Our emotions got the best of us this week at Movieline HQ, where devastating losses, frightening feuds and more than a couple wild cultural developments took their tolls. But now it’s Friday, and we have weekend editor Dixon Gaines’s stabilizing influence to look forward to. Rejoice, and drop back by Saturday and Sunday as the healing begins. Have a good one!
Welcome to THG’s Week in Review! Below, our staff takes a look back at the stories, stars and scandals that made this week the most memorable in … weeks! If you don’t already, you can FOLLOW THG on Twitter and Facebook for 24/7/365 updates. Now, a rundown of the week that was at The Hollywood Gossip: After a visit to
If you guys haven’t discovered YouTube star MeekaKitty yet, you’re in for a treat. Her latest music vid, “Navi’s Song (Hey, Listen!)” was just released this week. Check it out below, as well as her Star Trek Girl vid. Related posts:I’ll Be Your Star Trek Girl! [Video] The Legend of Zelda – Real Life Edition Broadcasting platform : YouTube Source : [Geeks are Sexy] Discovery Date : 25/03/2011 18:40 Number of articles : 2
New take on hit song, dubbed ‘The Country Road Version,’ features slide guitar, mandolin and harmonica. By Gil Kaufman Lady Gaga Photo: Jason Merritt/ Getty Images You can take all those Madonna comparisons and throw them out the window of your Ford F-150 truck, because on Thursday night Lady Gaga released a whole new version of her global smash “Born This Way” that featured a totally unexpected spin. After tweeting to her Little Monsters that she was preparing to release “Born This Way (The Country Road Version),” Mother Monster dropped the tune at midnight PT on Friday (March 25) via her Twitter account … and it did not disappoint. The new rendition of the hit opens with ominous, swirling guitars and then introduces a fuzzed-out slide guitar and harmonica wheeze, with all of the thumping disco beats replaced by restrained brush drumming and a more laid-back vibe. Once it kicks into the first chorus, the song continues to take its time, choogling along on live-sounding, laconic drumming and lots of soulful harmonica. Just before the three-minute mark, Gaga mixes in some new lyrics, drawling, “If I wanna make it country, baby, then it’s OK, cuz I was born, I was born, I was born this way,” over picked mandolin. “From London, Paris, Japan back to USA/ I was born on the road, I was born to be brave,” she adds, as the song breaks into full-on country-rock mode reminiscent of late-period Bon Jovi in the final minute. Meanwhile, the original, non-boot-scooting version of “BTW” notched its sixth week in a row at #1 on the Billboard Hot 100 charts this week, which is what Gaga said prompted her to drop the surprise remake on her fans. Earlier this week, Gaga revealed that she’s almost done recording her Born This Way album , telling fans via Twitter, “In Nebraska, finishing up record today … I’m so proud of the album: I keep dancing+drinking: metal/techno rock journey of a woman on the run.” Plans are now being worked up for the tour in support of Born This Way (due out May 23) and Gaga’s first swing at directing, a collaboration with her creative director, Laurieann Gibson, on the video for the album’s upcoming second single, “Judas.” What do you think of Gaga’s twanged-up version of “Born This Way”? Share your opinions in the comments. Related Photos The Evolution Of: Lady Gaga Related Artists Lady Gaga
Headstrong Celebrity Apprentice stars NeNe Leakes and Star Jones are trying to mend fences after a feud between them erupted earlier this week. Star went off on Nene and Lisa Rinna earlier this week amid reports that the divas actually came to physical blows on Donald Trump’s show. But even they realize the danger of this getting out of hand. “Both NeNe and Star are trying to get along better off set,” a source said. “It was really only when taping started that their competitiveness kicked in.” “NeNe felt slighted by Star, calling her a back stabber and thought was not showing her enough respect – while Star believed NeNe was a phony.” “NeNe believed Star was trying to boss the other contestants around and on top of that they were feuding over hair, wardrobe and make-up too.” “But they’re trying to be more accepting of their differences now, although producers want to ramp-up their rivalry when the cameras are rolling.” Sounds like they’re both taking the high road … but ratings losing out to respect, manners and sound judgment? We’ll believe it when we see it. [Photos: Fame Pictures]
