Tag Archives: audience

ABC, CBS, WaPo, NYT Use Loaded Poll Questions to Tout Dem Unemployment Agenda

The New York Times today touted two polls that supposedly demonstrate support for the Democratic position on unemployment benefits. But a further examination of the poll questions reveals that their findings were inaccurate; the questions misrepresented the issues at play, and the Republican position on the matter. “Two national polls published last week suggest that most Americans are on [Democrats’] side of this debate,” wrote Dalia Sussman . How she knows that fact is a mystery, given that the GOP argument — that benefits should be extended and paid for with unused stimulus funds — was never offered as an option to those polled. Both polls asked, essentially, if respondents thought it was more important to extend unemployment benefits, or to preserve PayGo rules. Majorities said they thought extending benefits is more important. But under the GOP plan, the two are not mutually exclusive. Nowhere in either poll were respondents asked whether they would favor paying for extended benefits with unused stimulus funds. Neither the Times nor anyone else can accurately claim that voters favor one approach over the other since the GOP position was not an option. The first poll , conducted by the Washington Post and ABC, asked the following question: Because of the economic downturn, Congress has extended the period in which people can receive unemployment benefits, and is considering doing so again. Supporters say this will help those who can’t find work. Opponents say this adds too much to the federal budget deficit. Do you think Congress should or should not approve another extension of unemployment benefits? First of all, there are no opponents of an unemployment benefit extension. The only difference between the two parties’ positions on the issue is that Democrats want to borrow more money to pay for the extension while Republicans want to use unspent stimulus funds. It’s an outright falsehood that the GOP opposes extending unemployment benefits due to concerns about the deficit. The second poll , conducted by CBS News, asked: Do you think Congress should extend unemployment benefits for people who are currently out of work, even if it means increasing the budget deficit, or shouldn’t they do that? As in the previous poll, this question misrepresents the potential options before Congress. It offers a yes or no question on the Democratic position, but does not offer the Republican alternative. You can bet that if the questions had been framed accurately, so as to actually present the Republican position on the issue, the results would have been far different. Both polls should have asked, “Congress is going to extend unemployment benefits. Do you think the government should borrow more money to pay for those benefits, or use unspent stimulus funds?” Does anyone seriously doubt that a majority would prefer the latter? Unlike the Democrats’ position on the issue, the GOP favors both extending benefits and avoiding an increase in the federal budget deficit. And according to this same CBS poll, less than a quarter of Americans believe the stimulus created jobs, while almost half think slashing the deficit should be the federal government’s economic priority. The GOP position seeks to extend unemployment benefits while addressing two other pressing national economic concerns — the failure of the stimulus package and the skyrocketing national debt. But the Republican option was not presented to respondents by either of these polls, so neither they nor the New York Times can accurately present those polls’ findings as endorsements of the Democratic alternative.

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ABC, CBS, WaPo, NYT Use Loaded Poll Questions to Tout Dem Unemployment Agenda

CNN’s Rick Sanchez: Nixon/Kennedy Debate Took Place in 1962?

