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Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2

Some time after turning down a role in 2010’s Expendables (the part he was offered lacked substance, legend has it) Jean-Claude Van Damme thought better of opting out of the Sylvester Stallone throwback, which went onto become a hit. But perhaps things worked out for the best: In this week’s Expendables 2 , Van Damme steals away with the spotlight as the eccentric and hilariously disdainful uber-villain Jean Vilain (yes, really) with an over-the-top performance that called for full commitment to character on set. At least, Van Damme believed his turn as Vilain required cultivating an icy rapport with his fellow action veterans on set. And so as Stallone, Arnold Schwarzenegger , Bruce Willis and Co. chummed it up during filming , the Muscles from Brussels stayed in character so well he only made nice after the bulk of filming wrapped. “I said to [Sylvester] Stallone, ‘How do you want me as a villain? Do you want me, like, an extravagant villain, or do you want a guy who’s completely serious and believes in what he’s doing and why he’s doing that,'” Van Damme recalled to journalists recently in Los Angeles. “Then I said, ‘By the way — why am I doing that?’ and he said, ‘Because you love money.’ I said, ‘Fine.’ So, I became that type of villain.” So committed was Van Damme to Vilain’s persona, he even found himself sneering at the crew. “When I saw all those cameras around me, I said, ‘Who are those bunch of clowns looking at us with those lenses and the lights and everything?’ I was really into the atmosphere of Expendables .” When it came to treating his peers and personal heroes like enemies, Van Damme didn’t hold back. “I’ll tell you what, those guys were like role models for me, because we have to be honest, we need to look at something to have a goal,” he recalled. “I saw Rambo . I saw Rocky . I saw Conan . I saw Die Hard . So to me, they were like heroes. I was back in Belgium watching them on the screen, buying tickets and dreaming of becoming like them. I wanted to be an actor since I was eleven, twelve years old, and now here I am and they’re chasing me.” Van Damme credits his acting skills to having worked with directors like Ringo Lam ( City on Fire ), who directed him in Maximum Risk (1996), Replicant (2001), and In Hell (2003). He counts Kirk Douglas and Charles Bronson among his screen idols and emphasizes the importance of finding truth within a scene, though his proclivity for doing something different in each take gave producer Stallone and director Simon West a challenge and a boon in the editing room. “If you do a good take,” Van Damme said, “you cannot repeat the same one.” His chilly treatment of his on-screen rivals was an extension of that truth-seeking imperative. “When I came on the set I didn’t talk to nobody,” Van Damme remembered. “I didn’t want to see them because, you know, Arnold is like bop, bop, bop and I was talking more to Stallone about the part than anything else. So, I believe, and I felt when I was looking at them, it was like, ‘Who are you?’ Nothing [in] the eyes. I felt like I didn’t like them. I took it very seriously.” “Of course, when the movie was finished I was like, ‘Hey, guys, I really admire you, but I didn’t talk to you in the beginning because I wanted to have that type atmosphere, that type of tension.’ I think you can see that when you look at the lens, when I look at all them and I’m like, ‘Go down to the floor, guys, bark all of you like dogs.’ It’s hard for me to say that to my heroes, but it was the only way, and then when the movie was going to end, that’s when I started to knock on trailers and say hello to everybody. ‘Hey, Chuck [Norris], how are you?’” Stay tuned for more from The Expendables 2 , which hits theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2

Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break

Also in Monday afternoon’s round-up of news briefs, Martin Scorsese ‘s Frank Sinatra pic gets a writer. Harvey Weinstein is tapped to MC Toronto Film Festival -Asian film event. Haley Joel Osment’s Sassy Pants is heading to theaters and Jodie Foster boards a mob drama as director for Showtime. Harvey Weinstein to MC Toronto Asian Film Summit The Weinstein Company chief will act as the master of ceremonies for the closing banquet of the event, hosted by the Toronto International Film Festival that will spotlight the relationship between East and West. Previously announced guests include Jackie Chan who will attend as Guest of Honor and MPAA Chairman Senator Chris Dodd. “We’ve received tremendous support and interest from the industry and we’re confident this event will help foster deeper relationships and generate new business opportunities between key film players in the East and West,” said TIFF CEO Piers Handling. Sassy Pants Heads to Theaters North American rights to the coming-of-age comedy/drama have been picked up by Phase 4 Films. Haley Joel Osment, Ashely Rickards (MTV’s Awkward ) and Anna Gunn (AMC’s Breaking Bad ) star in the film about teen Bethany who flees her over-protective mother and goest to live with her dad where she forms a bond with his much younger boyfriend. The film, which made its world premiere at the Santa Barbara International Film Festival, will release the title in theaters and VOD this fall. Around the ‘net… Cosmopolitan Editor Helen Gurley Brown Dead at 90 The former Cosmopolitan editor-in-chief died at 90 in New York shortly after being admitted to a hospital. She edited the magazine for 32 years and was the author of the groundbreaking Sex and the Single Girl . During her tenure at Cosmopolitan she became known for encouraging women to have sex regardless of marital status. She said her goal was to let tell readers “how to get everything out of life – the money, recognition, success, men, prestige, authority, dignity – whatever she is looking at through the glass her nose is pressed against,” BBC reports . Paul Thomas Anderson’s The Master to Head to Toronto The Toronto International Film Festival’s Artistic Director Cameron Bailey tweeted that The Master will join the lineup at the event, which opens September 6th. The film, which debuts in Venice, stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams in a story said to be inspired by the early days of Scientology, THR reports . Billy Ray to Write Sinatra for Martin Scorsese Universal Pictures has tapped Billy Ray to write the script for the Frank Sinatra biopic that Martin Scorsese will direct. Scorsese is currently filming Leonardo DiCaprio in The Wolf Of Wall Street , Deadline reports . Jodie Foster to Direct & Produce Mob Drama This is her first move behind-the-camera for television. She’ll direct and executive produce Angie’s Body for Showtime. The concept centers on a shrew, sexy and sometimes lethal woman who runs a family-based crime syndicate, Deadline reports .

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Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break

The Girl From Nowhere Takes Top Locarno Film Festival Honors

French film The Girl From Nowhere took top honors at the 65th Locarno Film Festival over the weekend, winning the Swiss festival’s to Golden Leopard (Pardo d’oro) prize, while Ying Liang won Best Director for When Night Falls . American director Bob Byington’s Somebody Up There Likes Me won the second prize at the event. The Girl From Nowhere centers on Michel, a retired math teacher who has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings. The winners follow with information provided by the Locarno Film Festival (Film descriptions can be found at Locarno’s website ) : Concorso internazionale Pardo d’oro 
 La Fille de Nulle Part (The Girl From Nowhere) by Jean-Claude Brisseau, France Premio speciale della giuria 
 Somebody Up There Likes Me by Bob Byington, United States Pardo per la migliore regia (Best Director)
 Ying Liang for the film Wo Hai You Hua Yao Shuo (When Night Falls), South Korea/China Pardo per la miglior interpretazione femminile (Best Actress) 
 An Nai for the film Wo Hai You Hua Yao Shuo (When Night Falls) by Ying Liang, South Korea/China Pardo per la miglior interpretazione maschile (Best Actor) 
Walter Saabel for the film Der Glanz Des Tages (The Shine of Day) by Tizza Covi and Rainer Frimmel, Austria Special mention
 to the extraordinary character Candy from the film A Ultima Vez Que vi Macau due to her powerful presence through absence which resonated for the Jury as representing the immense courage of Portuguese cinema in times when the failures of government and social systems threaten the cinematic arts worldwide.   Concorso Cineasti del presente Pardo d’oro Cineasti del presente – Premio George Foundation 
 Inori by Pedro González-Rubio, Japan Premio per il miglior regista emergente (Best Director) 
Joel Potrykus for the film Ape United States Premio speciale della giuria Ciné+ Cineasti del presente 
 Not In Tel Aviv by Nony Geffen, Israel Special Mention
 Tectonics by Peter Bo Rappmund, United States   Opera Prima Pardo per la migliore opera prima (Best First Feature) 
 Ji Yi Wang Zhe Wo (Memories Look At Me) by SONG Fang, China Special Mention
 Ape by Joel Potrykus, United States   Pardi di domani Concorso internazionale Pardino d’oro for the Best International Short Film
 The Mass of Men by Gabriel Gauchet, United Kingdom Pardino d’argento 
 Yaderni Wydhody (Nuclear Waste) by Myroslav Slaboshpytskiy, Ukraine Special Mention
 Los Retratos (Portraits) by Iván D. Gaona, Colombia Locarno short film nominee for the European Film Awards – Premio Pianific
 Back of Beyond by Michael Lennox, United Kingdom The Film und Video Untertitelung Prize
 O Que Arde Cura (As the Flames Rose) ba João Rui Guerra da Mata, Portugal Concorso nazionale Pardino d’oro for the Best Swiss Short Film 
 Radio Active (Radio-active) by Nathan Hofstetter, Switzerland Pardino d’argento 
 L’Amour Begue (Stammering Love) by Jan Czarlewski, Switzerland Premio Action Light for the Best Swiss Newcomer
 Il Vulcano (The Volcano) by Alice Riva, Switzerland   Piazza Grande Prix du Public UBS 
 Lore by Cate Shortland, Germany/Australia/ United Kingdom Variety Piazza Grande Award
 Camille Redouble by Noémie Lvovsky, France

