Tag Archives: united-states

Massive 8.9-Magnitude Quake Hits Japan 7th Largest In History

Originally posted here:

The epicenter was 373 kilometers (231 miles) away from the capital, Tokyo, the United States Geological Survey said. But residents there felt the tremors. The quake rattled buildings and toppled cars off bridges and into waters underneath. Waves of debris flowed like lava across farmland, pushing boats, houses and trailers toward highways. In Tokyo, crowds gathered in the streets and tried to reach relatives via cell phone. Scenes inside office buildings showed papers strewn all over the floor and people clinging onto seats and desks. Such a large earthquake at such a shallow depth creates a lot of energy, said Shenza Chen of the U.S. Geological Survey. It caused a power outage in about 4 million homes in Tokyo and surrounding areas. A tsunami in the Pacific was moving closer to other shorelines in other countries, said CNN meteorologist Ivan Cabrera. It triggered tsunami warnings for various countries, including Japan and Russia, the National Weather Service said. “Earthquakes of this size are known to generate tsunamis potentially dangerous to coasts outside the source region,” it said. “Based on all available data a tsunami may have been generated by this earthquake that could be destructive on coastal areas even far from the epicenter.” The quake was the latest in a series in the region this week. Early Thursday, an earthquake with a preliminary magnitude of 6.3 struck off the coast of Honshu. A day earlier, a 7.2-magnitude earthquake struck off of Honshu, the country’s meteorological agency said. The largest recorded quake took place in Chile on May 22, 1960, with a magnitude of 9.5, the USGS said.

Massive 8.9-Magnitude Quake Hits Japan 7th Largest In History

Mike Starr’s Death Should Be A Warning, Addiction Specialist Says

‘As tragic as that is to watch, almost 20 million people are living in recovery,’ Robert J. Lindsey says of ex-Alice in Chains bassist’s death. By Ryan J. Downey Mike Starr in 1990 Photo: Marty Temme / Getty Images The death of ex-Alice in Chains bassist Mike Starr raised a number of questions for his fans , as the loss of anyone who publicly struggled with drugs or alcohol often does. Why wasn’t his treatment, documented on VH1’s “Celebrity Rehab” and “Sober House,” a success? Why can’t someone like Starr just stop using drugs? “[The addiction] literally hijacks the person’s brain and takes over,” Robert J. Lindsey, president and CEO of the National Council on Alcoholism and Drug Dependence, told MTV News on Wednesday (March 9). “For somebody who has become physically and emotionally addicted, stopping and staying stopped is the hardest thing in the world to do. “The first thing to understand about alcoholism and addiction is that it’s similar to other chronic illnesses, like heart disease or diabetes. It’s chronic, it’s progressive and it’s fatal if it’s untreated,” he added. “Some people, despite the best efforts on their part and others, will die from their addiction. It’s our hope that Mike’s death will serve for many as the opportunity for them to either seek help for themselves, a friend or family member.” The NCADD estimates that there are more than 23 million people in the United States who are addicted to alcohol and other drugs. “That’s almost 10 percent of the population,” Lindsey pointed out. And while Starr’s death made headlines, as the seemingly endless relapses of other celebrities do as well, he’s quick to illustrate the growing picture of treatment. “It’s equally important to highlight the fact that we estimate that maybe 20 million individuals and family members are living lives in recovery today.” The history of Alice in Chains is unfortunately tied to drugs, specifically heroin, in many ways. The group wrote several songs about it and regularly disappeared from the limelight while singer Layne Staley battled his demons . He eventually died of an overdose of heroin and cocaine in 2002 while living as a virtual recluse. Starr had been gone from the group for nearly two decades already, reportedly fired for his inability to manage his own drug habits. In more recent years, he seemed to be doing well on “Celebrity Rehab” and “Sober House.” He was living in Salt Lake City, Utah, and reportedly making music with Days of the New when he was arrested on suspicion of drug possession during a traffic stop last month. TMZ reported on Wednesday that Starr had been mixing methadone and anxiety medication just hours before his death, according to his roommate. The report maintains that Starr was using the drugs as part of his effort to stay clean and had been “doing a pretty good job.” “In terms of recovery, for most that are successful, it starts with abstaining completely from the use of alcohol or other drugs,” countered Lindsey. “At the same time, we certainly have had some experience that in some cases some medications can be very helpful in people’s recovery. But it needs, absolutely, to be managed by a physician who is both specifically trained, experienced and certified in addiction medicine. This is not something that can or should be done by the individual or done with a physician who is not certified in addiction medicine.” So what separates someone like Starr from rockers like Keith Richards or Lemmy from Mot

