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Trae Tha Truth Gives Back With Trae Day, New Mixtape

‘Sometimes people need a soldier to lean on and give them that hope and motivation,’ he tells Mixtape Daily. By Shaheem Reid Trae Tha Truth Photo: ABN Cornerstone Credentials: Trae Tha Truth Trae Tha Truth proudly reps his crew name ABN (that’s A-holes by Nature) but when it comes to the kids, he’s anything but. The Texas truth speaker gives his all. There was footage that Trae showed us personally of him visiting a paralyzed kid in a hospital that had your favorite hip-hop editor turning on the waterworks. The youngster was moved by Trae’s music and started to try to dance. Trae’s fans are gearing up for his proper LP, Tha Truth, but before that, they’ll get a mixtape. He just finished his latest, Can’t Ban Tha Truth. The title has to do with his lawsuit with Radio One, and the content has everything to do with the streets. Look for guest spots from Young Buck and Lupe Fiasco on the project. A few weeks back, Trae held his annual Trae Day event in Houston where he gave back to the kids, with school supplies, carnival rides, immunizations and music. Lupe and Buck were there to support as well, as were Gorilla Zoe, Jody Breeze, NBA star Stephen Jackson, adult-film star Pinky and Yo Gotti. “As soon as we started to perform, it started raining,” Jae Millz recalled. He was there with his Young Money family Lil Chuckee, Lil Twist, Gudda Gudda, Shawt Dog and Shanell. “It started pouring. It was already on and off rain, but we still rocked anyway. Everybody came out to rock for Trae Day. This is big, man. Everybody needs to have a little bit more of this in their state. They out here. [The fans] stood out here in the rain for him. He had a jungle gym, a Ferris wheel, he did this on his own. That’s love. You don’t get too many artists like this. When you come across an artist like this and he rocks with you, you rock with him, you support him. The people stayed. Parking lot still full.” “We do this: rain, sleet or snow,” Yo Gotti laughed about the inclement weather. “Nothing is gonna stop us from doing that. “It’s a good cause,” Gotti added. “He’s been doing [Trae Day] for a few years, for the kids. He’s my homeboy too. He said he’s gonna put it together, he wanted me to come out, I’m here.” “This is one of the most beautiful individuals that I’ve come into contact in the music business,” Lupe Fiasco said. “He’s a trusted friend, partner, family. Anything I can do to show support, especially something as beautiful as Trae Day and what it stands for — getting kids prepared to go back to school, immunizations, HIV testing — that’s what I do. Any time I see somebody do that, I’m on it.” For Trae, he said he tries to make the event bigger every year. “It’s pressure, man. At the end of the day, it makes me proud that even though the rain came out, they stayed out here for the supplies, they stayed out here with the homie,” Trae said. “We got to be able to touch the people, touch their hearts and give them a smile, because that’s what they need. People think it’s about money. … Sometimes people need a soldier to lean on and give them that hope and motivation. So that’s what I do every Trae Day. Even though it’s my holiday, I made it a holiday for the city.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos Mixtape Daily: Freddie Gibbs

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Trae Tha Truth Gives Back With Trae Day, New Mixtape

Drake Made ‘Karaoke’ Beat ‘Personal,’ Francis And The Lights Say

‘He actually made it make sense in a way that didn’t make sense to me before,’ producer Francis Farewell Starlite tells MTV News. By Jayson Rodriguez Francis and the Lights Photo: MTV News Drake’s Thank Me Later was produced mostly by his trusted collaborator Noah “40” Shebib, but the Toronto lyricist ventured into the studio with an array of hip-hop beatsmiths for his debut, from Swizz Beatz to Kanye West. One standout on the project was indie-rock act Francis and the Lights. Frontman Francis Farewell Starlite produced the second song on Thank Me Later, the muted “Karaoke.” After he signed on to tour with Drake , Starlite was asked by the rapper’s camp if he had any music available. Starlite struggled while trying craft the right number, before ultimately deciding to give up a track he was saving for himself. “My immediate reaction was to go into the studio with [my producer], who I work with on most of my things, and we tried to make beats,” he told MTV News. “And we sent one and heard nothing; we sent another and heard nothing. And I sort of realized: It has to be deeper than that. [For] Drake and his people, it has to be good above all, before it’s any genre or anything. So I had a song that I had been working on for a while that I knew was good. I knew it was something special. And I made the decision to give it to him and let it go in that way. So I tracked [‘Karaoke’] in one night in the middle of [recording] my record. I sent it to them, and I heard back in, like, three minutes,” he laughed. The result was a minimalist number on which Drake deftly mixes soft crooning before building up into a straightforward rap about a relationship gone awry. “I remember when you thought I was joking/ Now I’m off singing karaoke, further than I ever been,” Drake sings. “So if you gotta go, if there’s any way I can help.” The song parallels material more likely to be on a Francis and the Lights project than anything in a retailer’s rap bin. Starlite said Drake didn’t tweak the music much, but admitted the Young Money star’s vocals gave the song a vitality it initially lacked. “He made it better, unquestionably, from what I had,” the singer said. “And that’s a good feeling. He made it very personal, but making some very subtle changes and doing his thing on it, obviously, with the verses. He actually made it make sense in a way that didn’t make sense to me before.” What do you think of Francis and the Lights’ production work for Drake? Let us know in the comments! Related Artists Francis and the Lights Drake

