Tag Archives: artists

Bun B Rocks With Live Band At Houston’s House of Blues

The Trill O.G. ‘s hometown album release party set included UGK classics and a Pimp C tribute. By Cynithia Allen Bun B (file) Photo: MTV News HOUSTON — The Trill Bun B put on a memorable show for his fellow Houstonians on the heels of the release of arguably his best album to date, Trill O.G. Bun’s official album party on Wednesday was at the House of Blues and the room was packed. The Texas MC opened up the show with the classic UGK track “Pourin’ Up,” sending the crowd — reciting the track word-for-word — into a frenzy. “Smoking out, pourin’ up/ Keeping lean up in my cup, call my cars got leather and wood/ In my ‘hood, we call it buck,” Bun rapped. The Underground King then reintroduced himself to Houston saying, “What’s up Houston? My name is Bun B, I’m from Port Arthur, Texas, and my only n—-s is UGK, and it’s UGK for life!” Next up, Bun showed a different side of his stage show, performing with a live band the on the song “Trillionaires” and then for the duration of the night. “I feel like the Rolling Stones with this band,” Bun laughed. “I feel like a rock star.” The Port Arthur rapper then went deeper into the UGK vault, performing songs like “Pocket Full of Stones,” (Jay-Z’s) “Big Pimpin’ ” and “Front, Back & Side to Side,” all of which led to an emotional point in Bun’s set. “I feel like Pimp is in the building, man,” Bun said, referring to his fallen UGK partner Pimp C . “Y’all just don’t know, I really miss my brother. I love my brother.” Shortly after paying tribute to Pimp C, Bun performed a snippet of the classic “One Day.” He followed that up with another touching tribute to some of rap’s dearly missed figures, including Tupac Shakur, the Notorious B.I.G. and Houston legends Big Moe, DJ Screw and Big Hawk. Bun then shifted the mood with a choir-style sound, commanding the audience to recite after him. “Now the South is in the house and they can’t do nothing about it,” Bun said, rapping the popular hook from “Draped Up,” the first single from his 2005 album Trill. Bun wrapped the show with “Trillionaire,” off his Trill O.G., captivating the entire venue. What do you think of Bun’s newest album? Let us know in the comments! Related Artists Bun B

See original here:
Bun B Rocks With Live Band At Houston’s House of Blues

Dominic Monaghan Admires Eminem’s Anger-Management Methods

‘Love the Way You Lie’ video star is a longtime fan of Slim Shady. By Rochell Thomas Dominic Monaghan Photo: MTV News Dominic Monaghan didn’t meet Eminem when he showed up to shoot the “Love the Way You Lie” video . But Slim Shady and the Hobbit go way back — in Monaghan’s mind at least. The 33-year-old “Lost” star told MTV News that he first met Eminem in Paris in a time “before iPods” when a friend handed him a bootleg cassette copy of The Marshall Mathers LP. “I was completely blown away,” he said. “It was one of those moments in music like the first time you hear DJ Shadow or the Beatles. It was a real breath of fresh air.” A self-described “big rap fan” (old-school stars Rakim, Public Enemy and KRS1 are among his faves), Monaghan said he was drawn to the album, playing it over and over because Eminem touched on topics not usually covered by rap artists. “I was used to rappers shoutin’ at me about people they’ve killed, and here Eminem was rappin’ about Vicodin and tripping people out at late-night parties. It was a voice I’d never heard before,” he said. “Songs like ‘Kill You’ and ‘Kim’ were just insane,” he added. Monaghan also said he admires Eminem’s anger management skills — a sentiment rarely heard about the MC. “He has a very good handle on his anger,” Monaghan said of Em, who was once arrested for starting a bar fight after one of his wife Kim’s male friends kissed her on the cheek. “He’s able to channel it very easily. Instead of hiding behind it or pretending that there’s something else going on, he actually is able to pinpoint where his anger is coming from.” In “Love the Way You Lie,” Monaghan plays the angry husband to Megan Fox’s fighting-mad wife. The volatile couple’s passionate relationship blossoms, then violently crumbles within the vid’s four-minute span. It is a relationship said to be symbolic of that of Eminem and Kim, the ex Em married and divorced twice. In order to play a version of Eminem in the video, Monaghan says he asked Eminem’s manager a ton of questions then he simply “led with anger.” The actor did not talk to the MC himself because Eminem shot scenes two days before Monaghan and Fox arrived. “We didn’t cross paths,” he said. Is “Love the Way You Lie” among Eminem’s best videos? Talk about it in the comments! Related Artists Eminem

