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American Idol Sets Final 12, Sends Four Packing

American Idol revealed its 12 season nine finalists last night, eliminating four contestants in the process. Two of those eliminations were easy to see coming: We’d have gone with Paige Miles and Tim Urban instead, but it’s hard to argue with viewers sending Katelyn Epperly (the weakest of this season’s singer/songwriters) and Todrick Hall (more of a dancer than a singer) home. But Lilly Scott and Alex Lambert? Wow. The lessons future contestants can take from these semifinalists would be: don’t only sing songs from previous decades; and get over your stage fright. We wish all booted contestants the best, but it’s now time to focus on those remaining. We’re not down to the top 12, and we’ve listed them below, from most likely to win to least likely… Crystal Bowersox Siobhan Magnus Casey James Michael Lynche Didi Benami Lee DeWyze Andrew Garcia Paige Miles Aaron Kelly Katie Stevens Lacey Brown Tim Urban There’s a big drop-off after the top four, as two women and two men really stand out. Do you agree? Who would you have sent home and who do you consider the favorite?

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American Idol Sets Final 12, Sends Four Packing

‘American Idol’ Shocker: Lilly Scott, Alex Lambert, Katelyn Epperly, Todrick Hall Exit

Shaky singers Aaron Kelly and Paige Miles survive to make it to the season-nine top 12. By Gil Kaufman Lilly Scott on ‘American Idol’ Thursday Photo: Fox After months of auditions, nail-biting Hollywood drama and three sometimes-painful live-performance weeks, America finally got its top 12 on “American Idol” Thursday night (March 11) on a show that provided some of the first true surprises — and shocking exits — of season nine. The handful of singers who appeared certain to end their runs on the show after crash-and-burn performances got miracle reprieves as Katelyn Epperly, Lilly Scott, Todrick Hall and Alex Lambert were voted off. In the first elimination group, host Ryan Seacrest waved through potential singer/songwriter Didi Benami and quirky dark horse Siobhan Magnus. That left Katelyn Epperly and Paige Miles standing center stage, with one facing elimination. It seemed certain that Miles, whom the judges have repeatedly said had the strongest voice in the competition, would be the one to go after her poorly received cover of “Smile,” a song made famous by Michael Jackson. But in a surprise, it was Epperly, who went home after an equally slammed cover of Carole King’s “I Feel the Earth Move.” Miles looked shocked and not quite as elated as one would suspect, while the somewhat emotional Epperly began to well up when she said she’d learned a ton on the show and her elimination was “just a push for me to go do more stuff.” The second go-round for “Earth” was a bit more energetic and had the personality the judges had been missing, though the vocals were still not great. Then it was the guys’ turn, as Tim Urban, Todrick Hall, Lee Dewyze and Casey James lined up on the stage. First to go through was sensitive pinup James, who played it safe with Keith Urban’s “You’ll Think of Me,” followed by this year’s true wild card, Urban, who seemed destined to go home after two horrendous weeks but somehow pulled out a strong vocal on Wednesday night with his cover of Leonard Cohen’s “Hallelujah.” Not surprisingly, the much-praised Dewyze was safe, thanks to his serviceable cover of Owl City’s “Fireflies,” while dancer Hall was sent packing even after his big gamble with a gospel version of Queen’s “Somebody to Love” that drew praise but didn’t seem to endear him to voters. Hall seemed to sense his number was up, staring blank-faced into the camera with a resigned look. He said he was just happy that fans came up to him over the weekend and said they’d voted for him. “This has been an awesome experience,” he said. “I came here to prove that I’m not just a dancer, I can also sing. I think I’ve done that.” The reprise of the bombastic glam-rock tune indeed proved that Hall has a powerful voice and strong performance chops that will likely keep the former Broadway star — who performed with onetime “Idol” Fantasia in “The Color Purple” — gainfully employed. Seacrest mixed it up as he built the second half of the top 12, starting out with leading female contender Crystal Bowersox, who looked more nervous than she should have been as she got the good news, followed by Michael Lynche, who was a shoo-in following his searing, tear-jerking cover of Kate Bush’s “This Woman’s Work.” During her second go-round on the show, Lacey Brown made it further than last year, when she washed out just before the live rounds. This year will be different, as she took a seat, along with jittery teen Aaron Kelly, who managed to make it to the top 12 despite a so-so performance of Lonestar’s “I’m Already There.” That left Alex Lambert and Andrew Garcia standing with their arms around each other’s shoulders awaiting the news. It was another shocking exit, as Lambert, who was beginning to overcome his paralyzing case of stage fright, got the bad news. The men gave each other several deep hugs, and Lambert lamented how nervous he was during his run. “There’s a lot of things America hasn’t seen me do yet,” he said. “And a lot of things I know I’m capable of. … I wish I could have just broken out of my shell.” Magnus was brought to tears, and Bowersox mouthed along as Lambert tried his best to keep his emotions in check during one more run through Ray LaMontagne’s “Trouble,” earning a group hug from the male top six at song’s end. The final pairing featured teen Katie Stevens and Lilly Scott awaiting their fate. Stevens, who was tagged as a potential winner of the whole thing early on, stumbled in the live rounds, unable to find a performance personality and repeatedly getting feedback from the judges that she came off as much older than 17 and needed to get more experience under her belt. But, despite another poorly received performance on Tuesday, this time of Kelly Clarkson’s “Breakaway,” America gave her the nod over Scott, a unique performer who won the judges over with her offbeat style, musical chops and a solid cover of Patsy Cline’s “I Fall to Pieces.” Scott looked dumbfounded at the news and genuinely bummed. “I thought I did really well, I thought I was appealing to a lot of people,” she said, shaking her head while Stevens wiped away tears of joy. “I put my heart into every performance. I really gave it my all every time. … I don’t know what America wants to hear.” Without her mandolin, Scott sang another solid rendition of the 50-year-old country classic, singing it even more powerfully than she did earlier in the week, perhaps leaving the audience with a sense of an opportunity missed. The show opened with one of the blandest group lip-synch numbers in recent memory, a vanilla waltz through Michael Bubl

