Tag Archives: Voice

Trailer: Tiny Furniture + Sex and the City = Lena Dunham’s GIRLS, Kinda

It’s awfully simplistic to say so but with Lena Dunham ‘s forthcoming HBO dramedy series GIRLS , which marks the latest milestone in her rapidly ascending career, the comparisons draw themselves — comparisons to Dunham’s own prior work and to all that’s come before in attempting to mine the modern single female experience for insights and laughs in film and television. But whether you’re a fan or a Dunham skeptic, it’s worth taking a look at the show’s first trailer to see for yourself what to expect from the developing filmmaker, especially with folks like Judd Apatow shepherding her post- Tiny Furniture . Dunham’s career-starting indie pic Tiny Furniture (her sophomore feature) earned equal shares of praise and criticism upon release in 2010, but it unquestionably put her brand of wry, neurotic comedy on the radar and demonstrated Dunham’s willingness to expose herself, warts and all, as a writer and performer. GIRLS , also set in New York and concerned with young women on the brink of figuring out their lives, very much expands on the Dunham brand but shows a marked maturity; Dunham stars in front of the camera in addition to writing and directing, and she’s joined by three strong supporting actresses (Allison Williams, Jemima Kirke, Zosia Mamet) who flesh out the series’ circle of twentysomething friends. The similarities to Sex and the City can be found, but they’re also deliberate; characters fully acknowledge that they’re of a generation weaned on SATC ‘s fantasy, just one of the many pop references they cite as somewhat (painfully) self-aware New York transplants. Truth be told, I was sold after previewing the first three episodes, especially given where GIRLS falls in the vast range of female-slanted shows on the air of late; it debuts on HBO this April and bridges the gap between the current class of girl-oriented network fare and the more daring stuff found on cable these days, but also captures a range of interests and talent so innately of this generation. For example: The trailer below teases appearances by Chris Eigeman ( Metropolitan ) and Peter Scolari ( Bosom Buddies )! What’s more, an upcoming episode features a particularly juicy turn by Lonely Island’s Jorma Taccone that I’ve been thinking about repeatedly since. This is TV (HBO’s scheduled a 10-episode season to run) but more important than this or that format is the idea that Dunham’s developing her voice as a storyteller in line with what we’ve seen previously. She’s seemingly been given a considerable amount of rope to keep doing her thing (Apatow’s involvement as a producer likely has something to do with that) and it should be interesting to watch as she keeps one foot in television and one in film. GIRLS debuts at SXSW next month and premieres April 15th on HBO.

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Trailer: Tiny Furniture + Sex and the City = Lena Dunham’s GIRLS, Kinda

Bobby Brown ‘Blesses’ Whitney Houston At Show

Brown honors ex-wife at Connecticut show hours after seating spat at New Jersey funeral. By Ralphie Aversa Bobby Brown performs at the Mohegan Sun arena on Saturday Photo: Marc Andrew Deley/Getty Images MONTVILLE, CONNECTICUT —

SMH: Pat “I’m Not A Racist” Buchanan Says White America Will End In 2025, Leaves MSNBC

