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‘American Idol’ Report Card: Can Lauren Alaina Steal The Title?

Singer overcame vocal problems Tuesday night for a great performance of Carrie Underwood’s ‘Flat on the Floor,’ but our money’s on Scotty McCreery. By Eric Ditzian Lauren Alaina performs on “American Idol” on Tuesday Photo: FOX Contrary to our earlier predictions, “American Idol” on Tuesday night was indeed packed with surprises — just none that had anything to do with Scotty McCreery’s and Lauren Alaina’s performances . The two finalists, as expected, kept the penultimate “Idol” a strictly country affair. Instead, the shocking twists and turns took place before and between the singers’ onstage appearances (though, sadly, not even these oddities could turn the show into a particularly compelling viewing experience). Ryan Seacrest hit pause on the proceedings just minutes after they began, telling the audience (as had been widely reported online) that Lauren had severely strained her vocal chords but wouldn’t bow out of the competition. “I’m here. I’m ready to sing,” she said, attempting to maintain her composure. “And I’m fine — don’t worry about me.” So much for the possibility of Haley Reinhart rising up from the heap of “Idol” castoffs to challenge Scotty for the win. No sooner had the 17-year-old country boy finished his first performance than Seacrest rushed through the voting numbers and tossed to commercial. What, Randy Jackson doesn’t get to weigh in with a yo-dog this and for-me-for-you that? Steven Tyler doesn’t get to see how times he can say “beautiful” in a 15-second sound bite? As our MTV News colleague Jim Cantiello put it, “I guess ‘Idol’ producers finally realized what viewers have been saying for months: These judges are useless. Randy, Steven and Jennifer Lopez, in fact, wouldn’t get a chance to offer up their opinions until after the second set of performances, by which time one thing was clear: If you aren’t a country fan, this show was a super-boring affair. But a hoedown is what voters wanted in this “Idol” finale, and who are we to argue? Our job, instead, is to line ’em all up and lay down some grades. It’s time for our final “American Idol” report card of the year! Excellent Lauren Alaina : “Flat on the Floor” by Carrie Underwood Early in May, Lauren’s take on this track stood as a sort of comeback moment for the teen: After weeks of tentative performances in which the carefree and confident Lauren we knew seemed to disappear under the sweat-inducing reality-show spotlight, the singer stormed back. We had to stop ourselves from aping Randy and declaring, “She’s back, baby!” On Tuesday, she took that performance up a notch, not in spite of but perhaps because of her injured instrument. There was a welcome raspy quality to her vocals, and she overcame some initial nervousness to really let loose. Good Scotty McCreery : “Gone” by Montgomery Gentry When Scotty performed this tune a few weeks ago, we marveled at the kid’s swagger: He skipped around the stage, busted out a little call-and-response with the backup singers, and generally seemed to have reached a new level in his onstage persona . This time around, both by comparison and on its own, the performance was a bit of a letdown. Sure it had all sorts of energy, but Scotty mumbled his way through the early lines and didn’t soar to the kinetic heights he had before. It was a perfectly good performance, but it was by no means great. Scotty McCreery : “Check Yes or No” by George Strait Back in April when Scotty took on a Strait song , he let his vocals stretch further than at any point in the season. Yet he still stayed within his country comfort zone. It was a winning combination. “Check Yes or No” was another winner, though his vocals didn’t necessarily have the power to compete with all that instrumentation. Still, Scotty held his guitar like Elvis, wagged his eyebrows like a patient undergoing electroshock therapy and somehow came out looking like a future country superstar. With Scotty standing up there in a row with the band, the stage presented something of an “Idol” hero shot. Lauren Alaina : “Maybe It Was Memphis” by Pam Tillis We know Carrie Underwood’s heart was in the right place when she selected this song for Lauren. At least in genre, it truly is a great fit for the teenager. But mangled voice or not, Lauren doesn’t possess the vocal delicateness the song requires. Making up for the lack of artistic grace, however, was the grittiness with which her ailment had gifted her. Satisfactory Lauren Alaina : “Like My Mother Does” Call it a brilliant production move or contrived even for “Idol,” but Lauren’s ode to mothers was about as savvy a song choice as any contestant could ask for during a finale. There was a lovely little chorus, and who except the hard of heart can complain about the unvarnished, emotional hug she shared with her mom during the performance? Here’s the thing: By this point, Lauren’s voice really was struggling, the rasp giving way to a warble. Nonetheless, the judges fawned over her, with J. Lo declaring that the song might have won her the competition. Let’s not go overboard, but let’s also be clear: Anything can happen on Wednesday’s (May 25) elimination show. Unsatisfactory Scotty McCreery : “I Love You This Big” Maybe it was the video playing overhead, maybe it was the zombies waving their hands in the front rows, but this tune was undeniably, inescapably cheesy. When the song finally busted open, Scotty’s notes were flat, never soaring to the heights to which the song clearly aspired. Yet we have to give credit where it’s due. Scotty possesses the icy confidence you want in an ace pitcher: someone who can shut out the pressure, step on the mound and hurl some effing heat; and when a pitcher doesn’t have his best stuff on any given day, you need him to find ways to win. If you ask us, that’s what Scotty did on Tuesday. He didn’t have his best stuff, but his confidence in his gifts carried him through. Again, anything can happen, but we’ll call it now: Scotty McCreery for the win! Don’t miss a special edition of “Idol Party Live” Thursday at noon on MTV.com for analysis, finale red-carpet coverage and the last “Idol in 60 Seconds” of season 10. Get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season 10 Performances