Rick Sanchez stumbled again on-air on his CNN program on Monday, getting the year of the famous Kennedy-Nixon television debate wrong by a margin of two years. Sanchez, who was trying to describe South Carolina Democratic senatorial candidate Alvin Greene’s first public speech as the “converse” of the debate, initially guessed 1962 as the year of the debate , but then broadened his answer to ” early ’60s ” . The anchor, who misidentified the Galapagos Islands as Hawaii during CNN’s live coverage of the February 27, 2010 Chilean earthquake, and “joked” that it was too cold in Iceland for volcanoes on April 15, brought on correspondent Jessica Yellin to discuss Greene’s speech. Twenty-one minutes into the 4 pm Eastern hour, Yellin mentioned how she had “talked to the audience [at the speech] beforehand….Every single person I spoke to was a skeptic before, and almost all of them said they’d vote for him afterwards or support him.” This detail surprised Sanchez, who then launched his comparison between Greene’s speech on Monday and the historical Nixon/Kennedy debate: RICK SANCHEZ: Really!? YELLIN: Yeah- SANCHEZ: You know, this is like the converse of the Nixon thing. Remember how people watched the speech there after Nixon- YELLIN: Right. SANCHEZ: Debated Kennedy- 1962? Nineteen-sixty- anyway, early ’60s . Yellin smiled and nodded uncomfortably after her CNN colleague gave that wrong answer, but didn’t explicitly correct his gaffe afterward. Sanchez continued with his recollection of history: SANCHEZ: When Kennedy debated Nixon, everybody who was in the audience said- oh, my God, Nixon killed him- just destroyed him, wiped the floor with him. Yet, everyone at home said- no, Kennedy won that by a mile, and it’s because they could see Nixon’s perspiration, and the camera goes in so tight, and you saw the stubble and the- you know, the five o’clock shadow- YELLIN: (unintelligible) (laughs) Right. SANCHEZ: Well, we were watching this guy here on television and he did come across- jumpy, nervous, jittery, inexperienced, and sweating like he was- like, sweating too much. YELLIN: Right. You know, it was- SANCHEZ: Is that what’s going on here? The CNN anchor, who sparred with this author after the Iceland “joke” back in April, did get a kick out of a Tweet I made after correspondent Brooke Baldwin spilled her secret about her recent engagement, ” stealing [his] thunder ,” as I put it. Sanchez read and displayed my Tweet on-air after a commercial break. Here’s looking at you, Rick!

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CNN’s Rick Sanchez: Nixon/Kennedy Debate Took Place in 1962?

‘Inception’ Director Christopher Nolan Reveals His ‘Star Wars’ Inspiration

‘I want to try and give somebody in the audience the experience I had watching that film,’ he tells MTV News. By Eric Ditzian, with reporting by Josh Horowitz Leonardo DiCaprio in “Inception” Photo: Warner Bros. The demented memory flipbook that is “Memento,” the noir-ish freakery of Gotham City in “The Dark Knight,” the intricately woven, epically scaled “Inception” — all this can be traced back to a formative experience director Christopher Nolan had at the cinema in 1977. Seven years old at the time, Nolan took in a screening of “Star Wars.” Nothing was ever the same. “That completely changed movies for me,” he told MTV News. “It changed everything, really.” Nolan had never seen a film that was so, well, intricately woven and epically scaled as George Lucas’ space odyssey. “It created a world that lived on in your mind after you saw the film and seemed to have this limitless potential,” he said. And, as Nolan explains it over three decades later, he’s made a career out of trying to instill a similar sense of wonderment for ticket buyers. “I think, for me, my whole career in making films, really every time I set out to make a film, I want to try and give somebody in the audience the experience I had watching that film, where it really felt like anything was possible in that world,” he said. “That’s a really extraordinary experience to have as a moviegoer.” Nolan started out small, shooting “Following” on a shoestring budget with a bunch of friends. He graduated to “Memento,” gaining some financial backing and the talents of professional actors. Eventually, Warner Bros. handed him the task of resurrecting the dormant “Batman” franchise. After delivering two blockbuster takes on the Caped Crusader, the studio basically gave Nolan a pile of cash and carte blanche to make a movie he’d been dreaming about for 10 years: “Inception.” As with all his earlier films, Nolan set out to deliver an experience that would create a world that lived on in the minds of moviegoers, that seemed to have limitless potential. “I think that’s the highest aspiration of the Hollywood blockbuster,” he said. Check out everything we’ve got on “Inception.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos On The Red Carpet At ‘The Hills’ Finale The Hills (Season 6) | Ep. 12 | ‘All Good Things…’

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‘Inception’ Director Christopher Nolan Reveals His ‘Star Wars’ Inspiration