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Drake Made ‘Karaoke’ Beat ‘Personal,’ Francis And The Lights Say

‘The Expendables’ Arsenal: A Weapon-By-Weapon Guide

Weapons supervisor Kent Johnson leads us through the biggest, baddest arms from the action hit. By Adam Rosenberg Dolph Lundgren and Sylvester Stallone in “The Expendables” Photo: Millennium Films Sylvester Stallone proved that his action star still burns brightly with the box-office-winning performance of “The Expendables,” which he wrote, directed and starred in. The veteran of action classics like “First Blood” and “Demolition Man” ceded some screen time in this latest outing to action stars of yesterday and today, particularly the core “Expendables” team of Jason Statham, Jet Li, Dolph Lundgren, Terry Crews and Randy Couture. As impressive as that lineup is, the collected firepower of the group is what makes them really scary. Just try to identify some of those guns and blades in the heat of combat — it’s impossible. So MTV News got on the phone with Kent Johnson, property master and weapons supervisor for “The Expendables,” to get the inside scoop on who used what and why. For those who haven’t seen the movie, spoilers ahead. You’ve been warned. Handguns and Revolvers Stallone actually makes use of three handguns in the movie: a pair of semi-automatic pistols and a more traditional six-shooter, the sort that you’d see in a Western — only far more dangerous-looking. Johnson identified the pistols as custom-made Kimber Gold Combat IIs. “It’s a .45 [caliber],” Johnson said. “Kimber put them together for us. Sly wanted something a little bit different, a little more unique, a little more of an individual style, so we were able to make the body of the gun a little darker with black grips and little chrome pieces on it. Just very subtle, to make it more personal.” As anyone who’s seen the movie knows, Stallone fires those twin pistols at a remarkable rate. According to Johnson, that’s perfectly realistic and all based on the skill of the shooter, who in this case is one of the most accomplished action stars of the past 30 years. “A gun will fire as quick as you let the gun work, because it’s a gas-activated gun — meaning the gas in the chamber causes the recoil — which causes everything to work in the gun and the next shell coming up. So as fast as you could possibly pull the trigger is how fast that gun will.” Compare that to Sly’s revolver, which is an “1873 six-shooter with a 3-inch barrel” seen in the first and last scenes of the movie. “It’s a single-action gun, which means it won’t cock, it won’t fire like [the Kimbers], where you just pull the trigger and it’ll go bang, click, bang, click. With a single-action, you have to pull the hammer back,” Johnson explained. “[Stallone] was using it like the old Western style, like a fanner-type gun. What it is, is you have your finger on the trigger pulled at all times, and you fire and rotate, fire and rotate, by pulling the hammer back on the gun [and then letting it go], which is what a lot of quick-draw and fast-draw artists [do].” Shotguns and Rifles As cool as Sly’s paired pistols are, the undisputed star weapon of the movie is Hale Caesar’s (Terry Crews) automatic shotgun, an “MPS AA-12 Sledgehammer.” The weapon itself is a beastly thing, capable of laying down rapid-fire shotgun blasts. What makes it a force to be reckoned with in “The Expendables” however is the ammo that Caesar fills it with, which he describes in great detail during one particular scene. Said Johnson: “It has fins and it explodes before it hits the target. … It’s like a little missile, a little ground-to-air missile. You could load a shotgun shell with a solid pellet, you could load it with birdshot, you could load it with buckshot, you could load it with all different things. The way we did it [in ‘The Expendables’] was, basically, [we built it] to take down buildings, and it does. In real life, this shotgun would do pretty close to what you see on the screen.” Even more frightening is the idea that such a destructive bit of firepower exists. It does, Johnson said — sort of. “There’s something like that that does exist, yeah. We basically made up our own shell, but we copied one that was a prototype that is in development for the military.” A range of assault rifles are also on display in the movie, though the climactic battle is highlighted by two in particular. First, you have the bad guys, led by David Zayas’ General Garza. “All of Garza’s military guys we had [equipped] with