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‘American Idol’ Report Card: Can Lauren Alaina Steal The Title?

Pia Toscano Eliminated In ‘American Idol’ Shocker

Stefano Langone and Jacob Lusk join onetime front-runner in the bottom three. By Gil Kaufman Pia Toscano Photo: FOX All sense of logic was officially thrown out the window on “American Idol” on Thursday night’s (April 7) elimination show. With two of the season’s leading contenders in the bottom three — after last week’s shocking near-miss for Paul McDonald — there seems to be no rhyme or reason to the voting patterns on the 10th season of the show. When the dust settled, those confounding voters served up one of the biggest early elimination bombshells in recent “Idol” history, sending home the woman many had pegged as a potential winner, or at least top finisher, Pia Toscano. The comely singer who had charmed the judges with her professional, powerful performances, camera-ready looks and diva-in-the-making potential hit the bottom three for the first, and last, time on Thursday night in a vote that confounded and angered the judging panel. As host Ryan Seacrest broke the bad news, judge Randy Jackson — perhaps sensing that he pulled his save too early two weeks ago when bearded bass player Casey Abrams was spared — grabbed his head and mouthed “no, no” and, as the camera cut away, maybe something a bit stronger, while Toscano smiled politely and took the news like a pro. “I’m good,” Toscano smiled when Seacrest asked how she was doing. Judge Jennifer Lopez broke into tears, saying, “I have no idea. I have no idea what just happened here. I’m shocked, I’m angry. I don’t even know what to say.” “They’re wrong, I don’t know what happened with this,” a dumbfounded Steven Tyler added, as Jackson admitted that he never gets mad on the show and was officially steamed at Toscano’s elimination. It was not shaping up like this earlier in the hour. Casey Abrams, Stefano Langone and Lauren Alaina were first up in the elimination circle, with Abrams skating after his CCR bass-plucking performance, Alaina safe after biting off a big chunk with “(You Make Me Feel Like) A Natural Woman,” leaving Langone to shuffle to the bottom three again after a lackluster “When a Man Loves a Woman.” From early indications, it seemed like it was Langone who was going to be leaving. The second group featured Paul McDonald, Toscano and Scotty McCreery . McDonald rocked Johnny Cash’s “Folsom Prison Blues,” while Pia went uptempo with Tina Turner’s “River Deep, Mountain High” and McCreery did Elvis’ “It’s Alright Mama.” McCreery and McDonald will live to sing another day, while nobody saw it coming when Toscano made her first visit to the bottom three. The next trio up was James Durbin, Haley Reinhart and Jacob Lusk. While rocker Durbin took a chance with the gentle ballad “While My Guitar Gently Weeps” and Reinhart hit “Piece of My Heart” with gusto, Lusk seemed to stumble with “Man in the Mirror.” Durbin was safe again, as was Reinhart, while Lusk also made his maiden voyage to the bottom. He, too, seemed like the likely one to be sent packing at show’s end. But first to be waved back to safety was Lusk, who survived despite a shaky performance and a strange warning to America that if he was eliminated it would be because the country couldn’t look itself in the mirror (whatever that means). Though eliminated contestants haven’t been given a chance to sing their way off this year, Seacrest made an exception and let Toscano reprise her heartbreaking cover of the Pretenders’ “I’ll Stand by You,” as the remaining eight wiped their eyes and the audience gave Pia a standing ovation while she broke down in tears at song’s end. Perhaps sensing that one of the leading lights of the show had been dimmed and the audience might wane in the coming weeks, Seacrest ended the show with the plea: “We need you. Stay with us this season.” The show also featured season-four finalist and Tony nominee Constantine Maroulis stopping by to visit the kids and sing a brooding rock version of the classic ballad “Unchained Melody.” But, aside from Pia’s exit, the night’s biggest WTF moment was when Rock Hall of Famer and shirt-allergic punk godfather Iggy Pop shimmed all over the stage to “Real Wild Child.” What did you think of tonight’s elimination? Did Pia deserve to go home? Let us know in the comments. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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Pia Toscano Eliminated In ‘American Idol’ Shocker

