Its vintage clip time, so that means tits and pussy with lots of hair on it. Tania Gomide is taking a shower in the bath. There must be something in the water as she seems to be enjoying it a little too much. Continue reading →
So much for that Kim Kardashian vs. Beyonce feud. The wife of Jay-Z and the pretend girlfriend of Kanye West sat together Friday night at a Watch the Throne concert in Birmingham, England, smiling, laughing and dancing it up as their men performed on stage. ” Kim and Beyonce were dancing all night! They even went into the mosh pit!” a witness recounts to Us Weekly . “It was the most hectic thing ever!” Previous reports stated that Beyonce took issue with Kim dating Kanye, partly due to the difference in upbringings between Knowles and Kardashian and partly, we presume, because Beyonce has actually talent and earned her way to the top, as opposed to videotaping her way there. But “Kim and Beyonce have always been cool,” a source says to the tabloid. “Beyonce and Jay love Kim and think she’s a good match for Kanye.” Last night, meanwhile, Beyonce’s husband took to the stage in England alongside Rihanna. Watch their rendition of “Run This Town” below. Jay-Z and Rihanna – “Run This Town” (Live)
When he saw 90-year-old lady being knocked to the ground outside a convenience store by an mugger who ran away, Robb Revelli sprang into action. Revelli, 36, helped the woman grab her credit cards that fell during the attack, then asked if she wanted to go to the hospital or chase the attacker. “If she was down, I was down to go get him,” he said, “and we did.” The pair caught up to the attacker , 27-year-old Damarea Johnson. “[I] caught up to him and put him in a headlock, and he started throwing money,” Revelli (pictured), a former rugby player, told the Oakland Tribune . “He kept fighting the whole time. I had scratches on my face.” As Revelli held the man down, the woman called 911 to report the crime and to praise her good Samaritan rescuer. “He’s an excellent, wonderful fellow,” the woman, who has asked that her identity not be released, told police on the call. “I hope God protects him and blesses him for the rest of his life.”
Hiring Lindsay Lohan is clearly a high-risk, high-reward endeavor. The last month made that abundantly clear, but which way will it break for Lifetime? That remains to be seen, but she’s got the Liz & Dick producers spooked. Having hired Lindsay Lohan as Elizabeth Taylor , the network received more publicity than they could’ve dreamed … but not always for the reasons they’d like. Understandably, higher-ups are upset and worried over her car accident and the recent episode in which she passed out so hard people had to call 911.
Swirl on the beach… Victoria’s Secret model Doutzen Kroes was spotted still on vacation in Miami with hubby Sunnery James and their young son Phyllon, who is super precious. The couple packed in lots of playtime and PDA before Doutzen stripped down to her ‘kini and ended up taking the baby into the water. Hit the flip for her cake shots and lots more flicks.
Throughout the ’70s and into the first part of the ’80s, it was hard to ignore singer/songwriter/actor/sometimes talk show host and best-friend of the Muppets Paul Williams. He won Grammys and even an Oscar for hits he wrote including “We’ve Only Just Begun,”, “Rainy Days on Mondays,” “Evergreen,” “Just an Old Fashioned Love Song” and “Rainbow Connection.” Barbra Streisand, The Carpenters and even Kermit the Frog are among the artists he wrote super-hits for. Below, Paul Williams gives us his top ten movie songs of all time and dishes insight on Stephen Kessler’s documentary about him, Paul Williams Still Alive , about his raging ascent and crashing fall and return to form… Johnny Carson first brought the artist onto the Tonight Show as the swinging ’70s were just beginning. He did television, movies, concerts. If there was a group of “It-guys” in that crazy decade, Williams would surely have been a part of that cadre of people at the center of all that spectacle. But as the ’80s wore on and into the ’90s Paul Williams all but disappeared from the center of it all. Drugs and booze did him in for a while, though he came roaring back though via a less flashy route. Enter fan and Oscar-nominated filmmaker Stephen Kessler. He had long been a fan of Williams as a teen growing up in Queens, NY and his songs which he described as about “depression, loneliness and alienation,” and set out to find Williams and make a documentary. Williams said ‘yes’ but he was hardly a willing participant, at least initially, as Williams told Movieline. “By the time I decided to go along, he had spent a lot of time and a lot of money. I didn’t want to flat out say no and didn’t know how to say no.” Williams added that he thought there was nothing worse than some older famous guy trying to reach for that last bit of notoriety. Kessler is very present