Mike Starr’s Death Should Be A Warning, Addiction Specialist Says

‘As tragic as that is to watch, almost 20 million people are living in recovery,’ Robert J. Lindsey says of ex-Alice in Chains bassist’s death. By Ryan J. Downey Mike Starr in 1990 Photo: Marty Temme / Getty Images The death of ex-Alice in Chains bassist Mike Starr raised a number of questions for his fans , as the loss of anyone who publicly struggled with drugs or alcohol often does. Why wasn’t his treatment, documented on VH1’s “Celebrity Rehab” and “Sober House,” a success? Why can’t someone like Starr just stop using drugs? “[The addiction] literally hijacks the person’s brain and takes over,” Robert J. Lindsey, president and CEO of the National Council on Alcoholism and Drug Dependence, told MTV News on Wednesday (March 9). “For somebody who has become physically and emotionally addicted, stopping and staying stopped is the hardest thing in the world to do. “The first thing to understand about alcoholism and addiction is that it’s similar to other chronic illnesses, like heart disease or diabetes. It’s chronic, it’s progressive and it’s fatal if it’s untreated,” he added. “Some people, despite the best efforts on their part and others, will die from their addiction. It’s our hope that Mike’s death will serve for many as the opportunity for them to either seek help for themselves, a friend or family member.” The NCADD estimates that there are more than 23 million people in the United States who are addicted to alcohol and other drugs. “That’s almost 10 percent of the population,” Lindsey pointed out. And while Starr’s death made headlines, as the seemingly endless relapses of other celebrities do as well, he’s quick to illustrate the growing picture of treatment. “It’s equally important to highlight the fact that we estimate that maybe 20 million individuals and family members are living lives in recovery today.” The history of Alice in Chains is unfortunately tied to drugs, specifically heroin, in many ways. The group wrote several songs about it and regularly disappeared from the limelight while singer Layne Staley battled his demons . He eventually died of an overdose of heroin and cocaine in 2002 while living as a virtual recluse. Starr had been gone from the group for nearly two decades already, reportedly fired for his inability to manage his own drug habits. In more recent years, he seemed to be doing well on “Celebrity Rehab” and “Sober House.” He was living in Salt Lake City, Utah, and reportedly making music with Days of the New when he was arrested on suspicion of drug possession during a traffic stop last month. TMZ reported on Wednesday that Starr had been mixing methadone and anxiety medication just hours before his death, according to his roommate. The report maintains that Starr was using the drugs as part of his effort to stay clean and had been “doing a pretty good job.” “In terms of recovery, for most that are successful, it starts with abstaining completely from the use of alcohol or other drugs,” countered Lindsey. “At the same time, we certainly have had some experience that in some cases some medications can be very helpful in people’s recovery. But it needs, absolutely, to be managed by a physician who is both specifically trained, experienced and certified in addiction medicine. This is not something that can or should be done by the individual or done with a physician who is not certified in addiction medicine.” So what separates someone like Starr from rockers like Keith Richards or Lemmy from Mot