‘American Idol’ Experts Predict Who’s Going Home Tonight

Things aren’t looking good for Paige Miles and Aaron Kelly. By Gil Kaufman Paige Miles Photo: Frank Micelotta/ Getty Images This year’s “American Idol” top 12 will be revealed on Thursday night’s (March 11) show, but not before the final four semifinalists are shown the door. Unlike previous weeks, when it was fairly obvious which two guys and two girls would be leaving the show, the competition has finally begun to get tighter, and making the call this week is a bit harder. The decision seems pretty clear, though, to MTV News’ “Idol in 60 Seconds” honcho Jim Cantiello. “Paige Miles blew it,” he said of the singer who has been touted as having the strongest voice in the competition by the judges during the live shows after getting next-to-zero screen time in Hollywood. “For two weeks, we’ve heard the judges go on and on about her big voice. Then she finally tries to share it with America and chokes!” Cantiello was referring to Miles’ uneven, off-key cover of “Smile,” a song written by silent-movie star Charlie Chaplin, which was one of Michael Jackson’s favorite tunes. “Take her lack of preseason screen time and add it to her dreadful ‘Smile,’ and you have a Paige farewell in the cards.” He suspected Miles would be joined by old-before-her-time teen Katie Stevens, who he said “floundered in the semifinals with bad song choices and a lack of identity.” Cantiello said Stevens’ cover of original “Idol” Kelly Clarkson’s “Breakaway” on Tuesday night “not only had the unfortunate opening spot [on the show] … but it was also Katie’s weakest vocal to date.” He also predicted that fellow identity-deficient high-schooler Aaron Kelly had worn out his welcome on the show with a “goat-y vibrato and a song that swallowed him whole,” speaking of a wobbly take on Lonestar’s “I’m Already There.” On the show, judge Simon Cowell said the vocal wasn’t great, but he liked the song, while Kara DioGuardi felt the 16-year-old didn’t sell her on a lyric about a dad calling home to his kids. “Plus, he’s from a super-small town [Sonestown, Pennsylvania] so he doesn’t have that organized support system some of the other contestants have set up.” Though Todrick Hall surprised everyone with a cover of Queen’s bombastic “Somebody to Love,” Cantiello thinks it’s curtains for the dancer. “I haven’t come across too many Todrick fans on the Web (other than, randomly, season eight’s Matt Giraud), so his days were numbered regardless of how he performed on the boy’s show,” he opined. “Incidentally, I dug what he did with that Queen song but not sure it won him any new fans, though.” Our other “Idol” expert, MJ Santilli, who runs “Idol” fan site MJsBigBlog.com , agreed with Cantiello on Miles and Kelly but diverged on the other two picks. “Stick a fork in her, she’s done,” Santilli said of Miles. “Paige needed to come out this week with a strong performance, but her WTF rendition of ‘Smile’ sealed her deal. A sad waste of potential.” As for Kelly, she said his pitchy performances didn’t really connect emotionally with the audience. “He needed a couple of more years of maturing to be ready for prime time,” she suggested. “And as tween fodder, he’s competing with Tim Urban and Alex Lambert.” Santilli’s pick for the other guy going home was a surprise: Lee Dewyze, a perennial favorite of Cowell’s who sang a Dave Matthews-ish folky version of Owl City’s “Fireflies” that the judges generally agreed was good enough to get him through to the top 12. “The judges like Lee, but the grunge rocker’s pitchy, tentative performances haven’t really connected with ‘Idol’ viewers,” said Santilli, whose site features hundreds of comments from show fanatics on the week’s performances. Santilli also predicted that Texas singer Lacey Brown would be sent packing. “Her excellent performance Tuesday night of Brandi Carlile’s ‘The Story’ was too little, too late.” Do you agree with our experts’ picks? Let us know by leaving your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Experts Predict Who’s Going Home Tonight

American Idol: It’s Reigning Men [American Idol]