SMH at “the end of white America” and the shrinking of the “European and Christian core of our country”: Pat Buchanan , a prominent conservative commentator for MSNBC for the last decade, is departing the channel, he said Thursday. In an essay, he cited “an incessant clamor from the left” as the reason for his departure. A spokesman for the cable news channel said, “After 10 years, we’ve parted ways with Pat Buchanan. We wish him well.” The circumstances of Mr. Buchanan’s departure are unclear, but he has not appeared on the channel since October, when he began promoting his book, “Suicide of a Superpower: Will America Survive to 2025?” The book conveyed Mr. Buchanan’s concerns about the effects of demographic changes in the United States, including what he called “the end of white America” and the shrinking of the “European and Christian core of our country.” A number of statements in the book were seized upon by liberal groups, who pressured MSNBC to either sanction or fire Mr. Buchanan. In his essay Thursday on the Web site of The American Conservative, a magazine he co-founded, Mr. Buchanan cited Abraham H. Foxman of the Anti-Defamation League, an influential Jewish organization, and wrote, “What Foxman and A.D.L. are about in demanding that my voice be silenced is, in the Jeffersonian sense, intrinsically un-American.” “Consider what it is these people are saying,” Mr. Buchanan continued. “They are saying that a respected publisher, St. Martin’s, colluded with me to produce a racist, homophobic, anti-Semitic book, and CNN, Fox News, C-SPAN, Fox Business News, and the 150 radio shows on which I appeared failed to detect its evil and helped to promote a moral atrocity.” Mr. Buchanan, who twice ran for the Republican nomination for president, has always been an ardent conservative. But MSNBC has not always been a liberal-leaning cable news channel. When he was hired at MSNBC in 2002 — he had spent the previous 20 years hosting CNN’s “Crossfire” on a rotating basis — the channel called itself “fiercely independent” and had no clear political tilt. Mr. Buchanan wrote Thursday, “In the 10 years I have been at MSNBC, the network has taken heat for what I have written, and faithfully honored our contract. Yet my four months’ absence from MSNBC and now my departure represent an undeniable victory for the blacklisters.” While sidelined at MSNBC, Mr. Buchanan continued to make many other media appearances throughout the fall and winter. Of the eight interviewers he named in his essay, five were hosts on the Fox News Channel or its sibling the Fox Business Network. Several Fox News hosts and commentators publicly defended Mr. Buchanan in January, sparking some speculation that Fox could sign him as a commentator at some point. Via NYTimes More On Bossip! Ultimate Swirl Pt. 2: White Dudes That Made Brothas Super Peeved New Cakes! Meet Playboy’s New Model Of Color Miss February Leola Bell And Her Lovely Twitpics Twitter Files: Thin-Skinned Chris Breezy Barks On His Haters And Stunts With His Grammy Missed Shots: Athletes That Went Broke For No Damn Reason!

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SMH: Pat “I’m Not A Racist” Buchanan Says White America Will End In 2025, Leaves MSNBC

‘Glee’ Pays Tribute To Whitney Houston

Fox show remembers the late icon during Valentine’s-themed episode with Amber Riley’s rendition of ‘I Will Always Love You.’ By Jocelyn Vena Amber Riley on Tuesday’s episode of “Glee” Photo: FOX On Tuesday night, “Glee” paid homage to the late Whitney Houston . But Amber Riley’s soulful rendition of “I Will Always Love You” had already been on the docket for the Valentine’s-themed episode, titled “Heart,” long before Houston was found dead Saturday in her Los Angeles hotel room. While the song choice served to move along the plot — which revolved around the love triangle between Riley’s Mercedes and her two beaus, footballer Shane (LaMarcus Tinker) and fellow Gleek Sam (Chord Overstreet) — it was particularly stirring, considering its timing. Standing in a red gown, Riley stood alone on a stage with just a spotlight on her as she sang a pitch-perfect rendition of the song, a Dolly Parton track recorded by Houston for “The Bodyguard” soundtrack . While Riley sings, Overstreet stands in the back of the auditorium, acknowledging her tearful goodbye to him. Who covered “I Will Always Love You” better: “Glee” or the Grammys? The show’s producers acknowledged the icon’s loss with an “In Memoriam” slate that ran at the end of the episode, which simply read: “Whitney Houston 1963-2012. We will always love you.” The decision to acknowledge the singer’s death was made shortly after the news of her tragic and untimely death broke. “Obviously, we could not predict the unfortunate circumstances that happened this weekend,” “Glee” music supervisor P.J. Bloom told The Hollywood Reporter. “But at the same time, instead of focusing on the dark stuff, it’s nice to have an opportunity to hear her in this way and celebrate the magic that Whitney brought to this industry.” Riley opened up to E! News about meeting Houston on Thursday, at the pre-Grammy party where Whitney hit the stage with Kelly Price . “Whitney’s music meant so very much to me. I was very, very choked up when I heard about her passing. I just met her this past Thursday,” Riley said. “I’ve grown up listening to her voice ringing throughout our household. I’m so speechless. I can’t believe that she passed.” On Sunday, Jennifer Hudson performed the same song at the Grammy Awards , serving as a simple, emotional tribute to the singer. Tune in as we celebrate the life of an icon with “Whitney Houston: In Her Own Words” tonight at 7:30 p.m. ET on MTV. Related Videos Whitney Houston: Life And Music Of An Icon Related Photos Whitney Houston: A Life In Photos Related Artists Whitney Houston