Law & Order: L.A. Casts Skeet Ulrich

Bad news, James Van Der Beek fans and board members of the Dean Cain Fan Club . It looks like Law & Order: Los Angeles has finally found its leading man: Former Jericho star Skeet Ulrich. The Poor Man’s Johnny Depp will star as Rex Winters, an ex-marine with a porn-ready name whose experiences during the Rodney King riots “shaped his philosophy on policing.” He’s also married to his ex-partner. Issues! Of course, Ulrich’s current partner hasn’t been cast yet, but that just means there’s still a chance it could be Master P. Or Danica McKellar . Get on this, NBC. [ EW ]

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Law & Order: L.A. Casts Skeet Ulrich

Millionaire Producers Win $275 Million from Disney

A federal jury has ordered Disney to pay Celador, the production company behind Who Wants to be a Millionaire , a cool $275 million for not fulfilling their obligations when bringing the game show smash to the United States. Congrats! However, I just used my “Ask the Audience” lifeline, and it turns out we all spent the past month paying Disney back the $275 million. Damn it, Pixar. [ The Wrap ]

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Millionaire Producers Win $275 Million from Disney

ABC, NBC and CBS Mostly Ignore Obama’s Recess Appointment of Pro-Health Care Rationing Doctor to Head Medicare

Barack Obama’s decision to make a recess appointment of Dr. Donald Berwick to run Medicare has been vastly ignored by the mainstream news media, despite the fact Berwick has made controversial statements favoring rationing of medical care. As CNSNews.com’s Terry Jeffrey reported Dr. Berwick, at a talk celebrating the 60th birthday of Great Britain’s National Health Service, told the audience to be wary of returning to a free enterprise based system as he warned: “Please, don’t put your faith in market forces,” and urged them “I hope you will never, ever give up on what you have begun” and rallied the crowd: “I hope you realize and affirm how badly you need–how badly the world needs–an example at scale of a health care system that is universal, accessible, excellent and free at the point of care–a health system that, at its core is like the world we wish we had: generous, hopeful, confident, joyous and just.” Berwick even ominously told his audience at Biotechnology Healthcare, “The decision is not whether or not we will ration care, the decision is whether we will ration with our eyes open.” So given Berwick’s rather outspoken faith in socialized medicine the news that Obama is planning to circumvent Congress with a recess appointment, to have him head Medicare, had to be big news, right? Well not according to NBC, CBS and ABC news, as there was no mention of the President’s decision to make the recess appointment on Tuesday night’s NBC Nightly News, CBS Evening News or ABC’s World News. In fact the embargo on the information continued through Wednesday morning as there were zero mentions on ABC’s Good Morning America and CBS’s The Early Show. Only NBC’s Today show mentioned the news as Lester Holt, in an 8am EST news brief on the July 7 show, told viewers the following: President Obama is expected to appoint his choice to oversee Medicare and Medicaid today, while Congress is in recess. This means Dr. Donald Berwick won’t have to undergo Senate confirmation hearings. Republicans had wanted to question the Harvard professor and healthcare policy expert about comments he made on rationing medical care. A scant 20 seconds from the NBC’s Today show, as of Wednesday morning, is all the three major broadcast news networks have devoted to the news that Obama has just named a health care rationing doctor to run this country’s Medicare system. To read more about Berwick please read CNSNews.com’s coverage.

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ABC, NBC and CBS Mostly Ignore Obama’s Recess Appointment of Pro-Health Care Rationing Doctor to Head Medicare