‘American Idol’ In 60 Seconds: Thia And Naima Boom-Fired

After hours of onstage drama, Elton John week spelled elimination for two more girls. By Jim Cantiello Thia Megia performs on “American Idol” on Thursday Photo: Michael Becker/ Fox It was Elton John week on “American Idol,” which meant the most contemporary song performed was from 1983. The top 11, including a newly saved and shaved Casey Abrams , mostly warbled ballads, making Wednesday night’s two-hour episode feel as “samey” as Elton’s musical output of late. (For an even zippier recap of the week’s “Idol” insanity, hit play on the embedded video below for Jim Cantiello’s “American Idol” in 60 Seconds recap.) Pia lied to America when she promised an uptempo song this week, while Stefano lulled America to sleep with dreams of being held by Tony Danza. Naima confused America with a new dialect, leaving millions of viewers wondering if a stereotypical Jamaican accent done by an African-American is still racist. Then, Jacob was reprimanded for being over-dramatic onstage so he reacted the way any drama queen would: renting a smoke machine and pretending to weep. Sorry seems to be the hardest word, indeed! Scotty sang for his memaw. Thia sang for her brother. But Haley Reinhart sang for her supper, ferociously taking a bite out of “Bennie and the Jets” and spitting it out with a succulent hissssss. Oh, and James Durbin torched a piano. Thursday night’s results show was like a never-ending awkward group number — chock-full of half-rehearsed collaborations that revealed the cliques in the cast. Sorry, Jacob Lusk and li’l country boy Scotty, you aren’t invited to the dorm-room band from hell that is Paul McDonald, James, Casey and Stefano, dwarfed by a normal-size keyboard. Fantasia stopped by to debut her new single, “Collard Greens and Cornbread,” then Jamie Foxx, will.i.am and four thousand Six Flags performers danced around to “Hot Wings.” Ultimately, the meal ticket ended for Thia “Dead Air” Megia and Naima “Boom Fire” Adedapo … continuing “American Idol” ‘s disturbing Lady-Singer Massacre of 2011. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season 10 Performances

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‘American Idol’ In 60 Seconds: Thia And Naima Boom-Fired

My Chemical Romance, Green Day, Paramore, Disturbed Reach Final Four Of March Madness