AK-47s,” Johnson revealed. “Which is the right gun, [because], basically, they work all the time. So the AK-47, which is the old traditional standard workhorse, versus our boys with their modern weaponry.” In the case of the Expendables, “modern weaponry” is one tactical assault rifle in particular: the Noveske N4. “In the real world, it’s high-tactical, more in Europe than the States. It’s a high-caliber, it’s a very uniquely balanced weapon, a close-quarters weapon. It’s short and has a lot of firepower,” Johnson said. As with most of the other weapons on display in the movie, the N4 was Stallone’s pick. “He liked the look; it works off of rail systems, so we were able to put smaller but better sights on it, we were able to put better scopes on it. Visually, it was just a better, more futuristic-but-contemporary look without getting into silver [plating] or other crazy things, it’s just a real kick-ass weapon.” The Sharpened Blade Not all of the weapons in “The Expendables” go boom. Some slice through the air with nary a sound. Dolph Lundgren’s Gunner Jensen and Jason Statham’s Lee Christmas both make notable use of bladed weapons. “[Lundgren’s] Bowie knife … that was a Gil Hibbons. That’s the knife that Gunner gives Christmas [at the beginning of the movie]. “Gil Hibbons made a custom knife for us, for Sly. He and Sly have worked throughout the years together,” Johnson continued. “It was a white-bone handle and had the Expendables logo, the same logo that was on the motorcycles. It’s a traditional Bowie knife, but he custom-made it for us for the movie. The design was Gil’s, but he [used] some subtleties in the handle, very small little subtle things to make it a unique piece.” Then there’s Statham’s Christmas, who excels at killing silently from a distance with his throwing knives. “That was director’s choice on the [throwing] knives to have a little ring at the top so [Statham] could flip them and do different things,” Johnson explained. “We worked in different ways on making [Statham’s draw look right]. We went from a shoulder draw to a hip draw to kind of like a gun draw almost. That’s pretty much what we ended up with, where we had the three knives on each side of his hips. “That was the director’s idea in working with Jason, what made him feel comfortable and made him feel like he could be as quick as anybody with a gun with that knife. You’ve got to be able to get that knife and then be able to get the second one and the third one. He always carried at least six knives with him at all times when he was in his combat gear.” Finding the Right Weapons for the Job With all the killing force detailed above, the obvious question is: Where does it all come from? Johnson, being the man who makes it all happen, has the answer. “There’s different prop rental houses and different weapon rental people. I’ll work with the director and what his vision is for the movie, and basically I’ll go out and bring him an assortment of guns. Sly’s even gone to the gun room, multiple times, where he wanted to look at things,” Johnson said. He’s worked on Stallone projects since 1989’s “Tango & Cash,” and on “Big Trouble in Little China,” “Death Wish II,” “The Final Countdown” and others before that. “There’s one shop that I work with extensively called Independent Studio Service. They’re in Sun Valley, California, and they have the biggest weaponry [selection] probably in the world for the movie business,” he said. The guns themselves are the other key to the puzzle. These are all actual weapons that have been converted for prop use, though in most cases converting them back to live weapons is possible. Some of them still are live weapons; they’re simply loaded with blanks. “A gun with blank ammo, all you’re doing is making the gun think it’s firing a bullet,” Johnson explained. “They’re all real guns, they all have been modified to shoot blanks. Sly’s 3-inch 1873 six-shooter that he had in the small of his back, you could put live rounds in that gun and fire that gun because it’s a non-plugged gun. Non-plugged meaning, when you fire a semi-automatic or a full automatic, you actually plug the barrel of the gun and control the amount of gas that stays there to make the gun think that it’s shooting a live round out. “So you’re fooling the gun. All of these guns that are converted for studio use can be converted back to live fire.” Check out everything we’ve got on “The Expendables.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Expendables’ Arsenal: A Weapon-By-Weapon Guide