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The Girl From Nowhere Takes Top Locarno Film Festival Honors

WATCH: Chris Rock On Why He Talks To An Obama Cut-out in 2 Days in New York: Rick James Wasn’t Available

Barack Obama occupies the same pantheon as late “Superfreak” singer Rick James, according to Chris Rock. In the Julie Delpy-directed 2 Days in New York , Rock plays a Village Voice writer and radio-show host who occasionally carries on one-sided conversations with a life-size cut-out of the president, and at the Cinema Society and MCM-hosted screening of the film in New York on Wednesday, the comic told Movieline pal Grace Randolph why the cardboard Commander in Chief got the nod. “He’s the first black president. You can’t really top him right now,” Rock told Randolph at the Landmark Sunshine Theater on Manhattan’s Lower East Side, adding “And it’s hard to find a cardboard cut-out of Rick James.” Randolph also spoke to Delpy and other cast members of the movie, as well as the Rev. Al Sharpton. Check out the video below. Watch It on YouTube. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Chris Rock On Why He Talks To An Obama Cut-out in 2 Days in New York: Rick James Wasn’t Available

Antiviral Trailer: Get Squirmy With Brandon Cronenberg’s Sci-Fi Body Horror Creep-Out

King of body horror David Cronenberg hasn’t dipped his toes back into the creepy-crawly well in years (his next, the Rob Pattinson starrer Cosmopolis , arrives later this month) but fear not: son Brandon Cronenberg is here to follow in his father’s footsteps with his own disturbing directorial debut! Who’s hungry for a story about cloned flesh-chomping, disease-surfing celeb hobbyists? Snack on the trailer for Antiviral after the jump. Caleb Landry Jones ( X-Men: First Class ‘s Banshee) stars as Syd March, an employee at a medical facility where celebrities grow viruses on their skin that are sold to fans eager for a way to get closer to their idols. When he steals an infection from superstar Hannah Geist (Sarah Gadon) that turns out to be fatal, Syd must unravel the mystery behind her particularly squirmy strain. It’s a metaphor! Antiviral debuted at Cannes and will screen during next month’s Toronto Film Festival. Early reviews from the Croisette heralded Cronenberg Jr. as a compelling heir to his pop’s genre legacy and praised Jones’s central performance (you may also remember him from The Last Exorcism and Friday Night Lights ). Watch the trailer below courtesy of Yahoo! A word of warning to the needle- and blood-averse: Prepare yourself for a few very squirmy minutes. Verdict: Total appetite-spoiler. I guess that means it works? IFC Midnight will distribute Antiviral . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Antiviral Trailer: Get Squirmy With Brandon Cronenberg’s Sci-Fi Body Horror Creep-Out

Talkback: Who Wants Ben Affleck To Direct Justice League?