One of these four bands will win the 2011 MMM title; vote now in the Newsroom blog! By James Montgomery My Chemical Romance’s Mikey Way and Gerard Way Photo: John Shearer/ WireImage Three weeks ago, 64 bands embarked on the voyage that is MTV’s Musical March Madness . Now, after millions of votes and nearly as many grueling matchups, only four remain. My Chemical Romance, Green Day, Paramore and Disturbed each punched their ticket for the Final Four late Thursday night, and one of them will hoist the MMM trophy next week. Check out our MMM Bracket right here! It wasn’t easy for any of them. Much like the Sweet 16, voting in the Elite 8 broke records and went down to the wire. We wouldn’t expect anything less, not when the bands still competing were this big, and the stakes this high. And they’re about to get even higher. Because voting in our Final Four matchups — #9 Disturbed vs. #3 Green Day and #5 Paramore vs. #3 My Chemical Romance — is now under way over on the Newsroom blog, and it’ll be up to you to determine the two bands that’ll go head-to-head for the MMM championship. Final Four voting has begun on the Newsroom blog! While you consider just whom you’ll be voting for — if you haven’t made your mind up already — let’s take a look back at each band’s journey to the Final Four. Disturbed The lowest-seeded band still standing, Disturbed entered MMM as a #9, but quickly served notice that they were a force to be reckoned with, knocking off #8 the Dave Matthews Band in the opening round, then shocking the world by slipping by the Midwest’s top seed, the Foo Fighters , to reach the Sweet 16. Then, they handled Patrick Stump and, perhaps inspired by frontman David Draiman’s now legendary “time to make a statement” speech, took down defending MMM champs Coheed and Cambria in an air-tight battle. With more than 105,000 votes cast, Disturbed outdistanced Coheed by less than 500 to win the Midwest region and earn a spot in the Final Four. Green Day Last year, Green Day were sent packing in the opening round of the tournament, an exit that left them with a bitter taste in their mouths and a sizeble chip on their shoulders. So, in their 2011 march to the Final Four, they took no prisoners, absolutely dominating Adam Lambert in the first round, then going toe-to-toe with a pair of their fellow rock heavyweights — U2 and Blink-182 — and barely breaking a sweat. Their toughest challenge came in the Elite 8 against, ironically enough, Panic! at the Disco, the very band that sent them packing last year. Green Day got revenge , withstanding a late surge from the Panic! guys to take the West region title and head to the Final Four. Paramore Nearly two years ago, we wrote that Paramore were poised “to become the kings and queen of the South.” Little did we know how right we’d be; after a string of impressive victories, Hayley Williams and the guys are, in fact, the rulers of the region, and they’ve certainly earned their crowns. No band faced a stiffer series of matchups throughout the tourney — Paramore drew No Doubt in the opening round and Kings of Leon in the second — and that was before they took on tournament vets Tokio Hotel in the Elite 8. Each time, they rose to the challenge, taking the South region title and, in the process, may very well have become the favorites to win it all. My Chemical Romance It was heartbreak city for MCR last year, as they rode a wave of fervent fan support all the way to the MMM championship game, only to be crushed by Coheed. They’re the only band to climb the mountain once again, and they’ve done it with a frightening level of proficiency. Because, to this point, My Chemical Romance have yet to be really tested, rolling #14 Panda Bear in round one, #11 Rage Against the Machine in round two and #2 Radiohead in the Sweet 16 . They ended 16th-seeded Sum 41’s dream run in the Elite 8 , wrapping up the East title and barely breaking a sweat. In the Final Four, they’ll face off against Paramore, which might very well be the de facto 2011 championship game. MTV’s Musical March Madness has reached the Final Four. All winners are determined by your votes, so, if your favorite act is still standing, it’s up to you to guide them to glory. You can rally the troops on Twitter using the hashtag #MMM — and you’d better; the MMM trophy is within reach! Related Videos MTV News’ 2011 Musical March Madness Related Photos MTV’s 2011 Musical March Madness’ Band Bracketology Bands Hit The Court For MTV’s 2011 Musical March Madness Related Artists My Chemical Romance Disturbed Paramore Green Day

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My Chemical Romance, Green Day, Paramore, Disturbed Reach Final Four Of March Madness