Well. I think it’s official. Men are more interesting and better at things than women. Sorry JezeFriskyXX.com. It’s just how things played out in the ol’ game of evolution. I’m basing this on scientific Idol Evidence, mind you. Truly credible. Last night the final eight dudes crooned for their life and, I gotta say, they did well. They did better , and were more interesting, than the ladies. It had a lot to do with song selection, but it also had to do with the fact that the Girls side of the competition is four versions of the same white lady singing and then Paige Miles wandering around and bumping into walls. Whereas the Boys team is five versions of the same white lady. VARIATIONS. If it worked for Diabelli, it should work for Idol . But here’s the real reason the girls officially lost last night. Kara Dio Gordy cried. Yes, she wept like a nincompoop after Big Mike sang his stirring Kate Bush number and it was the most ridiculous and awful thing any of us have ever seen. I was watching the show last night with an old fellow who liberated the camps during the war. He shook his head at Kara of the Gourds crying there and said “Worst damn thing I ever seen.” Lynne Curtin’s husband stopped staring at his wife in mild terror for a moment to watch Idol last night and when Kara started crying he thought This is the ugliest thing I’ve ever seen . It was very, very bad. Not that Big Mike’s performance wasn’t good. It totally was. But Kara. Kara . This is American freaking Idol , not the end of Gallipoli . You don’t cry. The singers can cry if they want I suppose. But the judges?? That is only allowed if you are Paula Abdul. And Kara, I served with Paula Abdul, I knew Paula Abdul, Paula Abdul was a friend of mine. Kara, you’re no Paula Abdul. So can it with the waterworks please. Also, Ellen? If you like Tim so much why don’t you just marry him? Did you see when she ran out and hugged Tim Urban after his emotions-lite performance? I don’t understand what she’s doing on this show. Is it some sort of weird, inscrutable sexual politics performance art? I really hope that’s what it is. So that’s why the girls lost last night. Here’s Why the Boys Won As mentioned above, Big Mike did a nice job. He sang Kate Bush’s “A Woman’s Work,” though I suppose he was really taking his inspiration from Maxwell’s version, if Randy Jackson is to be believed. And, actually, he’s not, so Big Mike was doing a Kate Bush homage last night. Normally I’ve found him to be super boring, and he still sort of is — his voice and carriage in performances are rather bland, potato buds from a box rather than mom’s homemade heartattack mashed. But he just picked such a great song. Have we ever heard that on Idol before? I really don’t think we have. Which makes it an automatic win, as long as it’s pulled off with some level of competency. So yes, it was good. Not worth blubbering and stopping the show completely and standing up and clapping robotically while mascara streams artfully down your face, but good. I don’t think Big Mike is destined to win the big dance, but this ought to guarantee him safe passage for a least a few more rounds. Carol Brady with the Carol Brady hair did well again. I don’t know. I think I kind of like him. He just sort of has this weird, interesting tone to his voice. He sounds not unlike Jennifer Coolidge’s character in A Mighty Wind . But he’s always clear and clean and crisp and seems to actually know his limits, which is something of a compliment for this particular season of Idol , for this miserable overreaching theatre troupe. Well done, Carol. I wonder if he misses his son, Johnny Bravo nee Greg. I’m sure he does. Why the Rest of Us Are Crying Oh my beloved Egghead Latino. Where did he go? There used to be a guy named Andrew Garcia who was interesting and had big Carol Channing glasses and sang fun, moody reworked covers of pop songs. I don’t know where that dude went. He hopped a plane to Biarritz. He rode a bicycle over a hill one day and no one ever saw him again. He disappeared into the abstract. Now we’ve got something else, a snatched body, an avatar. Last night there was a dark-ish cover of “Genie in a Bottle,” but it just didn’t feel right, it didn’t work. Plus, there’s an element of the grotesque in singing about getting rubbed the right way on American Idol . It’s just unpleasant. I’m sorry, Mr. Garcia. Might he go home tonight? Casey Potato Head Johnson is in danger too. I can’t even remember what he sang. It was something, y’know, strummy and croony and all that other stuff that he does, or tries to do. But he’s such a blur, so insubstantial in one’s memory. He’s like trying to remember what you did in high school. Not things that happened in high school, but what you did. How did classes work, day in, day out? What did you do on the weekends? I don’t know about you, but I can’t remember that stuff for the life of me. When I was seventeen, what did I do on a Saturday afternoon? What did Casey Johnson sing last night? I don’t know. But I’m sure both involved watching TV. Dweezil Zappa or whatever that reheated David Cook (recooked?) guy’s name is can’t really sing all that well, can he? I mean for the world he can, but for the music industry, I don’t know. He kind of overthrows it every night, doesn’t he? He’s going for stadium roar and it just comes out like a reasonably talented kid in a garage band and they’ve got the door open because it’s spring and getting warm and then a cute girl from school walks by so he tries to sound extra Into It and Emotive. But I’m just not sure America is going to want to make out with you at Mike Fenster’s party next Friday after hearing that, Dweezil. I’m just not sure that’s how it’s going to play out. The teenaged boy who sang “I’m Already There” just makes me sad — a kind of soft, sprawling sad — so I don’t really want to say anything about him. He’s got miles to go before he’s himself, I’ll just say. Urban Renewal Well, well, well. They liked it, they really liked it. After last week’s slight uptick, Tim Urban studied his recent Idol history and busted out the “Hallelujah,” Jeff Buckley edition, which served Jason Castro so well during semis two years ago. This has gone from a song that makes pond-eyed 19-year-olds who smoke too much feel deep and weary to a song that makes the souls of pimply explode-o-teens do mournful jigs. Yes being Sad is sort of in these days, like it was almost twenty years ago for a different generation I suppose, and Jason Castro sang “Hallelujah” and then Justin Timberlake sang it (very well) with another dude on the Hope for Haiti telethon thing, so it’s just very Now. So it was a clever choice on Timmy Kapowski’s part. How’d he sing that shit? Oh, well enough. It was near flat as Nebraska, not dynamic at all, but it’ll do, it’ll do. One thing that was funny and annoyed me was at the very end (you can see it above) he was like “Hahhh layyy looooooo…” and then took this breathy pause and went “Yahhhhhhhhh.” Which, like, a full separated “Yuh” is not a terribly pretty way to end a pretty song. If you go listen to professionals sing the tune, they smooth out that ending, shade it. It was sort of another little cutesy telling sign that wee Timothy Bertinelli has no idea what he’s doing. So who will go home tonight? Of the ladies I suspect it will be Lacey and Paige. Or maybe Katie instead of Lacey. Of the fellows? Well, I didn’t even mention Todrick Hall, so probably him. He sang something that Simon declared “Broadway.” Great, Simon. You watch this kid drag himself OUT of the musical theater and you keep him on the show this far and this long only to tell him, “Hey, why aren’t you in the theater?” Blergh. Other than Todrick… I dunno, dawg. Maybe the sad, Texas-evening teenager. Sigh. That poor kid. He makes me feel a little like this:

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American Idol: It’s Reigning Men [American Idol]

‘American Idol’ Report Card: How Did The Men Do?