Headstrong Celebrity Apprentice stars NeNe Leakes and Star Jones are trying to mend fences after a feud between them erupted earlier this week. Star went off on Nene and Lisa Rinna earlier this week amid reports that the divas actually came to physical blows on Donald Trump’s show. But even they realize the danger of this getting out of hand. “Both NeNe and Star are trying to get along better off set,” a source said. “It was really only when taping started that their competitiveness kicked in.” “NeNe felt slighted by Star, calling her a back stabber and thought was not showing her enough respect – while Star believed NeNe was a phony.” “NeNe believed Star was trying to boss the other contestants around and on top of that they were feuding over hair, wardrobe and make-up too.” “But they’re trying to be more accepting of their differences now, although producers want to ramp-up their rivalry when the cameras are rolling.” Sounds like they’re both taking the high road … but ratings losing out to respect, manners and sound judgment? We’ll believe it when we see it. [Photos: Fame Pictures]
Band returns to festival with free show played to 20,000-plus fans. By Zachary Swickey The Strokes’ Julian Casablancas performs at SXSW on Thursday Photo: Daniel Boczarski/Getty Images AUSTIN, Texas — It’s been 10 years since the Strokes’ legendary South by Southwest showcase at the tiny Iron Cactus. On Thursday night the band returned to the festival bigger than ever, playing a free show at the Auditorium Shores venue with the skyline of Austin as their backdrop. Walking onstage to the stomping sounds of “We Will Rock You,” the Strokes started things off with Room on Fire ‘s opener, “What Ever Happened?” as Julian Casablancas — strangling the microphone with a death grip — wailed, “I want to be forgotten/ And I don’t want to be reminded.” There’s a sense of irony when he says this to 20,000-plus fans, some of whom broke through the fencing to get in. The large venue was a departure from the typical SXSW fare, but if anything, the Strokes’ performance was an example of what these indie bands can become (or at least aspire to). Only Casablancas can pull off the combination of black leather jacket (popped collar included), sunglasses worn at night and what looked to be a calculator wristwatch. There’s an undeniable rock-star swagger about him, evident in his nonchalant attitude when commanding the riotous crowd. “SXSW, let’s do this,” he ordered as the plucking guitar sounds of “You Only Live Once” began. He then mumbled, “New single y’all” with a Southern drawl before bringing out “Under Cover of Darkness,” the first taste of the forthcoming Angles for the night. Come March 22, the five-year wait for the new album will be over, and if the crowd’s positive reaction to the single is any indication, it will be topping the charts. Appropriately, they then played their second single-to-be, “You’re So Right,” a pleasantly different song that features an Egyptian-like guitar hook of all things. The Strokes again brought back the memories. The crowd seemed to know every word to “Someday.” “Juicebox” was an opportunity for Fabrizio Moretti to show that he doesn’t make mistakes when pounding the drums, no matter how hard he’s playing (or how much fun he’s having). It wasn’t strictly greatest hits as the band snuck in “I Can’t Win,” but this didn’t last long with “Reptilia” being the very next song. For the encore, the crowd got the two other classic singles from Is This It. “Ladies and gentlemen, from Los Angeles, California, Nick Valensi!” Casablancas stated midway through “Hard to Explain,” commending his guitarist as he ripped through his solo. The Strokes gave the fans exactly what they wanted by closing the set with the song that started it all, “Last Nite,” during which fireworks erupted in the sky. What better way to end a party? Related Photos 2011 SXSW Music Festival Related Artists The Strokes
America said “adios” to Karen Rodriguez on birth-year songs week. By Jim Cantiello Haley Reinhart Photo: FOX This week’s “American Idol” in 60 Seconds video recap, embedded below, deals with all the missed opportunities and crushing disappointments our nation faced while watching season 10’s “Birth Year Songs” episode. Casey Abrams’ underwhelming “Smells Like a Bad Imitation” Nirvana cover hardly seemed worth the pomp and circumstance it received. The Nirvana on “Idol” seal has been broken, yes, but it was done in an unfortunately inept way. The only thing that would have been more misguided was Scotty McCreery warbling “Rape Me” with his signature smirk. Instead, Scotty sang his first love song to any teenage girl who has a deep-voice fetish, while Haley Reinhart channeled Miss Yvonne’s makeup meltdown with