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‘Glee’ Pays Tribute To Whitney Houston

Oscar Index: Ladies First

You know that when two of the most respected pundits in all of Oscardom argue (within days of each other!) for curtailing both the epic Academy Awards season race and the ceremony in which it culminates, patience for all this crap is wearing thin. With that in mind — and also considering that the “race” for most of these categories ended weeks or months ago — who’s up for an Oscar Index lightning round? (The entire staff at Movieline’s Institute for the Advanced Study of Kudos Forensics raises its hands.) OK, then — to the Index! The Final 9: 1. The Artist 2. The Help 3. The Descendants 4. Hugo 5. Moneyball 6. The Tree of Life 7. Midnight in Paris 8. The Daldry 9. War Horse Though we cannot rule out any of these underdogs’ mounting a behind-the-scenes charm blitz before Academy polls close next Tuesday, or the implications of the reminder that no movie about movies has ever won Best Picture , The Artist ‘s triumph at last weekend’s BAFTA Awards only tightened its seeming lock on the Best Picture Oscar. Still, let’s hear it for The Descendants , blazing the media afterburners for a desperately needed uptick. ( The Help , by comparison, got a forlorn-looking electronic billboard .) Also, don’t look now, but somebody actually dared to write thoughtfully about The Daldry . Not a minute too soon! Anyway, yes, Steve Pond , we’re all with you: Let’s just end this farce already. The Final 5: 1. Michel Hazanavicius, The Artist 2. Alexander Payne, The Descendants 3. Martin Scorsese, Hugo 4. Terrence Malick, The Tree of Life 5. Woody Allen, Midnight in Paris While the BAFTAs nudged Hazanavicius ever closer to Oscar glory and Sasha Stone contemplated the beneficiaries of a potential split vote — which is really the most that the pundits and campaigners engineering an anti- Artist backlash can hope for at this point — only Allen received a truly needle-moving endorsement this week. Ladies and gentlemen, I give you Nick Jonas : “[F]or directing, I chose Midnight in Paris because Woody Allen is my favorite. He’s awesome.[… T]here would be a Woody Allen film on the tour bus every now and again. There’s always a Woody Allen movie on.” Now you know. The Final 5: 1. [tie] Viola Davis, The Help 1. [tie] Meryl Streep, The Iron Lady 3. Michelle Williams, My Week With Marilyn 4. Rooney Mara, The Girl With the Dragon Tattoo 5. Glenn Close, Albert Nobbs “I hope we can all agree that when the Oscar conversation involves actresses as massively gifted as Meryl and Viola we all win,” wrote Nathaniel Rogers of the juiciest race going. “If only we could have a tie!” Haha, fine for now, but NO . Don’t give the Academy any ideas; it’ll totally screw up my Oscar-party ballot. That said, it’s quite a conversation, with the BAFTAs and the Berlinale’s gala tribute tilting momentum back Streep’s way. But if we’re to believe that the continued dissemination and discussion of these events among awards observers and the media cognoscenti are really the factors that persuade Oscar voters (and I guess we are to believe that, rightly or not — otherwise, what are we doing here?), then wouldn’t it follow that the continued dissemination of Davis’s boundless class, intellect and talent on the campaign trail would either match or supersede Streep’s own carefully cultivated hype? Take this incredible appearance that Davis and Help co-star Octavia Spencer recently made on Tavis Smiley’s show, an interview that’s been covered here , there and everywhere [transcript via The Carpetbagger ]: “I want you to win,” Mr. Smiley said, “but I’m ambivalent about what you’re winning for.” Ms. Davis was direct. “That very mind-set that you have and that a lot of African-Americans have is absolutely destroying the black artist,” she said. “The black artist cannot live in a revisionist place,” she added. “The black artist can only tell the truth about humanity, and humanity is messy. People are messy. Caucasian actors know that. We as African-American artists are more concerned with image and message and not execution,” she said, “which is why every time you see your images they’ve been watered down to the point where they are not realistic at all.” “My whole thing is, do I always have be noble?” she continued. “As an artist, you’ve got to see the mess.” The Academy has never really given any indication of having taste that would or could be moved by a case like that. But if its members in the actors branch in particular do have that taste, and they can hear her voice above the noise, then Davis may yet be the actress to beat. For now, meanwhile, it’s just too close to call. In other brief news, Mara got another profile-boosting close-up while Close — who’s facing such delightful headlines as ” Glenn Close: Next Queen of Oscar losers? may as well ask to just be awoken when it’s Feb. 27. Tough world. The Leading 5: 1. Jean Dujardin, The Artist 2. George Clooney, The Descendants 3. Brad Pitt, Moneyball 4. Demi