Originally posted here:
Dominic Monaghan Admires Eminem’s Anger-Management Methods

Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet

Clip pays homage to Renaissance painting, M.C. Escher, ‘House Of Flying Daggers.’ By Gil Kaufman Kanye West (file) Photo: Kevin Mazur/ WireImage Most music videos aim to overwhelm you with quick cuts, big explosions, clever editing tricks and flashy sets that look really expensive. Then there’s Kanye West’s clip for “Power.” Never one to follow trends — peep how he’s already reinvented the art of Tweeting in just a week — West’s 90-second clip is less a video and more a moving painting in which a grim-faced ‘Ye stands center stage while a galaxy of saintly and devilish female figures surround him. Director Marco Brambilla said his intention was to create a video “portrait” that would “visualize power … to do a portrait of what power would look like in a sort of timeless way.” We spent way too much time studying what feels like a trailer for a larger piece of conceptual art and broke down the imagery in the video. If it’s been a while since your last art history class, get ready to go to school: Dragonlance: An image of a sword descending into a crown hovers over Kanye’s head, bringing to mind Volume Two of Douglas Niles’ series “The Crown and the Sword: The Rise of Solamnia,” in which Sir Jaymes Markham commands the orders of the Rose, Sword and Crown. M.C. Escher’s “Waterfall”: The Dutch artist famous for making eye-popping images in which gravity and space were twisted into pretzels sketched an image in 1961 in which the water at the base of a waterfall appears to be flowing uphill against gravity before reaching the top of the fall, much as the water pours towards the sky out of two urns held by maidens in the Kanye clip. Chiaroscuro: The monochromatic clip plays with this Renaissance style of painting, in which the artist used sharp contrasts between light and dark to highlight the drama on the canvas. Often, unseen sources of light would illuminate the subjects; in the clip, Kanye appears to have an inner glow that manifests in his eyes and the sword and crown above him cast a light on the entire scene. Jean-Leon Gerome: The French painter known for his love of historical painting with Greek mythological themes created an image entitled “Head of a Woman with the Horns of a Ram,” which is not unlike the albino-like female figures sprouting long, pointy horns who frame ‘Ye. “House of Flying Daggers”: Though he’s transposed the action from China to ancient Greece, Brambilla might be paying homage to the 2004 action-romance “House of Flying Daggers” with the scene at the end of the video, in which two combatants are flying through the air in mid-sword fight as white bursts of light fill the screen. Ed Moses’ “HOLA”: This features a haunting single eye glowing behind a swirl of heavy brush marks that some have compared to the mask of a superhero. In “Power,” Kanye’s eyes have an eerie glow as he stares unblinkingly, also not unlike actor Idris Elba’s Heimdall in the upcoming movie “Thor.” Michelangelo: From the rows of Ionic columns surrounding him to the floating parade of gauzy-shift wearing Greek men and women who drift into the frame, Brambilla is clearly taking some inspiration from the classic frescoes painted by Italian Renaissance painter and architect Michelangelo. Q-Tip: The legendary rapper and member of A Tribe Called Quest released an album called The Renaissance in 2008. He said the reference to that period was more than just an album title and a sign of his unwavering commitment to keeping his art pure. Ancient Egypt: Yeezy once again rocks the unbelievably fat chain he wore at the BET Awards earlier this year. Its giant pendant is an image of Horus — the Egyptian god of the sky, war and protection. What images do you see in Kanye’s “Power” video? Let us know by below. Related Artists Kanye West

