What do we have here? Other than a few random Twitter pictures, we haven’t seen a whole lot out of Hayden Panettiere , so it’s nice to see her out in public looking good. Where did those impressive breasts come from? Maybe that’s why she’s been laying low all this time. I’m not judging, I love fake breasts, I’m just saying. She’s probably wearing one of those new bras that makes you taller and bustier and smarter and all the things women want. Hotness.
‘I don’t know if I can go for a third year. I miss doing other things,’ Lopez says about her ‘Idol’ gig. By Gil Kaufman Jennifer Lopez Photo: MTV News Negotiating tactic or real threat? That’s what eagle-eyed “American Idol” fans were probably wondering on Tuesday after Jennifer Lopez hinted that she might not be back for a third season. Appearing with co-star Cameron Diaz on “Ellen,” to promote her upcoming movie, “What to Expect When You’re Expecting,” Lopez said she’s had a blast during two seasons on “Idol,” but her time may be up. “I really do enjoy it,” she said after telling DeGeneres she wasn’t sure what her future on “Idol” might be. “Now this is my second year — I don’t know if I can go for a third year. I miss doing other things. It really does lock you down, which was nice the first year with the babies being three, but now they’re getting more mobile, they’re about to go into school … So I just don’t know.” Lopez joined the show in 2010 for season 10 along with Aerosmith singer Steven Tyler and reportedly makes $12 million a season. And while that’s $2 million more than Christina Aguilera makes on “The Voice,” it is at least $3 million less than new “X Factor” judge Britney Spears will reportedly earn when she makes her debut in the fall. While appearing on “Access Hollywood” on Monday night, Lopez offered some advice to Spears and the other new “Factor” judge, Demi Lovato . “I was like, ‘Live TV! Eek.’ It’s a big thing to take on, but I think they’re both more than capable to handle it,” Lopez said just hours after Spears and Lovato made it official. “Working with the singers and doing your thing and knowing what you’re talking about from experience, and they both have that,” she said of translating her music business expertise into judging advice. And, after a season in which some critics have said she and Tyler have been exceedingly easy on “Idol” contestants, Lopez also counseled that it’s perfectly okay to root for the good guy. “You don’t have to be tough,” she said. “There’s not one way to do that, reality TV, and those competition shows [are] about being yourself. It’s about being your best self, and I think that’s the most important thing.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Performances Related Artists Jennifer Lopez
‘I don’t know if I can go for a third year. I miss doing other things,’ Lopez says about her ‘Idol’ gig. By Gil Kaufman Jennifer Lopez Photo: MTV News Negotiating tactic or real threat? That’s what eagle-eyed “American Idol” fans were probably wondering on Tuesday after Jennifer Lopez hinted that she might not be back for a third season. Appearing with co-star Cameron Diaz on “Ellen,” to promote her upcoming movie, “What to Expect When You’re Expecting,” Lopez said she’s had a blast during two seasons on “Idol,” but her time may be up. “I really do enjoy it,” she said after telling DeGeneres she wasn’t sure what her future on “Idol” might be. “Now this is my second year — I don’t know if I can go for a third year. I miss doing other things. It really does lock you down, which was nice the first year with the babies being three, but now they’re getting more mobile, they’re about to go into school … So I just don’t know.” Lopez joined the show in 2010 for season 10 along with Aerosmith singer Steven Tyler and reportedly makes $12 million a season. And while that’s $2 million more than Christina Aguilera makes on “The Voice,” it is at least $3 million less than new “X Factor” judge Britney Spears will reportedly earn when she makes her debut in the fall. While appearing on “Access Hollywood” on Monday night, Lopez offered some advice to Spears and the other new “Factor” judge, Demi Lovato . “I was like, ‘Live TV! Eek.’ It’s a big thing to take on, but I think they’re both more than capable to handle it,” Lopez said just hours after Spears and Lovato made it official. “Working with the singers and doing your thing and knowing what you’re talking about from experience, and they both have that,” she said of translating her music business expertise into judging advice. And, after a season in which some critics have said she and Tyler have been exceedingly easy on “Idol” contestants, Lopez also counseled that it’s perfectly okay to root for the good guy. “You don’t have to be tough,” she said. “There’s not one way to do that, reality TV, and those competition shows [are] about being yourself. It’s about being your best self, and I think that’s the most important thing.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Performances Related Artists Jennifer Lopez
