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‘Game Of Thrones’ Has No Honor

Burning kids, breaking vows and snapping necks are the topics of conversation on this week’s ‘Thrones.’ By Josh Wigler Alfie Allen in “Game of Thrones” Photo: HBO Is there such a thing as going too far on “Game of Thrones”? Just ask the charred toddler hanging on the walls of Winterfell — he’ll have an answer, I’m sure. Season two has already seen no fewer than four of its currently aired seven episodes conclude with the death of a child in increasingly brutal fashion. And “A Man Without Honor” — the 17th hour of the series — was perhaps the cruelest of the bunch, thanks to Theon Greyjoy. Not quite the boy-monster that Joffrey is, Theon is definitely giving him competition for the show’s Most Loathsome Villain award. Even though the golden-haired demon child sat out of this week’s outing entirely (ironic, given the title of the episode), Joffrey’s presence hung heavily through Sansa and Cersei, both of whom are afraid of the boy king, but for very different reasons. Oh, and did we mention that a certain little kingslayer made his ugly comeback this week? Learn all about that and more in the rest of our “Game of Thrones” recap. Better to Be Cruel Than Weak If Theon is truly lost, then he’s finding his way back to himself through fire and blood, just like Dany. Unlike Dany, his version of “fire and blood” includes murdering innocent children to further his own agenda. Theon has very clearly lost it at this point. In addition to slaying kids who may or may not be Bran and Rickon (you know the rule of fiction, guys — unless you see a character die, they’re never really dead), he’s taken to physically harming every single person who opposes him. Poor Ser Rodrik was just the tip of the iceberg. You Know Nothing, Jon Snow North of Winterfell and well beyond the Wall, the crow Jon Snow and the wildling girl Ygritte are having themselves a grand old time. Well, not grand, but certainly sexually charged. It’s funny to see someone speak in such a way to Jon. He’s not the man of the Night’s Watch he thinks he is, not in Ygritte’s eyes; to her, he’s just “a boy who’s never been with a girl.” She’s not wrong, really. But all of that might change now that the roles have reversed and Jon’s become Ygritte’s captive. Also, fans of the books, were you as psyched as I was to hear Ygritte spit out her most famous line to Jon? We’ll be hearing plenty more “you know nothings” as the season progresses, I bet. The Lion King and the Wolf Girl If the Emmys had a Best Onscreen Duo award, I’d make a strong case for Charles Dance and Maisie Williams. Their scenes as Tywin and Arya in the ruins of Harrenhal are swiftly becoming the best scenes of the season. Some out-of-context dialogue highlights: “This will be my last war, win or lose.” “Do you think I’d be in this position if I’d lost a war?” “Careful now, girl. I enjoy you, but be careful.” “You’re too smart for your own good. Has anyone told you that?” Dance and Williams just clearly get a kick out of each other, and their chemistry is infectious. Great stuff. Love Your Children Down south in King’s Landing, there’s no sight of Joffrey Baratheon, yet the Lannister-in-stag’s-clothing remains a hot topic for his surrounding court. Sansa Stark makes the bloody discovery that she’s now able to bear Joff’s children, a realization that she unsuccessfully tries to keep from Queen Cersei. Surprisingly, when giving Sansa advice, Cersei doesn’t even really recommend that Sansa work towards falling in love with Joffrey some day — “You can try,” she says skeptically, but her real advice is to “love no one but your children.” She’s having trouble listening to her own words, as Joffrey’s continued cruelty pushes the Lannister matriarch further and further away from her son. Uniquely Unfit for Constraint In further Lannister news, “A Man Without Honor” saw the not-so-triumphant return of Jaime Lannister for the first time since the season premiere. Nikolaj Coster-Waldau stole the show this episode, as he tends to do whenever he’s onscreen. But I’m glad it’s taken us this long to see him again — absence makes the heart grow fonder, even if a murderous prison escape makes it grow a little firmer in the end. Aside from seeing Jaime again, the Stark Camp story reached some other notable moments that should have fans of the books grinning: the furious introduction of Rickard Karstark, the developing creepiness of Roose Bolton, and the first mention of the MIA Barristan Selmy in what feels like ages. Yeah, remember that guy? Got a funny feeling we’ll see that bold warrior again soon. … Undying Love Finishing up all the way in Essos, we return to the plot point that’s got my head spinning most: Qarth. So, Xaro Xhoan Daxos is in cahoots with the warlocks of the House of the Undying to kill the rest of the Thirteen and become the king of the greatest city that ever was or will be? And they took Dany’s dragons, pretty much just to prove a point? Needless to say, these are more things that never happened in George R.R. Martin’s novels. And once again, not sure what to think about all of these alterations, except that I think they’re way too melodramatic for melodrama’s sake. That said, while I’m not a fan of where the story’s gone, there’s no denying that Ian Hanmore is thoroughly disturbing as blue-lipped baldy Pyat Pree, and the potential for an incredibly unsettling House of the Undying scene is certainly there. In Previous “Game of Thrones” News …

