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Justin Bieber ‘Somebody To Love’ Remix Video Premieres Friday

An online sneak peak shows Bieber trading verses, dance moves with mentor Usher. By Jocelyn Vena Justin Bieber on the set of his “Somebody To Love” video Photo: Island Def Jam / Popeater.com In the past, Justin Bieber has merely teased fans with funky dance moves, but in the new video for his single “Somebody to Love,” the teen pop star really lets loose, showing off some impressive choreography. The full-length clip premieres online Friday, according to Justin’s Twitter , but a sneak peak posted on PopEater.com shows Bieber and his mentor, Usher , trading moves. The remix of “Somebody to Love” promises to be a spectacle of dance. Directed by Dave Meyers (Britney Spears, Avril Lavigne) and choreographed by Jamaica, who has also worked on clips by Ciara and Usher, the video features scenes of Bieber dancing with a team of backup dancers in front of a green screen. In other scenes, he’s seen hanging out with Usher. “It’s really awesome to be able to work with professional dancers, you know people that were in like ABDC,” Bieber says in the video preview. Bieber also brags about getting the thumbs up from his choreographer: “She says that she’s proud of me.” “He’s killing it!” Jamaica chimes in, adding that she hasn’t had to give the young star any corrections. Instead of focusing on a love interest, as in past Bieber videos like “Baby,” Meyers wanted this video to be a little more playful. “Bringing Justin into the world of dance on this one, giving Justin the chance to integrate to different styles of dance,” Meyers says in the video. “So we kind of kept it simple with the art direction, just real graphic and really highlighting the dance. No big story lines, no crowds of people, just real clean.” The tune (not to be confused with tracks of the same name by Leighton Meester or Jefferson Airplane) is a dance track that finds Justin professing his love for a girl and tells her he doesn’t need much else — just her. “It’s basically about somebody to love,” Justin laughs. “It’s cool. It’s young. It’s nice. I think it’s like a universal record.” Are you excited to really see Justin dance in his new video? Let us know in the comments! Related Artists Justin Bieber Usher

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Justin Bieber ‘Somebody To Love’ Remix Video Premieres Friday

Jay-Z Says He Plans To Age Gracefully In The Rap Game

At the ripe age of 40, Hov tells Rolling Stone he enjoys the challenge of competing with younger artists. By Jayson Rodriguez Jay-Z on the cover of “Rolling Stone” Photo: Wenner Media Is Jay-Z taking a page out of Diddy’s playbook? The Bad Boy Records mogul has long told fans and detractors alike that he wouldn’t stop. Now, is seems like the legendary Brooklyn wordsmith is also keen on keeping his run going as long as he can. After threatening to retire several times, Jay recently told Rolling Stone that he’s bent on aging gracefully as a rapper while still maintaining his spot on top of the rankings. The problem other rappers have had as they get older, Jay told the magazine, is that they haven’t adjusted to younger audiences in a believable way. “One of the reasons I wanted to make Blueprint 3 was because of the challenge,” Jay told the magazine in a cover story out this week. “We’ve seen people like LL [Cool J] have longevity, and we respect the heritage of what he’s done, but it’s not like, right now, he’s competing on the same level as Lil Wayne. So for me to still be able to compete at that level at my age, that’s rarefied air. It’s never been done. I think the problem with people, as they start to mature, they say, ‘Rap is a young man’s game,’ and they keep trying to make young songs. But you don’t know the slang — it changes every day. You can visit the topic, but these young kids live it every day, and you’re just visiting. So you’re trying to be something you’re not, and the audience doesn’t buy into that. And people wonder why. ‘I made a great Southern bounce song!’ You’re from New York, and you’re 70! Why are you bouncing?” After scoring 11 #1 albums, the rapper admitted that he’s only told about 10 stories in his career. He’s been retelling the same narratives with varying details and elements. But on his next project, Jay-Z told MTV News last year, he plans to experiment more and revealed the collection may veer off so much it won’t debut at the top of the charts. In the interview, Hov also talked about how he and Beyonc

