Elsa Hosk is a model from Sweden who at 23 understands the importance of showing her fucking tits in shoots so clients know she’s fucking serious about being the next big thing in modeling. She’s 5 foot 9 and I’d be more than happy to lick every inch of her cuz she’s amazing….She’s been doing some Victoria’s Secret work, like their fashion show, and it’s pretty safe to say she may be their next big thing… I don’t know where these pics are from…or what they are for…but this is the most substantial shoot I’ve seen in a while…It’s all instagram trendy with tits and I’m sold on her solid talent…..and by talent I mean tits… Amazing.
The best thing Lindsay Lohan did for her career was get amazing implants…seriously….they are the fucking best in natural tear drop….that people still argue are real…even though when she’s on a meth or anorexia kick…her tits stay the same size…something that any tit obsessed dude who fucks crack whores will tell you…just doesn’t make any fucking sense…. So seeing her in a see through shirt, even if I can only see bra, is amazing, if you don’t focus on her tormented ex addict nicotine stained fingers….unless you are like me and love that shit cuz it shows torment, anxiety, nervous behavior that usually is near the breaking point, or what I like to call the gateway to fun. It’d be nice if Lohan was friendly with me…because there is so much I’d do to her….from playing with her breasts like I was Samantha Ronson….to winning her Academy Awards…even if I had to steal the shit from Eric Roberts….cuz she deserves it. TO SEE THE REST OF THE PICS OF HER TITS AND STAINED FINGERS FOLLOW THIS LINK
The Oscars are staying put for another 20 years, and before Scarlett Johansson joined the Avengers , another superhero was in line for the feature. Read on for that revelation and more in Tuesday’s latest Biz Break. From Movieline… Oscars to Remain in Hollywood Home – Recast as Dolby Theatre The Academy Awards are staying put at the Hollywood and Highland complex under a new two-decade pact, and Dolby Laboratories will have its branding on the theater that has served as home of the Academy Awards since 2002, AMPAS said Tuesday. The venue will now be known as the Dolby Theatre, CIM Group, which owns the Hollywood & Highland center said. Under the new contract with the Academy, the Dolby Theatre (formerly the Kodak Theatre) will host the Academy Awards through 2033. ARC Entertainment Takes a Knockdown The distribution and sales company has picked up North American rights to action thriller Knockdown and is planning a June 8 theatrical release. Starring Tom Arnold, the film directed by Todd Bellanca follows the trials and tribulations in the life of an American boxer, whose past follows him halfway across the world. For Ellen Lands at Tribeca Film North American rights to 2012 Sundance Film Festival debut For Ellen have been acquired by Tribeca Film, the distribution label under Tribeca Enterprises. The company plans a fall release in select theatrical markets (beginning Sept. 5 at New York’s Film Forum) and will be released via On Demand platforms as well as iTunes, Amazon Watch Instantly, VUDU, Xbox and Samsung Media Hub. Starring Paul Dano, the film centers on a struggling musician takes who fights his estranged wife for custody of their young daughter. Around the ‘net… Avengers : Before Scarlett Johansson, There was the Wasp A female superhero named the Wasp figured into an earlier version of the Avengers , director Joss Whedon told the NY Daily News . Whedon ditched the earlier version, and was even making changes as the effects were being created for the feature’s concluding battle. Mel Gibson Sets Get the Gringo for Pay-TV Release As previously reported , the 56-year-old actor is bypassing theaters and releasing his latest film on pay-television today . Get the Gringo stars Gibson as a career criminal who ends up in a Mexican prison. It will be available exclusively via DirecTV this month for $9.99 ahead of its DVD release. Bloomberg and the San Francisco Chronicle report . Lionsgate Taps Newcomer for Female Comedy The studio has hired Eirene Donohue to pen the screenplay for college-set ensemble comedy Girls’ Night Out . Lionsgate partnered with producers Laurence Mark and David Balckman, Deadline reports . Fox Searchlight Accepts NBA Wives Pitch The company has acquired an untitled pitch from Jumping the Broom writer-producer Tracey Edmonds and Basketball Wives star Shaunie O’Neal. Broom co-writer Elizabeth Hunter will write the script about a young woman who goes to Miami after her boyfriend is drafted into the NBA, Variety reports . 10 Labor Docs for May Day Michael Moore’s Roger & Me , Barbara Kopple’s American Dream and Harlan County, U.S.A. and Steven Bognar and Julia Reichert’s Last Truck: Closing of a GM Plant are among the choices for your May Day viewing pleasure. Check out more on Indiewire .