a deranged Whitney Houston cover that ended with Seacrest rubbing his saliva all over her face. (Haley’s diabolical plan to steal Seacrest DNA worked.) Jacob Lusk rubbed his “stank” all over Heart’s “Alone,” meaning he sang in a register that drove cats in the greater Los Angeles area wild. James Durbin’s tail grew back but it was his cajones, that were truly enlarged this week, when he somehow convinced Steven Tyler to rock with him at the finale. No wonder Tyler cursed live on the air. He’d been hoodwinked! Paul McDonald continued his headlining “Shake and Baked” tour with a sickly “I Guess That’s Why They Call It the Blues” that was so confounding, even he shrugged afterwards. Naima also retreated with a generic and pitchy “What’s Love Got to Do With It?” And Thia Megia sang that “Pocahontas” song. Obviously. Pia Toscano and Stefano Langone proved that Italians do it better. “It” referring to singing power-ballads really loudly and dramatically. In a results show that included duets with Lee DeWyze and his facial hair, Pia Toscano and her s—zu, as well as will.i.am and his cockapoo, Fergie. Then America said, “No me gusta” to Karen Rodriguez. See you on MySpace, K-Rod! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Watch ‘Idol Party Live’ With MTV News’ Jim Cantiello Related Photos ‘American Idol’ Season 10 Performances
Naima Adedapo and Haley Reinhart join her in the bottom three, while Black Eyed Peas and Lee DeWyze perform. By Adam Graham Karen Rodriguez Photo: FOX “Love Will Lead You Back” paved a path straight to elimination for Karen Rodriguez, who was shown the door on Thursday’s (March 17) elimination episode of “American Idol.” The 21-year-old bilingual-singing New Yorker, who was praised by Steven Tyler for her “ethnic what-it-is-ness” on Wednesday’s performance episode , pleaded her case before the judges when asking them to use the season’s one save to spare her another week. “I know I can do so much better, and I know you guys believe in me,” she said, fighting back tears, after a Hail Mary rendition of Mariah Carey’s “Hero.” But it wasn’t enough: While Randy Jackson said the decision was not unanimous, the judges decided not to let Rodriguez sing another day in the competition. It was Rodriguez’s second straight trip to the bottom three, real estate she shared this week with Naima Adedapo and Haley Reinhart. Adedapo was the first to be shown mercy by host Ryan Seacrest, leaving Reinhart and Rodriguez behind to face the music. Ultimately it was Rodriguez — who performed Taylor Dayne’s 1990 hit “Love Will Lead You Back” on Wednesday’s show, while wearing a sci-fi silver miniskirt and a Snooki-like pouf atop her head — that came up on the short end of America’s votes. During the teary goodbye, Rodriguez was consoled by the three judges, as well as her fellow contestants. When they were sent to the bottom three earlier in the show, neither Reinhart nor Adedapo seemed very surprised with their fates. Reinhart, who in a winding speech explained that she ultimately sees herself combining “rock and funk and blues” into one style (note: she sang Whitney Houston’s “I’m Your Baby Tonight” this week), gave a sighing “yippee!” when Seacrest told her she might be in the bottom three. Later, she mock dusted off her chair before sitting down in the same seat she held the week prior. Adedapo, who mouthed “wonder who?” when she was told it was either her or the week-winning Stefano Langone in the bottom three, practically marched to her seat before Seacrest even read the results. Call it the curse of the ladies: So far this season, a male has yet to land in the bottom of the bunch. Thia Megia thought she was going to see the wrath of the bottom three and explained to the judges that she’s got more in her than she’s shown thus far. “If you guys put me through, I’ll do so much better,” she said. “I can show so much more.” She survived another week, but she should be held to her promise to step things up a notch beyond the bland balladry she’s shown to date. Everyone else was safe to sit back and watch the show, which squeezed in performances by the Black Eyed Peas (who dedicated their new single “Just Can’t Get Enough” to “our friends in Japan”) and “American Idol” season-nine winner Lee DeWyze, who performed the sleepy, John Mayer-like ballad “Beautiful Like You” from his album Live It Up. The show opened with a medley of Steppenwolf’s “Born to be Wild” (sang by the guys) and Lady Gaga’s “Born This Way” (the girls), a cheeky homage to the week’s songs-from-your-birth-year theme. Were you surprised to see Karen go? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.