Katy Perry, Russell Brand Fight With Fart Jokes

Before her tweet about Lady Gaga, Perry and Brand had been publicly battling over flatulence. By James Montgomery Russell Brand and Katy Perry Photo: Mark Ralston/AFP/Getty Images Last Friday morning (June 4), Russell Brand called in to Nick Cannon’s radio program to promote “Get Him to the Greek.” But the conversation quickly devolved into far more, uh, odorous topics: farts. Or, more specifically, the farting prowess of Brand’s fianc

Diddy Regrets Not Sending Notorious B.I.G. To London The Day He Died

Bad Boy mogul says letting Biggie stay in L.A. is ‘the only regret that does haunt me.’ By Mawuse Ziegbe Notorious B.I.G. and Diddy in 1995 Photo: Evan Agostini/ Getty Images As one of the most money-earning, game-changing, party-starting moguls in entertainment, Diddy has had a lot to celebrate throughout his career. However, the star has also spent a lot of his storied career lamenting the loss of his slain friend and Bad Boy artist, Notorious B.I.G. Diddy recently revealed that one his biggest regrets is not insisting that the late star handle some business overseas; a move that could have saved Biggie’s life. “Probably the only regret that does haunt me was the night that Biggie got killed. … He was supposed to go to London for a promo tour, and he had talked me into letting him stay in L.A.,” the entertainer revealed in a press conference video posted online by US Rap News . “That’s, like, a regret that I have, just not forcing him to get on the plane.” Diddy expressed similar regrets about the day Biggie died in a video blog released last year before the release of the biopic “Notorious.” Biggie was murdered on March 9, 1997, in Los Angeles after attending an after-party for The Soul Train Awards. The case remains unsolved. The situation is eerily similar to the challenge faced by the protagonist in Diddy’s latest movie, Get Him to the Greek. The flick revolves around an ambitious record label rep (played by Jonah Hill) tasked with delivering a rowdy rock star (portrayed by Russell Brand) from London to Los Angeles for a comeback concert. Brand’s character spends most of the movie trying to finagle his way out of his professional commitments. Diddy plays an over-amped music exec whose insane demands and bizarre behavior make things even more difficult for Hill’s character. Diddy-Dirty Money held a press conference in Paris to promote the group’s upcoming album Last Train to Paris. The project includes the steely single “Angels,” which features a verse from B.I.G. Related Artists Diddy Notorious B.I.G.

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Diddy Regrets Not Sending Notorious B.I.G. To London The Day He Died