Walking Tall: Celebrity Nudity on DVD and Blu-ray 5.15.12 [PICS]

We’re still in the doldrums for new, nude releases on DVD and Blu-ray, but this week things are looking up as the NC-17 ’70s shocker 1900 (1976) hits Blu-ray with Stefania Casini ‘s SKINfamous double handy scene with Gerard Depardieu and Robert DeNiro . Speaking of the ’70s, the Walking Tall Trilogy also hits Blu-ray this week, featuring drive-in skin in Walking Tall (1973) and Walking Tall, Part 2 (1975). And if butch middle-aged Irishwomen flashing their jugs is your thing, you’ll be handling your Nobbs as Albert Nobbs (2011) hits DVD and Blu-ray. Plus, unzip your Levi’s and prepare to fire your six-shooter as the XXX classic Debbie Does Dallas (1978) gets a deluxe DVD release. More after the jump!

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Walking Tall: Celebrity Nudity on DVD and Blu-ray 5.15.12 [PICS]

Walking Tall: Celebrity Nudity on DVD and Blu-ray 5.15.12 [PICS]

We’re still in the doldrums for new, nude releases on DVD and Blu-ray, but this week things are looking up as the NC-17 ’70s shocker 1900 (1976) hits Blu-ray with Stefania Casini ‘s SKINfamous double handy scene with Gerard Depardieu and Robert DeNiro . Speaking of the ’70s, the Walking Tall Trilogy also hits Blu-ray this week, featuring drive-in skin in Walking Tall (1973) and Walking Tall, Part 2 (1975). And if butch middle-aged Irishwomen flashing their jugs is your thing, you’ll be handling your Nobbs as Albert Nobbs (2011) hits DVD and Blu-ray. Plus, unzip your Levi’s and prepare to fire your six-shooter as the XXX classic Debbie Does Dallas (1978) gets a deluxe DVD release. More after the jump!

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Walking Tall: Celebrity Nudity on DVD and Blu-ray 5.15.12 [PICS]

Tyga’s ‘Leaving Stuff Behind’ On ‘I’m Gone’ With Big Sean

‘When I made this record, I was just like, ‘Sean would be dope on this,’ ‘ Tyga says of adding Big Sean to the song. By Rob Markman, with reporting by James Lacsina Tyga and Big Sean on the set of their video for “I’m Gone” Photo: MTV News Tyga and Big Sean display quite the chemistry on “I’m Gone,” the new, heartfelt single off of the Cali MC’s sophomore album, Careless World. But the song only tells half the story. This week Tyga premiered the song’s Colin Tilley-directed video as an MTV Jam of the Week. MTV News caught up with the pair back in April when they shot the clip in a Lynwood, California, warehouse. “The video concept is me leaving stuff behind, like my girl, and then driving the car, then nobody driving the car,” Tyga explained. His description may have seemed a bit cryptic then, but now that the visuals have finally dropped, it all makes sense. Opening with a shot of the Young Money rap standout sitting alone on a barstool with his head hung low, it is clear that the bright lights have taken their toll on Tyga’s love life. “Looking around glass, my future is in the past/ I’m rearranging my life, I’m single and now I laugh,” he spits to begin the song. The somber track is quite emotional and wouldn’t seem to call for a guest verse. In fact, Tyga first intended for the single to be a solo affair, but when it was complete, he just heard a spot for his buddy Sean. “When I made this record, I was just like, ‘Sean would be dope on this,’ ” the tatted-up rapper said. “The record was already done — that’s why Big Sean is at the end of it. We made the beat longer because I was just like, ‘Let’s just add him to it.’ ” Sean, who closes the track out with reflective lyrics of his own, jumped on the song without hesitation. “I had already liked it off the rip, I liked the sample, I liked the vibe of it,” he told us. “He sent me the song and it was perfect. I remember I had just got done with my show in Houston. I knocked it out right after.” In fact, Sean’s voice was still hoarse from the performance he delivered just hours before, but it all worked out in the end. “My voice was half gone — I don’t know if people could tell, but my voice was damn near gone when I recorded it,” he revealed. “I just came up with the whole thing on the spot.” What do you think of Tyga’s “I’m Gone” video? Let us know in the comments! Related Artists Tyga Big Sean