Ben Affleck ‘s come a long way since his 1998 Oscar co-win for Good Will Hunting , arguably the first time Hollywood stood up and took notice of the multi-hyphenate as more than just an actor; according to Variety, he’s now being sought after to direct WB’s Justice League , DC’s answer to Marvel’s billion-dollar rival franchise starter The Avengers . But even after the successes of modest-scale thrillers Gone Baby Gone and The Town , and with his buzzed-about forthcoming picture Argo poised for awards season, is the writer/producer/actor/director the right filmmaker to helm the superhero studio tentpole? Sources tell Variety that Affleck has been given the Justice League script as WB approaches him to direct, speculating further that he could additionally star in the pic. But take it all with a healthy grain of salt: Insiders tell Movieline that the report, while plausible, “is ridiculously vague and early.” That’s pretty much what the report sounds like, coming conspicuously just a day after Disney’s Bob Iger spilled the news that Joss Whedon will be coming back to helm Avengers 2 . So somebody out there wants to gauge public opinion, generate a little Justice League buzz, stir the pot. Given the mixed reaction rippling through the blogosphere today, consider that pot stirred. The question is, would Affleck make a good choice for the Justice League movie? Notwithstanding the possibility that he’d star while simultaneously helming an epic megamillion-dollar production with billions of box office, a multi-film franchise, and the fiscal fate of the studio on the line — really, would he? Would anyone? — maybe he’d only take one job at a time in this case. Just maybe. What Gone Baby Gone did to put Affleck on the map as a bona fide seriouspants filmmaker to be taken seriously — if emphasized moreso because nobody really expected it of the guy who starred in Gigli — The Town amplified with its gritty genre leanings. Argo looks to be his most ambitious directing project to date, advancing from tidy Boston-set thriller to multinational historical-political drama. Project by project, Affleck is fine-tuning his sensibilities, widening his reach and skillset with each progressive (and well-chosen) film. Based on his two features to date, Affleck’s a decent but promising director, adept at balancing ensembles and gritty material and great with his actors. The critical and commercial success of The Town most recently demonstrates what any studio with most superhero movies in the post- Batman Begins age is aiming for — the ability to deliver complex, acclaim-worthy material while satisfying audiences. Variety’s report adds more ambiguity to the mix by noting that Affleck is also considering an offer to topline Greg Berlanti’s Replay at Warners, a Groundhog Day -esque sci-fi drama about a man who dies only to wake up, able to live out different potential life paths over and over. Back in 2010 Affleck was reported to be mulling the project, based on Ken Grimwood’s 1987 novel, only then — on the heels of The Town — he was looking to direct. I see Affleck more likely to continue along this route, building a directing resume out of smaller, character-driven dramas for grownups. Then again, he’s already brought Superman to the big screen once before, donning the spandex for Hollywoodland . Should he do it again? [ Variety ]

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Talkback: Who Wants Ben Affleck To Direct Justice League?

Venice Film Festival Officially Adds The Master & 3 More To Lineup

After much speculation, the Venice Film Festival officially said Paul Thomas Anderson’s The Master will join the event’s Competition as its 18th title. Organizers of the 69th annual event taking place August 29th to September 8th, added four more titles in all Wednesday to the festival’s roster. Starring Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams and Laura Dern, the 1950s-set drama that has been dubbed Anderson’s “Scientology movie.” The feature follows the relationship between a charismatic intellectual (aka, “the Master), whose faith-based group begins to gain a following in America, and a young drifter who becomes his right-hand man. Also joining the Venice Film Festival lineup out of competition (with descriptions provided by the festival): Como voglio che say il mio future? (To Know My Future?) by Ermanno Olmi and Maurizio Zaccaro (Special Screening) – The film offers a significant cross section of the expectations, hopes, disappointments and fears of young people today. Convitto Falcone (Collateral Event) by Pasquale Scimeca – The film is dedicated to Giovanni Falcone and Paolo Borsellino on the 20th anniversaries of their death, but it also remembers the thirtieth anniversary of the death of Pio La Torre, of Carlo Alberto Dalla Chiesa, and many others. The story is set in the present day, and the plot centers on young people who must come to terms with their sense of justice, even in their small everyday gestures. Du Hase es Versprochen (Forgotten) the feature-length directorial debut of German director Alex Schmidt. The Midnight Horror centers on two childhood friends, Hanna (Mina Tander) and Clarissa (Laura de Boer) who meet after 25 years. They decide to return together to an island where they had once spent their vacations, but they will be haunted by the ghosts of the past.

