In Blank City , a discursive oral history of New York’s DIY film scene in the late 1970s and 1980s, Lydia Lunch says she doesn’t the mind the “No Wave” moniker coined to describe the work she and her friends were doing. “We need to have a category in which to define movements, I guess,” she says. “I have no problem with ‘No Wave,’ because it says No Wave. So again, it’s defined by what it isn’t. What is it? I don’t fucking know.”
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REVIEW: Blank City Overexplains NYC’s Late-’70s DIY Scene, with Great Footage