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Tyga’s ‘Leaving Stuff Behind’ On ‘I’m Gone’ With Big Sean

Juicy’s Song of the Week ft. Headkrack “Beez in the Trap” [VIDEO]

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Today is Thursday so you know what that means! Juicy’s Song of the Week! Juicy and Headkrack performed Nicki Minaj’s “Beez in the Trap” on…

Juicy’s Song of the Week ft. Headkrack “Beez in the Trap” [VIDEO]

Miley Cyrus’ ‘LOL’: What Went Wrong?

A movie expert weighs in on why the teen dramedy was a box-office flop. By Jocelyn Vena Miley Cyrus in “LOL” Photo: Lionsgate Last Friday, Miley Cyrus’ soapy teen dramedy “LOL” opened to a limited release in nine states on Friday. The film, by all accounts, didn’t perform the way a film starring Cyrus, “Twilight” star Ashley Greene and one-time screen siren Demi Moore, might be expected to. “LOL,” an English-language adaptation of a French Film of the same name, grossed only $46,500 in 105 theaters. While it’s hard to tell why the film underperformed, it seems that a lack of marketing leading up to its debut may have played a role in that. The flick follows the story of a teen, Lola (played by Cyrus), as she faces the strife of first love in a world driven by technology. “It’s really hard to say because we’ve heard absolutely nothing about it. I think there was some buzz about this was sort of going to be a different type of breakout role for Miley. I’m not a fan of Miley, but I would actually like to see that and I think a lot of people would,” Brooke Tarnoff, a senior editor at Next Movie, told MTV News about the lackluster interest in the flick once it dropped. With so few eyes on the release leading up to May 4, it’s hard to tell if the performance had anything to do with Cyrus. Tarnoff added, “Maybe the selling power of Miley has diminished. I think her fanbase may be less loyal than it was in the ‘Hannah Montana’ days, but it’s all kind of moot.” The film had gotten some attention when Cyrus and Greene were spotted filming it back in 2010 . But, after shooting wrapped, little else was heard about the film until a trailer dropped in mid-April, three weeks before the limited release. “There’s obviously an audience for pretty much anything,” she continued. “And this one having a ‘Twilight’ star and Miley Cyrus, who still has some cache, it’s just [a missed opportunity].” Regardless of the film’s box-office performance, Cyrus seemed proud of it. She took to Twitter over the weekend and brushed off the low numbers. “Thank u so much for everyone who went to see LOL,” she wrote. “It is a film I loved making and I am proud of…. That’s really all that matters to me.” Thank u so much for everyone who went to see LOL. It is a film I loved making and I am proud of…. That’s really all that matters to me. ? — Miley Ray Cyrus (@MileyCyrus) May 7, 2012 Lisa Azuelos, who wrote and directed both versions, talked about the box-office response in an interview with the Los Angeles Times. “I really thought this movie could be universal,” she said. “Usually teen movies are tender or scary or have vampires in them, but they’re never realistic. This story isn’t too dirty and not too stupid.” Have you seen or do you plan on seeing “LOL”? Leave your comment below! Related Artists Miley Cyrus

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Miley Cyrus’ ‘LOL’: What Went Wrong?

‘American Idol’ California Dreamin’ Night: What Should The Top Four Sing?