2011 MTV Movie Awards Voting Begins Today!

Starting Tuesday, fans can choose the nominees for Best Kiss, Best Line and more. By Eric Ditzian Kristen Stewart and Robert Pattinson in “The Twilight Saga: Eclipse” Photo: Summit The power of the Golden Popcorn is once again yours! Starting today, we’re asking you to cast your votes and select the nominees for the 2011 MTV Movie Awards in 13 categories ranging from the familiar (Best Movie, Best Kiss) to the brand-new (Best Line from a Movie). Can “Eclipse” reprise the success of “Twilight” (seven nods) and “New Moon” (five nods) before it? Will Biggest Badass star go to Robert Downey Jr.’s sardonic, super-suited hero in “Iron Man 2,” to Angelina Jolie for her acrobatic brawling in “Salt,” or someone else entirely? Which star’s unforgettable line — Liam Neeson’s plea to release the Kraken? Justin Timberlake’s insistence that only a billion dollars is truly cool? — will be the first to take home this award? For a third-straight year, it’s up to you! Here’s how it’ll work: Starting Tuesday (March 22) and running through April 5, you can log onto MovieAwards.MTV.com to nominate your favorite movies, stars and crazy cinematic moments. Once the final nominees are announced, head back to the site to vote for the winners from May 3 through June 4. Voting for Best Movie, however, will remain open throughout the live ceremony on June 5 — meaning you’ll have a chance to affect the night’s biggest prize until the very last minute. “MTV’s viewers are die-hard film buffs, and we love to see how they wield that dedication when voting for the MTV Movie Awards,” said Stephen Friedman, general manager of MTV. “This year’s show will once again reward movie buffs with previews of the year’s most anticipated movies and one-of-a-kind moments that become pop-culture history.” The 20th Annual MTV Movie Awards will air live on Sunday, June 5, at 9 p.m. ET from the Gibson Amphitheatre in Universal City, California. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos 2011 MTV Movie Awards Voting Begins Today!

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2011 MTV Movie Awards Voting Begins Today!