Justin Bieber On VMA Promo: ‘I Like Girls Chasing Me’

‘I’m kind of like the Beatles running, and there’s girls chasing after me,’ he tells MTV News of ‘Hard Day’s Night’-inspired promo. By Jocelyn Vena Justin Bieber Photo: Michael Loccisano/ Getty Images Justin Bieber is up for a Best New Artist VMA at the 2010 MTV Video Music Awards , and in an upcoming promo for the September 12 show, the Biebs is tailed by his rabid female fans. “I’m kind of like the Beatles running, and there’s girls chasing after me,” he told MTV News of the “Hard Day’s Night”-style teaser. Given that girls chasing him is a standard day on the job for Bieber, he admitted that faking it wasn’t all that hard to do. “Everything’s been going pretty smooth,” he said. “I like girls chasing me, so it’s good.” This isn’t Bieber’s first time in an MTV awards-show promo: He very hysterically appeared in a Movie Awards teaser earlier this year with host Aziz Ansari and “Hurt Locker” star Jeremy Renner. While the shoots were equally fun, the tone of this promo is a bit different. “Aziz was really fun to work with,” he said of the Movie Awards promo. “It was really funny, and this is kind of more serious.” When Justin looks back on past VMAs, one of his fellow nominees stands out as a highlight. “All-time favorite moments of the VMAs? Probably when Eminem performed,” he said. “I’m just a big Eminem fan, and I remember turning on the VMAs and seeing Eminem perform.” Who would he like to see take the stage this year? “I’d love to see Beyonc

Meet ‘Girl With The Dragon Tattoo’ Star Rooney Mara

Before landing the dream role of Lisbeth Salander, Mara starred in ‘Nightmare on Elm Street’ remake and more. By Eric Ditzian Rooney Mara Photo: Getty Images Get used to hearing the name Rooney Mara. After an extensive search that reportedly focused on A-list names like Scarlett Johansson and Natalie Portman, “Girl With a Dragon Tattoo” director David Fincher selected Mara to play the role of dark and damaged Lisbeth Salander. While hardly a newcomer to Hollywood — she starred in this year’s “A Nightmare on Elm Street” and her sister is “Iron Man 2” star Kate — Mara remains largely unknown to the public. That’s all about to change. “Dragon Tattoo” is based on the first of Stieg Larsson’s best-selling crime novels, a trilogy that has been published in 44 countries and has sold more than 40 million copies worldwide. Anticipation for Fincher’s adaptation, slated to get an Oscar-friendly December 2011 release, is already running high, with every casting rumor — Kristen Stewart as Salander? Ellen Page? — getting wide media attention. So just who is Mara? MTV News first met her in June 2009 on the set of “Elm Street.” By this point, she had appeared in a few low-profile roles on the big and small screens. But the remake of the beloved horror flick would give the actress her widest exposure to date. And taking on the iconic role of Nancy — originated in 1984 by Heather Langenkamp — left Mara more than a little nervous. “It’s quite stressful,” she confessed. “There are big shoes to fill, and people love Nancy. There’s a lot of pressure to not let people down.” How will Mara deal with the burden of portraying Salander? As with “Elm Street” and Nancy, there is already a cinematic Salander. The Swedish version of “Dragon Tattoo,” starring Noomi Rapace, opened in the U.S. earlier this year to wide acclaim. Perhaps, though, Mara’s success on “Elm Street” has boosted her confidence: The film notched an impressive $33 million opening in April. A few months earlier, Mara had appeared in a supporting role alongside Michael Cera in “Youth in Revolt.” And by the time “Elm Street” hit theaters, she’d already lined up another high-profile flick, a prominent part in Fincher’s “The Social Network,” the story of the founding of Facebook, which arrives in October. Before then, Mara will already be in Sweden, where “Dragon Tattoo” is expected to begin shooting in September. Last year on the “Elm Street” set, Mara revealed to us how she prepares for each day in front on the camera by creating specific playlists of songs that fit the day’s shoot. “It’s sort of like reading my diary. It’s very personal,” she said, at first resisting the urge to open up about her musical tastes. But she eventually told us she listens to Red and Three Days Grace when she needs to get pumped up and, when she has a somber scene, Radiohead and every cover of Tears for Fears’ “Mad World” she can find. “I have a playlist for Nancy for just every day, and I have a specific playlist for the stuff I have to do today, which is really hard-core and I really have to kick ass today,” she explained. Check out everything we’ve got on “The Girl With the Dragon Tattoo.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos Rooney Mara: Indie Darling To Franchise Star