MTV News’ ‘Idol’ experts share their choices for Jessica Sanchez, Joshua Ledet, Phillip Phillips and Hollie Cavanagh. By Gil Kaufman and James Montgomery Phillip Phillips, Hollie Cavanagh, Joshua Ledet and Jessica Sanchez on “American Idol” Photo: Michael Becker/ Fox For the most part, the themes on this season’s “American Idol” have been pretty straightforward: Queen, Whitney Houston, Personal Idols, Songs From the Year You Were Born, Songs From the 1980s, More Songs About Buildings and Food ( look it up ). But when the final four take the stage Wednesday night (May 9), they’ll be tasked with performing two songs in one of the most ambiguous, wide-open themes in the show’s history: California Dreamin’ (songs by Californians) and Songs I Wish I’d Written. Considering that the only singer left on the show who might reasonably write his own songs is Phillip Phillips (sample chorus: “Growwwwwl”) and that Joshua Ledet has proven time and again that he has a thin-at-best grasp on musical history, the second challenge is a big one. That leaves the California theme, which is equally amorphous since, well, half the hit songs of the past 50 years have been born on the Golden Coast. Maybe more. At least that leaves Adele out of the mix for once, not to mention Mariah and Whitney Houston — so, good luck, Jessica Sanchez and Hollie Cavanagh! Those and other conundrums have been placed in the very capable hands of MTV News’ resident “Idol” experts, Gil Kaufman and James Montgomery, who will once again post their secret ballots without peeking at the other’s picks (we swear) and let us know which songs the top four should tackle. Joshua Ledet He still hasn’t set off the charisma bomb that will turn him from a good singer with a bland personality into what the judges seem to think is one of the (allegedly) best “Idol” contestants of all time. We’re not expecting fireworks this week, but for his Cali song, he has to go with Detroit-to-L.A. transplant Marvin Gaye. Elise Testone already snagged “Let’s Get It On,” so I say hit up “Sexual Healing.” It’s hard to tell what genre Josh is most familiar with, but we’ll assume gospel or soul, in which case, let’s split the difference with preacher/shouter Al Green and go with “Love and Happiness” or Sam Cooke’s “A Change is Gonna Come.” — Kaufman I’d just like to go on record as saying it would be awesome if Joshua covered that “Californians” sketch from “SNL” a few weeks back, since it’d be way more interesting than anything we’re actually gonna hear tonight. That’ll never happen, of course, so for his Cali tune, I think he’ll swing for the fences and do a simmering version of Chris Isaak’s “Wicked Game.” We know he’s talented, but it’s time for him to take a chance if he wants to win this thing. As for the song he wished he wrote, I think he goes big. Though he might think he’s nasty, I say Josh does R. Kelly’s “I Believe I Can Fly.” Bonus points if he sings it in a cornfield . — Montgomery Jessica Sanchez It’s safe to say that Katy Perry’s un-showy “California Gurls” will turn up in a girl medley at some point Wednesday, which means Bebe would be wise to go with something like No Doubt’s “Don’t Speak.” What song does the stiletto Barbie wish she’d written? That’s a tough one. Like Josh, Jessica hasn’t given us much insight into her musical taste, but considering she’s a 16-year-old girl, her repertoire has got to be pretty contemporary — and sappy. “Innocent” by Taylor Swift it is, then. — Kaufman Given that she’s actually from California, a couple weeks ago, J.Sanch probably would’ve just killed two birds with one stone and done a pair of her originals tonight. But, given that her confidence has taken a hit in recent weeks, she’ll go back to basics: namely, singing the bejeezus out of a ballad. Her Cali pick? The great Etta James’ “At Last.” With that out of the way, she’s free to let Bebe Chez do her thing, so for the song she wished she’d written, why not something from Beyonc

Legendtina Wears No Pants and Debuts No Single During ‘Voice’ Finale, Remains Legend

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‘Twas the grand finale of The Voice Season 2 this week–and things got heated! And derogatory towards WOMEN! Why? I’M SO GLAD YOU ASKED. Former Mickey Mouse Club member Tony Lucca sang a country-folk-rock version of Jay-Z‘s “99 Problems” on Monday, and it was blah fine whatever, and then Christina was all like “the fact Broadcasting platform : YouTube Source : MuuMuse Discovery Date : 08/05/2012 07:35 Number of articles : 2

Legendtina Wears No Pants and Debuts No Single During ‘Voice’ Finale, Remains Legend