Michael ‘Big Mike’ Lynche shined, while Aaron Kelly gets an ‘unsatisfactory’ grade on this week’s ‘Idol’ report card. By Eric Ditzian Aaron Kelly performs on “American Idol” on Wednesday Photo: Frank Micelotta/ Getty Images Yesterday we gave “American Idol” producers props for reducing the show to one hour instead of two . Today we feel like tossing the judges in detention for their shenanigans this week, from Tuesday’s awkwardly forced lap-sitting incident between Simon Cowell and Ellen DeGeneres to Wednesday’s infantile Simon/Kara DioGuardi flirtation. But this is a singing competition, isn’t it? So on to the contestants. The evening took off with strong performances from Lee Dewyze and Alex Lambert and U-turned into Snoozeville at a certain point, before blissfully blasting away with an injection of Michael Lynche-provided power. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top eight men’s report card. (And don’t miss Jim Cantiello’s recap of their performances in the MTV Newsroom .) Excellent Michael Lynche : First things first. While Big Mike’s take on Maxwell’s version of Kate Bush’s “This Woman’s Work” was the highlight of the evening, it was nowhere near the waterworks-generating territory that Kara’s tears suggested. That being said, Lynche keeps surprising us. Last week he ditched the guitar and brought an ear-pleasing soul sound to the stage. This week he busted out a falsetto during a butter-smooth channeling of Maxwell that showed off an impressive vocal range and convinced us that Big Mike is in the upper tier of “Idol” contestants. Good Lee Dewyze : Owl City’s “Fireflies” was by far the smartest song choice Dewyze has made during these lives shows. The emo rock vibe seems to be a comfortable niche for him, and we were almost able to dismiss his rampant pitch problems. Almost. Dewyze is like a poor man’s David Cook. And when you consider that we’ve never had a very high opinion of the seventh-season “Idol” winner, you can imagine what we think of Dewyze’s long-term prospects. No matter, he did well for himself on Wednesday and is a lock to make the top 12. Alex Lambert : The kid keeps impressing. The judges seemed to think he’d reverted back to a jelly-legged newbie. Not us. His tone on Ray LaMontagne’s “Trouble” was compelling, his vocals generally soft yet powerful. We don’t buy for a second that the only thing standing in the way of his winning “Idol,” as Kara suggested, is his lack of confidence — ever heard of Crystal Bowersox? — but we’re digging Lambert’s growth from week to week. “Trouble been dogging my soul,” he sang, and ya know what? We believed him. Casey James : Has any contestant this year been so lovingly framed and lit on the “Idol” stage? The crooning cowboy’s rendition of Keith Urban’s “You’ll Think of Me” was a step up from last week’s sub-par Southern rock number and nowhere near as magical his take on Bryan Adams’ “Heaven.” James keeps delivering confident, calm, passionate performances and he’ll keep doing it for a long while. Todrick Hall : Todrick narrowly nabs a Good grade because of his sheer enthusiasm. It’s the most clich

‘American Idol’ Gets A Boost From Tim Urban, Michael Lynche

Aaron Kelly and Andrew Garcia, however, get some tough words from the judges. By Gil Kaufman Tim Urban Photo: Fox The top eight men took the stage on “American Idol” on Wednesday (March 10), a night when the front-runners staked a claim for their spots in the top 12, and the weaker members of the herd punched their tickets home. When the dust settled, Michael Lynche emerged as the new one to beat with a performance so strong, it brought judge Kara DioGuardi to tears, and seeming also-ran Tim Urban possibly saved himself with his strongest performance to date. Lee Dewyze made it clear that he intends to hang around, coming out strong with a Dave Matthews-like acoustic ramble through Owl City’s “Fireflies.” It wasn’t always on key, but he made up for it with his infectious charm and barroom sandpaper drawl. Randy Jackson thought it was too soft a song for Lee’s voice, and a bit pitchy, but he liked how he made it his own, and Kara appreciated the confident vibe he brought to the tune. “There’s nothing to rave about after that,” said Simon Cowell, who didn’t feel his favorite male semifinalist had “a moment” but still displayed solid progress. As his star has steadily risen on the show, Alex Lambert nailed his song choice with Ray LaMontagne’s weary ballad “Trouble,” a tune that perfectly fit his dry-throated voice and sad-eyed, innocent demeanor. “The only thing standing in the way of you winning is you right now,” Kara said, praising his unique voice but counseling him to let it rip. Ellen busted out the ripening banana metaphor one more time and said Lambert is getting better and better every week, even as he maintains his innocence. Continuing with the inappropriate advice, Simon said Lambert needs to loosen up, perhaps by imagining Jackson in a bikini. With two weeks of bad news behind him, Tim Urban went for it by tackling Leonard Cohen’s iconic — and hard-to-sing — “Hallelujah.” Strumming an acoustic guitar, Urban didn’t try to reinvent the wheel but capably hung in there for his strongest effort to date. Ellen, feeling bad about slagging Urban every week, ran up onstage and hugged him as a kind of apology, and Simon patted himself on the back for giving Urban back his confidence, calling it Tim’s best performance to date. “You walked in some pretty big shoes, and I think you did a pretty good job, Tim,” Randy said, as Kara predicted he might have sung his way back from the brink with his honest, emotional take on the song. Needing to find his groove again, Andrew Garcia went back to the well for a cover of Christina Aguilera’s breakthrough hit, “Genie in a Bottle.” The Santana-like flamenco/soul take felt like another high point, with Garcia making the song his own. Kara, though, sensed he was fighting with the melody and straining too hard to recapture his “Straight Up” glory, saying, “It just wasn’t great.” It was a good idea, but too pitchy and not dynamic enough for Randy, though Ellen loved the song choice and wished the genie had come out of the bottle earlier. “It was a little bit desperate,” Simon said. Casey James went with Keith Urban’s “You’ll Think of Me,” a safe, straightforward acoustic country ballad that highlighted his soulful tone. That’s exactly what Randy thought, encouraging Casey to go edgier and more rock. For Simon, it was James’ second-best effort, one that made him seem sincere and sounded great, even if it was a bit forgettable. His former number-one fan, Kara said she was missing the spark, but was glad he wasn’t trying to be a phony rock star anymore. A singer seemingly on the bubble, Aaron Kelly, also chose a country tune — Lonestar’s “I’m Already There” — which started out pitchy and tentative and didn’t get much better as he rose from his stool and wiggled awkwardly back and forth, alternating between pure and off-key notes. The singing wasn’t great for Ellen, but she thought Aaron carried himself like a much older, more experienced singer than he is. “I love you, you come out on stage every week and you give it your all,” said Kara, who then pointed out that the song is about a man calling home to talk to his kids, which just doesn’t make any sense coming from a 16-year-old. Simon, however, totally disagreed, saying it was the right type of song for him and he had the right emotion, even if it wasn’t a great vocal. Todrick Hall’s philosophy? If you might go home, go big. His unexpected take on Queen’s “Somebody to Love” turned out to be a bold choice for the dancer, who turned the tune into a sanctified gospel showpiece. “Todrick is back!” Randy announced, calling it one of the best male vocals he’s heard in weeks. Cowell took it down a notch, dubbing the performance more fit for Broadway than an “Idol” recording artist while giving Hall props for performing and not just sitting on a stool and strumming a guitar. Then Big Mike Lynche brought down the house. He also switched it up, singing British icon Kate Bush’s classic ballad “This Woman’s Work,” evoking Maxwell with his silky, between-the-sheets R&B version. The praise was unanimous. Simon said it was the best performance of all the live shows so far, Ellen declared the personal trainer the new one to beat, and DioGuardi literally burst into tears at the emotion the new dad put into the tune. All a dumbfounded Randy could say was “Really?” Four more singers go home Thursday night as this year’s top 12 is revealed. What did you think of the men’s performances? Who killed it? Who blew it? Who is definitely making it to the top 12? Let us know by leaving your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘Lost Boys: The Tribe’: Exclusive Trailer And Details Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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‘American Idol’ Gets A Boost From Tim Urban, Michael Lynche