CMT Music Awards Dominated By Carrie Underwood, Lady Antebellum

Kid Rock kept it relatively clean while hosting the show in Nashville. By Gil Kaufman Carrie Underwood at the CMT Awards on Wednesday Photo: FilmMagic You can be sure there was a censor somewhere in Nashville on Wednesday night sweating bullets during the . But, as promised, host Kid Rock kept things (relatively) clean during the annual fan-voted awards show, where Carrie Underwood , Keith Urban , Lady Antebellum and Miranda Lambert had big nights. It was a bittersweet celebration of sorts, as many of country’s biggest names gathered at downtown’s Bridgestone Arena less than a month after Nashville was devastated by floods that destroyed thousands of priceless instruments and put such city landmarks as the Grand Ole Opry under several feet of water. Rock made sure to keep things light, though, opening up the show with a warning that anyone who was even thinking of pulling and “Kanye West-isms … anyone thinking of grabbing the mic, myself or the Bo-Stevens will personally punch you in the mouth, all right?” The 39-year-old rapper and country dabbler made the bleep-button-pushers earn their pay early on, with a salty opening run through a medley of his songs “Cowboy,” “Bawitdaba” and “Good Ol’ Boys” that included surprise guest and awards-show recluse Hank Williams Jr., as well as Trace Adkins, Zac Brown, Martina McBride and Kellie Pickler. Though he was spotted doing shots backstage during the broadcast, it was Rock who proved to be the rule-minder during the show, at one point telling an audience member, “I know there’s no smoking! I got the memo. Calm down,” while, of course, smoking one of his beloved cigars onstage. And then there were some Buckle trophies to be handed out to Underwood for Video of the Year (“Cowboy Casanova”), Lambert for Female Video of the Year (“White Liar”), and Urban for Male Video of the Year (” ‘Til Summer Comes Around”). Underwood, who also won CMT Performance of the Year for “Temporary Home,” couldn’t thank fans enough during her acceptance speech for the Video of the Year prize, gushing, “Awesome fans … Awesome, awesome, amazing, awesome, awesome!” It was Urban who likely brought some tears to a few beers when he dedicated his win to wife Nicole Kidman, telling the flame-haired actress, “Baby girl, I love you so much,” and then nodding to the workers helping to clean up the BP Oil spill in the Gulf of Mexico. “I want to send my deepest love and prayers out to all the families around the gulf, who are going through an insane time right now. We’ve never seen anything like this — emotions I can’t even find words for as I watch this thing happening on TV.” Lady Antebellum, whose Need You Now is the year’s best-selling album to date, won for Group Video of the Year for the clip for the album’s title track. They also landed on the receiving end of one of Rock’s sharpest lines of the night. “Lady Antebellum is like the hillbilly Fleetwood Mac,” he joked. “But I suspect they don’t do drugs or sleep with each other.” Antebellum member Dave Haywood was typically humble in accepting their award, saying, “Tonight’s all about the fans! Thank you, fans!” Veteran pair Brooks & Dunn took Duo Video of the Year for “Indian Summer,” up-and-comer Luke Bryan snagged Breakthrough Video of the Year for “Do I,” and Blake Shelton and Trace Adkins got some more love for their rough and rugged hit “Hillbilly Bone,” which earned a Buckle for Collaborative Video of the Year. Though she didn’t win any awards, Taylor Swift helped present one with Faith Hill. “Jersey Shore” stars Snooki and the Situation joined celebrity chef Paula Deen to hand out a Buckle. And the crowd got a surprise when “Saturday Night Live” cast member Kenan Thompson showed up in a green dress and red wig to reprise his bizzaro Reba McEntire impersonation. He was confronted on stage by the real McEntire, wearing a similar dress. When she wondered what he was doing there, he replied, “I’m Reba! … R to the E to the B to the A. Reba!” Underwood, Urban (joined by John Mayer), Lambert, Toby Keith, Lady Antebellum, Tim McGraw, Brad Paisley and the Zac Brown Band all performed on the two-and-a-half-hour show. Rock ended the ceremony with his signature music biz words of wisdom: “I’d like to leave on this note right here: As a music lover, if it looks good, you’ll see it. If it sounds good, you’ll hear it. If it’s marketed right, you’ll buy it. But if it’s real, you’ll feel it.” What was your favorite moment of the CMT Awards? Talk about it in the comments. Related Photos 2010 CMT Awards Red Carpet Related Artists Carrie Underwood Miranda Lambert Lady Antebellum Keith Urban

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CMT Music Awards Dominated By Carrie Underwood, Lady Antebellum

