Tag Archives: Academy Awards

Oscars 2013 − Movieline Liveblogs The Oscars

The weeks of punditry and teary talk-show performances are over!  Seth MacFarlane is about to take the stage and Movieline  is about to liveblog the Oscars. Grab your favorite cocktail, enable your hand-held device and join me for Hollywood’s most holy night. Let the pageantry and snarky comments begin!

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Oscars 2013 − Movieline Liveblogs The Oscars

2013 Academy Awards: Who Will Win?

Happy Academy Awards day, movie fans! With the 2013 Oscars airing tonight on ABC – and viewers anxious to either praise or tear apart host Seth MacFarlane – THG is here with our annual bold predictions for the ceremony. Who WILL win? Who SHOULD win? Read our take below and sound off with your own… BEST PICTURE Will Win: Argo . Should Win: Silver Linings Playbook . Many consider it too simple of a movie to win, but the performances are incredible and it’s simply entertainment at its finest. BEST DIRECTOR Will win: Steven Spielberg, Lincoln . Should win: Ang Lee, Life of Pi . Have you read that book? It’s uncanny this was turned into a coherent, enjoyable film. BEST ACTOR Will win: Daniel Day-Lewis, Lincoln . Should win: Daniel Day-Lewis, Lincoln . The clear favorite for a very good reason. BEST ACTRESS Will win: Jessica Chastain, Zero Dark Thirty . Should win: Naomi Watts, The Impossible . A memorable performance in a truly harrowing tale, which is based on a very real, scary story. BEST SUPPORTING ACTOR Will win: Robert De Niro, Silver Linings Playbook . Should win: Christoph Waltz, Django Unchained . Come on. Who doesn’t adore this guy?!? BEST SUPPORTING ACTRESS Will win: Anne Hathaway, Les Misérables . Should win: Helen Hunt, The Sessions . Yes, Hathaway sang on song, really, really well. But give us Hunt’s more featured, layered performance in what we hope will be the evening’s biggest upset.

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2013 Academy Awards: Who Will Win?

Breaking Dawn: Part 2 DOMINATES Razzies

The not-so-critically-below Twilight Saga: Breaking Dawn – Part 2 was the big “winner” at the 33rd annual Golden Raspberry Awards, a.k.a. the Razzies. The awards, given out the night before the 2013 Academy Awards , celebrate (or call out) Hollywood’s worst achievements of the cinematic year. Breaking Dawn Part 2 was recognized in seven categories, including worst picture. Congratulations to the entire cast and crew on that dubious honor!! Other Razzies racked up by the final Twilight Saga film: Worst sequel Bill Condon, worst director Kristen Stewart , worst actress Taylor Lautner , worst supporting actor Lautner and Mackenzie Foy, worst couple The entire cast, worst screen ensemble The film, of course, made $828 million at the box office and its big three stars are now world famous, so the Razzies can sort of suck it in that sense. Adam Sandler, who last year monopolized the Razzies with his “comedy” Jack & Jill , this year got only two awards for That’s My Boy . Progress, man! Rihanna, as worst supporting actress in Battleship , won by a landslide, while worst screenwriter Sandler beat the authors of Breaking Dawn by a single vote . Nothing like a true awards season nail-biter.

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Breaking Dawn: Part 2 DOMINATES Razzies

10 Academy Award Winners Who Dropped Off The Earth

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With the Oscars rapidly approaching, many people want to look back and see how the past winners’ careers fared after taking home the golden statue.…

10 Academy Award Winners Who Dropped Off The Earth

Barbra Streisand Set For 1st Oscar Performance In 36 Years

She notably made her Brooklyn debut last year to much fan fair and now singing diva Barbra Streisand will make her way to the Academy Awards telecast for a return. [ Related: Norah Jones To Perform ‘Ted’ Oscar-Nominated Song At Academy Awards ] The two-time Academy Award-winner has only lent her voice to the Oscars once before back in March 28, 1977 when she sang the them song from “A Star Is Born.” Streisand won the Oscar for Best Original Song that same night for Evergreen . Streisand won her first Oscar for Best Actress in Funny Girl (1968), and was nominated again in 1973 for her lead performance in The Way We Were . She was also nominated for producing the Best Picture nominee The Prince of Tides (1991), which she also directed, and for co-writing the original song “I Finally Found Someone” from The Mirror Has Two Faces (1996). “In an evening that celebrates the artistry of movies and music,” said producers Craig Zadan and Neil Meron in a statement, adding, “How could the telecast be complete without Barbra Streisand? We are honored that she has agreed to do a very special performance on this year’s Oscars, her first time singing on the show in 36 years.” The 85th Academy Awards takes place February 24th in Hollywood. Seth MacFarlane will host the live event, which will be broadcast on ABC.