Mary J. Blige Gives Command Performance At Essence Music Festival

Singer whips crowd into frenzy with classics like ‘Real Love,’ ‘I’m Going Down,’ as Alicia Keys stumbles during near-flawless show. By Shaheem Reid Mary J. Blige performs at the 2010 Essence Music Festival Photo: Taylor Hill/ FilmMagic The 16th annual Essence Music Festival ended in triumph in the early hours of Monday morning, as Earth Wind & Fire closed out the weekend with hits like “September” and “Reasons.” For several days, Essence magazine — celebrating its 40th anniversary this year — and its 20-plus sponsors, including Coca-Cola, Olay and Ford, drove home messages of empowerment, self-esteem and self-awareness. By day, thousands hit New Orleans’ Ernest N. Morial Convention Center, where dozens of companies had set up booths and where acts like Keith Sweat and El DeBarge performed. Those passing through the convention center were also treated to good old celebrity sightings like T.I. and comedian/author Steve Harvey, who led relationship talks. At night, of course, it was all about the music at the Louisiana Superdome. Trey Songz, Estelle, Kid ‘N Play, Doug E. Fresh, LL Cool J, Jill Scott, Joe, Gladys Knight and Keri Hilson were among dozens of performers who opened both on the main stage and the smaller lounge stages. And the headliners were big guns: Janet Jackson kicked things off Friday, Saturday belonged to Alicia Keys and on Sunday night, though Earth Wind & Fire were last on the lineup, it was all about Mary. Mary J. Blige walked away with the performance of the weekend, showing a definitive command of the audience. The queen of hip-hop soul had the New Orleans crowd in a frenzy like a Reggie Bush touchdown, opening up her catalog and doling out cherished ditties such as “Real Love.” When Blige brought out Trey Songz to sing on “We Got Hood Love,” Trigger, of course, got another resounding ovation from the ladies. “Thank you for helping your big sister out,” Mary told Trey. “Sweet Thang” was huge, likely going over heavy because of its sing-along factor, and the audience was so enthralled on “I’m Going Down,” Mary only had to sing one line to tear the roof off the Dome. “Time on my hands, since you been away boy,” the female fans roared, taking over the reins of the record. “Sleep doesn’t come easy,” Mary soon joined in, but the hypnotized spectators kept singing the lyrics. After the record, Blige struck a b-girl pose with her fist balled almost all the way up and her thumb touching her chin. “Let me say this, the Mary J. Blige fans are in the building. I’m having a great time,” Mary said before complimenting the ladies on how good they were looking and how great they sounded. “We’ve reached that point in the night when we have to address some things,” she continued. The Queen then advised the women that some people will try to push them down, and that there’s only one way to handle those people: Tell them you’re trying to get up. “We will have no more drama,” she insisted, following up with “No More Drama.” “I may not be perfect for you, but I’m perfect for me,” Mary told the ladies. She also said she was cool with her imperfections. “It can only make me better to know I am imperfect. … It’s only one you baby. It’s only one you, original, baby.” The tempo soon changed up: “I wanna keep y’all hype right now. Keep y’all right,” she said. T.I. then came onstage for “Good Love” and the fans went crazy. Mary hugged Tip and he saluted the crowd. Blige’s set ended with her smashes “Family Affair” and “Be Without You.” The night before, the highlight on the bill was Alicia Keys, who was introduced by Jada Pinkett Smith. The five-months pregnant singer, who appeared to be standing on six-inch heels, slipped and fell onstage during “Love Is Blind,” but she never missed a beat (her vocals were nearly flawless) or a lyric. She got right back up and went to the piano and played. Keys’ set had several signature moments, including “You Don’t Know My Name” and “Fallin’.” And though she did show her skills on the piano for cuts like “Diary,” A.K. got up and danced on several selections, including “Un-thinkable (I’m Ready).” Related Photos Essence Music Festival Takes Over New Orleans Superdome Related Artists Mary J. Blige Janet Jackson Alicia Keys

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Mary J. Blige Gives Command Performance At Essence Music Festival