Royce Da 5’9" Hopes To ‘Showcase’ His Personality On New Mixtape

‘People listen to me and think I’m always so serious,’ he tells Mixtape Daily of fans’ misperceptions. By Shaheem Reid Royce Da 5’9 Photo: MTV News Don’t Sleep: Necessary Notables Mixtape : The Bar Exam 3: The Most Interesting Man in the World Headliners : Royce Da 5’9″ and DJ Whoo Kid Key Cameos : Kid Vishis on “Go Hard Pt. 1” and “Pt. 2,” Black Milk and Elzhi on “Real Hip-Hop” and Slaughterhouse on “Beamer, Benz or Bentley (ShadyMegaMix)” Essential Info : Royce Da 5’9″ has been known to indulge in a drink or two at times, but not even he could have guessed that he would be influenced by Dos Equis. The beer’s “Most Interesting Man in the World” ad campaign served as a catalyst for his new mixtape. “I was gonna call it Bar Exam 3: Multiple Personalities, ” Royce explained. “It shows different sides to me. Then I ran across that intro [of ‘The Most Interesting Man in the World’] on the Net. I just thought the sh– was hilarious. So it’s like I just switched up at the end. I called it that because I wanted to use those skits. I thought those skits were hilarious. It’s just that cut-and-dried.” 5’9″ kept the comedy going on a record called “I Hate Your Pants.” He sings — yes, sings — about his disdain for trousers that are too tight. “With this mixtape, I was trying to showcase my personality more,” Royce said. “People listen to me and think I’m always so serious, when actually I’m the exact opposite. I’m always joking around and drinking and having fun. I was trying to bring that across in this. I think I nailed that in ‘I Hate Your Pants.’ That’s an ongoing joke in the studio, about skinny jeans. We actually got something on wax that showed that. I did it quick. Two eight-bar verses and the hook. It took me longer to make the beat.” “Taxi Driver” is a conceptual track, on which the Detroit mic king is behind the wheel and alone with his thoughts until he picks up two passengers. “It’s a song I did a long time ago,” he explained. “I wanted to put it on The Bar Exam, because I felt it didn’t get the light it deserved. It’s like I’m driving in a taxi. I got two passengers in the car. One of the passengers is Tupac, one is Biggie. I drop ‘Pac off at the place he got killed. I drop Biggie at the place he got killed. Basically, we lost hip-hop when we lost these two. One of them is named ‘Hip’ and one is named ‘Hop.’ But it’s Biggie and ‘Pac.” Royce even mimics the two legends’ voices and deliveries on the record as he raps from their perspective. On “187 (Response),” Royce disses Saigon, responding to an interview from last year where Sai said Slaughterhouse could not make records. “I don’t have a problem with him,” Royce said of Saigon. “He just sparked a competitive nerve in me. It made me wanna compete. He said, ‘Them n—as can’t write no record.’ If you feel free enough to speak on somebody like that, I feel he should take that on the chin. I don’t feel it should be some kind of backlash. He said something, and I said something. I’m totally prepared to leave it right there.” Royce also said his record aimed at Saigon has nothing to do with Sai’s past problems with Joe Budden. “Joey is my man,” he said. “I make it my business to stay outta the sh– he has going on. Me and Saigon was cool. I was cool with Saigon before I got cool with Joey.” Royce said Slaughterhouse’s signing with Shady Records has been stuck in a web of red tape, but the deal is looking like it should be finalized in a matter of weeks. As for Royce’s solo LP, he’s not sure if that will be in the cards for Shady as well. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc . Related Videos Mixtape Daily: The LOX, Rick Ross, Raekwon

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Royce Da 5’9" Hopes To ‘Showcase’ His Personality On New Mixtape

Snooki And John McCain Bond On Twitter Over Tanning Taxes

‘I would never tax your tanning bed!’ onetime presidential candidate tweets at the ‘Jersey Shore’ starlet. By Terri Schwartz Snooki at the 2010 MTV Movie Awards Photo: Jason Merritt/ Getty Images A lot of things are changing on “Jersey Shore” this season, and the MTV Movie Awards ‘ 13-minute teaser clip let us in on the most important difference: Snooki is reverting to spray-tanning . Jersey tanning salons are sure to feel the repercussions of Snook’s admission, which she said was as a result of President Obama raising taxes on tanning beds. Turns out more than just “Jersey Shore” fans heard Snooki’s cry for help, and the self-identified guidette earned herself an unexpected ally against Obama’s tanning taxes: Arizona Senator John McCain. “@Sn00ki u r right,” the 2008 Republican presidential candidate tweeted on his verified account. “I would never tax your tanning bed! Pres Obama’s tax/spend policy is quite The Situation. but I do rec wearing sunscreen!” Snooki caught McCain’s shout-out and, though she didn’t respond to him directly, did tweet back , “Haha Yes!” Does this mean John McCain is coming out as a “Jersey Shore” fan? It seems like it, considering not only did he catch Snooki’s comment, he also threw in a Situation reference for good measure. Sure, there’s a good chance it was McCain’s social-network guru (who is most likely hip on the hot MTV show) who posted the tweet, but the first option is so much more enjoyable. Since Sarah Palin will likely be running for president herself in 2012, McCain should keep Snooki in mind as a vice-presidential candidate if he decides to take on Obama again. They already have the tanning-taxes platform in common! Season two of “Jersey Shore” premieres Thursday, July 29, at 10 p.m. ET/PT on MTV. Be there! Related Videos Jersey Shore Blow-Out At The Movie Awards Related Artists John Mccain

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Snooki And John McCain Bond On Twitter Over Tanning Taxes

Drake Opens Up About Rihanna: ‘I Was A Pawn’

