Tag Archives: week

US Open: The best course in the world? Pebble Beach doesn’t come close | Lawrence Donegan

Look beyond the crashing waves, golden sands and dolphins playing in the surf, and you’ll find some daftly difficult holes Everybody loves Pebble Beach. Phil loves it. Tiger loves it. Westie loves it. Poults loves it. Best course in the world. Right? Well, best-looking course in the world, perhaps, (although members at the New South Wales club in Australia, may beg to differ). Pebble, to use the vernacular, photographs better than any course in the world – the crashing waves, the golden sands, the dolphins playing in the surf, the prehistoric rock formations, the ludicrously overpriced and oversized homes dotted around the place – and this week viewers will be treated to some stunning television pictures, especially if the sun is shining. But the best course in the world? Really? Better than Royal County Down, or Royal Melbourne, or Muirfield, or Augusta National, or the Old Course at St Andrews, or Pasatiempo, an Alister MacKenzie-designed masterpiece 40 miles north of this week’s US Open venue, or Pacific Grove Municipal (the poor man’s Pebble, as it’s known locally), a $30-a-round track just a couple of miles along the coastline? OK, Pebble Beach may just shade Pacific Grove because it is in better condition (it had better be at 15 times the price for 18 holes), but as for the rest – no chance. Pebble isn’t the best course in the world. It isn’t even in the top 30 and here is why; the 1st hole, the 2nd, the 3rd, the 11th, the 12th, the 13th, the 14th, 15th and the 16th. Of those nine, five are eminently forgettable, three are instantly forgettable and one – the par-five 14th – is just daft, as became clear at this year’s AT&T Pro-Am, when two highly skilled professional golfers took nine shots to complete the hole. That is the bad news. The good news is that Pebble has some terrific holes, such as the 109-yard 7th, which this week may become the first hole in modern major championship history play under 100 yards (the USGA’s Mike Davis is thinking about pushing up the tee box at the weekend, apparently). The 8th is other beauty, although personally I’m not a big fan of holes, such as this one, that demand the same tee shot of every player in the field; three-iron to the top of the hill. But the second shot is a beauty – over the rocks and the waves to the distant green. The 18th, a longish par-five that arches its way along the coastline, offering options for the players and excitement for the fans, is another cracker. And then there is the issue of personality. Pebble has two; the parkland personality of the inland holes, and the links personality of the holes that run along the Pacific coast. It’s like playing nine holes at St Andrews and then talking the train to Wentworth and playing another nine there. It’s like reading nine chapters of Philip Roth and following it up with nine chapters of Jeffrey Archer. It’s like driving from Glasgow to Inverness listening to The Ronettes for the first half of the journey and the Cheeky Girls for the next. Good, bad, great, awful, magnificent; there is nothing wrong with mixing things up a little in life and in golf, especially when there are other things to capture the imagination and the widen the gaze, as there are at Pebble Beach. But the best golf course in the world? Don’t make me laugh. US Open Golf Lawrence Donegan guardian.co.uk

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US Open: The best course in the world? Pebble Beach doesn’t come close | Lawrence Donegan

‘Glee’ Soundtrack Tops Billboard, While Christina Aguilera Debuts at #3

Bionic is Christina’s lowest chart debut to date. By Gil Kaufman Glee: The Music, Journey to Regionals Photo: Columbia Records Christina Aguilera is used to jousting with fellow female divas on the charts, but after a four-year layoff to start a family, the bondage-loving good-girl-gone-bad ran into the most formidable foes of her career this week: the glee club and teen vampires. Try as she might, Aguilera’s Bionic could not beat back the forces of “Glee,” as the hit show’s fifth soundtrack, Glee: The Music — Journey to Regionals easily topped the Billboard 200 albums chart in its debut, moving 152,000 copies and giving the show its third straight #1 album, according to figures provided by Nielsen SoundScan. Coming in just behind at #2 is the “Twilight Saga: Eclipse” soundtrack , which moved 144,000 copies. That means that after two #1 debuts and a #2 bow for her first three studio albums of original English-language songs (which sold between 252,000 and 346,000 or more in their first week), Bionic represents the lowest chart debut to date for Aguilera at just over 110,000. The soft sales come just weeks after Aguilera scrapped an already-announced summer tour , citing scheduling conflicts in promoting the album and her winter big-screen debut in “Burlesque.” Also making chart debuts this week are rapper Plies with his long-awaited album Goon Affiliated (#5, 56,000), country star Dierks Bentley with Up on the Ridge (#9, 38,000) and Jewel , whose country-flavored Sweet and Wild came in at #10 on sales of 31,000. The rest of the top 10: Jack Johnson , To the Sea (#4, 89,000, down 63 percent from its debut), Justin Bieber , My World 2.0 (49,000), Glee: The Music — Vol. 3, Showstoppers (#7, 40,000) and Lady Antebellum , Need You Now (#8, 39,000). Further down the line, jam-band circuit faves Grace Potter and the Nocturnals hit #20 with their self-titled fourth album (18,000), Gym Class Heroes singer Travie McCoy landed at #27 with his solo debut, Lazarus, and one-time boy band Hanson managed a #30 bow for their soul-flecked latest, Shout It Out (14,000). Former anarchy-loving punks Against Me! planted White Crosses at #34 (12,000) and rapper Lil Jon’s years-in-the-making Crunk Rock slipped in the top 50 at #49 on sales of 9,000. One of the week’s biggest tumbles came from UK crooner Taio Cruz , whose Rokstarr plummeted 42 slots to #50 in week two on sales of 9,000 as business dipped 64 percent. The week’s biggest gainer was the “Get Him to the Greek” soundtrack album from Russell Brand ‘s fake band, Infant Sorrow, which shot up 67 spots to #81 in its second week as sales increased by 67 percent to 6,000. Gleeks should hold a quick party, but Drake all but has a lock on a #1 debut next week with his eagerly anticipated Thank Me Later, which has hit stores along with the first album of new material from Sarah McLachlan in seven years, another Now compilation and Tom Petty and the Heartbreakers ‘ first new disc since 2002. Related Photos ‘Glee’ Returns For 2010 ‘Glee’ Tour Serenades Los Angeles Related Artists Christina Aguilera