‘American Idol’ Report Card: Stefano Langone Wins The Week

The rest of the top 12 are letting their grades slip performing songs from the year they were born. By Eric Ditzian “American idol” finalist Stefano Langone Photo: FOX Before we dive into this week’s “American Idol” report card, we need to pause and award a special gold star to Steven Tyler, whose commentary on Wednesday night — replete with rhyming phrases, butchered metaphors and one instance of nonsensical, if oddly well-intentioned, racial profiling — keep us glued to the telly through some snooze-inducing performances. Who cares if his commendations didn’t always line up with objective reality? We’d tune in any day of the week to hear the Aerosmith frontman suggest that one singer has a “sorcerer’s grasp of melody” and highlight another singer’s “ethnic what-it-is-ness.” Yet just as we hand out that gold star to Tyler — and plan to dole out a few more — there are far too many contestants who earned themselves some demerits on Wednesday. It doesn’t matter if they were sick or sleepy or just simply misguided in their song choices from the year they were born — there’s no hiding from our “Idol” report card. Let’s get on with it! Excellent Stefano Langone : On a generally weak evening in “Idol” land, Stefano finds himself at the top of the class, despite his pretaped diss of “Funky Cold Medina.” Harsh! Stefano’s got a silky smooth voice, confidence for days, and he popped off some top-notch runs during Simply Red’s “If You Don’t Know Me By Now.” Then he went ahead and sealed the deal with that bear-hug with his mom. Now, all he’s got to do is apologize to Tone Loc. Good Pia Toscano : From judges to Jimmy Iovine to the voting public, everyone has been waiting for Pia to bust out something that isn’t a capital-B ballad. Who knew the moment she’d finally go up-tempo-ish would be with a rendition of Whitney Houston’s “Where Do Broken Hearts Go”? Sure, it had a bit of a cruise-ship cabaret feel, and her outfit would have been a better fit on “The Love Boat” than “American Idol,” but her vocals were, as always, on point Scotty McCreery : Iovine spoke up for an army of frustrated viewers when he said he’s not trying to change Scotty, just have him grow and get better. If only! Nothing approaching growth took place during his version of Travis Tritt’s “Can I Trust You With My Heart.” One note at the end snuck out of Scotty’s comfort zone before he reeled the vocals back in. The North Carolina native can probably coast into the finals without growing in any meaningful way, but where’s the fun in that? Lauren Alaina : Wacked-out on Nyquil though she may have been, Lauren showed no ill effects once she stepped up onstage (the same cannot be said for her pre-performance interview, when the only thing she seemed to be able to giggle-slur at Ryan Seacrest was, “Look at yooooooooooooou!”). Precocious and confident, Lauren bounced back from a subpar performance last week and solidified her fan-favorite status during Melissa Etheridge’s “I’m the Only One.” Satisfactory James Durbin : He got off to a very shaky start and never really recovered; we blame the absurd tail/scarf thingamabob James once again attached to his hiney. Last week, when he left that piece of flair in his dressing room, the guy slayed us with an emotional ode to Paul McCartney. This time around, he split the difference between vulnerable rocker and hair-metal circus act, and it didn’t work. Oh, and he seemed to hint that he’d be around until the finale several months down the road. Cocky ain’t a good look. Be humble and be great. On Wednesday, James, you were neither. Paul McDonald : We know Paul was sick, but was he also suffering from vertigo? Perhaps chronic dizziness is the key to explaining that marionette-meets-drunken-sailor dancing style. More distracting than those moves, though, were his lackluster vocals. He’s still got the most distinctive voice on the show, and we hope he doesn’t land in the bottom three this week. We hope by next week, Paul’s on the mend and ready to wow us again as he did earlier in the month with Rod Stewart’s “Maggie May.” Haley Reinhart : Randy Jackson echoed what we’ve been wondering for a while: What kind of artist is Haley ? She seems the least fully-formed of anyone on the show. Perhaps the pressure of trying to figure out exactly who she is got to her. Haley was nervous from the get-go and couldn’t keep up with the tempo of Whitney Houston’s “I’m Your Baby Tonight.” Will that lipstick debacle earn her some sympathy votes? Fingers crossed! Because we continue to think she’s got a lot of potential and a beautiful instrument, and if she sticks around long enough, she just might surprise us one of these days. Casey Abrams : Man, we loved the song choice of Nirvana’s “Smells Like Teen Spirit” before we even heard a note. We thought we were in for a creative arrangement — perhaps something as inspired as Andrew Garcia’s re-jiggering of “Straight Up” last year. What we got instead was a cover you’d hear in any basement in any suburb, where a bunch of middle-school kids are rocking out before dinnertime. We won’t even get started on his singing, if we can call it that, because we’re still haunted by that crazy-eyed look on his face as he raced to keep up with this grunge classic. Unsatisfactory Naima Adedapo : Uh-oh. We’ve been rooting for Naima, if only because she offers up a sense of artistic unpredictability in a season that is sorely lacking it. We even defended her take last week on Rihanna’s “Umbrella”; it was a mess, but at least it was a compelling mess. This week, her homage to Tina Turner was too sloppy to endorse, and we suspect she’ll end up in the bottom three. Her flavor may be crazy, but her vocals, alas, are cuckoo. Thia Megia : Back in the day, we used to fall asleep when someone popped “Pocahontas” into the living room VCR. Visions of those somnolent evenings came tip-toeing back to us when Thia voluntarily — voluntarily! — chose to sing a tune from that Disney flick. Last year, we used to ding Katie Stevens for insisting on becoming the oldest, mustiest teenager the world has ever seen. Thia is giving Stevens a run for her money in 2011. Oh, and enough with the ballads! We have a feeling she’s safe for a few more weeks, so we hope she takes a cue from Pia and shows us some artistic range. Karen Rodriguez : Looking like the lovechild of Snooki and General Zod, Karen insisted again on toggling between English and Spanish, as if lingual dexterity might mask her vocal shortcomings. After a trip to the bottom three last week, Karen just might be the odd woman out on elimination night. Jacob Lusk : Listening to Jacob sing is like riding a rickety roller coaster: kinda fun, mostly terrifying. There’s no denying he communicates genuine emotion while singing; the problem is that the emotion he often inspires in listeners is fear. Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos MTV News Extended Play: ‘American Idol’ Top 13 ‘Idol Party Live’ With Jim Cantiello And Sammi ‘Sweetheart’ Related Photos ‘American Idol’ Season 10 Performances