Fwd: INDIA: Rotten corpses symbolise a fallen system

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Bon Iver: Who Is Best New Artist Grammy Winner?

Justin Vernon and company also took home Best Alternative Album Grammy for self-titled album Sunday night. By Zachary Swickey Bon Iver wins Best New Artist at the 2012 Grammy Awards Photo: Kevin Winter/ Getty Images Like Arcade Fire ‘s surprise Album of the Year win at last year’s Grammys , Bon Iver taking home Best New Artist on Sunday night (February 12) over more established artists like Nicki Minaj was bound to raise a few eyebrows. And when you asked “Who are Arcade Fire?” in 2012, we had you covered, and we’ve been following Wisconsin singer Justin Vernon (the man behind Bon Iver) for quite some time — long before he snagged BNA and Best Alternative Album at this year’s ceremony. Quite the pleasant surprise for the under-the-radar folk singer, who recently became the face of a Bushmills whiskey ad to boot. Bon Iver’s second, self-titled disc was released in early 2011 but is still clearly getting the attention it deserves. He may have made a few public derogatory comments about the Grammy Awards ceremony itself, but that didn’t sway the voters or the singer from showing up. To put his “underground” status into perspective: Bon Iver debuted at #2 in June 2011 on sales of just under 104,000, but their total album sales to date (just over 357,000) are nothing compared to a powerhouse-seller like Adele’s 21 . A helpful primer on Justin Vernon/ Bon Iver: The former All-State high school football star and World Religion college major began his career playing in the jazzy party band Mount Vernon, which transitioned into DeYarmond Edison, formed with some old high school pals who all moved to North Carolina in 2005 to spread their musical wings. A year later, things fell apart with his band and his girlfriend, just as he was laid low by a vicious bout of mono, driving Vernon back to Eau Claire for some physical and psychic healing. He holed up in isolation in a deer-hunting log cabin built by his dad in the woods in northwestern Wisconsin and began writing the high and lonesome songs that would become For Emma. After months spent drinking and watching “Northern Exposure” DVDs, he alighted on the name Bon Iver, which is a French phrase used as a greeting in the show that translates to “good winter.” The tunes he recorded were intended as a demo, but once they got some blog love, he was signed to indie Jagjaguwar, and For Emma was released in May 2008. The album became an indie sensation, and its mix of acoustic folk and manipulated, Auto-Tuned vocals not only landed him on the “The Twilight Saga: New Moon” soundtrack, but also on a number of songs from Kanye West’s Grammy-nominated My Beautiful Dark Twisted Fantasy. Video: Watch Highlights From The 2012 Grammy Awards Even as his star was rising, Vernon kept collaborating with a number of other artists, lending his voice to the indie supergroup Gayngs, playing in the side project Volcano Choir and hooking up with English singer James Blake recently on the song “Fall Creek Boys Choir.” Bon Iver continued to be his main focus, so Vernon built his own cabin to record his self-titled project, again just outside of Eau Claire, turning what used to be an indoor pool into a recording studio where he tracked the songs mostly by himself. (The live version of the band includes a drummer, guitarist and bassist.) The denser, 10-track album featured help from a number of collaborators, including renowned session player and pedal steel maestro Greg Leisz, as well as a number of percussionists and horn and string players. Stick with MTV News for all the news on Whitney Houston’s tribute, the Grammy red-carpet fashion , Grammy winners and more until the hangover wears off! Related Videos 2012 Grammy Awards Red Carpet Highlights 2012 Grammy Awards Show Highlights Related Photos 2012 Grammy Awards: Backstage And Audience 2012 Grammys Red Carpet Photos Related Artists Bon Iver

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Bon Iver: Who Is Best New Artist Grammy Winner?

