension of the battlefield' “The rehabilitation centers are an extension of the battlefield,” said Edgardo Buscaglia, a leading Mexican drug expert. “There are no refuges anymore.” The phenomenon highlights the government's failure to address the social ills that have grown from Mexico's burgeoning drug trade, he said. While the government has gone after the cartels using the police and military, they have done little to regulate private treatment facilities that have proliferated as cocaine use doubled nationwide over the last six years. In Ciudad Juarez, a city of 1.3 million with an estimated 100,000 addicts, many of the clinics are unlicensed, run out of dilapidated homes by former addicts — making them easy targets for traffickers to infiltrate. Click line to continue: http://www.msnbc.msn.com/id/35241198/ns/world_news-americas/ added by: xiola

Lacey Brown: Back For More on American Idol

When Lacey Brown auditioned for American Idol last year, she sat next to eventual finalist Megan Joy in the cut room and was told by Randy Jackson that it was the end of the road. Ha! Shows what Randy knows. Brown is back on the show, receiving a golden ticket following her latest try out in Orlando

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Lacey Brown: Back For More on American Idol

Joe Simpson Developing Comedy Based on His Life

Joe Simpson, father and pimp of Jessica and Ashlee Simpson-Wentz, is developing a television comedy for Nickelodeon based on his life raising two daughters. Yes, we’re serious .

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Joe Simpson Developing Comedy Based on His Life

Final ‘American Idol’ Audition Show Rounds Up The Talent

We take a look back at the most memorable auditions and characters as the show prepares to head to Hollywood. By Gil Kaufman Michael Lynche on Wednesday’s episode of “American Idol” Photo: FOX To the relief of anyone who’s a true fan, Wednesday night’s “American Idol” brought an end to the audition rounds, the traditional home of costumed jokers, cracked-voice clowns, delusional dingbats and the occasional kewpie-doll ringer and blue-eyed crooner with a broken heart of gold. The clip show brought together a variety of the best of this year’s wannabes, from raspy-voiced Lee DeWyze of Illinois, a paint store clerk who sang a sandpaper cover of Bill Withers’ classic soul tune “Ain’t No Sunshine,” to dreadlocked hippie chick Crystal Bowersox, a 23-year-old musician mom who went with the rocker girl classic “Piece of My Heart” by Janis Joplin.

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Final ‘American Idol’ Audition Show Rounds Up The Talent

American Idol: Barney Does Dallas

You know what we are not supposed to mess with? Texas. There is to be no messing in or around Texas.

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American Idol: Barney Does Dallas

John and Elizabeth Edwards: Officially Separated

Two-time presidential candidate John Edwards has confirmed that he and wife Elizabeth Edwards are separated, but that he still cares deeply about her. “It is an extraordinarily sad moment, but I love my children more than anything and still care deeply about Elizabeth,” Edwards said in a statement.

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John and Elizabeth Edwards: Officially Separated

Todrick Hall: Controversial Contestant on American Idol

American Idol took its show to Dallas last night, where it encountered a few contestants with moving personal stories (one overcame cancer, another struggles with Tourette’s Syndrome) and one with a controversial background.

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Todrick Hall: Controversial Contestant on American Idol

Alex Lambert: American Idol Hopeful

Might the name Lambert get lucky two years in a row on American Idol ? As fans know, Adam Lambert made it all the way to the final two on season eight of the country’s most-watched program. Now, an upstart named Alex Lambert is hoping to follow in that singer’s talented footsteps.

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Alex Lambert: American Idol Hopeful