justin bieber vogue magazine

Justin Bieber Teen Vogue Pictures And Interview Justin Bieber Shines On Vogue Magazine In October 2010 Justin Bieber Teen Vogue Magazine October 2010 Video: Justin Bieber Walks Into A Door Glee’s Matthew Morrison Bares His Abs Justin Bieber Teen Vogue Magazine October 2010 Justin Bieber Teen Vogue September 2010 Cover Justin Bieber Teen Vogue Pictures And Interview Back in April, Justin told Teen Vogue Magazine, “We’re trying to set up a Justin Bieber Teen Vogue Magazine October 2010 READ MORE Justin Bieber Teen Check out these exclusive photos of pop sensation justin bieber’s teen vogue One Responseto “Justin Bieber Shines On Vogue Magazine In October 2010” Justin Bieber for Teen Vogue May 2010 issue Justin Bieber Skateboarding For Teen Vogue. April 12, 2010, 1:03 pm Justin Bieber Teen Vogue Magazine October 2010 Cover Photo – United States Canadian teen sensation Justin Bieber landed the cover of the latest issue Justin Bieber is on the cover of this month’s Teen Vogue, don’t forget to In a recent interview with Teen Vogue magazine, Justin Bieber gave some Today Justin was busy hanging at magazine offices, including Teen Vogue and Justin Bieber Teen Vogue Magazine October 2010 In an interview with Teen Vogue Magazine Bieber

See the rest here:
justin bieber vogue magazine

Travis Porter Talk Strip Club Etiquette, How To Make It Rain & Turning College Girls Into Strippers

Here is the original post:

While Travis Porter has been making waves in Atlanta and other cities for quite some time now, the rest of the world is finally starting to catch on. The ATL rappers were in New York City recently and stopped by our affiliates, The Urban Daily. The group admitted to being in the strip club as early as 16 years old and say they can turn the club into the strip club. Check it out! RELATED: Travis Porter Turns Down Diddy, Signs With Jive [EXCLUSIVE] RELATED: Travis Porter Talk About “Make It Rain” Video [EXCLUSIVE] RELATED: Travis Porter – “Music Money Magnums” [MIXTAPE] RELATED: Travis Porter On Young Dro Beef Rumors And The “Make It Rain” Videos RELATED: 5 Things You Didn’t Know About Travis Porter!

Travis Porter Talk Strip Club Etiquette, How To Make It Rain & Turning College Girls Into Strippers

Mary J, J. Hud & Zoe Saldana Honor Designer Michael Kors In Paris [PHOTOS]

Link:

Mary J. Blige, Jennifer Hudson and Zoe Saldana honored Michael Kors in Paris last night. The Embassy Of The United States hosted a cocktail and dinner party for the fashion designer amidst Paris Fashion Week. Which lady do you think looked the best? Top 10 Girl Groups In Black Music [PHOTOS] Top 15 Black Supermodels Of All Time [PHOTOS] Jennifer Hudson Covers Essence Magazine [PHOTOS] Zoe Saldana Falls In Front Of Fiance During Skiing Lessons [PHOTOS]

Mary J, J. Hud & Zoe Saldana Honor Designer Michael Kors In Paris [PHOTOS]

Adam Lambert To Return to ‘American Idol’

Singer will unveil an acoustic version of ‘Aftermath’ to benefit The Trevor Project. By Shawn Adler Adam Lambert Photo: MTV News All season long on “American Idol,’ top ten finalist James Durbin has had to endure comparisons to season eight runner-up Adam Lambert . This week, he’ll get to make those comparisons himself. Lambert will return to the Idol stage Thursday evening (March 10) to perform an acoustic version of “Aftermath,” according to the singer’s personal Twitter page . Immediately following the show, the song will be made available exclusively on Lambert’s website, with all proceeds from the sale going to The Trevor Project, an organization which offers support for and aims to prevent suicide by lesbian, gay, bisexual, and transgendered teens. “In order to fully benefit the Trevor Project, the remix will only be available on my site. [But it will also] be on iTunes eventually,” the 29-year-old singer tweeted . The release will mark the first time that “Aftermath” is available as a single in the United States, and the fourth single overall from Lambert’s 2009 album “For Your Entertainment,” following the record’s title track, “Whataya Want from Me” and “If I Had You.” “[Aftermath] was written about finding the courage to be honest with yourself and the people who love you,” Lambert said in a statement. “It’s about facing adversity and taking risks in the name of personal liberation. The song takes on different meanings to different listeners.” While “Idol” looks back with Lambert, the openly gay singer continues looking forward, hard at work on his next album, he told MTV News . “I’m in talks, so it’s all kind of being conceptualized right now, and what we’re hoping for is maybe by the fall,” Lambert said of his sophomore effort. “So, I’m going to take my time and really write the most personal songs, the most powerful songs. I really want it to be something that’s really honest and real.” Related Artists Adam Lambert