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Barbra Streisand Set For 1st Oscar Performance In 36 Years

Oscar Index: Argo-Sell Yourself — It’s Crunch Time, Nominees

“It just doesn’t matter,” Bill Murray pep-talked to his misfit campers in Meatballs . You’ve got to think that Teams Lincoln and Silver Linings Playbook similarly rallied the troops in the wake of Argo ’s surprise Best Picture and Best Director wins at the Golden Globes. Go home, they might have said, it’s the Golden Globes . It just doesn’t matter. Except that it does, contends In Contention ’s Kris Tapley: “Anyone who dismissively calls it a non-issue doesn’t get it. With six weeks, every little nuance and acceptance speech will be grist for the mill. It matters.” That means that Tommy Lee Jones better start smiling, Golden Globe-winner Anne Hathaway better keep all her acceptance speeches as gracious and humble, and Jennifer Lawrence better recover from her rivals-slamming turn hosting Saturday Night Live . But what matters more are the major Guild award ceremonies in the offing: The Producers Guild Awards on Jan. 26, the Screen Actors Guild Awards on Jan. 27, and the Director’s Guild Awards on Feb. 2. These should give a clearer picture of the Oscar race. Or not. A DGA award, one of the most reliable Oscar indicators, will come to naught should either Ben Affleck or Kathryn Bigelow , neither nominated for an Oscar, win. As Times-Picayune critic Mike Scott noted on NOLA.com, “Usually the Golden Globes at least do a little to clarify an Oscar race or two, but in what is shaping up to be a more difficult-than-usual year in which to predict the Oscar winners, Sunday’s Globes only clouded things… many of the Oscar races would appear to be coin-flip races at this point.” One thing is irrefutable after Sunday night: After Tina Fey and Amy Poehler ’s hosting triumph at the Globes, Seth MacFarlane needs to have better jokes than his Hitler gag on nomination morning. Best Picture No Best Picture-nominee had a better week than Argo with its seven Oscar nominations and Critics Choice and Golden Globe wins for Best Picture and Best Director . No Oscar nomination for Best Director; no problem. Writes Tom O’Neil on GoldDerby.com : “There is a clairvoyant member of the academy’s producers’ branch whose judgment I’ve learned to trust through the years. He’s never been wrong about Best Picture as far as I know, not even when Crash pulled off an upset over Brokeback Mountain . Now he’s backing Argo and feels very strongly about it. Right after Oscar noms were announced and before Argo pulled off those jaw-droppers at the Critics Choice Awards and Golden Globes, he roared at me, ‘Mark my words, Argo is going to win the Oscar. I don’t give a damn that Affleck isn’t nominated for Best Director. That only makes me more hellbent to vote for his movie!” But despite Argo being “back in the mix,” wrote Steven Zeitchik and Glenn Whipp in The Los Angeles Times , Lincoln , leading the pack with 12 nominations, remains the frontrunner. Or not. Silver Linings Playbook , like Lincoln , had a disappointing night at the Globes, but it is the first film since Reds at the 1982 ceremony to have received nominations for Best Picture, Director, all four acting categories, and screenplay. Plus: “People love Silver Linings Playbook ; they respect Zero Dark Thirty ,” write Michael Hogan and Christopher Hogan for their For Your Consideration blog on Huffington Post . Silver Linings Playbook producer Harvey Weinstein catered an Italian lunch for members of the Hollywood Foreign Press, the New York Times reported. Lincoln director Steven Spielberg pulled off the coup of getting the services of “Hillary Clinton’s husband” to introduce his film at the Golden Globes. Advantage: Spielberg. Like Tapley said: It matters. Meanwhile, Kathryn Bigelow, mired in the controversy surrounding her film’s depiction of “enhanced interrogation techniques,” gamely reiterated her “depiction is not endorsement” line of defense in a self-penned article in Wednesday’s The Los Angeles Times . 1. Lincoln 2. Silver Linings Playbook 3. Argo 4. Zero Dark Thirty 5. Life of Pi 6. Beasts of the Southern Wild 7. Les Miserables 8. Amour 9. Django Unchained Best Director With Affleck and Bigelow out of the Best Director race, Spielberg’s chances for a third Academy Award for Best Director are looking good, unless David O. Russell benefits from all that Academy love for Silver Linings Playbook . But don’t count out Ang Lee, noted Anne Thompson on her Thompson on Hollywood blog: “Lee survived the brutal directors derby that left Kathyrn Bigelow, Ben Affleck and Tom Hooper hanging, and he commands serious respect inside the Academy, which gave him the Oscar for Brokeback Mountain . Remember, these 5700 voters are people who know what goes into making movies and this gorgeously executed heart-tugger with worldwide appeal ($400 million and counting) had a high degree of difficulty.” 1.Steven Spielberg (Lincoln) 2. David O. Russell (Silver Linings Playbook) 3. Ang Lee (Life of Pi) 4. Benh Zeitlin (Beasts of the Southern Wild) 5. Michael Haneke (Amour)