‘Game Of Thrones’ Throws Out The Book

Latest episode features a massive departure from the source material. By Josh Wigler Alfie Allen in “Game of Thrones” Photo: HBO See that beautiful platinum-blond princess across the way? That’s Daenerys Targaryen. Stay away from her. Everyone she loves dies or gets taken away — not ideal for those of you who value your lives. Honestly, as much as I’m loving this season, I’m not happy with where “Game of Thrones” is taking Dany. I’m an avid fan of George R.R. Martin’s source material but not a stickler or purist who believes his novels must be adapted to the letter. Still, the liberties taken with Dany in Qarth, this week in particular, feel needless and damaging to who the character is. We’ll get deeper into that later in our recap. Keep reading for more updates from Westeros, most of them blood-soaked and reeking of death — with one lovely exception. Bye-Bye, Whiskers Northerners, man. Those guys have a hard time hanging onto their heads, don’t they? Ser Rodrick is the latest to die on the chopping block, at the hands of the traitorous (not to mention embarrassingly weak) Theon Greyjoy, now fancying himself Lord of Winterfell and Prince of the Iron Islands. As we say goodbye to the sweetest whiskers in Westeros, Rodrick’s final words ring true: Theon really is truly lost now. But where Theon falls, his performer rises: Actor Alfie Allen continues to kill it as Theon this season. If you think you’ve seen him at his lowest after this week — well, keep watching. Gone With the Reeds With Winterfell sacked, Bran and his companions are left powerless … well, not entirely powerless. The crafty Osha sleeps with Theon and manages to sneak Bran, Rickon, Hodor and the direwolves out of House Stark’s royal seat as a result. It’s cool to see this story moving so quickly, but still, where are Jojen and Meera Reed? The greenseer and his sister are huge parts of Bran’s story at this point in the books, but with their continued absence and Osha’s increasing prominence, I’m beginning to think they’re out of the picture for good. Casualty of adaptation, I suppose, but a change I’m sorry to see. Ra Ra Riot The North isn’t the only area of Westeros under fire. In King’s Landing, the wicked Joffrey’s awful behavior nearly costs him his life when he incites a bloody riot that turns the streets red. He barely escapes with his life — though he thankfully doesn’t evade a physical shaming at Tyrion’s hands once again — as does Sansa, who is nearly raped by a trio of rioters. Her life is saved by the Hound, who finally gets his long-awaited Terminator moment when he guts one of the would-be rapists and kills the other two in equally merciless fashion. One of the best characters in the books, Sandor Clegane hasn’t had much to do on the show so far. Perhaps this is the beginning of bold new things for the most feared burn victim in the Seven Kingdoms. Kissed by Fire It wasn’t all doom and gloom on “Thrones” this week. Finally, Jon Snow has met his match in Ygritte, a wilding warrior woman who is more than prepared to meet her maker should the worst come to pass. Of course, she also values her life greatly and isn’t afraid to make some moves on Jon to keep herself safe. That’s not great news for Jon; as a man of the Night’s Watch, Lord Snow isn’t allowed to take women into his bed. Then again, he’s a teenager and, well, you know — hormones and all that. Perhaps what happens north of the Wall stays north of the Wall? Where Are My Dragons? All the way east in Qarth, Dany is unsuccessful in recruiting the city’s leaders to her cause to sail to Westeros and claim the Iron Throne. Worse, when the khaleesi returns to her quarters after her failed attempt to secure a fleet, she finds many members of her khalasar — beloved handmaiden Irri included — dead, with her dragons missing to boot. None of this happens in the books. I’m guessing it’s a dramatic new way to get Dany to the House of the Undying, where she’ll experience her fair share of life-altering events. But it’s an unnecessary departure that, A) kills even more of the characters in Dany’s story despite their survival in the books, further complicating the butterfly effect the show will have to deal with as it gets deeper into Martin’s mythology, and B) cheapens Dany’s character by stealing her dragons right out from under her. Just as she says, Dany is a strong and fierce fighter fueled by fire and blood. She is the mother of dragons. There is no world in which Dany’s dragons are taken from her without her losing her life in the process. I don’t like what the show’s decision to steal Dany’s dragons away from her says about the character, but maybe that’s just me. What say you, readers of “Ice and Fire”: Are you as bothered by the new changes to Dany’s story as I am, or are you not sweating it? Hit us up in the comments below and let us know! In Previous “Game of Thrones” News …

