Good news for Marvel and the team behind Captain America: The First Avenger : The summer’s latest major comics-hero tentpole also had the genre’s best midnight showing of the season with $4 million. That exceeds the previous best of X-Men: First Class ‘s $3.4 million and hints at a better-than-expected three-day total near $60 million. Drop by Movieline this weekend for more box-office dispatches as events warrant… [via THR ]
Good news for Marvel and the team behind Captain America: The First Avenger : The summer’s latest major comics-hero tentpole also had the genre’s best midnight showing of the season with $4 million. That exceeds the previous best of X-Men: First Class ‘s $3.4 million and hints at a better-than-expected three-day total near $60 million. Drop by Movieline this weekend for more box-office dispatches as events warrant… [via THR ]
The contestants of America’s most popular reality television singing competition are obviously getting to the money. Forbes Magazine recently released their latest Top Earning American Idols list, and R&B favorites Fantasia and Jennifer Hudson were among the Top 10. Check Out More At Hiphopwired.com
Film should give ‘Harry Potter’ a run for its money this weekend. By Josh Wigler Chris Evans in “Captain America: The First Avenger” Photo: Paramount Pictures The summer of superheroes rages on this weekend with the theatrical release of “Captain America: The First Avenger.” It’s the final building block audiences need before the full picture of Joss Whedon’s “The Avengers” comes into focus this summer, and by all accounts, the movie does not disappoint. Sporting a fresh rating at review aggregate Rotten Tomatoes , both comic book fans and casual moviegoers alike are feeling the patriotic splendor that Cap has to offer, so “Harry Potter” better watch out: Steve Rogers’ mighty shield could very will split the Boy Who Lived’s wand in half this weekend! Read on for a selection of the “Cap” reviews currently rocking the Web, and check out our own “Captain America” review on Splash Page. And if the star-spangled superhero spirit moves you, give us your own reviews in the comments section below. The Story “It was a pleasure to realize, once ‘Captain America: The First Avenger’ got under way, that hey, here is a real movie, not a noisy assembly of incomprehensible special effects. Of course it’s loaded with CGI. It goes without saying it’s preposterous. But it has the texture and takes the care to be a full-blown film. You know, like with a hero we care about and who has some dimension. And with weight to the story. As we plunge ahead into a limitless future of comic-book movies, let this be an inspiration rather than Thor or Green Lantern. ” — Roger Ebert, Chicago Sun-Times The Hero “As the titular comic book character, Chris Evans has an appealing, earnest quality, whether he’s playing the digitally enhanced (reduced?) scrawny Steve Rogers or the well-muscled super-soldier dubbed Captain America. Evans provides just the right human anchor to the flash and dazzle of director Joe Johnston’s production. The movie wouldn’t work without Evans’ likability and the sense of integrity he projects, as well as his all-American good looks.” — Claudia Puig, USA Today The Villain “Then there’s Hugo Weaving as Captain America’s nemesis, Red Skull — a role that requires delivering a genuine performance from behind grotesque crimson prosthetics, which Weaving accomplishes with admirable dexterity. In fact, everyone hits their marks with energy and finesse in ‘Captain America,’ which with its clean, Art Deco lines and sprightly spirit exemplifies why comic book movies are such reliable fodder for Hollywood. They come pre-storyboarded, after all; their gadgets, dinguses and doo-dads are a production artist’s dream, just as those tights, capes and masks must provide fetishistic frissons for the most on-trend costume designer.” — Ann Hornaday, The Washington Post The Action “A chase and shoot-out in a ‘Dick Tracy’ version of New York is one of the most thrilling scenes of the summer movie season, yet this generous film keeps the popcorn popping for two full hours. It’s got musical numbers, as Rogers is costumed as Captain America and sent on a war-bonds tour; it’s got a prison break, as the touring celebrity frees some multicultural P.O.W.s from the Nazis, and it’s got a mythic smackdown, as Captain America squares off against Germanic evil genius Johann Schmidt (the hugely entertaining Hugo Weaving, mimicking documentarian Werner Herzog).” — Joe Williams, St. Louis Post-Dispatch The Setting “Though it begins and ends with a scene or two in the present, as directed by Joe Johnston from a screenplay by Christopher Markus and Stephen McFeely, ‘Captain America’ is first and foremost an origins story. Almost half of the film’s running time elapses before Rogers gets any kind of power at all, and though its elements are awfully familiar, it’s the most involving part of the film because it takes advantage of Evans’ performance. These early-days sections are so old-fashioned that, if you take away the copious special effects, watching ‘Captain America’ feels akin to watching the venerable 1950s television version of ‘Superman’ starring George Reeves. Buttons are pushed, dials are turned, secret passwords are uttered and lights blink, just like they did way back when.” — Kenneth Turan, Los Angeles Times Check out everything we’ve got on “Captain America: The First Avenger.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: Captain America MTV Rough Cut: ‘Captain America: The First Avenger’ Related Photos ‘Captain America: The First Avenger’