Get your pop music fix this week in our 10 Things To Know Now! View original post here: 10 Things To Know Now: Beyonce Wants More Kids, Justin Bieber's …
Dancing With the Stars bid farewell to two of its top six competitors on last night’s results show. Did the four favorites survive, or were there surprises? It was really anyone’s game. A week after scoring a perfect 30, Maria Menounos and Derek Hough found themselves in second-to-last place Monday. Roshon Fegan, who narrowly avoided elimination, climbed to second, while only six points separated William Levy in first from Melissa Gilbert in last. So which four celebrities are moving on to the semifinals? Roshon and Chelsie Hightower were the first couple to be eliminated. Even after having one of their better weeks, it wasn’t enough for the young pair. “I’m definitely very happy that I can add ballroom dancing to my super-duper dance moves,” Roshon told co-host Brooke Burke-Charvet in response. “I’m so proud of you,” his partner Chelsie said. “He was such a joy to work with and came to work everyday willing to work and with such a great attitude.” “I’m happy to end it on a high note and I’m happy I had you as my partner.” The second couple eliminated on Tuesday were … Melissa Gilbert and Maksim Chmerkovskiy. “I can’t even describe what a learning and growing experience it’s been. It’s been a real blessing and a joy,” said the actress, on her 48th birthday. “I’m amazed that I even made it this far, and the things that I was able to do and the things that were able to overcome to have been here on this day, does make it a really incredible birthday,” Gilbert added. “Maks has been amazing, an incredible teacher, an incredible friend.” And so it goes. Levy, Menounos, Katherine Jenkins and Donald Driver are on to the final four, where it will again be anyone’s game next week! What do you think? Did America get the DWTS results right?
Sendak, best known for ‘Wild Things’ and ‘In the Night Kitchen,’ was known for his dark-edged humor and unconventional approach. By Gil Kaufman Maurice Sendak Photo: David Corio/Getty Images Beloved children’s author and illustrator Maurice Sendak, author of the classic boyhood adventure tale “Where the Wild Things Are,” died on Tuesday (May 8) at the age of 83. The New York Times reported that Sendak’s death was a result of complication from a recent stroke. Controversial, irascible and not entirely convinced that he was a children’s author, Sendak wrote literate, dark and moody picture books that explored the anxieties and fears of children, and their parents. Best known for 1963’s “Wild Things,” Sendak also wrote and illustrated the equally groundbreaking “In the Night Kitchen” (1970) and 1981’s “Outside Over There,” which completed a trilogy started with “Wild Things.” The self-taught author couldn’t be bothered with the traditions of children’s books, in which the Times noted, “young heroes and heroines were typically well scrubbed and even better behaved; nothing really bad ever happened for very long; and everything was tied up at the end in a neat, moralistic bow.” Instead, his subjects were often rude, selfish, obstinate and occasionally annoying and sometimes they ran away from home, or were kidnapped or, worst of all, their parents disappeared. Sendak’s illustrations looked like sepia-toned pages from a a 19th-century etching, sprinkled with sly wordplay and references that his youngest readers were unlikely to understand. Though not prolific, Sendak’s work was highly influential. In addition to the abovementioned books, he also created 1960’s “The Sign on Rosie’s Door,” the 1962 boxed set collection of four tiny booklets called “The Nutshell Library” and 1967’s “Higglety Pigglety Pop!” His first writing and illustration effort in 30 years, 2011’s “Bumble-Ardy,” told the story of an orphaned pig who throws a wild birthday party for himself. In addition to his writing, Sendak also designed theater sets and illustrated dozens of other works, including ones by such legendary authors as Hans Christian Andersen and Herman Melville to William Blake and Leo Tolstoy. But amid all the accolades for his work, it was the story of “Wild Things” hero Max that captured the hearts and minds of generations of readers. The irritable boy who likes to wear a wolf costume and sets sail for unforeseen adventures after being sent to his room without dinner was adapted by director Spike Jonze into a moody feature film in 2009. He was also the subject of a documentary, “Tell Them Anything You Want: A Portrait of Maurice Sendak,” by Lance Bangs, which was released by late Beastie Boys member Adam Yauch’s Oscilloscope Laboratories. His