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Oscar Index: Argo-Sell Yourself — It’s Crunch Time, Nominees

Hulk Render! Does The ‘Avengers’ VFX Reel Warrant Oscar Gold?

Since we can now utter the words “the Oscar-nominated Marvel’s The Avengers ,” let’s take a closer look at all that visual effects magic that went into making Joss Whedon’s blockbuster superhero pic such a bombastic VFX achievement. More specifically, as is apparent in ILM’s recently-released Oscar VFX reel, take a gander at the digital wizardry that bore Mark RuffaHulk and the maelstrom of Chitauri invaders and explosions and costumed superheroes that went into The Avengers ‘ carefully orchestrated chaos of a final showdown. The Avengers is up for the Visual Effects Academy Award against The Hobbit: An Unexpected Journey , Life of Pi , Prometheus , and Snow White and the Huntsman . (I’m a bit surprised to see The Impossible ‘s tsunami VFX not on this list, especially after Hereafter’s similar waterworks earned an Oscar nod, but it’s a crowded field.) In an Indiewire roundtable I guested on yesterday, Devin Faraci of Badass Digest pointed out that this category feels like it boils down to the character-based VFX achievements of The Hobbit and The Avengers . I’d lean towards the shiny new Gollum, but ILM’s reel highlights just how much environment-smashing action was crafted for The Avengers in addition to creating the most lifelike Hulk we’ve seen in Marvel’s last few big-screen attempts. Then again, Richard Parker could roar out of nowhere and steal the category outright. What say you, Oscar-watchers? [via FirstShowing ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Hulk Render! Does The ‘Avengers’ VFX Reel Warrant Oscar Gold?

Quvenzhané Wallis Becomes Youngest Actor Nominated for Oscar [FULL LIST]

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The nominations for the 2013 Academy Awards were revealed this morning. While there weren’t too many surprises, the one shocker is the Best Actress nomination…

Quvenzhané Wallis Becomes Youngest Actor Nominated for Oscar [FULL LIST]