Rosie O’Donnell is not holding back in her strange crusade against Lindsay Lohan , saying if she doesn’t change her life, she could die like Whitney Houston. Rosie went back on Today show this morning to expand on why she believes LiLo should not have been cast as Liz Taylor in an upcoming Lifetime movie. Or any acting role, for that matter. O’Donnell suggested Lindsay is heading down a similar path as the late, great Whitney Houston , and can only be saved if she takes time off from showbiz. The ruthless Hollywood machine is slowly killing Lohan, Rosie feels, and she says feels obligated to speak out about the 25-year-old actress because: “Watching Whitney Houston’s funeral I recall thinking, ‘Why didn’t more people say what they knew?’ We all knew. We watched Being Bobby Brown – it was like watching Sid and Nancy … they were people in the throes of addiction.” “All anyone cared about was that the show was getting ratings. To look at Lindsay Lohan, you can’t help but feel for her … and I do not think she’s untalented, I think she’s quite talented. But this is a dangerous situation.” What do you think? Is Rosie totally off base or should she zip it? Lindsay has brushed off her attacks , but might she be better off heeding the warnings? VOTE: Whose side are you on?
Barbra Streisand turned 70 this week. Seventy! The star marked the milestone with a party to remember in Malibu, Calif., on Tuesday, celebrating with close friends and enjoying a performance by Johnny Mathis. The legendary singer-actress was joined at Taverna Tony by 80 guests, including John Travolta, Warren Beatty, Pierce Brosnan and Keely Smith, Steven Spielberg and Kate Capshaw, her stepson Josh Brolin and Diane Lane, Kenny G and Donna Karan. “It was an intimate magical event with only very close friends, people I’ve known and loved more than 20 years,” Streisand personally told People . “The highlight of the night was my son’s film that he made for me. People kept asking, ‘Who’s that singing?’ And when I said it was Jason, everyone was blown away by the soulfulness of his voice. Quincy Jones wanted to sign him on the spot.” “All my friends made it an evening full of surprises for me, flying in the remarkable Israeli mentalist Lior Suchard and gifting me with the performance of my favorite singer, Johnny Mathis, and many, many more highlights.” Happy birthday to one of the greats! In her career, Barbra has won two Academy Awards, eight Grammy Awards, five Emmy Awards and a Tony Award, one of a select few entertainers who have ever won all four. Not a bad resume. [Photo: WENN.com]
The world of drama has met the world of comedy in one of Hollywood’s newest, cutest couples. Multiple sources confirm that Jason Segel is now dating Michelle Willliams, as the How I Met Your Mother star and three-time Oscar nominee are “smitten and very serious,” according to Us Weekly . The tabloid has posted photos of Segel and Williams on March 24, walking through Brooklyn and, the following day, playing with Williams’ six-year old daughter, Matilda. The unexpected tandem reportedly met through the actress’ close friend, Cougar Town star Busy Phillips. They were friends for awhile prior to ratcheting up the relationship to a romantic level. “She hasn’t been this happy in a long time,” says an insider, who adds that the bi-coastal couple is “trying to make [the distance] work.” [Photos: WENN.com]
Silent House is not just a horror film but a Very Important Piece of Social Commentary, as you’ll see when you get to the movie’s third-act twist. In other words, it’s not asking you to watch a terrified woman’s face for some 90 minutes — in sort-of real time, no less — without an allegedly good reason. This is good-for-you, arthouse-style horror. Which doesn’t mean it’s necessarily any good. The gimmick goes like this: A young woman named Sarah (Elizabeth Olsen) is shown rattling around her family’s lake house in a series of long takes designed to give the effect of real time. We see her wandering by the water as if lost in a dream; coming back to the house to greet her father, John (Adam Trese), who’s fixing up the joint with an eye toward selling it; being puzzled when a mysterious dark-haired beauty around her own age, Sophia (played by Julia Taylor Ross), shows up at the front door, reminding her of all the fun times the two had as kids — Sarah can’t seem to remember a thing. But she does tell Sophia, in an extremely obvious bit of horror-helper dialogue, “The