‘American Idol’ Top Eight Men: What They Need To Do

Todrick Hall and Aaron Kelly appear to be on the bubble of this year’s top 12. By Gil Kaufman Andrew Garcia, Alex Lambert, Aaron Kelly and Lee Dewyze Photo: Frank Micelotta/ Getty Images For the most part, the ladies brought it on Tuesday night’s “American Idol” and early front-runners are definitely emerging in Crystal Bowersox, Siobhan Magnus and Lilly Scott. On Wednesday night (March 10), it’s the guys’ turn again, as we speed toward Thursday’s elimination, when season nine’s top 12 will be determined. Last week’s switcheroo due to Crystal Bowersox’s illness didn’t throw the guys off, though a few of the men turned in performances that were barely enough to keep them in the running. So what do the rest of the men need to do to win the hearts — and ears — of the nation? How can they get enough votes to avoid landing in the bottom two? Here’s what we do (and don’t) want to see from these “Idol” hopefuls, starting with those who need the most work. Aaron Kelly Being cute will only get you so far. Though he has the Archu-dorable factor, teen Kelly is proving to truly be this year’s unripe banana. His “My Girl” was instantly forgettable, and he’s turning into one of those semifinalists who doesn’t really have a musical portfolio. He’s tried country and old-school R&B, but if Kelly wants to make the top 12, he needs to show the panel he’s got a lane of his own. How about a killer Simon & Garfunkel cover (since most of this year’s Idols seem stuck in the past) or something by Kris Allen? Tim Urban Unless this kid has been taking voice lessons from the ghost of Jeff Buckley all week, it doesn’t really matter what Tim does, because he’s just killing time at this point. He might not go this week, but he’s further proof that being adorable can get you into the semifinals but not much further. Urban is the weakest male link, so he might as well blast off with a blaze of glory with something ridiculous like “And I Am Telling You I’m Not Going.” Todrick Hall With Jermaine Sellers gone , dancer Hall remains as the loose cannon in the bunch. His confidence hasn’t yet meshed with a breakout performance, and though his sedate take on Tina Turner’s “What’s Love Got to Do With It” was interesting, Hall has been the judges’ punching bag to date. Unless he kills it, say with a seductive Usher throw-down, Hall could be the next to go. Casey James Speaking of cute, James is still trying to shake off the whole cougar-bait thing, but his limp rendition of the too-frequent “Idol” cover “I Don’t Want to Be” didn’t exactly show off his rock chops. Regardless, assuming he doesn’t completely tank, Casey will likely make the top 12. He should, however, soar by proving his grit this week with something edgier. How about an unplugged Kid Rock tune? Lee Dewyze He’s the token rocker, which is a good place to be this year, because he’s got virtually no competition. Dewyze is on a hot streak, and he’s got Simon on his side, so he should play it safe this week to ensure a top 12 berth. He’s done well playing his acoustic guitar, so maybe a Kings of Leon song would work for him. Andrew Garcia What happened to you, man? Garcia seemed a shoo-in for the top three, but he’s gotten steadily diminishing returns thanks to sleepy song choices, like James Morrison’s “You Give Me Something,” which find him fading into the pack. He needs another “Straight Up,” pronto! Now’s the best time to wow the judges again with a clever (re)arrangement of a classic — perhaps a folky version of Jane’s Addiction’s “Been Caught Stealing”? Michael Lynche He’s not blowing anyone away, but slow-and-steady Lynche is getting it done every week. He’s likeable, solid and very comfortable onstage. Big Mike is almost certainly going to advance, so a bit more of what the judges already like, perhaps a touch of Maxwell on acoustic guitar, could ensure his spot. Alex Lambert Either Lambert is pulling a rope-a-dope and is planning to emerge as a camera-ready superstar from his mullet-duckling persona, or we’re reading too much into his phoenix-like rise from the ashes of two twitchy weeks ago. He nailed John Legend’s “Everybody Knows” last week, and a command performance of a Robin Thicke tune might cement his blue-eyed soul bona fides. What do you want to see from the guys on Wednesday night? Who do you hope steps up their game this week? Let us know below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos MTV Rough Cut: Corey Haim ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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‘American Idol’ Top Eight Men: What They Need To Do

Gossip Girl: Mother, May I Sleep With Danger? [Recaps]