Quentin Tarantino ‘Annoyed’ By NPR Question About Sandy Hook

The lessons of Quentin Tarantino’s interview with Terry Gross on NPR?   He has a high tolerance for “viscera” and a low tolerance for questions that attempt to connect Sandy Hook and other incidents of actual violence to the kind found in movies. The Django Unchained director became audibly peeved when Gross asked him the question that every reporter feels compelled to ask filmmakers in the wake of the Connecticut shootings. Here’s NPR’s transcript of the awkward, testy exchange. I’ve taken the liberty of putting Tarantino’s comments about how linking Sandy Hook to violence in movies is “disrespectful” to those who died. I agree with Tarantino. Connecting the shooting to movie-making trivializes what happened in Connecticut, which, as Ross A. Lincoln pointed out in his post on The Hollywood Reporter ‘s poll on media violence, doesn’t bring this country any closer to figuring out how to prevent tragedies like Sandy Hook and Aurora from happening. GROSS: So I just have to ask you, is it any less fun after like the massacre at Sandy Hook Elementary, like, do you ever go through a period where you lose your taste for movie violence? And movie violence is not real violence, I understand the difference. But still, are there times when it just is not a fun movie experience for you – either to be making it that way or to be in the audience for something like that? TARANTINO: Not for me. GROSS: So it’s so completely separate, that the reality of violence doesn’t affect at all your feelings about making or viewing very violent or sadistic… TARANTINO: Sadistic? I don’t know. I do know what, I don’t know. I think, you know, you’re putting a judgment on it. GROSS: No, no, no… TARANTINO: You’re putting a judgment on it. GROSS: The characters are sadistic. The characters are sadistic. I’m not talking about, you know, the filmmaker. I’m talking about the characters. I mean, the characters are undeniably sadistic. TARANTINO: Mm-hmm. When you say after the tragedy, what do you mean by that exactly? GROSS: Well, like… TARANTINO: Do you mean like on that day would I watch “The Wild Bunch?” Maybe not on that day. GROSS: Or in the next few days, like while it’s still – while it’s still really fresh in your – while the reality – yeah. TARANTINO: Would I watch a kung fu movie three days after the Sandy Hook massacre? Would I watch a kung fu movie? Maybe, ’cause they have nothing to do with each other. GROSS: You sound annoyed that I’m… (LAUGHTER) TARANTINO: Yeah, I am. GROSS: I know you’ve been asked this a lot. TARANTINO: Yeah, I’m really annoyed. I think it’s disrespectful. I think it’s disrespectful to their memory, actually. GROSS: With whose memory? TARANTINO: The memory of the people who died to talk about movies. I think it’s totally disrespectful to their memory. Obviously, the issue is gun control and mental health. Although it’s not in the transcript t hat NPR posted, at an earlier point in the interview, Tarantino explained that he did tone down some of the violence in Django Unchained . As Samuel L. Jackson mentioned during my interview with him  in December, his favorite scene in the movie, which was cut, involved his character burning off the captured Django’s nipples with a hot poker. The Playlist  also points out that another scene that was briefly glimpsed in the trailer but excised from the movie, involved the rape of Broomhilda. (You can find these scenes in Tarantino’s script for the movie, which the Weinstein Company has posted here .) When Gross asked Tarantino, “What are your limits for..what’s your sensibility for how much splatter, how much violence, how much sadism” in a movie “feels right, like it’s part of the genre” and how much feels like “exploitation,” the filmmaker replied: “I could handle a lot more than I put in this movie,” adding: ” I have a tolerance for viscera, more than the average person.”   But, he explained that after screening earlier, more brutal cuts,  “I traumatized the audience” when his goal was to have them “cheering Django” at the movie’s end.  “If you don’t cheer at the end, I haven’t done the job,” he said.

‘The Hobbit’ Expected To Chop ‘Texas Chainsaw’ At The Box Office: Biz Break

The Hobbit: An Unexpected Journey is likely to win four weekends in a row at the box office. Also in Friday’s round-up of news, Ashton Kutcher ‘s Steve Jobs pic jOBS will head to theaters months after its Sundance debut; Kickstarter passes $100 million pledge mark; Michael Haneke withdraws Amour from an awards race; and a look at weekend expansions among the Specialties. Box Office: Hobbit to Cut Down Texas Chainsaw The Hobbit: An Unexpected Journey is set to continue a month-long reign at the box office, outpacing newcomer Texas Chainsaw , which will open in 2,654 theaters. Hobbit has cumed $242 million domestically, Variety reports . Ashton Kutcher’s Sundance Steve Jobs Film Heads to Theaters jOBS , the film about the Apple mastermind Steve Jobs from 1971 – 2000, which will close the upcoming Sundance Film Festival will head out to theaters April 23rd. Open Road will distribute the film directed by Joshua Michael Stern, Deadline reports . Kickstarter Pledges Pass $100 Million Users of Kickstarter.com have pledged upward of $100 million to independent film projects. Together, 891,979 people have pledged $102.7 million to indies since April 2009 of which $85 million has been collected for 8,500 projects, THR reports . Michael Haneke Withdraws Amour from Austrian Film Awards Austrian filmmaker Michael Haneke has withdrawn his critically applauded Oscar hopeful Amour to give other local films a chance at recognition. The French-language film would have been ineligible for some categories. The film has already won Best Picture, Best Director and Best Actress at the European Film Awards and is Austria’s entry for Best Foreign Language Film at the Academy Awards, The Guardian reports . Specialty Preview: The Impossible , Promised Land , Hyde Park On Hudson Hope to Gain Momentum Post-holiday attention on limited releases will focus on holdovers and expansions, including Lionsgate-Summit’s The Impossible , Focus Features’ Promised Land and Hyde Park On Hudson and The Weinstein Company’s Silver Linings Playbook and others, Deadline reports .

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‘The Hobbit’ Expected To Chop ‘Texas Chainsaw’ At The Box Office: Biz Break