More here:
Adam Lambert To Return to ‘American Idol’

MSNBC‘s O’Donnell: ‘Union Boss’ Term Is Racist When Talking About Obama

http://www.youtube.com/v/vpPIXFi0LfM

View original post here:

Analyzing a new Republican ad that urges voters to “stop Obama and his union bosses,” MSNBC’s Lawrence O’Donnell was shocked Friday night by the message’s apparent racism. “The Republican Party is saying that the president of the United States has bosses… that the unions bossing him around. Does that sound to you like they are trying to consciously or subconsciously deliver the racist message that… Broadcasting platform : YouTube Source : The Blaze Discovery Date : 26/02/2011 01:35 Number of articles : 2

MSNBC‘s O’Donnell: ‘Union Boss’ Term Is Racist When Talking About Obama

For Discussion: Shouldn’t The Grammy’s Be Reflective Of What’s Popular In Society? Steve Stoute Thinks So…

Yesterday, former music executive Steve Stoute let loose a scathing letter to the Grammy committee chastising their use of today’s most popular artists to sell the award show, without properly crediting them with statues for the categories in which they are nominated. Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture. My being a music fan has left me with an even greater and deeper sense of dismay — so much so that I feel compelled to write this letter. Where I think that the Grammys fail stems from two key sources: (1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic. As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. How is it possible that in 2001 The Marshall Mathers LP — an album by Eminem that ushered in the Bob Dylan of our time — was beaten out by Steely Dan (no disrespect) for Album Of The Year? While we cannot solely utilize album sales as the barometer, this was certainly not the case. Not only is Eminem the best-selling artist of the last decade, but The Marshall Mathers LP was a critical and commercial success that sold over 10 million albums in the United States (19 million worldwide), while Steely Dan sold less than 10% of that amount and came and went as quietly as a church mouse. Or consider even that in 2008 at the 50th Annual Grammy Awards, after going into the night as the most-nominated artist, Kanye West’s Graduation was beaten out for Album Of The Year by Herbie Hancock’s River: The Joni Letters. (This was the first time in 43 years that a jazz album won this category.) While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson’s Thriller in 1984. What say you? Do you feel that the Grammy’s are representative of today modern pop culture? Go to HipHopWired to read more of Stoute’s letter

More here:
For Discussion: Shouldn’t The Grammy’s Be Reflective Of What’s Popular In Society? Steve Stoute Thinks So…

For Discussion: Shouldn’t The Grammy’s Be Reflective Of What’s Popular In Society? Steve Stoute Thinks So…

Yesterday, former music executive Steve Stoute let loose a scathing letter to the Grammy committee chastising their use of today’s most popular artists to sell the award show, without properly crediting them with statues for the categories in which they are nominated. Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture. My being a music fan has left me with an even greater and deeper sense of dismay — so much so that I feel compelled to write this letter. Where I think that the Grammys fail stems from two key sources: (1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic. As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. How is it possible that in 2001 The Marshall Mathers LP — an album by Eminem that ushered in the Bob Dylan of our time — was beaten out by Steely Dan (no disrespect) for Album Of The Year? While we cannot solely utilize album sales as the barometer, this was certainly not the case. Not only is Eminem the best-selling artist of the last decade, but The Marshall Mathers LP was a critical and commercial success that sold over 10 million albums in the United States (19 million worldwide), while Steely Dan sold less than 10% of that amount and came and went as quietly as a church mouse. Or consider even that in 2008 at the 50th Annual Grammy Awards, after going into the night as the most-nominated artist, Kanye West’s Graduation was beaten out for Album Of The Year by Herbie Hancock’s River: The Joni Letters. (This was the first time in 43 years that a jazz album won this category.) While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson’s Thriller in 1984. What say you? Do you feel that the Grammy’s are representative of today modern pop culture? Go to HipHopWired to read more of Stoute’s letter

Follow this link:
For Discussion: Shouldn’t The Grammy’s Be Reflective Of What’s Popular In Society? Steve Stoute Thinks So…