books were not always a hit with some critics, who complained about the horrifying monsters in “Wild Things” and the nudity of the young hero of “Night Kitchen,” which subjected the book to censorship. But Sendak was undeterred, arguing that life is full of horrors and that children are not immune to the reality of death, loneliness and confusion. Born in Brooklyn, New York on June 10, 1928, Maurice Bernard Sendak was the son of Polish Jewish immigrant parents. The deaths of much of his extended family in the Holocaust imbued him with a sense of mortality early in life, which could explain the often bleak, danger-filled nature of many of his books and the peril of the children he wrote about. He was also a sickly child, which resulted in many days and weeks in bed that allowed his fertile imagination to bloom. He began his professional career as an illustrator working on window displays for F.A.O. Schwarz and segued into illustrating other author’s children’s books in the 1950s before venturing off to write his own books. A solitary man by nature, Sendak lived in Ridgefield, Connecticut with his companion of 50 years, psychiatrist Eugene Glynn, who died in 2007, as well as his dogs and his beloved Mozart records. Sendak appeared on Comedy Central’s “The Colbert Report” earlier this year and shared his wit and wisdom about children’s books with the host. “There is something in this country that is so opposed to understanding the complexity of children,” he said of the controversy kicked up by some of works. “I don’t write for children. I write … and somebody says, ‘That’s for children.’ I didn’t set out to make children happy or make life better for them or easier for them.”
One of the most amazing things about the American Family Association’s Bryan Fischer is his ability to outdo himself on an almost daily basis. About a year ago, we wrote an entire report chronicling all of the bigoted and crazy things he had said to date and since its publication, Fischer has said dozens of new things that make the things in the report pale in comparison. And every time we post some… Broadcasting platform : YouTube Source : Right Wing Watch Discovery Date : 30/04/2012 16:13 Number of articles : 2
Last month we had the opportunity to see an exclusive early screening of the new independent film “Life, Love, Soul” and interview “The Wire” actors Chad Coleman and Jamie Hector who star in the project. Also featuring Tami Roman, Egypt Sherrod and Terri Vaughn “Life, Love, Soul” follows the story of young Roosevelt — forced to live with his estranged father after the tragic death of his mother and little brother. He and his father bump heads at first, but just as they begin to make a breakthrough, Roosevelt is faced with a huge decision of his own. The film hits theaters today but if you need a little more info before copping your tix, check out this interview Bossip did with Coleman and Hector below: Bossip: We’re big fans of “The Wire” so we loved watching you guys in this film. We noticed a lot of themes around African American males role models and providing examples and wanted to see what has inspired you. Chad Coleman: The film is about an African American man, who is estranged from his son. I think the film was able to demonstrate how even though he may have had a broken relationship you can reach out and rebuild bridges where they once were walls, despite the relationship between him and his ex, who unfortunately passed away. I thought it was a great opportunity to show the growth between and father and a son and it’s never too late to for an individual to change, an African American male to change, and accept his responsibility, and demonstrate that this is something he can do, we have so many negative images this is an opportunity to show that we can have those types of relationships. Jamie Hector: Also one of my favorite things in the film is when my character goes to visit Robby’s father, because that shows the audience as well as myself that it takes a community to raise a kid. Chad and I both have organizations, nonprofit organizations… What you see the character doing in the film is very close to what I am doing. We don’t charge people to come, we focus on developing a character while helping them, We support each other in order to serve the community. Bossip: In the film, how did you bridge the gap, what did you see in the script as being able to overcome these situations, the things that you baby mother might have said, that made Roosevelt act the way he was acting? Chad: That was very challenging –the circumstances, the way the things were set up. It breaks down communications in the earlier years with the exes. It’s fundamental, you have to be able to communicate with each other and share the vision where you are going together, if you don’t have that type of communication going on