Whitney Houston: A Film Fan’s Appreciation

Late singer showed dignity and vulnerability in films like ‘The Bodyguard’ and ‘Waiting to Exhale.’ By Ryan J. Downey Whitney Houston in “Bodyguard” Photo: Warner Bros. Whitney Houston will be remembered for her voice, her hit songs, her charismatic presence. As someone who has spent my life sharing equal passion for music and movies, it’s particularly noteworthy to me that the biggest hit I associate Houston with is intrinsically tied to a film. Judging by the number of “Whitney, I will always love you” tweets from celebrities and fans on Saturday, I’d say I’m not alone in thinking of her big voice mostly in “I Will Always Love You,” which is inseparable from “The Bodyguard.” My late mother was a huge fan of Dolly Parton, who originally wrote and recorded the song that would become a huge hit for Houston on the soundtrack to “The Bodyguard,” in which she starred (years before people ran around saying “meta”!) as a pop singer. The stepmother who came into my life when I was a teenager passed away herself a couple of years ago. The first Christmas present I ever bought for her growing up was a copy of one of Whitney’s albums on cassette, so I experienced a variety of emotions and memories about important women in my life as my Twitter feed blew up with reports of the troubled star’s untimely passing. Nobody knew Houston could act (a bit part on an episode of the corny sitcom “Gimme a Break!” was certainly no barometer) when director Mick Jackson cast her to play Rachel Marron, a singer in need of protection from a stalker, in “The Bodyguard.” Big marquee name Kevin Costner played the title role of an ex-Secret Service agent turned private protector. The two characters, against the odds and against the rule, become more than co-workers as the story unfolds. The movie is cornball, sure, but Houston was quite fun. Lawrence Kasdan, who put his stamp all over my childhood as a writer on “The Empire Strikes Back,” “Raiders of the Lost Ark” and “Return of the Jedi,” reportedly conceived the script in the ’70s as a vehicle for the legendary Steve McQueen and Diana Ross. I was actually at the Grammy Special Merit Awards watching Ross accept a Lifetime Achievement Award when I saw the guy in front of me show his girlfriend a tweet about Whitney Houston’s death, which is how I first learned the news. Perhaps in some roundabout way you could call that my Six Degrees of Kevin Costner with this story. It’s not unusual to look for “signs” and coincidences when we try to process death around us, whether it’s a loved one, acquaintance or a public personality we never knew. “The Bodyguard” had action, romance and behind-the-scenes drama involving the entertainment industry, all of which are some touchtone topics that have followed me in life. I worked part-time in a record store when the movie came out and I vividly remember handling copies of the soundtrack on CD and cassette (remember those?) as patron after patron brought up a copy for me to ring up. The movie, the songs (“I Have Nothing” was no slouch!) and the CD were all intertwined, intermingled, wrapped up together to me. Houston’s performance displayed a certain tenderness combined with an elegant toughness that recalled screen sirens from mid-century. True, she was drawing from some life experience by playing someone so close to her comfort zone. But in 1995, she did it all over again in “Waiting to Exhale” and this time opposite acting heavyweight Angela Bassett (and directed by Forrest Whitaker!). “Exhale” shot straight to #1 at the box office, while Houston’s single from the movie did the same thing on Billboard. Last spring, Bassett did an interview in which she talked about a sequel reuniting the director and stars. Of course, that couldn’t happen now. Too many pop stars, rock idols and rappers trying their hand at acting have made the whole concept a joke to some people. And granted, not every musician who switches gears turns out to have chops (and vice versa in the actors-turned-musician department). But Penny Marshall certainly wouldn’t have put Houston next to Denzel Washington and Gregory Hines in “The Preacher’s Wife” if she’d watched “The Bodyguard” and “Waiting to Exhale” and thought the singer hadn’t pulled off the jobs. The remake of the 1947 film “The Bishop’s Wife” may have included some hokey fantasy elements, but it still became the best-reviewed movie Houston made. Sure, both “Bodyguard” and “Exhale” are “rotten” according to Rotten Tomatoes, which aggregates reviews from major film critics. I’m not going to try to pass either of them off as particularly great films. But “The Bodyguard,” my favorite of the two, is an inoffensive confection that rises above the phrase “guilty pleasure” ever so slightly even after repeated viewings and even after all of this time. There’s no denying Houston’s likability and watchability in all three of her major film roles. She was dignified, strong and yet vulnerable in the sort of way that made you want to sweep her up like Kevin Costner on the movie poster. Houston’s final film, “Sparkle,” is set to be released in August, and indeed, there is nothing the specter of addiction can do to erase her sparkle on the silver screen. We’ll miss you, Whitney. MTV News’ Sway and James Montgomery will be live from the Grammys red carpet this Sunday, February 12 starting at 5 p.m. ET to get reactions from music’s biggest stars on the death of Whitney Houston. Watch Reactions and Remembrances at MTV.com. Share your condolences with Whitney’s family and friends on our Facebook page. Related Videos Whitney Houston: Life And Music Of An Icon Related Photos Whitney Houston: A Life In Photos Related Artists Whitney Houston