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‘American Idol’ Report Card: Stefano Langone Wins The Week

Britney Spears Amps Up Femme Fatale Promotion

Spears is featured in new ad for the album, appears in a V magazine cover story. By Jocelyn Vena Britney Spears’ Femme Fatale Photo: Jive For those wondering about Britney Spears’ seeming lack of visibility as the release of Femme Fatale approaches, it seems that the singer is ready to step up her promotion game for the album. News has broken that the pop star has done several new photo sessions in the gear-up for Femme Fatale ‘s March 29 debut. First off, a new promo shot for the album has hit the Web. In the pic, Spears, with her hair tousled in all its bed-head glory, sits seductively on a love seat wearing a long sweater, peep-toe platforms and nothing else. The copy on the poster reads, “Britney Spear, Femme Fatale , featuring the world wide smash hit single, ‘Hold It Against Me.’ ” E! News reports that Spears is also set to appear in the in the “Star Power” issue of the edgy fashion magazine V . She graces the cover in three sexy shots: one showing her holding a kitten and smiling, another of her topless and baring her back, and a third in which she sits in a man-tailored top and bra. Britney dons designers like Ralph Lauren and Dolce & Gabbana for the fashion spread. The magazine, which hits newsstands on Thursday, also features an interview with the star. In the article, Spears says she listens to the Black Eyed Peas and one-time pop rival Christina Aguilera’s “Woohoo.” She also reveals that she likes being at home and cooking for her two sons. She gets candid about the ups and downs of the past few years, noting that it all taught her to be true to herself. Meanwhile, Spears is set to appear on “Good Morning America” on the day of Femme Fatale ‘s release for a special performance in San Francisco. “I’ll be performing for the first time ever in a special concert in San Francisco’s historic Castro district on ‘Good Morning America.’ And I promise you it’ll be a morning to remember,” she said when the performance was announced. Last month, the singer shared with fans that she had big plans for the promotion of the album. “I’m doing a lot of promo,” Spears said in a Twitter chat. “I’m thinking about the tour right now and I would [love] to visit a lot of places I didn’t get to go to on my last tour.” Related Videos MTV First: Britney Spears’ ‘Hold It Against Me’ Premiere Related Photos The Evolution Of: Britney Spears Britney Spears’ ‘Hold It Against Me’ Pop-Culture References Related Artists Britney Spears

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Britney Spears Amps Up Femme Fatale Promotion

Wiz Khalifa, Odd Future To Perform At 2011 mtvU Woodie Awards

Sleigh Bells, Two Door Cinema club also take the stage air when the show airs live on March 16 at midnight. By James Montgomery Wiz Khalifa Photo: Al Pereira/ WireImage On Tuesday (March 1), Wiz Khalifa, Sleigh Bells and Two Door Cinema Club were announced as performers at the 2011 mtvU Woodie Awards , set to air live on MTV, MTV2 and mtvU from the South by Southwest Music Festival in Austin, Texas, on Wednesday, March 16, at midnight (ET/PT). Wiz, Sleigh Bells and Two Door Cinema Club are also up for awards at the seventh-annual show — Wiz is in the running for Woodie of the Year, given to the year’s best artist, and Sleigh Bells and TDCC are facing off against each other in the Breaking Woodie category, given to the year’s best breakout act. But you don’t have to be an actual nominee to perform, as evidenced by the fourth act confirmed to take the stage: insane L.A. rap collective Odd Future , who will most certainly keep the censors on their toes. The Woodies also announced the first wave of presenters for the 2011 show: Matt and Kim, Lupe Fiasco, Dev, Chiddy Bang, emerging Eminem prot