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Meet ‘Girl With The Dragon Tattoo’ Star Rooney Mara

Fantasia Already Back To Promoting New Album

After apparent suicide attempt, singer will make appearances on ‘GMA,’ ‘106 & Park,’ ‘Regis and Kelly’ and more next week. By Jocelyn Vena Fantasia Photo: Bennett Raglin/WireImage After she reportedly tried to commit suicide by overdosing on medication, Fantasia was released from the hospital last week. Now, with her third album, Back To Me, set for release on August 24, the singer is ready to begin promoting the LP, according to her label, J Records. In a press release, the label said that the singer has a “renewed commitment to her music and her fans” since the incident. “I can’t thank my fans enough for their prayers and support during such a challenging time. It has given me the motivation to get back to work and honor the commitments I made to promote Back To Me,” Fantasia said in a statement. “I put a lot of blood, sweat and tears into this album and I pray that everyone enjoys it as much as I do.” Fantasia’s busy schedule will include stops at “Good Morning America” (August 24), “Lopez Tonight”(August 25), “106 & Park” (September 8), “Live With Regis and Kelly” (September 9) and “The Wendy Williams Show” (September 10). Currently, her single “Bittersweet” sits at #10 on the Billboard R&B/Hip-Hop Songs chart. For her album, Fantasia worked with a number of hitmakers, including Ne-Yo, Claude Kelly and Chuck Harmony as well as Rico Love and Jim Jonsin. The good news comes just a week after the season-three “American Idol” victor was rushed to the hospital after she was found in a North Carolina home. “She has been lifted up by the outpouring of love and support from her fans,” Barrino’s manager, Brian Dickens, said in a statement to MTV News. “She is more committed than ever to her daughter and her work because they are her heart, her soul and inspiration.” Are you glad to hear Fantasia is ready to promote her album? Let us know in the comments. Related Videos Reactions To Fantasia’s Overdose Related Photos Fantasia’s Career In Photos Related Artists Fantasia

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Fantasia Already Back To Promoting New Album

Lil Wayne Talks Working Out, Playing Uno In New Letter From Jail

‘The best lesson is to not come back,’ he says of what he’s learned in prison. By Jayson Rodriguez Lil Wayne Photo: Bryan Bedder/ Getty Images Lil Wayne posted yet another letter from prison on WeezyThanxYou.com , presumably one of his last ones as the incarcerated rapper now has fewer than 80 days left on his one-year sentence . In his message, the Cash Money Records superstar discussed the weapons charges that landed him in Rikers Island (he’s learned his lesson), his recreational activities (he’s an Uno champ!) and his workout regime (he’s buff, sort of). “Well ain’t nothing going on in here but the time, which seems like it’s taking forever,” the rapper wrote in his letter, the fifth he’s posted so far. “I’m trying to make the most out of every second tho, mentally. There’s some pretty cool people in here. Even though this isn’t a cool place to be. I’ve learned plenty already and the best lesson is to not come back. Last night, I kicked ass in UNO! Anyway, that’s neither here nor there. Just thought I’d let y’all know. Gotta stay hydrated. Though it’s hot, I still work out. Now don’t be expecting me to look like Hercules when I get out, but I should be a little bulky.” Weezy signed off by thanking many of his fans individually and personally; he often responds to letters fans have written him with a nod to the subject. “Stay focused. Cool rap name!” he wrote to Dominick Johnson. “I thank you for being such a longtime fan. And yes, you brought a smile to my face. So it was well worth it,” he wrote to Violet Grann. The letter might be a bit dated, as there’s a message from Wayne to Chris Bosh telling the newly signed Miami Heat star he should team up with Kobe Bryant in Los Angeles. Wayne also promotes two projects of his in the letter: his EP I’m Not a Human Being and the DJ Scoob Doo-directed “Nino Brown Story 3,” both slated for upcoming releases. What do you think about Lil Wayne’s recent letter? Let us know in the comments! Related Artists Lil Wayne

