Tag Archives: aimee-mann

Jon Hamm Randomly, Sleazily Stars in Aimee Mann "Voices Carry" Remake Video

Jon Hamm randomly and sleazily stars in Aimee Mann’s new music video for “Labrador,” which is filmed as a remake of Til Tuesday’s 1985 hit “Voices Carry.” The video begins with a “behind-the-scenes” look from the Mad Men star, who portrays the song’s real writer and director, Tom Scharpling. Confused yet? Mann plays along in the video, basically saying she was duped into obliging the director. With that debonair mustache, it’s hard to fault the singer-songwriter. Watch the weirdness below (plus the original song for comparison): Aimee Mann – Labrador Til Tuesday – Voices Carry

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Jon Hamm Randomly, Sleazily Stars in Aimee Mann "Voices Carry" Remake Video

Merry Christmas! Here’s An Alternative Lady Christmas Songlist

Yeah, I can’t get over Rooney Mara’s Dragon Tattoo getup. It’s so… dated? Swedish? Remarkably cliche? And yet entrancing? Anyway, it has alternative connotations, and that brings me to Movieline’s Christmas indulgence of the day: alternative women covers of yuletide classics. I couldn’t find an embed of Liz Phair’s recent “Baby It’s Cold Outside” cover with the band Wheat, please consider that the unofficial sixth entry on this list. Take us to the Grinch, Aimee Mann! The glorious and still-somehow-underrated Aimee Mann’s superior Christmas disc One More Drifter in the Snow contains a bunch of amazing covers, but the gnarliest one has got to be “You’re a Mean One, Mr. Grinch.” Super droll, winking, and cool. As always for the Oscar-nominated Mann. Sinead O’Connor, perhaps the single most poignant voice of the past 25 years, has covered “Ode to Billie Joe,””Chiquitita,” and “Don’t Cry for Me, Argentina” with great success, but I’m particularly partial to her version of “Silent Night.” It’s the perfect forum for her childlike, yet commanding tone. Kate Bush. There is no other Kate Bush. In this ’79 Christmas special, she woos you with that ethereal voice that trilled about the plight of Cathy and Heathcliff in “Wuthering Heights.” Now that every hipster in sight waits eagerly for her new releases, acquaint yourself with the kooky wraith we first met on The Kick Inside . Tori Amos is an obvious heir to Kate Bush’s legacy of cooing vulnerability and mystical lyrics, but her cover skills are pretty singular. Check out her live versions of “Father Figure” and “Like a Prayer” for maximum intimacy, but this Christmas jam is also sufficient. Patti Smith’s brief cover of “White Christmas” is lovely. Since you presumably already know her covers of “Smells Like Teen Spirit” and “Rolling in the Deep,” you’ll be refreshed to find tiny version of Irving Berlin’s classic.

Happy 10th Anniversary, Ghost World! Let’s Celebrate Its Decade of Misanthropy

If you lived in New York or Los Angeles on July 20, 2001, and were the type of person who loved to make underhanded remarks about friends, strangers and even family members behind their back — and even to their face — then the chances are good you were first in line to see Terry Zwigoff’s caustic comedy of misanthropy, Ghost World . Based on the comic by Daniel Clowes, the film took too-cool-for-school ethos to another level, offered Thora Birch and Scarlett Johansson their best-ever screen roles (true), and even turned Steve Buscemi into a romantic lead. Well, sorta. Let’s celebrate this little oddity by remembering some great one-liners — and a related-but-not music video by Aimee Mann — ahead.

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Happy 10th Anniversary, Ghost World! Let’s Celebrate Its Decade of Misanthropy

3 Underdogs Worth Rooting for in the Oscar Race for Best Original Song

Oscar’s “Best Original Song” category is unusually thrilling; you might not remember the nominated tunes (or even the movies), but you cheer when Melissa Etheridge’s “I Need to Wake Up” defeats three Dreamgirls contributions, and you groan when Phil Collins’s monkey love medley from Tarzan beats Aimee Mann’s “Save Me” from Magnolia . This time, Movieline is offering to help the academy by drawing attention to three underdogs who deserve more recognition than, say, anything from the Burlesque or Country Strong soundtracks.

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3 Underdogs Worth Rooting for in the Oscar Race for Best Original Song