He also talks about other women who influenced his music in an upcoming New York Times profile. By Jayson Rodriguez Drake Photo: Jason Merritt/ Getty Images A profile of Drake is set to run in Sunday’s New York Times. In the story, the rapper opens up about his childhood, the making of his breakout mixtape So Far Gone and his fling with Rihanna . “I was a pawn,” Drake told the newspaper about his time with Rihanna, which began with an invite to pen a track for the singer . “You know what she was doing to me? She was doing exactly what I’ve done to so many women throughout my life, which is show them quality time, then disappear. I was like, ‘Wow, this feels terrible.’ ” Drake channeled the experience into song, penning a verse on “Fireworks” dedicated to Rihanna, though he never mentions her by name. “I could tell it wasn’t love/ I just thought you’d f—ed with me/ Who could have predicted/ Lucky Strike would have you stuck with me,” Drake raps on the song, referring to the Manhattan bowling alley where the two reportedly made out. “Damn, I kept my wits about me, luckily/ What happened between us that night, it always seems to trouble me/ Now all of a sudden, these gossip rags want to cover me/ And you making it seem like it happened that way because of me.” Later in the story, Drake talks about the moody and melodic tracks that populate So Far Gone. The songs were inspired by a breakup with a woman he was dating who was involved with a far more famous rapper before Drake. His music was so intertwined with his relationship, he tried to push off material on Trey Songz. “I don’t even know if I wrote a rap song in that whole nine months,” Drake said. “Because I wasn’t a rapper anymore. I didn’t believe in myself. I was someone else’s property.” The rapper eventually rebounded, and his next pursuit served as the driving force behind his breakout hit “Best I Ever Had.” “A lot of So Far Gone was predictions,” he said of the collection. “I was rapping about things I’m only going through now.” What do you think about Drake’s thoughts on Rihanna? Let us know in the comments! Related Artists Drake Rihanna

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Drake Opens Up About Rihanna: ‘I Was A Pawn’

Destiny’s Child Reunion Rumors Quashed By Beyonce’s Dad

‘There are no plans for the group to reunite for a performance or album,’ Matthew Knowles said in a statement. By James Montgomery Destiny’s Child in 2004 Photo: MTV.com Attention those of you diehards still dreaming of a Destiny’s Child reunion: Matthew Knowles has some bad news. Because Knowles — who, in addition to being Beyonc

Katy Perry’s ‘California Gurls’ Makes History In Rise To #1

‘Gurls’ is the fastest-rising single released by a Capitol Records artist in more than 40 years. By James Montgomery Katy Perry in “California Gurls” Photo: Capitol She may have come up short against Lady Gaga in MTV News’ 2010 Summer Jam contest , but there’s one place Katy Perry is clearly #1: the Billboard Hot 100 singles chart. On Wednesday (June 8), Billboard announced that Perry’s “California Gurls” will be #1 on the Hot 100 chart — following her performance of the song at the MTV Movie Awards Sunday night — making it all the way to the top spot in just four short weeks — and, in the process, making a little history too. “Gurls” becomes the fastest-rising single released by an artist signed to Capitol Records in more than 40 years, tying a mark set way back in 1967 by “Ode to Billie Joe,” a song released by Capitol artist Bobbie Gentry. Five months before that, “Penny Lane,” the iconic single by the Beatles also made it to #1 in four weeks. Perry’s hit made it to the top of the Hot 100 (which is based on radio plays and sales) thanks in part to its massive digital sales. The song tallied more than 318,000 downloads this week alone — up 18 percent from the previous week, according to Nielsen SoundScan — and it will top the Digital Songs chart for a third straight week. “Gurls” also jumped from #10 to #6 on the Radio Songs chart. The song is Perry’s second Hot 100 #1, following her breakout single “I Kissed a Girl,” which topped the chart for seven weeks beginning in July 2008. It also gave Snoop Dogg — who guests on the track — his third Hot 100 #1, after 2004’s “Drop It Like It’s Hot” and Akon’s “I Wanna Love You,” on which he guested, in 2006. Are you as pumped about “California Gurls” as the rest of the music-buying public? Share your thoughts about the fast-rising single in the comments! Related Artists Katy Perry

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Katy Perry’s ‘California Gurls’ Makes History In Rise To #1