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Lil Wayne Talks Working Out, Playing Uno In New Letter From Jail

30 Seconds To Mars Save Souls In ‘Closer To The Edge’ Video

‘Yes, this is a cult,’ says video that aims to capture fans’ perspective of the live 30STM experience. By James Montgomery 30 Seconds to Mars’ “Closer to the Edge” Photo: EMI With their brand new “Closer to the Edge” video — which premiered on Monday (August 16) — 30 Seconds to Mars have joined a special fraternity. For about as long as there have been rock videos, there have also been “road videos,” grand testaments to the highs and lows, the triumphs and tragedies, the sheer excitement and terrifying monotony that comes with being a touring rock-and-roll band. Documenting your life on the bus is as much a rite of passage as getting your first platinum plaque (or bedding your first groupie), and as such, basically every rock act worth their salt has, at some point, released a road video … and then released it again on the “Live” DVD. Though, in keeping with pretty much everything they do, 30STM have taken the concept to dizzying, unabashedly all-encompassing heights. Though road videos feature plenty of live footage (as does “Edge”), they are rarely — if ever — about the live experience. Rather, they are about the band themselves, the three or four dudes who sleep on bunks, sign autographs, eat at all-night diners and gaze longingly out the window of their bus. The fans are just part of the background … the occasional slow-motion shot or the supportive arms that keep the lead singer aloft when he crowd surfs. “Closer to the Edge” is different because it is darn-near 100 percent about the fans themselves: their lives and loves and fears, and how all of those things motivated them to attend a 30STM show in the first place. They are the stars, they are the main attraction. The members of the band are basically secondary characters in the thing. Even Jared Leto’s foot-high pink Mohawk. The video — directed by Leto, under the nom-de-film Bartholomew Cubbins — opens with testimonials from sad-eyed 30STM fans, espousing their views on life (“My philosophy is: Don’t regret anything you do … because in the end, it makes you who you are”). Each of them is alone in their own particular way, it would seem, though, through the music of 30 Seconds to Mars, they find a space in which they can coexist with others just like them. They may be outcasts in their high schools or towns, but at a 30STM show, they are anything but. They are, as a title card in the video puts it, part of “The Family.” And that message of inclusion is driven home in a series of stats the video throws at us (“27 Countries. 89 Cities. 1 Band. And All 1,363,930 of You”) and the message, “Yes, This Is a Cult.” Provided you are not curdled with cynicism, it’s a rather amazing idea. 30 Seconds to Mars are less of a touring rock band than they are a barnstorming ministry. They aim to uplift, to inspire, to save, and “Closer to the Edge” is their document of that mission. Sure, there are moments that sort of make you snicker — the sheer bombast of the entire thing, the fact that this is a “film … presented by 30 Seconds to Mars,” the image of Leto’s pink Mohawk peering contemplatively over the Grand Canyon — but there’s no denying the power of seeing tens of thousands of fans finding a simultaneous salvation, of a crowd of individuals becoming one. It’s what rock and roll is supposed to be about, really: inclusion. What do you think of the new 30 Seconds to Mars video? Share your own reviews in the comments below. Related Artists 30 Seconds To Mars

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30 Seconds To Mars Save Souls In ‘Closer To The Edge’ Video

Lloyd Says Polow Da Don ‘Brings Out The Best Of Me’