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Venice Film Festival Officially Adds The Master & 3 More To Lineup

Venice Film Festival Officially Adds The Master & 3 More To Lineup

After much speculation, the Venice Film Festival officially said Paul Thomas Anderson’s The Master will join the event’s Competition as its 18th title. Organizers of the 69th annual event taking place August 29th to September 8th, added four more titles in all Wednesday to the festival’s roster. Starring Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams and Laura Dern, the 1950s-set drama that has been dubbed Anderson’s “Scientology movie.” The feature follows the relationship between a charismatic intellectual (aka, “the Master), whose faith-based group begins to gain a following in America, and a young drifter who becomes his right-hand man. Also joining the Venice Film Festival lineup out of competition (with descriptions provided by the festival): Como voglio che say il mio future? (To Know My Future?) by Ermanno Olmi and Maurizio Zaccaro (Special Screening) – The film offers a significant cross section of the expectations, hopes, disappointments and fears of young people today. Convitto Falcone (Collateral Event) by Pasquale Scimeca – The film is dedicated to Giovanni Falcone and Paolo Borsellino on the 20th anniversaries of their death, but it also remembers the thirtieth anniversary of the death of Pio La Torre, of Carlo Alberto Dalla Chiesa, and many others. The story is set in the present day, and the plot centers on young people who must come to terms with their sense of justice, even in their small everyday gestures. Du Hase es Versprochen (Forgotten) the feature-length directorial debut of German director Alex Schmidt. The Midnight Horror centers on two childhood friends, Hanna (Mina Tander) and Clarissa (Laura de Boer) who meet after 25 years. They decide to return together to an island where they had once spent their vacations, but they will be haunted by the ghosts of the past.

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Venice Film Festival Officially Adds The Master & 3 More To Lineup

Jimmy Fallon Not Hosting Oscars: ‘It’s An Honor To Be Asked’

Rumors had swirled that late night host Jimmy Fallon could host the 2012 Oscars telecast, with none other than SNL / Late Night producer Lorne Michaels potentially coming aboard to produce the annual extravaganza. Speaking with Matt Lauer Wednesday on the Today show, Fallon seemed to corroborate the speculation but revealed that he will not be hosting. “No, I’m not going to do the Oscars,” Fallon said. “It’s an honor to be asked by the Academy, but it’s not my year.” So wait — Fallon was asked to host, and he turned them down? Semantics, etc. Between the departure of ex-Academy president Tom Sherak and the new tenure of his successor Hawk Koch, the reported objections ABC had to hiring NBC figure Fallon, and the fact that Fallon’s late night rival Jimmy Kimmel is already hosting the Emmys — which Fallon did in 2010 to positive reviews — who knows why the Academy and Fallon couldn’t make it happen this year. If the gig’s still open, who, if not Fallon/Michaels, could finally make the Oscars telecast great again? (Put your hand down, Ratner .) Sound off, Oscarwatchers! [ THR ]

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Jimmy Fallon Not Hosting Oscars: ‘It’s An Honor To Be Asked’

Jimmy Fallon Not Hosting Oscars: ‘It’s An Honor To Be Asked’

Rumors had swirled that late night host Jimmy Fallon could host the 2012 Oscars telecast, with none other than SNL / Late Night producer Lorne Michaels potentially coming aboard to produce the annual extravaganza. Speaking with Matt Lauer Wednesday on the Today show, Fallon seemed to corroborate the speculation but revealed that he will not be hosting. “No, I’m not going to do the Oscars,” Fallon said. “It’s an honor to be asked by the Academy, but it’s not my year.” So wait — Fallon was asked to host, and he turned them down? Semantics, etc. Between the departure of ex-Academy president Tom Sherak and the new tenure of his successor Hawk Koch, the reported objections ABC had to hiring NBC figure Fallon, and the fact that Fallon’s late night rival Jimmy Kimmel is already hosting the Emmys — which Fallon did in 2010 to positive reviews — who knows why the Academy and Fallon couldn’t make it happen this year. If the gig’s still open, who, if not Fallon/Michaels, could finally make the Oscars telecast great again? (Put your hand down, Ratner .) Sound off, Oscarwatchers! [ THR ]

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Jimmy Fallon Not Hosting Oscars: ‘It’s An Honor To Be Asked’