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‘Glee’ Soundtrack Tops Billboard, While Christina Aguilera Debuts at #3

This Week On Cable: The Slasher Origins of Matthew McConaughey and Renee Zellweger

Cable’s rich pageant offers many things this week, but nothing quite as riveting as the spectacle of Matthew McConaughey laying the foundations of his career in the badlands of Texas Chainsaw Massacre sequel hell…

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This Week On Cable: The Slasher Origins of Matthew McConaughey and Renee Zellweger

‘Jersey Shore’ Star The Situation Prepares Debut Single

Club banger called (of course) ‘The Situation’ will be released on iTunes this week. By Gil Kaufman Mike “The Situation” Sorrentino Photo: Kevin Winter/ Getty Images You’ve seen plenty of the abs, now you’re going to hear the voice that goes with the six-pack. “Jersey Shore” star Mike “The Situation” Sorrentino is preparing to drop his first single this week. The fist-pumping, floor-slapping dance track titled, of course, “The Situation,” is a collaboration with Fatman Scoop, DJ Class and the Disco Fries, according to TMZ , which posted a brief clip of the tune on Monday (June 14). Slated to hit iTunes this week, the tune has a basic techno backbeat and finds “the Sitch” AutoTune singing his way through lyrics about a debauched night out at the club over the kind of banging track he’s probably used to hearing from his pal, Pauly D. “We got a Situation here,” the fitness center assistant manager-turned-reality-star says at the outset over

Donna Brazile Defends Obama By Badly Misrepresenting Oil Pollution Act, Gets No Challenge From ‘This Week’ Panel