Brooklyn Decker Recalls Telling Off A Teacher On ‘When I Was 17’

Supermodel remembers heated argument over yearbook in latest episode. By Mawuse Ziegbe Brooklyn Decker on “When I Was 17” Photo: MTV Brooklyn Decker is a catwalk-strutting supermodel who can induce whiplash with her swimsuit-clad curves, but in high school the siren had more of a passion for politics than fashion. On the latest episode of “When I Was 17” — which premieres Saturday at 11 a.m. ET on MTV — Decker recalls getting into a heated argument with her teacher over a yearbook layout that would have left her beloved student council out of the tome. “My friend Ashley and I were in this class. I was the senior class president and Ashley was student body president, and the yearbook teacher did not want to give student council a page in the yearbook,” she says, explaining, “We funded all these clubs and we support all these clubs through spirit week and so we thought we deserve a page in the yearbook.” However, their teacher, Ms. Smith, explains that since the student council was full of go-getting teens active in several clubs that would’ve gotten some shine elsewhere in the annual volume, perhaps preserving space for those other organizations would help spread the yearbook love. “We had one page left in the book,” the teacher recalls. “We were trying to decide what group would get that one last page, and I said, ‘Listen guys, the same people who are in student council are in lots of other things and so I think we should give the page to this less visible group in the school.’ ” But Decker wasn’t having it. Her friend Ashley says, “Brooke just like, lost it,” a reaction the model doesn’t deny. “We started yelling things at one another and by the end of the class Ashley took a trash can and just chucked it at a wall. And I walked out of the class and I went like this [makes a provocative gesture] and I yelled, ‘Suck it!’ to my teacher,” she says. Decker jokingly chalks up the outburst to an overload of heart-racing energy drinks. “I don’t know what came over me, I was crazy in high school,” she says. “I was like, all hopped up on Red Bull or something, I don’t know.” “When I Was 17” — this week featuring Kobe Bryant, Brooklyn Decker and Candice Accola — premieres Saturday at 11 a.m. ET on MTV. Related Videos Sneak Preview Of This Week’s ‘When I Was 17’ Related Photos In The Spotlight: Brooklyn Decker

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Brooklyn Decker Recalls Telling Off A Teacher On ‘When I Was 17’

Will Eminem Or Justin Bieber Rule The Grammys? Oddsmakers Weigh In

Ladbrokes and Bodog both like Em and Bieber’s chances on Sunday night. By James Montgomery Eminem Photo: Getty Images The 53rd annual Grammy Awards air Sunday from the Staples Center in Los Angeles, and while most will be tuning in to see if Eminem can capitalize on his industry-leading 10 nominations or catch Lady Gaga performing “Born This Way” for the first time, we’ll be watching to see how all our bets panned out. See, we love gambling nearly as much as we love the Grammys (and that’s a lot ), and, with the big show just a few days away, we figured it was time to place our bets in the Big Four categories: Album, Record and Song of the Year, plus Best New Artist. And to help insure our wagering success, we’ve once again gone to two of the best oddsmakers in the universe — Ladbrokes and Bodog — to get their take on music’s biggest night. And, strangely, their picks sort of mirrored our own opinions : They both see a big night for Eminem. But unlike us , they also see Justin Bieber hoisting the hardware. And, really, who are we to disagree? After all, they’re professionals. So here, for your last-minute wagering, are Ladbrokes’ and Bodog’s odds for the 2011 Grammy Awards. Ladbrokes “The odds reflect the sensational musical year we’ve had, which makes our jobs considerably harder. When it comes to arriving at our conclusions, personal tastes do come into play, but our main job is predicting public sentiment and where we think the money will go,” Ladbrokes’ Alex Donohue said. “Some of the categories look like they have nailed-on winners — namely Eminem and Jay Z and Alicia Keys — whereas others are much closer. The quality of the short list means we can’t rule anyone out, and we’d expect one or two surprises along the way.” Album of the Year