Simons Cowell and Fuller have been in the legal trenches for years over ‘Idol’ and ‘Factor.’ By Gil Kaufman Simon Fuller of “American Idol” and Simon Cowell of “X Factor” Photo: Slaven Vlasic and Dimitrios Kambouris/ Getty Image In one of life’s bizarre coincidences, the two men most instantly associated with the global phenomenon that is “American Idol” are both named Simon. Unfortunately, that’s where their similarities end, as, once again, “Idol” creator Simon Fuller and breakout star Simon Cowell find themselves locked into a legal battle for control, credit and what is likely a massive pile of cash. “It’s this horrible fate for both of them that they’re both incredibly ambitious people who very much like to and need to be the powers of their world, but their fate has been inextricably bound since they rose together on the strength of what was Simon Fuller’s creation, ‘American Idol,’ ” Richard Rushfield, author of “American Idol: The Untold Story,” told MTV News. And though Fuller was the brains behind launching “Idol” in England in 2001 (where it was called “Pop Idol”), the show quickly rose to immense popularity, thanks to the breakout stardom of then-little-known music executive Simon Cowell. “This fight has gone through several permutations, but because both have had a hand in the creation of [‘Idol’], they have been locked in this combat over it.” That latest twist comes courtesy of a recent lawsuit Fuller filed in Los Angeles Superior Court in which he claimed that he had negotiated an executive-producer fee and producer credit on “X Factor” as part of a settlement in the 2004 copyright-infringement suit against Cowell when “X Factor” launched in the U.K. Eager to have his own talent show, Cowell launched “X Factor” in the U.K. through his own production company, Syco, putting a twist on the singing-competition genre by adding a rotating cast of celebrity mentors. Cowell saw it as an eventual successor to “Pop Idol,” which went on indefinite hiatus after its second season because of Cowell’s eagerness to launch “Factor.” Fuller filed suit against Cowell, Syco and the producer of both shows, FremantleMedia, and a lengthy trial was avoided after the two sides came to an out-of-court settlement in 2005 that granted Fuller a “minority interest” in the show and kept Cowell on “American Idol” for five more years, as well as giving him a bigger stake in “Idol.” The deal also required Cowell to not launch “Factor” in the U.S. until 2011, at which point Fuller agreed to pull “Pop Idol” off the air in England. According to The Hollywood Reporter, Fuller is now claiming that Fox and producer Fremantle North America — which produces both “Idol” and “Factor” — are refusing to honor that deal as they plan to unleash the heavily hyped “Factor” on American audiences in September. “Fox and Fremantle made hundreds of millions of dollars thanks to the creative efforts of Fuller,” the suit claims. “Now, when it is time to finally perform on these unequivocal promises, Fox and Fremantle refuse to provide Fuller his executive producer credit for Defendants’ new television show, ‘The X Factor,’ and refuse to pay Fuller an executive producer fee ‘commensurate with his duties and stature in the entertainment industry.’ Defendants refusal to honor their promises made to Fuller is particularly malicious given that but for Fuller’s agreement, the ‘X Factor’ show would not be able to broadcast in the United States at all.” The timing of the suit is curious, according to Shirley Halperin, music editor at The Reporter and founder of its Idol Worship blog . “I think that promo Cowell made where he was making fun of ‘Idol’ really stung and it propelled this action,” she speculated. “It was obnoxious and it made Fox compulsory, since it had to approve the ad. The lawsuit came seven days after that.” She also noted that the suit does not name Cowell as a defendant, but does take aim at Fox and Fremantle. “They came up together and have had this symbiotic relationship for a long time, but over the years, their interests have diverged,” she said, with Fuller taking on more management and TV production duties, while Cowell has mostly stayed the course as a TV presenter with the occasional foray into TV producer. “That’s divided them over time.” But, curiously, Halperin said when she was compiling her book on the show, “American Idol: Celebrating 10 Years,” she looked at the photo archive of every image taken of the two over the years, and even as recently as 2009, the pair looked “incredibly” friendly, even chummy, in the photos. “The relationship is a lot more complex than we know, and it’s easy to say it’s a love/hate thing, but I think there’s a deep friendship and mutual respect, but at the same time they are very competitive and have become adversaries at times.” Rushfield said the battle comes down to “two tremendous personalities” who are used to controlling things at a very high level. ” ‘Idol’ is probably the most valuable entertainment franchise in the world now that ‘Harry Potter’ is gone,” he said. “The stakes are in the billions of dollars … and [based on] a relationship that came together very quickly and that they’re locked into. If they could do it over, I’m sure they would all give themselves a bigger piece.” Fox and Fremantle responded to the suit with a comment to The Reporter, in which they said, “Mr. Fuller has not been hired, nor performed any duties, on the U.S. version of ‘The X Factor.’ His suit seeks payment and credit as an executive producer despite his neither having been approved by the required parties, nor hired, as such. We believe this lawsuit is without merit, and we expect to prevail.” Fuller’s attorneys threw water on that claim, saying Fox was “contractually obligated” to approve Fuller as an executive producer on the show and that it has breached that obligation. “They both want the honor and the credit,” Halperin said. “Fuller has always had the credit and no one is taking that away, but Cowell wants more than just to be the guy that judges. He wants people to look at him as a real force.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.
From Peter Parker’s ‘daddy issues’ to his new leading lady, Spidey clip hints at what’s to come in 2012. By Josh Wigler Andrew Garfield in “The Amazing Spider-Man” Photo: Columbia Pictures This weekend’s “Captain America: The First Avenger” continues the charge of superhero supremacy at the box office this summer, and the grand tradition of Marvel heroes is sure to continue a year from now when “The Amazing Spider-Man” swings into action. The first “Spider-Man” trailer hit the Web earlier this week (through both official and leaked channels), gifting comic book fans with the great power and great responsibility of delivering their snap judgments on Sony’s developing reboot — well ahead of its summer 2012 release. Of course, we’re not immune to having our own reactions here at MTV News. To that end, we took a closer look at the new Spidey trailer and found quite a bit to pick apart. Even The Best Web-Heads Have Daddy Issues Most “Spider-Man” fans are familiar with Peter’s relationship with Uncle Ben and Aunt May Parker, but the newest film’s first trailer puts a heavy emphasis on our hero’s birth parents. Although this territory has been covered before in the comics, it’s a story far less frequently told than Peter’s struggles with Uncle Ben’s death. But director Marc Webb has said before that “Amazing Spider-Man” will deal heavily with Peter’s daddy issues, and judging by the trailer, he wasn’t kidding. The Dark Spider If there’s one thing to take away from the “Spider-Man” trailer, it’s that this isn’t Sam Raimi and Tobey Maguire’s web-slinger. In the hands of Webb and leading man Andrew Garfield, we’re seeing a Spider-Man story that takes itself much more seriously than the whimsical nature of the Raimi and Maguire era. Whether you approve of the tonal change will vary based on personal taste, but there’s certainly no arguing that this “Spider-Man” movie feels different than the last three, if nothing else. When Andrew Met Emma Another big change from the “Spider-Man” films of yesteryear is the removal of longtime love interest Mary-Jane Watson in favor of Gwen Stacy, played here by Emma Stone. Much of the trailer’s focus is on the budding relationship between Andrew and Emma’s characters, and already it feels as though they share more common ground with each other than Peter and MJ enjoyed in the first film’s opening chapters. Back To Start One thing that isn’t different from the previous Spider-flicks is that “Amazing” appears to be an origin story, just like the first Raimi-directed picture. It’s a curious choice: The original “Spider-Man” movie swung into theaters in 2002, and only 10 years later we’re seeing yet another re-telling of how Peter Parker got his radioactive spider-powers. There’s already debate about whether another origin story was worth the narrative cost, but we’ll reserve some judgment until we see the finished product — or, at least, another trailer. First-Person Heroics Speaking of other trailers, here’s hoping that the second “Spider-Man” spot puts a heavier emphasis on action than this first one. We don’t see Garfield in action albeit for a few shots two thirds of the way into the trailer, and even then, he’s without mask or costume. The final portion of the trailer, clocking in at almost a minute, focuses entirely on Spidey swinging from rooftop to rooftop … but all from the character’s own perspective. Again, it’s a curious choice to show the web-slinging action from Spidey’s point of view rather than allowing the viewer to gaze upon the hero in all of his glory. It’s bound to be a breathtaking sequence when the full movie hits theaters; as the capper for a first trailer, however, the “Spidey-cam” will likely turn some fans off. What do you think of the first “Amazing Spider-Man” trailer? Tell us in the comments! Check out everything we’ve got on “The Amazing Spider-Man.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com .