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Whitney Houston: A Film Fan’s Appreciation

Whitney Houston Toasted By Diddy, Tony Bennett At Pre-Grammy Parties

Wiz Khalifa, Ne-Yo, LL Cool J and ‘Sparkle’ co-star Tika Sumpter all pay tribute to the late icon. By Kelley L. Carter Clive Davis and Diddy onstage at the pre-Grammy Gala and Salute to Industry Icons Photo: Kevin Winter/Getty Images Saturday night (February 11) before the Grammys is supposed to be a celebration. Instead, on the red carpet at LL Cool J ‘s pre-Grammy dinner party and Clive Davis’ annual soiree, tribute was paid and tears were shed after the news that Whitney Houston was found dead earlier that day. With the news so fresh in their minds, Houston’s celebrity friends were feeling the loss immensely. “I remember hearing her voice and thinking it was the most amazing and powerful voice I’d heard in my life. To this day, it can’t even be matched,” rapper Wiz Khalifa told MTV News on the Clive Davis red carpet. ” … We’re going to celebrate her life and the great things that she’s done. This is her night.” Inside the Clive Davis party, Houston’s mentor took a moment to share some words about his most famous discovery. “Whitney loved music and loved this night that celebrates music,” he told the crowd of celebrities and industry insiders. “Whitney was a beautiful person with talent beyond compare. She gave so many memorable performances here over the years. Her family asked that we carry on.” Diddy shared his memories of Houston onstage: “If you sat next to Whitney anywhere, you knew she was in for a good time. … She gave you a grandma hug that shook your body.” When Alicia Keys performed at Davis’ party, she spoke of her “kindred sisterhood” with Houston, whom she has collaborated with in the past. “The same man who helped her dreams come true helped my dreams come true,” Keys’ said of sharing mentor Davis with the late singer. Tony Bennett also toasted Whitney, singing in her honor Frank Sinatra’s “Music Never Ends,” which he said “Frank asked me to sing. … Dedicated to Whitney, the greatest singer I ever heard in my life.” “There was nothing she couldn’t do except conquer that demon that we all were aware of,” former late-night talk-show host Arsenio Hall told MTV News at the LL party. “Whitney could sing. Whitney could act. Whitney was incredibly funny. I remember nights hanging out with Whitney and just laughing until your stomach hurts.” LL, who had just come from his final rehearsal before hosting Sunday’s Grammys , said the show will be changed to honor Houston. He didn’t want to divulge specifics, except to say “of course it affects it. How could it not affect it? But we’ll, as a team … everybody involved with the Grammys, we want to give her respect. We’ll do something.” The rapper and actor also talked about Houston’s rich legacy, saying, “She was the pop queen. All the little girls wanted to sing like her. She was just like a member of a lot of people’s families. It’s devastating. … A great artist, great person. We go through so many ups and downs in life, but you just remember that voice.” At the Clive Davis event, singer/songwriter Ne-Yo echoed LL, saying, “Any little girl that wanted … to be a real singer — not a pop star, but a singer — there’s no way that that little girl can say that she wasn’t influenced by Whitney Houston. No possible way.” NBA legend Magic Johnson said he was longtime friends with Houston. He smiled when thinking about her and said he rarely missed a show when she performed in Los Angeles. Johnson said Houston had recently performed “Happy Birthday” for his wife, Cookie. “That’s who she was. She had a good heart. We shared so many moments with her. She thrilled us with being onscreen with her movies and everything. She always wanted to know how my theaters were doing, especially when she had a movie. She’d check and be like, ‘How’d it do at the box office?’ She was a great woman. It’s sad that this had to happen. This is tough for everybody,” Johnson said. Actress Tika Sumpter, who recently worked with Houston in the forthcoming “Sparkle,” was crying and said it was hard to smile on the red carpet. She plays one of Houston’s daughters in the film, alongside Jordin Sparks and Carmen Egojo. Sumpter said she hadn’t spoken with any of her castmembers since learning of Houston’s death earlier that day. “It’s so hard to talk about this right now. I got to work with her. And she’s an awesome woman. I thought of her as a second mom, and she thought of us as her daughters,” she said. “I’m excited for people to see how brilliant she is in it. I’m just happy that I was able to play her daughter.” Join us for a tribute to Whitney Houston with non-stop music videos on MTV Hits and MTV Jams, all day Sunday. Share your condolences with Whitney’s family and friends on our Facebook page. Related Videos Whitney Houston: Life And Music Of An Icon Related Photos 2012 Grammy Awards Pre-Parties Whitney Houston: A Life In Photos Related Artists Whitney Houston Diddy