Excerpt from:
Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet

Soundgarden Kick Off Lollapalooza Weekend With Intimate Night Of Noise

Grunge rockers get Chicago hyped for the festival with a set at the Vic Theatre. By Kyle Anderson Soundgarden’s Chris Cornell performs in Chicago on Thursday Photo: Gary Miller/ FilmMagic CHICAGO — You could have easily convinced outsiders that they had wandered through a time warp and that the Chicago of 2010 was actually Seattle of 1992. The streets were filled with rock kids looking for a place to hang, tattoo parlors and coffee shops filled the storefronts, and there was even a shop called Never Mind around the corner from the Vic Theatre, which was playing host to Soundgarden on Thursday night. Back for only their second show since they decided to get the band back together after a 13-year hiatus, Soundgarden prepared for Sunday’s Lollapalooza-closing set with a surge through their back catalog, with enough bulldozer riffs and druggy interludes to make the rapt audience forget what day it was (let alone what year). With his long metal locks grown back to full length, Soundgarden frontman Chris Cornell strode easily onto the stage as though nothing had changed in the years since the band played “Searching With My Good Eye Closed,” which opened the two-hour set well balanced with deep cuts and mainstream hits. Though the show was not without hiccups (hot microphones seemed to dog them all night), Soundgarden proved that their catalog of tunes has withstood the test of time. Old favorites like “Let Me Drown” and “Get on the Snake” laid out Soundgarden’s whole aesthetic: thick, burly riffs, deep rhythmic thrusts and Cornell’s towering yelp of a voice. It’s no wonder that, when combined with a killer chorus, songs like “Black Hole Sun” and “Pretty Noose” — both of which showed up in Thursday night’s set — became such gigantic mainstream rock hits. But there are other parts of Soundgarden that have nothing to do with their radio-friendly side. Though usually thought of as the most “metal” of all the major grunge acts, Soundgarden kept as much punk-rock speed and clamor in their holster as anybody else from Seattle, and bits of that ethos kept creeping through (especially on the extra-adrenaline-packed “Rusty Cage”). There’s also no shortage of churning guitar sludge in the deeper album cuts of their catalog, and those were on display as well (best illustrated by the set-closing “Slaves and Bulldozers”). By the time the band returned for the encore (which saw drummer Matt Cameron tease a jazzy solo while Cornell got some assistance with his guitar), the time warp was complete, and the band sent the 1,400 or so hardcores home with a trifecta of “4th of July,” “Blow Up the Outside World” and “Like Suicide.” For a group gone 13 years and only having had one show back in the saddle, they sounded impressively polished, passionate and loud — the ideal act to close out one of the biggest music festivals in the country. Lollapalooza 2010 gets under way Friday — make sure to check out MTV News’ Lollapalooza Live , streaming Friday, Saturday and Sunday at 5 p.m., right here on MTV.com. And follow all of Lollapalooza on the MTV Newsroom blog . Related Photos Soundgarden Performs In Chicago Related Artists Soundgarden

The rest is here:
Soundgarden Kick Off Lollapalooza Weekend With Intimate Night Of Noise

Wyclef Jean’s History With Haiti: From Birth To Presidential Bid

Throughout his career, former Fugees leader has been an outspoken advocate for his homeland. By Gil Kaufman Wyclef Jean Photo: Steve Mack/ Getty Images Wyclef Jean officially announced his bid for the presidency of his native Haiti on Thursday’s (August 5) “Larry King Live.” Word began to surface last month that he was considering a run for the position . The job comes with a five-year term that would likely keep him out of the music game until 2015. If news of Jean’s political ambitions caught anyone by surprise, they clearly haven’t been paying attention to the former Fugees leader’s non-musical efforts for the past 15 years. While Wyclef — who was born outside the country’s capital, Port-au-Prince, and raised in Brooklyn, New York — was one of the first celebrities to call for assistance for his Caribbean homeland in the wake of January’s devastating earthquake, the 37-year-old has been at the forefront of Haitian relief for much of his career. Back in 1997, when the Fugees — whose Pras Michel and Lauryn Hill also are of Haitian descent — were still riding high, the trio headlined a benefit concert in Port-au-Prince. The six-hour homecoming show drew more than 70,000 fans as it raised funds for Haitian refugees and artists. (MTV News followed the band to the island for the show, which you can relive here and here .) Although there were accounting problems with the money raised from the benefit concert, they were mostly ironed out, and ‘Clef was honored for his work helping underprivileged kids through the Wyclef Jean Foundation two years later. In the following years, Jean continued to raise funds for his foundation and frequently reminded his audience about the troubles affecting his homeland, from AIDS and poverty to political corruption. In 2004, Jean started the Yele Haiti foundation, which distributed more than 3,600 scholarships to Haitian children in its first year and, at one point, announced plans to build a Wyclef Jean School of the Arts and a cultural center on the impoverished island. That same year, as Haiti suffered from a violent uprising against the government, ‘Clef voiced support for Haitian rebels and called for the resignation of embattled President Jean-Bertrand Aristide. ‘Clef also addressed the country’s AIDS problem and promised, through education and prevention, to help the nation’s children avoid contracting the HIV virus. The singer was named a roving ambassador in January 2007, charged with improving the image of the island, which is perennially tagged as the poorest in the western hemisphere. He and Akon closed out the year in Haiti with a fundraising concert dubbed the Yele Festival . After Hurricane Ike hit Haiti in 2008, Yele delivered food and assistance to those impacted by the storm, and in October 2008, ‘Clef performed with Carlos Santana in San Francisco to raise funds for the foundation. It was in the early hours after January’s earthquake that Jean really became Haiti’s favorite son, when he issued urgent pleas for help though his Twitter account and in multiple TV and radio interviews. Within days, Yele had raised more than $2 million for Haitian relief via text message, as ‘Clef continued to keep the topic at the forefront of the news with interviews about the devastation and his offer to co-anchor MTV Networks’ “Hope for Haiti Now” telethon alongside George Clooney. Bringing some of his Creole background to his performance with “Yele,” Jean also gave a moving performance of the reggae classic “Rivers of Babylon,” before returning to the island the next morning to help with recovery efforts. He also pitched in on the 25th-anniversary remake of “We Are the World,” which benefited Haiti relief as well, and helped anchor BET’s “SOS Saving Ourselves: Help for Haiti,” alongside Mary J. Blige and Drake. What do you think about Wyclef’s decision to run for president of Haiti? Share your thoughts in the comments. Related Photos Hope For Haiti Now | Live Event Coverage Related Artists Wyclef Jean

