Tag Archives: the movieline interview

Animal Kingdom Director David Michôd on the Ups and Downs of His Acclaimed Debut

Nearly seven months after his debut feature Animal Kingdom wowed Sundance , found American distribution and repurposed Air Supply’s “All Out of Love” in the most harrowing way possible , writer-director David Michôd is readying for the rest of America’s reaction to the Australian crime-family drama. If the critics are any indication, he has nothing to worry about — except, maybe, how to follow it up.

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Animal Kingdom Director David Michôd on the Ups and Downs of His Acclaimed Debut

Sam Rockwell on Cowboys and Aliens and Partying with Costars

It’s safe to say that Sam Rockwell and Jon Favreau enjoy a very good working relationship. Favreau gave the actor an uncredited role in his directorial debut Made , considered him to play Tony Stark in the original Iron Man , then let Rockwell do the bulk of Iron Man 2’s scene stealing as Stark’s rival Justin Hammer. At Comic-Con, Movieline spoke to Rockwell for a little while about their newest collaboration: Favreau’s sci-fi western Cowboys and Aliens .

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Sam Rockwell on Cowboys and Aliens and Partying with Costars

Wendie Malick on Hot in Cleveland and the Power of Betty White

Hot in Cleveland ‘s Wendie Malick knows the art of the sitcom forwards and backwards, but that doesn’t mean she overlooks the inspirational perks of working with a bunch of TV veterans. We grill her about playing washed-up actress Valerie Chase, remembering Just Shoot Me , and what she’s learned from Betty White.

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Wendie Malick on Hot in Cleveland and the Power of Betty White

True Blood’s Mariana Klaveno on That Sex Scene and How J.J. Abrams Made it Possible

There wasn’t a new episode of True Blood last Sunday, but then again, you probably needed that downtime to decompress from the previous episode’s insane final scene . On a show that commingles sex and violence as a general rule, that last encounter between Bill (Stephen Moyer) and Lorena (Mariana Klaveno) may have shredded the envelope: testing the limits of vampire-on-vampire hate-sex, Bill twisted Lorena’s head completely around between thrusts — and true to Lorena’s malevolent nature, she loved it. Did Klaveno feel the same way about having to shoot it, though? With True Blood resuming its run this weekend, she called up Movieline to discuss exactly how they made it work, why Lorena just can’t get over Bill, and how J.J. Abrams is inadvertently responsible.

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True Blood’s Mariana Klaveno on That Sex Scene and How J.J. Abrams Made it Possible

Grease Director Randal Kleiser on the Sing-A-Long, the Sequel, and Rooming with George Lucas

There were all sorts of reasons that Grease shouldn’t have worked: it was coming at the tail end of the musical’s golden age in 1978, it was a period piece, and its stars were way, way too old to be playing teenagers — yet something about that perfect lead casting of John Travolta and Olivia Newton-John and those irresistible songs made it a phenomenon. Now, as Paramount re-releases Grease in a new sing-a-long format, Movieline called up director Randal Kleiser to reminisce and dish. Want to know what he thinks of Grease 2 , modern-day musicals, or his very first role in a student film directed by George Lucas? Read on.

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Grease Director Randal Kleiser on the Sing-A-Long, the Sequel, and Rooming with George Lucas

Eclipse Director David Slade: ‘I Have No Idea Why Anyone Would Hire Me!’

When David Slade was announced as the director of the third Twilight film, Eclipse , it seemed like a risky proposition: he had only made two other movies ( Hard Candy and 30 Days of Night ), and both indicated a sensibility that might be too aggressive for the romantic Stephenie Meyer series. Perhaps that’s exactly what the franchise needed, though, as Slade’s turned in a well-received installment that’s a good deal more propulsive than Chris Weitz’s sluggish New Moon . The day after Eclipse’s Los Angeles premiere, Slade was still riding high from the audience’s reaction as he talked to Movieline about the tough shoot, his thoughts on the controversial Breaking Dawn , and the follow-up he definitely isn’t making next.

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Eclipse Director David Slade: ‘I Have No Idea Why Anyone Would Hire Me!’

Helen Mirren on Love Ranch, Red and Protecting Her Castmates From Horny Extras

Of all the reasons to love Dame Helen Mirren — her taste, class, grace, skill, discipline, fearlessness and ageless eroticism among them — 2010 might be the year we get the best look at her versatility. Having already given us the outsized wife of Leo Tolstoy in The Last Station , the Oscar-winner arrives in theaters this week as the flat-accented, fur-clutching, no-nonsense brothel madam Grace Bontempo of Love Ranch . October will bring the action-packed intrigue Red , featuring Mirren’s turn as a former CIA spook eluding an assassination rap alongside Bruce Willis, Morgan Freeman and John Malkovich. The jury’s out on the latter film, but the long-delayed Love Ranch (directed by Mirren’s husband Taylor Hackford) indeed provides a worthwhile study of grande dame by way of Nevada desert.

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Helen Mirren on Love Ranch, Red and Protecting Her Castmates From Horny Extras

Eclipse Screenwriter Melissa Rosenberg on Fans: ‘They’re Coming After Me a Little Bit Already!’

In many ways, Melissa Rosenberg has the Twilight franchise’s most difficult job: as screenwriter, she has to satisfy not just the original novelist Stephenie Meyer, but the actors (including Kristen Stewart, who famously won’t say a line if she doesn’t believe it), directors, and fans, too. The imminent Eclipse is her third crack at the series, and up next is the very controversial Breaking Dawn , which Rosenberg is busily splitting into two movies. In a candid interview with Movieline, Rosenberg discussed fan frustrations, her thoughts on Summit’s director selections, and just how she pictures that Breaking Dawn split.

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Eclipse Screenwriter Melissa Rosenberg on Fans: ‘They’re Coming After Me a Little Bit Already!’

John C. Reilly: ‘The Older I Get, the Less Interested I Am in Seeing My Movies’

When it came time for Mark and Jay Duplass to choose a leading man for Cyrus , their first studio film, it had to be John C. Reilly. The 45-year-old actor has spent much of his career taking what’s on the page and embroidering it with improvisation and inspiration, and that’s the exact approach the Duplasses have spent their last few movies refining. Whether he’s riffing wildly in Talladega Nights or taking a much more controlled approach (as he does in Lynne Ramsay’s upcoming We Need To Talk About Kevin ), Reilly has the ability to make even the craziest lines and behavior of his characters seem utterly natural. Last week, I met up with him at the Four Seasons in Los Angeles to talk about Cyrus , tease Kevin , and discuss his ever-shifting attitude toward his own work.

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John C. Reilly: ‘The Older I Get, the Less Interested I Am in Seeing My Movies’

The Duplass Brothers on Cyrus, Jeff Who Lives at Home, and Why They Don’t Read Scripts

The new comedy Cyrus may be low-budget by most studio standards, but for directors Mark and Jay Duplass, it was a whole new world. The brothers made their name in mumblecore until Fox Searchlight came calling, but with more money, more crew members, and actors like Jonah Hill, John C. Reilly, and Marisa Tomei involved, the Duplasses had to work just as hard to preserve the shaggy, improvisatory aesthetic that got them the job in the first place. In a candid interview with Movieline, Mark and Jay opened up about what their crew thought of them, why they’re unlikely to direct someone else’s script, and what’s in store for their next movie, the stoner comedy Jeff Who Lives at Home .

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The Duplass Brothers on Cyrus, Jeff Who Lives at Home, and Why They Don’t Read Scripts