After a long, long (but not long enough?) winter away, our good friends from the Upper East Side have returned to us, dressed all in black and hunting for ghosts. There is no power in the afterlife. Well, only one fellow was looking for an actual ghost, but other people were pursuing things that long ago disappeared in the past, trying to reclaim and rekindle old loves. Guess who’s doin’ it? Yes, of course, it’s young Nate and Serena, whose daring and illicit sexcapade basically kicked off the entire series. It’s doubtful that their new pairing is serving as some sort of bookend and thus the series is ending, so don’t get your hopes up. No, it’s just another excuse for Serena to pout and for actress Chace Crawford to deploy her usual salvo of droning line readings. And for, you know, sexy writhing around. For her part, Blair has sanctioned the fledgling couple, but doesn’t think that they should rush into anything. Chiefly she didn’t think the kids should be doing sex to each other just yet, mostly because, like the rest of us, she found the idea of those two genital-less HardBodyBots mashing their smooth crotchal regions together unbearably repulsive. Try as they might, and beautiful as they are, Blake Lively and Chace Crawford just aren’t terribly attractive , are they? Or, at least, they simply have no chemistry with together. “Hello, pretty.” “Oh, hello pretty.” “You are looking pretty.” “You are looking pretty too.” “Shall we scissor without purpose for an hour or so?” “Yes, we shall.” Ew. But of course the wacky lovebirds couldn’t keep their whirring porcelain hands off of each other, so we were subjected to lots of sexy doin’-it music while these two clowns squeaked against each other like vinyl. There was some kind of supposed drama about Nate wanting to take it slow, because he took some stupid advice from the pile of chins that is Dan Humphrey, and Serena getting pissy. But for the most part their portion of the episode was about sexlessly rubbing up against one another, all of us weeping hot human tears at the grotesqueness of the whole thing. Throwing a monkey wrench into Serena and Nate’s fruitless nontercourse was, as always, little Pirate Jenny Humphrey, quickly evolving as one of the most hands-down annoying characters on television. Remember in the books when Jenny was a nerdy frizz-head with huge cans and was likable? Well, she’s not on this show, she’s just thin and board-like and blonde and wears increasingly bizarre goth clothes. Why are they styling Jenny like this? All these black garments and heavy dark makeup. It just makes no sense. I know trends recycle themselves every twenty years, but are we really at pop-goth again? Oh molasses I hope not. Anyway, last night Lydia Deetz was still doing drug running with her wicked Eurobrat diplobrat friend, the kid from Airbud . The Kid from Airbud , being a Eurobrat diplobrat, is a total ass. See, the Party this episode (there is always a Party, no matter the episode, always some social Something to attend or muck up or wear special clothing to) was a big French Ambassador’s Dinner. And, as French Ambassadors tend to be some kinky motherfuckers, exclusively teenagers were invited to the occasion. Just wall-to-wall teenagers and the French Ambassador looking creepily content and humming “Les Poisson.” So the Kid from Airbud wanted to do a big drug deal with the French Ambassador’s Daughter and needed Jenny’s help. See she came up with the brilliant and spy-level idea of switching coats. Put drugs in a lookalike coat and have the FAD take that one stuffed with drugs home at the end of the evening. Jenny is basically Mary McDonnell in Sneakers . She is that good. So all was on track with that plan until Nate and Serena fizzed and sparked and said “Malfunction. Malfunction.” and had a fight about the pace of their relationship. Upset about the fight, Serena, as rash and slatternly as Kate Keepdown, ran and asked the Kid from Airbud to go to the French Ambassador’s dinner with her. See, they used to know each other “at boarding school” (a robot factory outside Concord, NH) and he always had a crush on her. But that was in her wilder days and she is different now, but he doesn’t know that! The Kid from Airbud goes and meanly tells Jenny that shit is off with them, he got Sereneer van der Woolens to go on a date with him, so old Depeche Mode Humphrey can go cram it with cloves. But Jenny is never one to back down, her heart pumps black and relentless in her otherwise hollow chest, so of course she went to the French Ambassador’s sweet sixteen and saw Nate and was all “Let’s be dates.” The couples tried to make each other jealous but really nobody cared and in the end the Eurobrat diplobrat was proven to be a rake and a scoundrel, Serena was pulled into a coat closet and robot raped by Nate, and the French Ambassador’s Daughter got her meth manteau and all was well. The Kid from Airbud will stick around a little longer perhaps, and will maybe live to perform an Inserting upon Jenny, unless she has a Cure cover band concert to go to. We’ll see! Serena and Nate, meanwhile, are happily trying to interlock and interface with each other, sadly unaware that their mutual creator, the wispy and whimsical and wife-grieving white-haired Dr. Lacrimoso made them in such a way that they can never be truly together, because that is his pain, that is all of humanity’s pain. Another story line happening this week had to do with those old people that sometimes tell Dan, Jenny, and Serena what to do (though it never actually works). Nobody cares about this storyline except for the fact that Dan got in a fight with the old man character and said, as means to a sad/angry thing, “Make your own damn waffles.” Mm. Powerful words. Make your own damn waffles, Rahm Emanuel. Make your own damn waffles, Interrupting Oscar Witch Lady. Make your own damn waffles, scary kids who smoke weed outside my front door. Thanks for that, Dan. Speaking of Dan, he wants to perform an Inserting upon Vanessa, but she was nowhere to be found this episode. Sadly, unbeknownst to Dan, cavewoman Vanessa has been gored by a woolly mammoth and is using her last strength to draw her pictograph story on the walls of a cave in France. Either that or she thinks he’s gross and chinny and just doesn’t want to call him back. Finally we turn to Chuck and Blair. Blair was wearing a big furry hat and underpants at one point and made an Anna Karenina joke, which is fine. Chuck was all moopy and sad, scouring the riverbed for silt and other detritus as all good catfish do. One piece of detritus he was especially eager to find was his momz. Remember his mom who died in Chuckbirth but who is maybe secretly alive and putting flowers on Bart’s grave? Well, Chuck sadly tracked this mysterious lady down and she lied and said “No, my dear, I am not your mother .” And Chuck’s face fell three sizes that day, and he shuffled off and went to go throw pebbles into a pond and pick at his scabs and sulk and you wish you could do something, put your hand on this little boy’s shoulder and tell him that he is good and that there will be better days, but he’s such a stubborn boy and he won’t listen, so you just let him sit there, squinting obstinately at the setting sun, occasionally muttering angry little boy things to no one, to everyone. After the big mom disappointment, insightful Blair held back and approached the woman again. She knew she was lying. And she was right! This lady is Chuck’s mother, if the picture she had of a lady holding a baby is to be believed. (The baby was wearing a purple dandy scout and scowling.) What role will Chuck’s secret mom play on the show? Oh god. I can only imagine. That’s basically it folks. Oh, except. At the very end of the episode we caught site of Erik, another thwarted and angry little boy, kicking cans all