you will have separations. The personal baggage creates a huge difference. I was inspired by the fact I was given a second chance with my son. We couldn’t work it out, but she was still participating which was great. Relationships are very difficult to negotiate, but these things do occur, so what are you going to do? I hope we inspire a lot of people to feel there should be a second chance. If we can inspire a change of heart, to try to come back at it, to come to some kind of common ground, where there is humanity for the child, regardless how much you may have to work. Even if it doesn’t work between me and her, as men we have to do the best we can, have to be willing to take risks. I had to put myself out there, I never gave up on it. Bossip: Would you say your character is abusive? Do you think there was an issue with alcohol for your character? Chad: I don’t think it went to that degree; there was a level of self medication. I thought the film showed an honest way of this man having to come to terms, not through continued alcohol use, but confronting internal pain, finding a place in his loved ones life, that he will be a blessing to his son, through that incredible inner pain, I think its very courageous. Bossip: Do you think enough attention is given to teenage pregnancy and kids staying in school despite these obstacles? As a community what should we do to address this issue? Jamie: One thing that we know is that young folks are going to have sex. We have to educate them and be their support system. For me personally, finishing school is mandatory. I love the way the story expressed that. When you have a child, it’s not just about one person, its about both. They both need to take care of that child. That’s one thing I like about the film — even though the parents got pissed off, Moms she was heated — which I truly understand — afterward you see the support. You know they could have gone to school, gone to work and having to make these decisions, there was no way this could have happened without the support of the father, teacher, the community. When the girl gets pregnant you have to make sure she doesn’t do anything drastic or become depressed. We are human, we have to develop. The film exposes life after a child, you don’t have to put yourself in your own section just because you had a child — you have to educate yourself and those around you. You’re still a kid even though you had a kid. Chad: I would agree, he put everything on the table; there wasn’t a perspective that was not represented, which says within the community there are very distinct voices. Where these kids landed, through all those varying perspectives, there was hope for those children. The key is to not give up, to continue to work on yourself. It’s never over. In reality, there are challenges. Bossip: If you had a daughter and she came to you in that same scenario hw would you react? Jamie: I would do my best as a father. It’s always my job. I have to find that healthy perspective, that is going to inspire to help her grow even dealing with that situation Check out a trailer for the movie below: More On Bossip! Sorry Ye’: 10 Reasons Kim Kardashian Isn’t Even In Beyonce’s League You Can’t Be Serious: Kenya Bell Is Still Talkin’ Yang “I Didn’t Want To Hurt Evelyn On National Television” Freak Out! NFL Baller Jabar Gaffney Goes In On Ex-Wife, Rival Player He Wants To Beat Up And Taking YOUR Chick! What A Banger Looks Like?: Meet Cuban Triple Jumper “Yargelis Savigne” [Video]
Women really believe they’ve got it all figured out but it’s time to set the record straight. Thinking that although many women think they know what men want, it’s more likely that women have created an idea of what they think men SHOULD want. Some of the things that women value in relationships and sex simply don’t matter much to some men, and men desire completely different things from a woman based on whether a relationship is solely sexual or soul mate material. The quicker more women understand this, the sooner they too will be “winning.”
Selena Gomez and the other girls who aren’t as hot as Selena Gomez even if Selena Gomez looks like she’s 12 cuz her parents put her on some hormone therapy to stunt her growth as a kid to make her get all the roles she needed to get before whoring her out to Usher and his perverted child army and possibly getting her a set of implants….cuz her tits are stacked in ways only good push up bras and implants do……which will feed all your creepy fantasies of 12 year olds with breast implants….cuz you’re weird…and cuz it does. When I look at this, I just wonder how many dicks she’s had….amongst other things that could probably get me arrested….but won’t cuz she’s 19 and that means she’s fair game…. This fake british narrator is seriously jokes.
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