See the article here:
Wyclef Jean’s History With Haiti: From Birth To Presidential Bid

Wyclef Jean Talks Haitian Presidential Run On ‘Larry King Live’

‘I feel like I’m being drafted by the population right now to give them a different face, a different voice,’ he says. By Mawuse Ziegbe Wyclef Jean on “Larry King Live” Aug. 5 Photo: CNN Musician, producer and activist Wyclef Jean can officially add presidential hopeful to his r

Weezer Going Indie With New Album, Hurley

‘At this moment in our career, it feels like we don’t need a major label,’ frontman Rivers Cuomo tells Rolling Stone. By Gil Kaufman Weezer’s Rivers Cuomo Photo: Tim Mosenfelder/ Getty Images Last time around, Weezer went all in on the modern pop game, larding tracks on 2009’s Raditude with guest spots from Lil Wayne and production and writing help from the All-American Rejects, Dr. Luke and Butch Walker. But for their upcoming (September 14) debut for punk stalwart label Epitaph Records, Hurley (alas, not Heavy Mental ), Rivers Cuomo and company are dialing things all the way back to the 1960s. According to Rolling Stone magazine, the band’s eighth studio album is nearly finished and it will have a much different sound than their previous effort. “At this moment in our career, it feels like we don’t need a major label, and the major label culture isn’t inline with our values,” Cuomo said, explaining the switch from the Universal/Interscope label group, where they’d spent almost their entire career. “We like [Epitaph head] Brett Gurewitz and it feels like a smaller and more appropriate operation for what we like doing at the moment.” What they’re doing includes hooking up with notoriously prolific songwriter Ryan Adams and country legend Mac Davis, best known for writing the Elvis hit “In the Ghetto.” Davis was recommended by a mutual friend, and singer Cuomo said they worked on a song called “Time Flies,” which he described as a “classic ’60s pop song with huge crunchy guitars.” As for working with Adams, Cuomo recently told MTV News that the song they collaborated on is inspiring. “It’s a very stirring and emotional and powerful Weezer song,” he said. “He was really inspiring to work with. … He has a lot of wild and crazy energy. It’s gonna be on the Weezer record. He plays lead guitar on it, but it will be on the Weezer record, for sure.” With the hip-hop and teen pop flavors of Raditude pushed to the side, Cuomo said Hurley will instead focus on 1960s-inspired pop songs such as the first single, “Memories,” and the tracks “Ruling Me” and “Hang On,” which he described as sounding like “Frankie Valli but mixed with Metallica guitars.” There is, however, one song that has a thoroughly modern inspiration. “Smart Girls” is an homage to all the young ladies who have been hitting up the married frontman on Twitter lately. “I was really getting into Twitter a year ago, and suddenly there were all these really hot girls that were hitting me on Twitter,” said Cuomo. “I was like, ‘Where’d all these hot girls come from now that I’m totally married?’ ” He compared the song to the Beatles’ “Back in the U.S.S.R.” in that it sounds like someone writing a “cheesy Beach Boys type of song.” The band recently started mixing the album, which should be completed within the next two weeks. What do you think about Weezer going with a ’60s sound for their new album? Tell us in the comments. Related Artists Weezer