alone down by the railroad tracks. We walked up to him and said “Do you need any help, son?” And he muttered “No…” and kicked another can and so we left him there, train whistles moaning in the distance, this abandoned little fellow not deserving to be lonely and ignored. But that’s just sometimes how the world works, people get left behind, trains miss stations. And trains keep running. But what did it all mean for their power standings? Our continued tabulations are below. Dorota : Power Play : Everything falls to shit when she’s away: +2 Sexual Intrigue : Romantic getaway with her boyfriend Vanya: +1 Total : 3 Season to Date : 58 Power Position : Up Blair : Family Secrets : Finds Chuck’s necklace and knows something is fishy: +1 Fashion Points : The Anna Karenina hat and negligee: +2, Her sparkly jacket at the ambassador dinner; +1 Personality Flaw : Stupid enough to think that Serena can stay chaste: -1, Gets back on the “Serena is a skank” train: +1, Knows that Nate is functionally illiterate: +1 Power Play : Cares more about meeting the French ambassador for her secret club than her man Chuck: -2, Is scared of the beautiful girls surrounding her target: -1, Has the balls to approach the French guy on his smoke break: +2, Gives up her chance to talk to him to run off with Chuck: -1, Her high-society coffee klatch idea is stupid anyway: +1, Figures out Chuck’s mother is full of shit and tells her if she doesn’t stay away then she will fuck her shit up: +3 Sexual Intrigue : Gives Serena advice about Nate: +1, Ew, she fucked her best friends boyfriend: -2, Chuck has no interest in playing her aristocratic role play games: -1, Rightly counsels Chuck to be cautious about this woman he thinks is his mother: +2 Social Schemes : Using Chuck to get to M. Doree, some dude who runs some lame secret society she wants to join: +2, Does anyone care about joining her Babysitter’s Club?: -1 Total : 8 Season to Date : 35 Power Position : Up Chuck : Family Secrets : Keeping secrets from Blair: -1, Discovers his mother: +3, She lies about being his mother: -2, Has to feel the hurt of losing his mother all over again: -1 Fashion Points : Purple!: -1, Excellent coat with a faux fur (PETA hopes!) collar: +1 Money : Finds the only jeweler in the world with a confidentiality agreement: -1, Pays him for his secrets: +2 Personality Flaw : We knew he had daddy issues, but this new Oedipal Complex is something new and scary: -2 Power Play : Gets to have a fancy lunch with the French power broker Blair wants to impress: +1 Sexual Intrigue : Turns down a date with hot-to-trot Anna Karenina: -2, Makes up with Blair: +1 Total : -2 Season to Date : 27 Power Position : Down Jenny : Family Secrets : Doesn’t tell Lily that her dad is avoiding her: +1 Fashion Points : Combines fashion and drugs, her two favorite things: +3, Her drug mule bolero is something you would buy at the Urban Outfitter’s remainders sale: -2, Hello spider web gown at the ambassador’s dinner!: +2 Personality Flaw : Gets called out for her unnatural love of board games: -2 Power Play : Has a drug-dealing best friend, Damien, which is pretty rad: +1, But he knows that she is now a character out of an after school special and can tattle on her at any time: -2, The French ambassador’s daughter knows she is a waste of time: -1, Tells Nate he is a retard for taking relationship advice from Dan: +1 Sexual Intrigue : Gets dissed by Damien for Serena: -2, Gets Nate and Serena back together so she can have her drug dealing man: +2 Social Schemes : Show’s up and forces herself on Nate. Long live the queen!: +2, Saves the druggie sweater: +2 WTF : Fuck, the closer Jenny gets to being the living embodiment of the lyrics to “Cherry Bomb” the more we like her: +2 Total : 7 Season to Date : 8 Power Position : Up Rufus : Personality Flaw : Hip enough to video chat: +1, Feeding people: -1, Takes relationship advice from Dan: -3 Power Play : Ignoring Lily’s calls: +1, Ignoring Lily in general: +1, But she is his meal ticket: -2 Sexual Intrigue : Finally comes back to Lily: +1, He’s all angry and calls her a skank: -1, But wait, Lily is a skank: +3, Stops by his new lover’s house: +2 (bow chicka wow wow!) Social Schemes : That hot black heiress lady totally wants his jock: +3 Total : 5 Season to Date : 1 Power Position : Up Nate : Fashion Points : Manbangs looking mangey: -1, Amazing tux shirt: +2 Personality Flaw : Is functionally illiterate: -1 Power Play : Takes romantic advice from Dan: -2, Gets upstaged by Damien, a short jerk with even worse hair: -1, If he had known there were drugs in that coat, he wouldn’t have thrown it away: -1 Sexual Intrigue : Is the 9 millionth person to sleep with Serena: -2, Has to go on a first date with Serena, even though they had sex already: -1, Is getting laid on the regular: +3, It’s by a lady: -1, He is dating his best friend’s ex: -1, Blowing it with Serena: -1, Really? In the coat room? Is he some pervy exhibitionist?: -2 Social Schemes : Let’s Jenny be his date: -2, She brings Serena and him back together, so it’s not a horrible decision: +2 Total : -11 Season to Date : 0 Power Position : Down Vanessa : Fashion Points : Wherever she was she still had lady dreads: -2 Power Play : Imagining a world without her is sweet indeed: 0 Total : -2 Season to Date : -10 Power Position : Up Dan : Personality Flaw : Gives everyone crappy relationship advice: -3, Owns a Cabbage Patch doll, which we find strangely endearing: +1 Power Play : Everyone keeps invading his Brooklyn pussy den: -1 Sexual Intrigue : Dan, Dan, Dan, Dan, Dan ! You need to get over this whole Vanessa thing: -3 Social Schemes : His best friend is sleeping with his ex and he wants to sleep with his best friend. Do these people have no boundaries?: -2 Total : -8 Season to Date : -21 Power Position : Up Lily : Family Secrets : Both Jenny and Dan lie to her about Rufus’ whereabouts: -2, Her secret is totally lame. She spent the night in a hotel and kissed her ex-husband. Boring: -1, Also, everyone knows now: -1, There must be something more to this story, and if she is convincing people otherwise, good on her: +1 Fashion Points : Does that white dress double as her bathrobe?: -1 Personality Flaw : Continues to neglect her depressed, gay, suicidal son: -1 Power Play : Tells Jenny to keep the door open when she’s in there with a boy, which is sound parenting advice, for a change: +2, Jenny still does what she wants anyway: -1 Sexual Intrigue : Rufus doesn’t believe she could keep it kosher with her ex: -1, She totally fucked her ex, so at least she’s getting some: +1 Total : -5 Season to Date : -27 Power Position : Down Serena : Fashion Points : Nice white cowl-neck sweater dress, which is surprisingly not too slutty: +1, The cleavage in her party dress isn’t too outrageous: +1, Personality Flaw : Someone needs to tell her that her boyfriend is gay: -1, Power Play : Damien knows she is a skank who can’t keep her clothes on: -1, She gets all huffy and runs off when he says this: +2, But then she ends up taking her clothes off about 72 seconds later, so he was absolutely right: -3 Sexual Intrigue : Her chastity with Nate lasts about -29 seconds: -2, On the floor at the Waldorf’s, on a couch, is she some kind of public sex fetishist?: -1, We’re kind of into that: +2, Is dating her best friend’s ex. Ew: -1, Nate only wants to sleep with her once a day: -1, Her vast sexual appetite is like a black hole, pulling in everything close by and rendering it into cold, dead anti-matter: -2 Social Schemes : Doesn’t need Nate to go to no fancy French embassy party: +2 WTF : After diddling Nate in the coat room, she steals someones coat: -1, It is ugly: -2, And she doesn’t even bother to put her dress back on. God, Serena. You are the worst!: -3 Total : -10 Season to Date : -35 Power Position : Up! This isn’t rock bottom yet, people.