in the film, which goes against most documentary standards unless you’re Michael Moore or Morgan Spurlock. With Williams reluctant initially to open up and only providing limited access, the story unfolds interweaving a treasure-trove of ’70s pop culture which Paul is at the center and Kessler’s desire to get at his core and open up. I’m an actor, I can ignore the camera if I want to. But it’s exhausting to try and pretend I don’t notice the camera,” said Williams. “I didn’t want to do that, it seemed ridiculous.” One thing cameras caught and the film surfaces, decades later, is footage of Williams, high, while doing late night talk shows. Now 22 years sober, it’s a painful reminder of his past life and he even said during the film that he didn’t want his daughter to see that. But he relents and said he hopes it will help others. “I became a shallow ride and my behavior was totally unacceptable. One of the best things I did was to say to keep that footage in the movie. I think by leaving in you get a sense of how bad it got,” he said. “[There is] a sense of real disappointment and leading edge of shame. In a certain context it’s hard to watch, but you get a sense that recovery works. You see the yin and yang of the whole deal and you see that now, my life is such a gift. I hope I can make a difference… I love my life. And I’m blown away by the reaction.” PAUL WILLIAM’s TOP 10 MOVIE SONGS: Rock Around the Clock by Bill Haley, Blackboard Jungle (1955) Main title theme by Elmer Bernstein, The Man with a Golden Arm (1955) Lose Yourself by Eminem/Bass/Resto, 8 Mile (2002) When You Wish Upon a Star by Harline/Washington Pinnochio (1940) The Man That Got Away by Arlen /Gershwin, A Star is Born (1954) With a Song in My Heart by Rodgers/Hart, With A Song in my Heart (1954) Somewhere by Bernstein/Sondheim, West Side Story Moon River by Mancini/Mercer, Breakfast at Tiffany’s (1961) Alfie by Bacharach/David, Alfie (2004) Streets of Philadelphia by Bruce Springsteen, Philadelphia (1993) Born To Be Wild by Dennis Edmonton AKA: Mars Bonfire, Easy Rider (1969) And what are your favorites? Paul Williams Still Alive opens in NYC today. Follow Brian Brooks on Twitter . Follow Movieline on Twitter .
Ridley Scott’s Prometheus opens stateside today, which means no more tiptoeing around spoilers for those who’ve seen it. ( Obviously, spoilers will follow. You’ve been warned. ) The number one complaint among folks who have now seen the highly anticipated Alien kinda-prequel? So. Many. Unanswered. Questions. So let’s jump right into the spoiler goo and get to deciding (and, hopefully, answering) the biggest question prompted by Scott’s gorgeous, murky space opus that is left yet unanswered. I’ll start: WHY? Why does pretty much anyone in Prometheus make any of the decisions they make? Like… – Holloway (Logan Marshall-Green) with the helmet-taking off. Really, is sniffing (and contaminating) the alien world atmosphere on the planet you just landed on and know nothing about such a good idea? – Vickers (Charlize Theron), running in the one direction that will lead her to being squashed by a giant falling spaceship? – Millburn the dumb biologist (Rafe Spall), who just wants to reach out and make friends — even with the squishy alien penis-snakes? – Space crew guy, walking straight up to his recently deceased, re-animated fellow shipmate who has spider-crawled his way across a space desert to space-murder everyone? Most of these aren’t necessarily unanswered questions, just incredibly stupid decisions that inform and support the characters in facepalm-worthy strokes. Holloway is a risk-taker! Vickers is a sheltered, prideful ice queen with probably little field experience who would rather try to outrun death than roll, like her unassuming and practical brunette counterpart, out of its way! Crew guy is, well, a redshirt, for lack of a better term. Yes, yes. There are reasons to be found here, if not particularly great ones. The bigger questions have to do with two still-opaque entities: The Engineers and David, the increasingly creepy mayhem bot, Lawrence of Robotica. In the prologue we see one Engineer take a dose of black space goo and tumble, dead and transmorphing, into the water — thus presumably starting human life on Earth. So what is the goo? Prometheus builds a tech-driven world filled with great flying ships and alien holograms and C-section machines but is more concerned with ideas: Of creators and creation, of life and death cycling endlessly across the universe between humans and aliens, parents and offspring, scientists and their inventions. All children want to see their parents dead, according to David, who seems to be counting himself in that equation. What is the goo, then? Is it the proto-material of a xenomorph? How does it work, exactly? Why would anyone feed it to the cute Tom Hardy-looking guy? And who created the Engineers, anyway? Does it even