See more here:
Weezer Going Indie With New Album, Hurley

Adam Levine Admits He Was ‘Gross,’ On ‘When I Was 17’

Maroon 5 frontman laments his ‘ratty’ locks and flannel-heavy wardrobe in new episode. By Eric Ditzian Adam Levine on “When I Was 17” Photo: MTV News Back before Adam Levine was the suave, impeccably coifed frontman for Maroon 5, he was less than smooth and hardly well-groomed.

See the article here:
Adam Levine Admits He Was ‘Gross,’ On ‘When I Was 17’

Kanye West Debuts Apologetic ‘Power’ Freestyle

‘Ye raps regrets to ‘every one of y’all a year ago that I made feel ashamed,’ during Singapore concert. By Jayson Rodriguez Kanye West Photo: Getty Images Kanye West has apologized to Taylor Swift repeatedly. He’s apologized to his fans over and over again, but the Chicago MC may have uttered his most heartfelt take on his VMA outburst last year in a freestyle he delivered overseas Wednesday night. The rapper spit new rhymes over his “Power” track during a show in Singapore and in the lyrics West vows that he’s now a changed man. The moment was captured on amateur video , and the crowd erupts as Kanye reaches his lyrical climax. “And I’m so sorry to y’all, everyone of y’all that had to fight for my name,” West rapped. “Every one of y’all a year ago that I made feel ashamed/ Everyone that said Kanye is that n—-, quit taking names/ And all y’all … I’m the one to blame/ And to the people that I let down, I wanna tell you right here, right now that I’m a new man that understands my relation to power.” Last September, West drew jeers when he stormed MTV’s Video Music Awards stage in New York and interrupted Taylor Swift’s acceptance speech for Best Female Video. The rapper protested the country pop star’s win, insisting that nominee Beyonc

Katy Perry Says Mixing Sex And Religion Makes ‘Bad Things Happen’

‘I am sensitive to … Lady Gaga putting a rosary in her mouth,’ singer tells Rolling Stone. By James Dinh Katy Perry Photo: Mike Marsland/ WireImage Despite her recent skin-baring spreads for magazines like Esquire and even her own Teenage Dream album cover , Katy Perry says she’s still modest about some things. In the upcoming issue of Rolling Stone, the California Gurl takes a bold stance against what she describes as inappropriate use of religious imagery and reveals why her debut single, “I Kissed a Girl,” was not a contradiction of her religious upbringing. “I am sensitive to Russell taking the Lord’s name in vain and to Lady Gaga putting a rosary in her mouth,” she says in the August 19 issue. “I think when you put sex and spirituality in the same bottle and shake it up, bad things happen.” This isn’t the first time that Perry has taken a stab at Lady Gaga. After the premiere in June of Gaga’s “Alejandro” video, which features the singer seemingly swallowing a rosary whole, Perry tweeted, “Using blasphemy as entertainment is as cheap as a comedian telling a fart joke.” Perry later backtracked somewhat from the tweet , saying her anger wasn’t directed solely at Gaga. “What’s funny is that everybody was assuming I was directing it completely towards her, and if I was directing something I would write their ‘@,’ ” she told a French radio station. “Lately, I’ve just been seeing some things that are kind of like, I don’t know, in my own personal feelings, a little bit like not something I would do, I guess.” For those who are raising an eyebrow at Perry, a pop star who has participated in her share of provocative photo shoots and videos — her “California Gurls” wardrobe includes a whipped-cream cone bra — she fired back a few words in response, telling Rolling Stone, “Yes, I said I kissed a girl. But I didn’t say I kissed a girl while f—ing a crucifix.” What do you think about Katy’s stance on sex and spirituality in pop music? Sound off in the comments! Related Photos The Evolution Of: Katy Perry Lovebirds: Katy Perry And Russell Brand Related Artists Katy Perry

The rest is here:
Katy Perry Says Mixing Sex And Religion Makes ‘Bad Things Happen’