Casting has begun for the second season of HBO’s ever-expanding fantasy epic Game of Thrones , and speaking of ever-expanding, among the actresses joining the series there are some HARDened nude veterans. Dutch dish Carice Van Houten , who bared some excellent Van Hootage in Black Book (2006), is the nudest, followed by Captain America: The First Avenger’ s Natalie Dormer, who got some practice baring royal rackage on The Tudors . Also joining the cast is gorgeous 6’3″ giantess Gwendolyne Christie . Gwendolyne has yet to get nude on screen, but she has posed for some totally off-the-wall nude portraits for British photographer Polly Borland and already has her own Facebook group, Gwendolyne Christie is a Goddess . See the newest cast members of Game of Thrones nude after the jump!
G’day, muff! Australia mania hit America in the 1980s with Crocodile Dundee , but the obsession has never ceased at Mr. Skin. Come from a gland down under with our list of the 10 hottest naked Australian stars like Elle Macpherson and Bridesmaids babe Rose Byrne . They’re Yahoo Seriously sexy! 10 Cate Blanchett … Aussie assie. 9 Abbie Cornish … Digeriboobs. 8 Rachel Griffiths … Do you come from a gland Down Under? 7 Peta Wilson … Taste her vegemite! 6 Toni Collette … G’boobs, mate! 5 Rose Byrne … She’ll give you a wombat. 4 Portia de Rossi … As furry as a koala. 3 Naomi Watts … Put another shrimp on her boobies. 2 Elle Macpherson … Booberangs! 1 Nicole Kidman … Nice Wooloomooloo.
‘It was coming from me, but it was also the voice of many others,’ he tells MTV News of his atypically raw lyrics. By Rob Markman Common Photo: Warner Bros. Throughout much of his career, Common has been quite the ladies man, so it may have been surprising for some when he opened his new single with: “I want a bitch that look good and cook good.” On the Nas-assisted, No I.D.-produced single “Ghetto Dreams,” from Common’s upcoming album The Dreamer, The Believer, the Chicago rapper/actor offers a lyrical list of qualities that any would-be lady friend should possess, and while it may sound crude, the MC insists the song is highly conceptualized. For Common, it all started with No I.D.’s swirling beat and the Nas vocal sample he laid on top of it. “Once he sampled that ‘Ghetto Dreams’ sample from Nas, it was like, ‘Man.’ That vocal sample was like, ‘Damn this gives me a straight direction and way to go’,” Com said in an exclusive video interview with MTV News. “I was like, ‘I want a bitch that look good and cook good.’ I was just thinking about being in the ‘hood, what I want, and then the song goes on from there,” he said of the opening line that ends with the lyric “Cinderella fancy, but she still look ‘hood.” “Right there I’m saying, ‘Look, I want a bad woman.’ She look raw and she could cook and she could get very elegant, but at the same token she has the know-how in the street.” According to the lyrics, the dream lover the MC describes is uninhibited enough to have sex in the backseat of a car and smoke marijuana but still totes a Bible. “That says a lot about her,” Common reasoned. “She could get high, you might get high with her, she might drink, smoke a J with her, but at the end of the day, she still got her Bible there.” Com Sense even references his fantasy girl’s love for Beyonc