Naima Adedapo and Haley Reinhart join her in the bottom three, while Black Eyed Peas and Lee DeWyze perform. By Adam Graham Karen Rodriguez Photo: FOX “Love Will Lead You Back” paved a path straight to elimination for Karen Rodriguez, who was shown the door on Thursday’s (March 17) elimination episode of “American Idol.” The 21-year-old bilingual-singing New Yorker, who was praised by Steven Tyler for her “ethnic what-it-is-ness” on Wednesday’s performance episode , pleaded her case before the judges when asking them to use the season’s one save to spare her another week. “I know I can do so much better, and I know you guys believe in me,” she said, fighting back tears, after a Hail Mary rendition of Mariah Carey’s “Hero.” But it wasn’t enough: While Randy Jackson said the decision was not unanimous, the judges decided not to let Rodriguez sing another day in the competition. It was Rodriguez’s second straight trip to the bottom three, real estate she shared this week with Naima Adedapo and Haley Reinhart. Adedapo was the first to be shown mercy by host Ryan Seacrest, leaving Reinhart and Rodriguez behind to face the music. Ultimately it was Rodriguez — who performed Taylor Dayne’s 1990 hit “Love Will Lead You Back” on Wednesday’s show, while wearing a sci-fi silver miniskirt and a Snooki-like pouf atop her head — that came up on the short end of America’s votes. During the teary goodbye, Rodriguez was consoled by the three judges, as well as her fellow contestants. When they were sent to the bottom three earlier in the show, neither Reinhart nor Adedapo seemed very surprised with their fates. Reinhart, who in a winding speech explained that she ultimately sees herself combining “rock and funk and blues” into one style (note: she sang Whitney Houston’s “I’m Your Baby Tonight” this week), gave a sighing “yippee!” when Seacrest told her she might be in the bottom three. Later, she mock dusted off her chair before sitting down in the same seat she held the week prior. Adedapo, who mouthed “wonder who?” when she was told it was either her or the week-winning Stefano Langone in the bottom three, practically marched to her seat before Seacrest even read the results. Call it the curse of the ladies: So far this season, a male has yet to land in the bottom of the bunch. Thia Megia thought she was going to see the wrath of the bottom three and explained to the judges that she’s got more in her than she’s shown thus far. “If you guys put me through, I’ll do so much better,” she said. “I can show so much more.” She survived another week, but she should be held to her promise to step things up a notch beyond the bland balladry she’s shown to date. Everyone else was safe to sit back and watch the show, which squeezed in performances by the Black Eyed Peas (who dedicated their new single “Just Can’t Get Enough” to “our friends in Japan”) and “American Idol” season-nine winner Lee DeWyze, who performed the sleepy, John Mayer-like ballad “Beautiful Like You” from his album Live It Up. The show opened with a medley of Steppenwolf’s “Born to be Wild” (sang by the guys) and Lady Gaga’s “Born This Way” (the girls), a cheeky homage to the week’s songs-from-your-birth-year theme. Were you surprised to see Karen go? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.