Oscar-ed out for the week? Don’t be! Movieline’s Institute for the Advanced Study of Kudos Forensics is here to remind both the casual and obsessive fan alike that the Academy Awards are, first and foremost about movies . With that in mind, let’s have a look at where this season’s Oscar Index crop landed after one of the most turbulent patches in recent memory.
There’s a snag of resistance at the start of Into the Abyss , Werner Herzog’s new documentary about the execution of Michael Perry, the 2001 triple homicide he was convicted of (but never confessed to) with Jason Burkett, and the relatives of their victims. The film opens with a shot of a cemetery filled with identical white crosses where the unclaimed bodies of inmates are buried, and an interview with the man standing in front of it, Reverend Richard Lopez, a clergyman for death row inmates in Huntsville, Texas. He tears up as he talks about counseling men who are about to be given a lethal injection, about how, with their permission, he holds their ankle as they’re on the gurney so that they have the comfort of human contact as they pass.
I won’t see Adam Sandler’s new joint Jack and Jill because I’m a thinking organism, but my defiance is worthless: I’ve already watched Billy Madison enough times to line Opera Man’s pockets with box office dollars for life. He already wins. The mid ’90s marked a renaissance in vulgar, idiotic kid comedies ( Dumb and Dumber , Tommy Boy , etc), and Sandler’s breakthrough Billy Madison — which barely earned back its $20 million budget — remains the best of the bunch. Let’s jump back in time and yell “O’Doyle rules!” at this loud old gem.
Set photos of an armored Kristen Stewart and the star’s own description of Snow White and the Huntsman ‘s bloody edge had me thinking this could be the more transgressive of the two Snow White projects in the works (the other being Tarsem’s newly titled Mirror, Mirror , starring Lily Collins and Armie Hammer). The first official SWATH banner art, however, suggests something a bit more kid-friendly, even Alice in Wonderland -esque. Or am I reading too much into the fantastical, Photoshopped flora and fauna swirling around Stewart, Chris Hemsworth , and the disembodied head of evil queen Charlize Theron ?
There goes the Tower Heist contingent of this year’s Oscars. Less than a day after Brett Ratner resigned as producer of the 84th Academy Awards telecast following a series of controversial remarks made while promoting Tower Heist , his star Eddie Murphy has forfeited his spot as this year’s host.
A brief tangentially related rant in the middle of RatnerGate : I usually give remakes a relatively fair shake before they prove their worth (or lack thereof), but Brett Ratner’s potential redo of the underrated ’80s teen sex comedy The Last American Virgin , I cannot abide. News of Ratner’s intentions slipped by in his recent Howard Stern appearance, understandably, but he had this to say: “I think I jerked off to [ LAV star Diane Franklin] at least two hundred times.” Please, universe, don’t let this guy ruin the most surprisingly sensitive teen comedy of the ’80s. #RatnerFreeRemakes, anyone? [Howard Stern via Cinema Blend ]
Joseph Gordon-Levitt is a conundrum: He’s an immensely likable actor, though he’s also very self-serious. He’s hammy, yet pretentious. He’s always rousing crowds with spirited acoustic covers, yet he’s always pimping that website of his. Bottom line: He’s an interesting mix, and because he gave an amazing performance in Mysterious Skin , I grant him extra leeway — and a tribute to his best moments as a viral singing sensation! Yesterday we watched him strum the bejesus out of R. Kelly’s “Ignition (Remix)” and today let’s tally up all his fun covers, sort out our favorites, and declare one favorite.
When Joss Whedon first dropped Angelina Jolie ‘s name while talking up his doomed Wonder Woman project, folks assumed he’d envisioned her in the lead role. Speaking with Rookie Magazine, he clarified: His Diana Prince, Amazon goddess, was merely Angelina-esque in her globe-trotting humanitarian leanings. And in a way, the superheroine would have been saved by love. Whedon explains after the jump.
This week finally brings Melancholia to limited theatrical release in the US, where prospective viewers have spent the five months since its Cannes premiere attempting to parse the great , fraught , near-instant mythology of director Lars von Trier’s latest masterpiece. Finally the work can speak for itself — or mostly speak for itself, anyway, with help from co-star and modern-era von Trier muse Charlotte Gainsbourg.
The sweetest feel-good flick of the holiday season may well be the one about two ex-BFFs, who’d once gone in search of White Castle sliders and tangled with Homeland Security, who reunite on Christmas Eve to hunt down the perfect fir, crossing paths with drug-sniffing babies, Ukrainian gangsters, and a sweater-clad Danny Trejo along the way. Stoner heroes Harold and Kumar have come a long way since 2004 — and so has co-star John Cho , who sat down with Movieline recently to talk H&K, career moves, and his encounters with the likes of U.N. Secretary-General Ban Ki-moon and President Obama.