Adam Yauch’s Beastie Boys Videos: A History

MTV News looks at the best Beastie clips of all time, including ones directed by MCA (or Nathanial Hornblower) himself. By Gil Kaufman Beastie Boys’ Adam Yauch Photo: Ron Galella/ Getty Images There are bands that make great music and others that make great videos. But there is a rare breed of act that makes both. Since their very earliest days, the Beastie Boys were in that latter category. From the frat-boy fun of 1986’s “(You Gotta) Fight for Your Right (To Party)” video to what will likely be their final clip, a 2011 all-star clip to promote the Hot Sauce Committee Part Two single “Make Some Noise” and the “Fight for Your Right Revisited” film, the B-Boys not only had fun, they made sure we did too. With the passing of Adam Yauch (a.k.a. MCA) on Friday (May 4) at age 47 following a three-year battle with cancer , MTV News takes a look back at some of the trio’s most beloved clips, as well as the ones directed by Yauch under his Swedish pseudonym, Nathaniel Hornblower. “(You Gotta) Fight for Your Right (To Party)” This is the one that launched MCA, Ad-Rock and Mike D to global stardom. The party anthem was accompanied by a very literal video in which, well, the fellas throw a crazy party and trash the joint. “No Sleep Till Brooklyn” Young, wild and free, the Boys lampoon heavy-metal knuckleheads after a cheesy club promoter turns them away when they show up with their “instruments” (i.e. scratch-ready records). Wearing metal wigs and Poison-worthy spandex, they soon strip down to their streetwise uniforms and start raising some hell and engaging in the kinds of shenanigans they became infamous for when they hit the road with Madonna on their first major tour. It’s silly and amateurish, but then again, so were they at that time. “Hey Ladies” In one of the first of many clips in which the trio would slip into a number of alternate personas, this video from Paul’s Boutique had it all: sushi chefs, eight-track tapes, disco dancing, human clocks, cowbells, pimp suits, a mariachi band, fake mustaches and goatees, scuba diving, Afro wigs, “Saturday Night Fever” homages, a “Free James Brown” subliminal message, a 1970s Vincent Van Gogh and the original appearance of booty pads. “So What Cha Want” They weren’t all high-concept. Yauch was behind the lens for this 1992 mind-tripper, which simply tracked the three MCs as they flexed and rapped their way through a forest tricked out with negative-image special effects intercut with ominous nature footage. “Sabotage” The ne plus ultra of Beastie videos, this ’70s cop-show spoof directed by pal Spike Jonze is one of the funniest and most creative clips in music-video history. Action-packed and simultaneously utterly ridiculous, the mini-movie finds the Boys cruising the streets of San Francisco in a late model sedan while chasing the bad buys in an increasingly ridiculous series of wigs, mustaches and costumes. Yauch appears as the dapper Sir Stewart Wallace, as well as Nathan Wind playing Cochese. Filmed by Hornblower, this classic spoof of Japanese monster movies from 1998’s Hello Nasty is again awash in absurd costumes as Yauch makes popping, locking killer robots look expensively cheap. Between shots of the haz-mat-suit-wearing MCs posing and rapping in Tokyo subway stations and streets into a fish-eye lens, we see their scientific alter egos trying to save their giant robot from getting short-circuited by a sea creature. “Body Movin’ ” Yauch/Hornblower went highbrow with the video for this Hello Nasty single, which was inspired by the beloved cult 1968 Italian cat-burglar caper “Danger Diabolik.” Once again, Yauch dressed himself and his partners-in-crime in absurd outfits and had them act out everything from laughable sword fights (complete with a bloody Yauch beheading) to catapult escapes, helicopter vs. car chase scenes and midair parachute wrestling matches. “Ch-Check It Out” Not as well known, this kinetic Hornblower clip from 2004 is another mix of aggressive into-the-camera rapping, with bits of everything from “Star Trek” homages and swamp airboat chases to the Boys in old-lady drag throwing fish across the avenue at their male counterparts.

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Adam Yauch’s Beastie Boys Videos: A History