Nothing ruins my Sunday more than a pundit defending his or her politician by completely misrepresenting a law and nobody on the program in question bothers to challenge the falsehood. Such happened on the recent installment of ABC’s “This Week” when Democrat strategist Donna Brazile said of President Obama’s pathetic response to the Gulf Coast oil spill, “The administration has been constrained by the Oil Pollution Act of 1990, which basically gives the responsible party the lead role in trying to not only fix the problem, but contain the problem.” Really? Well, why don’t we look at the Oil Pollution Act of 1990 and see if Brazile was right (video and transcript follow with details about this law and commentary):  ROBERT REICH: But the present spectacle of the Coast Guard asking BP to speed up this clean-up is absurd. I mean, the federal government needs to be in charge. The president needs to be in charge of this. Use BP’s expertise. Use BP’s resources. But the president must be in charge of all of this. Otherwise, he looks like he’s just standing on the sidelines. DONNA BRAZILE: Well, the administration has been constrained by the Oil Pollution Act of 1990, which basically gives the responsible party the lead role in trying to not only fix the problem, but contain the problem. That has been the problem from day one. They’ve waited for BP to come up with the answers, and we know that BP continues to mislead people. This is the Overview of the Act (emphasis added): The Oil Pollution Act (OPA) was signed into law in August 1990, largely in response to rising public concern following the Exxon Valdez incident. The OPA improved the nation’s ability to prevent and respond to oil spills by establishing provisions that expand the federal government’s ability , and provide the money and resources necessary, to respond to oil spills. The OPA also created the national Oil Spill Liability Trust Fund, which is available to provide up to one billion dollars per spill incident. In addition, the OPA provided new requirements for contingency planning both by government and industry. The National Oil and Hazardous Substances Pollution Contingency Plan (NCP) has been expanded in a three-tiered approach: the Federal government is required to direct all public and private response efforts for certain types of spill events ; Area Committees — composed of federal, state, and local government officials — must develop detailed, location-specific Area Contingency Plans; and owners or operators of vessels and certain facilities that pose a serious threat to the environment must prepare their own Facility Response Plans. Finally, the OPA increased penalties for regulatory noncompliance, broadened the response and enforcement authorities of the Federal government , and preserved State authority to establish law governing oil spill prevention and response. Now, let’s take a look at the expanded National Oil and Hazardous Substances Pollution Contingency Plan (NCP)  (emphasis added):  The OPA was enacted to strengthen the national response system. The OPA provides for better coordination of spill contingency planning among federal, state, and local authorities. The addition of the National Strike Force Coordination Center (NSFCC), for example, is expected to relieve equipment and personnel shortages that have interfered with response to oil spills posing particularly significant environmental or human health threats. Today’s rule revises the NCP to implement a strongly coordinated, multi-level national response strategy. The national response strategy, contained primarily in Subparts B and D of the NCP, provides the framework for notification, communication, logistics, and responsibility for response to discharges of oil, including worst case discharges and discharges that pose a substantial threat to the public health or welfare of the United States. The amended NCP further strengthens the OSC’s ability to coordinate the response on-scene and also incorporates a new OPA- mandated level of contingency planning–Area Committees and Area Contingency Plans (ACPs). These committees and plans are designed to improve coordination among the national, regional, and local planning levels and to enhance the availability of trained personnel, necessary equipment, and scientific support that may be needed to adequately address all discharges. The major revisions to the NCP being promulgated today reflect OPA revisions to CWA [Clean Water Act] section 311. These changes increase Presidential authority to direct cleanup of oil spills and hazardous substance releases and augment preparedness and planning activities on the part of the federal government, as well as vessel and facility owners and operators . For example, revised CWA section 311(c) requires the President to direct removal actions for discharges and substantial threats of discharges posing a substantial threat to the public health or welfare of the United States . Revised section 311(d) requires a number of specific changes to the NCP, including the establishment of “criteria and procedures to ensure immediate and effective Federal identification of, and response to, a discharge, or the threat of a discharge, that results in a substantial threat to the public health or welfare of the United States.”  Section 311(d) also mandates the establishment of procedures and standards for removing a worst case discharge of oil and for mitigating or preventing a substantial threat of such a discharge. As such, quite contrary to what Brazile stated Sunday, the Oil Pollution Act of 1990, along with its changes to the National Oil and Hazardous Substances Pollution Contingency Plan, significantly increased the President’s authority over oil spills. As this disaster is now over seven weeks old, surely “This Week” host Jake Tapper should have been aware of the pertinent provisions of this Act. Ditto Reich and George Will who also sat idly by as Brazile made this misrepresentation. With this in mind, why didn’t anyone challenge her on this? This question especially goes out to Will who in recent months has gone after Bill Maher  as well as  Brazile for misrepresenting the facts in his presence.  I guess George wasn’t in the mood for a fight today. Too bad, for it was easy pickings.  Of course, there’s a larger issue here, and why this really angers me when it happens. It’s not surprising that a pol or pundit stretches the truth. It happens almost every time these people open their mouths. However, when their misrepresentations go unchallenged, the viewer assumes the statement was accurate. This is why it’s so important for the host or moderator to be on top of things. Unfortunately, folks watching “This Week” on Sunday were given the wrong impression about this law and its relevance to what’s currently happening on the Gulf Coast. As such, the burden was on SOMEONE present to correct Brazile on this point. Sadly, that didn’t occur. What a shame. 

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Donna Brazile Defends Obama By Badly Misrepresenting Oil Pollution Act, Gets No Challenge From ‘This Week’ Panel

Aubrey O’Day, Nick Cannon, Donald Trump Look Back On ‘When I Was 17’