matter when the real question is asking why we create, and in the process, destroy? The brilliance of Prometheus ‘s stubborn insistence on not feeding us the answers is that they’re not really important in the grand scheme of things, unless you require your movies to make sense. You know what else refuses to share vital information, instead choosing to provoke and see what happens? David. David, who has spent years in space flight amassing the breadth of human knowledge and yet cannot feel (or can he?), who has the answers — or, at least, the instructions the Engineers have written in their mystery language on the sides of their sweaty weapons of mass destruction like how-to manuals — and yet can’t understand why it is that Noomi Rapace’s Elizabeth Shaw MUST understand. David, played marvelously by Michael Fassbender, remains the biggest mystery . He’s tasked with one directive: Help Weyland find a way to live forever. You could build a strong case that everything David does is indeed in service of this goal. Weyland’s mistake is in trusting a machine that doesn’t think in human terms, but in practical ones; if there’s no alien magic out there to Benjamin Button old man Weyland back into handsome, young Guy Pearce, David finds another way to help his master live forever: Through his legacy, by altering the course of human history (gladly, it seems) via one or two devious deceptions. Consider the legacy of the man at the center of David’s favorite film, as seen in Prometheus ‘s sublime opening sequence. T.E. Lawrence was born in 1888, helped upset order in the Arab world in 1916, was immortalized on celluloid in 1962’s Lawrence of Arabia , and then, years later in the world of Prometheus , inspired an android to not only imitate his blond coif but instigate the beginnings of the Alien universe in 2093. Lawrence is really the key to understanding David; in helping Weyland achieve his immortality by way of launching the destruction of humanity, David is immortalizing himself, and a part of me thinks that a part of him yearns to express this measure of often foolhardy human emotion. Or maybe he’s just designed to be a close, but not close enough, imitation of the humans who built him? The more I think of David as a stand-in for Prometheus the movie at large, the less I care that Idris Elba figured out in five minutes what the Engineers were up to on this rinky dink planet, or that we’ll never know what David whispered to the last remaining Engineer, a la ScarJo and Bill Murray in Lost in Translation . Those quibbles seem minor given the vast provocations the film leaves behind. To an aggravatingly obvious extent, the gaping abyss of understanding that Prometheus leaves puts us, the viewer, in the position of Shaw — still searching, desperately, for answers, with only a soulless computer brain as her guide. We are Shaw, and maybe the internet is our David, offering knowledge and spoilers at our fingertips but, unless Ridley Scott and writers Jon Spaihts and Damon Lindelof hop on a Reddit AMA session, no ready answers and plenty to be wary of. Big things come in small packages, and that goes for space goo, blond robots, and universe-expanding ideas. So, all that said, what unsolved mysteries irked you the most in Prometheus ? Sound off in the spoiler-friendly comments below and let’s figure this sucker out. — Our colleagues at (PMC-owned) Beyond the Trailer pose a relevant question: “Is Prometheus an intellectual sci-fi thriller, or a pseudo-intellectual sci-fi thriller?” See what other real folks say in their impromptu exit poll. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Look at that sludgy goo go! Ready your fried potato bits and various salty meats for MIT’s LiquiGlide, “a ‘super-slippery’ coating which makes the insides of the bottle so frictionless that the sludgy goo inside just slides out like water.” Thank god! Ketchup basically is my water at this point. I eat so much ketchup, sometimes I look down and realize that the substance I thought I was drinking isn’t… Broadcasting platform : YouTube Source : VH1’s Today In Music Discovery Date : 23/05/2012 15:17 Number of articles : 2
The Bachelorette is back in full swing, and with it, all the scripted drama, misleading promos and man tears we’ve come to expect over the years. It doesn’t get any better than this … for us. Emily might beg to differ. After a season premiere that featured memorable first impressions – some good, some not so good – the remaining men took another shot tonight. Follow this link for a rundown of The Bachelorette spoilers we know so far, including the (alleged) final three. Then read on for THG’s +/- Bachelorette recap! In case we weren’t aware or forgot, this show’s being filmed in Charlotte so Emily can be near her daughter. The news and locals hope this filming will remind people that Charlotte exists.
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