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Whitney Houston Toasted By Diddy, Tony Bennett At Pre-Grammy Parties

Tom Hardy ‘Not Worried’ About Bane Voice Complaints

‘I trust Christopher Nolan implicitly,’ Hardy tells MTV News of his ‘Dark Knight Rises’ director. By Kara Warner Tom Hardy as Bane in “Dark Knight Rises” Photo: Warner Bros. Those of you following the seemingly never-ending Internet musings about “The Dark Knight Rises” are likely very well of the fact that the biggest story surrounding the film at this point in time is whether or not audiences will be able to understand the words Tom Hardy as villainous Bane is saying through his frightening mask. Ever since fans got an early glimpse at Hardy in the role via a sneak peek of the film’s six-minute opening sequence in December, there has been growing concern and a lot of pre-emptive freaking out over the fact that we’re not going to be able to understand anything Bane says. When MTV News caught up with Hardy at the U.S. premiere of his upcoming action/romantic comedy “This Means War,” we asked him how concerned he is about audiences understanding his dialogue. “Not at all. I trust [director] Christopher Nolan implicitly. I’m not worried at all about people understanding him mumbling away,” Hardy said. “But I have seen some brilliant stuff online about [my mumbling] ‘Mmmm … Batman doesn’t beat up retards!,’ which I thought was very funny. I enjoyed that,” he said with a smile, referencing the veritable commotion his voice has made online via various analytical blog posts and the parody Twitter account @MuffledBane. So there you have it. Trust in Christopher Nolan, people: The Oscar nominated writer/director has said as much himself. “I think when people see the film, things will come into focus,” Nolan told Entertainment Weekly recently. “Bane is very complex and very interesting,” he said. “And when people see the finished film, people will be very entertained by him.” For his part, Hardy did admit that Bane’s mask is pretty tight, but seems to have enjoyed the villainous aspects of the character, without getting carried away by it. “I didn’t get into a dark place at all,” Hardy told Latino Review of his “brutal” and “heavy-handed” character. “A lot of dark characters are easy to have distance from. It’s something I feel comfortable with, I suppose.” Check out everything we’ve got on “The Dark Knight Rises.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Photos On The Set Of ‘The Dark Knight Rises’

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Tom Hardy ‘Not Worried’ About Bane Voice Complaints