phone lines aren’t set up and our cells don’t work out here” — information that will later, of course, prove useful for someone to know. Other stuff happens: For instance, Uncle Peter (Eric Sheffer Stevens), who’s helping his brother and Sarah fix up the house, eyes her with somewhat inappropriate lasciviousness and says, “Look at you — I can’t get over how grown-up you are.” Then Uncle Peter takes off, and Sarah and her dad are left to wander the inky shadows of the old homestead, their faces illuminated only by the camping lanterns they carry around. Minutes later — or is it hours? — Sarah hears a noise upstairs. Dad goes up to investigate, and all seems well until there’s an ominous thunk . Much of the rest of the picture is an extended study of Sarah’s face, which is more often than not twisted into a mask of fear and dread. It takes forever for things to start happening in Silent House . And when they do, you wish they wouldn’t. The picture is a remake of the Uruguayan film La Casa Muda , directed by Gustavo Hernández, which made a mild splash at Cannes a few years back on the basis of the one-shot gimmick. Chris Kentis — who also made the 2003 shark-sadism drama Open Water — and Laura Lau have done the refashioning here, and whatever the movie’s flaws may be, there are stretches that are suitably suspenseful and atmospheric. That’s thanks in part to the picture’s sound design: When we hear footsteps treading perilously close to Sarah, we can tell the wearer is shod in heavy boots with rubbery soles; the sound of a discarded bottle rolling across an uneven wood floor is hollow and mournful; now and then the house groans ever so slightly, as if in denial of the horrors it’s hiding within. But then there’s the music, courtesy of Nathan Larson, which isn’t really music, but more of a low, migrainey hum. And poor Elizabeth Olsen: Her face is luminous and compelling by itself — she doesn’t have to do much. But she has too many unbroken minutes to fill in Silent House : One second she’s grimacing, the next she’s practically biting her wrist to keep from screaming, the next she’s back to grimacing again. Please! There’s only so much an actress can do to fill up these endless long takes. In the end, Silent House just comes off as a highly accomplished bit of arthouse wigwaggery — and a reminder that judicious editing, and not languorous love from the camera, is the actor’s truest friend. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
This is pretty much perfect: “since i am blamed whenever people don’t like it, but never praised when they do, and since most critics forget that they liked or hated something two years ago and cite it as a strength or weakness two years later, i’ve come to be philosophical about the show. if people don’t like the comic who hosts, they hate the show. if no comic hosts, they hate the show and demand that a comic be summoned. when he’s edgier, like chris rock, we get slammed. when he’s bland, like ellen, we get slammed. but a few things are clear. this is the oscars. they still mean something after 83 years, at least in the industry. unlike the mtv awards, their audience is not exclusively 9-18 year olds. unlike the golden globes, the voters are people who actually make movies, not pretend to be journalists. some things are simply inappropriate. it’s a dance every year to figure out what those are. every single line on the oscar show is negotiated. unless you’ve been there, you have no idea how it is put together. it’s like nothing else on earth. i’m writing a book about it, but i have to throw in my sexual escapades to make sure it sells.” [ Filmdrunk ] [Photo: Helga Esteb / Shutterstock.com ]
Hint: Not a lot. “Rourke was leaving the gym in L.A. yesterday when he joked about using the movie as a torture device … ‘I’m gonna tie you to a chair and make you watch Moneyball all fucking night.'” [ TMZ ]
I mean, of all the things bringing down that Oscar intro, Twitter jumped on this ? “‘I am 100 percent certain that my father is smiling. Billy previously played my father when he was alive, and my father gave Billy his full blessing,’ she continues, noting that Saturday Night Live gave the imitation ‘legendary status.’ [… Tracey] Davis, now 50, does however take issue with using the word ‘blackface,’ attributing the term born in the 1800s to describe white actors in makeup playing black characters, to early film stars such as Al Jolson, not Crystal, per se.” [ THR ]