King of Hearts ‘is gonna be my best work to date,’ R&B heartthrob tells MTV News of his first-ever Polow-helmed LP. By Shaheem Reid Lloyd Photo: MTV News It’s official now: Young Goldie and Awesome Jones are down together. Former Murder Inc. singer Lloyd announced last year he was leaving his original label home and, several weeks ago, he finalized a new deal at Interscope. On Monday (August 16) it was announced that he inked a deal to release his next LP, The King of Hearts, via a joint deal with the Zone 4 imprint belonging to producer Polow Da Don a.k.a. Awesome Jones. “I’m the King of Hearts, you know,” Lloyd said recently when we visited the New Jersey set of Lloyd Banks’ “Any Girl” video. “And at the album release, we gonna be drinking Ace of Spades,” he laughed. “Me and Polow Da Don have been working hard,” he added. “I got a lot of surprises. I think that a lot of people haven’t heard me sound like this, haven’t heard me sing like this. It’s gonna be a new look, it’s gonna be like I’m back for the first time. It should be anticipated. The album is gonna be my best work to date, King of Hearts.” The R&B heartthrob just released the single “Lay It Down,” and the tumble-in-the-sheets single is just the first hint of what’s to come from the Po and Lloyd collaboration. Lloyd’s last LP was 2008’s Lessons in Love, which spawned the hit “Girls Around the World” featuring Lil Wayne. Of course, Lloyd, a.k.a. Young Goldie, was also heard on the Young Money blockbuster “Bedrock.” Lloyd and his connection to Cash Money/ Young Money is so strong that the singer nearly became an official Young Money member, but wanted to bolt entirely from Universal, where his last two albums were released through The Inc. and which serves as the distribution home for Young Money projects. Instead, he’ll be over at the house that Jimmy Iovine built working with a fellow ATL music staple, producer/songwriter Polow. “He’s dedicated,” Lloyd co-signed of the hitmaker. “The greatest thing about Polow is there’s no amount of time that’s unnecessary when it comes to making something the best, whether it takes two days or two months for one track. I’ve seen Polow sit with one song for six days and perfect it. You can hear the difference in the quality against someone else’s music. It sounds completely different. “Working with Polow, he brings the best out of me,” Lloyd continued. “He pushes me to be a better artist. And I really feel like I found a home, I found a good home at Interscope. They believe in me as a star. I’m really looking forward to the future.” Lloyd’s first album, Southside, was released in 2004, and he hit another milestone when his 2007 sophomore LP, Street Love, debuted at #2 on the Billboard albums chart. Now, he’s ready to take a fresh direction for his fourth effort. Polow will be handling most of the album’s production, which Lloyd says is a much-welcome change of pace. “I don’t wanna bounce around too much. When an artist bounces around, you lose the consistency and the continuity in the sound,” he said. “For me, working with Polow has been all that and more. He’s given me a lot of different sounds, but at the same time, it’s a complete thought, so it’s not like we’re recording the same songs over and over again. Having that one creative partner in a producer is something I’ve never really had and I’m enjoying a lot not having to bounce around … just me and Po for the most part.” What do you think of Lloyd’s new single? Should we get the R&B crown ready for him? Tell us in the commments! Related Artists Lloyd

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Lloyd Says Polow Da Don ‘Brings Out The Best Of Me’

Kid Cudi’s ‘Man On The Moon 2’ Tops ‘Elle 25’

‘Hyercool’ Cleveland MC’s October LP is what magazine’s editors are most looking forward to by end of 2010. By Jayson Rodriguez Kid Cudi Photo: Jason Kempin/ WireImage Kid Cudi is a wanted man. The Cleveland rapper notched the top spot on “The Elle 25,” a list of things the staff of the fashion magazine is looking forward to before year’s end. In the piece, the mag’s editors rave about Cudi’s upcoming album, Man on the Moon II: The Legend of Mr. Rager, which reportedly will now see the light of day in October . “A sophomore effort that up-stages his first, with booming choruses (Cudi sings — sans Auto-Tune, at that!), raging electro beats, and a rock-rooted single, ‘Erase Me,’ which features that other hypercool skinny-jean-clad rapper, Kanye West,” writes the Elle staff. A new Cudi/Kanye collaboration also leaked online over the weekend, the first offering from a mixtape effort helmed by West. “Wylin’ Cause I’m Young,” is a brooding, bass-heavy number on which the two trade woozy rhymes: “Rage, ’cause I’m paid,” Cudi raps. “Take the grey and create another shade/ Awesome, no more bitches playing possum/ Pop and lock ’em and send them all home.” The track will be featured on ‘Ye and Perajok’s upcoming G.O.O.D. Ass Mixtape (named, of course, for the rapper’s own G.O.O.D. Music label). Another Cudi track, “Mr. Rager,” also hit the Web; a snippet of the song appeared earlier. It’s tentatively slated for a spot Man on the Moon II. “Mr. Rager, Mr. Rager, tell me where you’re going, tell me where you’re heading,” Cudi sings on the slow-thumping chorus. “I’m on my way to heaven/ Mr. Rager, can we tag along?/ Can we take this journey?” What are your expectations for Kid Cudi’s new album? Tell us in the comments! Related Artists Kid Cudi

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Kid Cudi’s ‘Man On The Moon 2’ Tops ‘Elle 25’