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Gossip Girl: Mother, May I Sleep With Danger? [Recaps]

Best of Celebrity Pics: February 27-March 5, 2010

Below are some of the many pics posted over the past week at The Hollywood Gossip. As you can see, it was a crazy week, featuring a lot of crazy characters. We’ve got them all covered for you, as we do every week. Click to enlarge these images, then follow the jump for tons more from our celebrity picture gallery …

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Best of Celebrity Pics: February 27-March 5, 2010

‘American Idol’ Experts Predict: Who’s Headed Home Tonight?

Jermaine Sellers, Haeley Vaughn seem likely to get bad news during the results show. By Gil Kaufman Jermaine Sellers performs on “American Idol” on Tuesday Photo: Frank Micelotta/ Getty Images Four hearts will be broken on “American Idol” on Thursday night (March 4). The only question is: Which two boys and girls will be the recipients of the bad news? We asked a couple of “Idol” experts to make their predictions on who deserves to go home. “Tim Urban, he’s a cute kid, but he’s got no singing chops or stage presence,” MJ Santilli, webmaster of “Idol” fan site MJsBigBlog.com , said about the floppy-haired singer who has miraculously stayed in the competition after getting a last-minute call-up due to Chris Golightly’s disqualification . “But after Simon’s praise, he’s staying put for at least another week.” In that case, Santilli’s other choice was cranky soul man Jermaine Sellers, who seemed to annoy the judges with his attitude and a slightly unhinged cover of Marvin Gaye’s “What’s Goin’ On.” “Not only was his oversinging horrendous,” she said, “but he’s super unlikable. Dude, God is not getting you to the next round. … Plus, his hair is stupid.” On the ladies’ side, Santilli said it was time to say sayonara to bubbly teen Haeley Vaughn, whose dreams of country/pop stardom crashed and burned with Wednesday night’s painful cover of Miley Cyrus’ “The Climb.” “Haeley has an adorable personality and a great spirit, but it’s become very clear that she’s in over her head,” Santilli said. “I don’t want to hear any more of her caterwauling, thank you.” Also worthy of booting? Fellow teen Katie Stevens, who just can’t seem to find her musical personality onstage. “She’s a boring pageant-bot, and there are similar yet better singers amongst the remaining girls,” Santilli said. MTV’s own “Idol” obsessive Jim Cantiello disagreed somewhat about which females should be shown the door. “Given that she was my early audition-round fave, it pains me to say that Lacey Brown deserves to head home,” he said of the 24-year-old antique-refurbishing nut who took the judges’ advice but still put up a fail with an uneven cover of Sixpence None the Richer’s “Kiss Me.” “She hasn’t figured out how to showcase her strange, interesting voice the way Lilly Scott has. Plus, this season there’s no shortage of squeaky-voiced quirkettes.” Also on Cantiello’s chopping block is seemingly sweet but a bit dull Michelle Delamor. “[She] should probably pack her things too,” he said of the children’s choir director who took a shot with a smoothed-out R&B cover of Creed’s “With Arms Wide Open.” “I give her credit for going out on a limb with that Creed song, but she didn’t nail the vocals. For such a crazy song choice, you’d think it’d be memorable, but it just wasn’t.” For more opinions on who might go home tonight, head to the Newsroom blog. Who do you think will go home tonight? Share your votes below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Experts Predict: Who’s Headed Home Tonight?