‘I was very scared of boys,’ former Danity Kane singer recalls of her high school days. By Jocelyn Vena Aubrey O’Day Photo: MTV News At 17, Nick Cannon and Donald Trump dreamed big, not surprisingly, and Aubrey O’Day was disgusted by sex, surprisingly. When you’re a teenager, sometimes you see the world a little differently. On this week’s episode of “When I Was 17,” these three stars all reveal what that period was like for them. O’Day admits that she was still a virgin at 17 and actually wasn’t very comfortable with the idea of sex. “I was very scared of boys. I was very insecure about my body and I thought anything sexual was disgusting,” she said. “I’d get, like, creeped out if I even heard my friends talking about it, and all my friends were having sex. And I was just the one that didn’t ever have a boyfriend. People probably thought I was a lesbian.” Meanwhile, Cannon wanted to help out at home by getting an after-school job, but he was really more focused on being funny, which is probably a good thing since his humor is what eventually found him fame and fortune. “My mother made me get a job at, like, Wienerschnitzel,” he recalls in the episode. “[It was a job] just to kind of help ends meet. … I ended up getting fired because I was playing on the intercom system at the drive-thru, telling jokes.” Cannon dreamed of being a comic, but Donald Trump just wanted to play baseball in the big leagues. “I was captain of the baseball team,” Trump explained. “I was supposed to be a professional baseball player. Fortunately, I decided to go into real estate instead. I played first base and I also played catcher. I was a good hitter. I just had a good time.” “When I Was 17” — this week featuring Donald Trump, Nick Cannon and Aubrey O’Day — airs Saturday at 11 a.m. on MTV. Related Videos When I Was 17 | Ep. 7 | Nick Cannon, Aubrey O’Day, Donald Trump

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Aubrey O’Day, Nick Cannon, Donald Trump Look Back On ‘When I Was 17’

‘Left, Right & Center’: Primaries Galore

This week’s episode of “Left, Right & Center” features two special guests—Lawrence O’Donnell as moderator and David Frum as Tony Blankley’s right-wing substitute—for a virtual roundtable on … (continued) Related Entries June 9, 2010 A Very Jerry Primary Party: Brown Readies for Battle With Meg Whitman June 9, 2010 It Cost Meg Whitman Only $81 Million to Buy a Shot at the Mansion

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‘Left, Right & Center’: Primaries Galore

Nick Cannon Recalls Being A Drive-Thru Comic On ‘When I Was 17’

‘My mother made me get a job at, like, Wienerschnitzel,’ Cannon says of his first job. By Jocelyn Vena Nick Cannon Photo: MTV News Nick Cannon is doing just fine for himself. He’s a radio host, actor, TV personality, is married to Mariah Carey and he also happens to be a TV exec. But there was a time when money didn’t come easily to him: He had to get a job during in high school to help his family out. It’s just too bad he was too focused on being an entertainer to keep it for very long … “When I was 17, we weren’t doing that well financially,” Cannon, who now has a very good work ethic, says in this week’s episode of “When I Was 17” (airing Saturday at 11 a.m. ET), which also features Aubrey O’Day and Donald Trump . “And my mother, at the time, was working extremely hard. She was going to school. She had a couple of jobs.” So in order to take off some of the pressure off Mama Cannon, she asked her son to pitch in. And, well, he tried … “My mother made me get a job at, like, Wienerschnitzel,” he recalls in the episode. “[It was a job] just to kind of help ends meet. I ended up getting fired.” Why was Cannon fired? Well, he was practicing for his future career. “I ended up getting fired because I was playing on the intercom system at the drive-thru, telling jokes,” he explains. “That’s when I knew I wanted to be a stand-up comic.” “When I Was 17” — this week featuring Donald Trump, Nick Cannon and Aubrey O’Day — airs Saturday at 11 a.m. on MTV. Related Photos When I Was 17 | Ep. 7 | Celebrity Photo Flashback Related Artists Nick Cannon

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Nick Cannon Recalls Being A Drive-Thru Comic On ‘When I Was 17’

The Week in Pictures: BP Could Go Bankrupt Over Gulf Spill, Solar Power Station on the Moon, and More (Slideshow)

In BP oil spill news this week, the media is making much of the fact that the company’s daily profits are higher than its daily cleanup costs. But that’s changing fast, it’s possible that the Gulf spill will end up bankrupting the oil giant. An oil spill expert and animal biologist says, “Kill, don’t clean” oiled birds; Based on the startling statistic that less than 1% of oil-soaked birds survive. An in other green news, a Greenpeace protest against tuna fishing in the Mediterranean turned violent this week when an activist was harpooned in the leg by a French fisherman; Chinese coal fires may final… Read the full story on TreeHugger

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The Week in Pictures: BP Could Go Bankrupt Over Gulf Spill, Solar Power Station on the Moon, and More (Slideshow)

Top 5 Old Wise Dudes in the Movies

In 1984's The Karate Kid, Pat Morita coached Ralph Macchio to success with “wax on, wax off,” and other old guy wisdom, using karate the life of a young underdog. From Moses to Gandalf to a little green guy who speaks backwards, this week The Rotten Tomatoes Show names the Top 5 Old Wise Dudes in film. The Rotten Tomatoes Show is a movie review show that airs on Thursday nights at 10:30 e/p on Current TV. From reviews of the newest releases to commentary on cult favorites and movie trends, each episode of The Rotten Tomatoes Show is a fast-paced, comedic journey through the week in cinema. For more from the Rotten Tomatoes Show: http://rottentomatoesshow.com added by: Ellen_Fox