Janet Jackson Opens Essence Music Festival In New Orleans

Jackson ran through her hits, from ‘Pleasure Principle’ to ‘Together Again,’ which featured a photo montage of brother Michael. By Shaheem Reid Janet Jackson (file) Photo: MTV News Essence magazine is celebrating two very special anniversaries this weekend in New Orleans. It’s been 40 years since the publication started and 16 years since they began what has become their Fourth of July holiday weekend staple: the Essence Music Festival. This year, three of the biggest names in music — iconic figures, especially for the black community and women — are the headliners. Alicia Keys highlights the bill on Saturday, Mary J. Blige closes out the weekend on Sunday, and on Friday night, the 2010 Essence Fest was honored with pop-culture royalty. Janet Jackson brought the crowd in the New Orleans Superdome to their feet with an onslaught of timeless music from her globally cherished catalog. With the lights out in the stadium, Janet’s voice was heard saying, “I hope you enjoy this as much as I do. … Are we ready? It’s all about control.” With so many hits, Jackson chose to start off with “Pleasure Principle,” wearing a one-piece outfit with leotards underneath. “You might think I’m crazy, but I’m serious,” she began singing. Jackson’s set reminded you of how Mike Tyson used to pound his opponents back in the ’80s: graceful but extremely forceful with, of course, a first-round knockout. Jackson started with everything you would imagine: more backup dancers than MC Hammer, seamless choreography, great lighting and the chart toppers. She exploded with “Control” and then “What Have You Done for Me Lately.” “New Orleans, do you want more?” She asked. “Do you want this?” “You Want This” followed. Then came “Alright,” with Jackson poppin’ and lockin’ with youthful ease. During “Miss You Much,” Jackson said, “I know you remember this one … New Orleans, I miss you.” Jackson left the stage temporarily and the audience was taken for a stroll down memory lane through acting highlights. It started with a clip of “Good Times” in which J.J. Evans brought Penny home after she ran away. There was Janet in that memorable shot, a preteen with a bandage on her head. “I’m sorry, Momma. I promise I won’t do it again,” the abused Penny said. Everyone knew what was coming next: that wretched iron. From there, a clip from “Different Strokes” was shown, with Charlene, Arnold and Willis. Next up was the scene in “Poetic Justice” where her character meets Tupac’s Lucky and sexual tension ensues. The highlights ended with “Nutty Professor II” and the Tyler Perry “Why Did I Get Married?” movies. Janet came back on the stage and sat down, wearing a gown … with spikes on the shoulders. She sang “Let It Go” and then thrilled the audience with sing-alongs “Come Back to Me” and “Let’s Wait a While.” “This was my first number one, thanks to all of you,” she said during “When I Think of You.” And during “Got ‘Til It’s Gone,” Q-Tip appeared on the video screen, rapping his part. Later in the show, Janet switched into a dominatrix outfit and led her leather-clad male dancers to the stage. The men crawled on their knees like dogs as Jackson donned a fur coat. Later she went into “Any Time, Any Place.” During a breakdown, Janet took off her coat to reveal a flesh-colored catsuit. She brought up a male fan from the audience and he was promptly put in a harness that constrained his hands and feet. Jackson lay on the floor and the man was suspended, practically laying on top of her. She took his head and placed it in her bosom. Later, the positions were reversed, with the man laying on the floor and Jackson bouncing over him. She also grabbed his crotch at one point. Jackson’s show ended with “Nasty Boys,” “Rhythm Nation” and, after another costume change, this one all white, “Together Again.” Related Artists Janet Jackson

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Janet Jackson Opens Essence Music Festival In New Orleans

How Did Eminem’s Recovery Have Such A Big Debut?

Rapper’s more mature style appears to have appealed to wide audience, experts say. By Gil Kaufman Eminem’s Recovery Photo: Interscope At this point, we’re used to Eminem debuting at #1 . After all, he’s done it six times in a row, including two records that sold more than 1 million copies in their first week on the charts. But following last year’s comeback album, Relapse, which sold nearly 2 million copies despite Em admitting that it was not his finest hour , it wasn’t a lock that Recovery would be greeted with the same instant success as the Detroit rapper’s previous work. There were the fans who were turned off by the weird accents he adopted on Relapse, the dark, gory vibe of the campaign promoting that album and the overall grim nature of the music, not to mention the lack of a breakout, signature hit. And while Relapse did very solid business its first week out, with sales topping 608,000, even some experts were surprised when Recovery snagged the year’s highest debut to date , with sales of 741,000 after initial projections had it in the 500,00-600,000 range. In a music industry starved for hits, Recovery became only the third album since 2008 to debut with more than 700,000 copies sold. So how did Eminem do it again? Chalk it up to a killer first single, some clever promotional gimmicks, more visibility for the rapper and a mature attitude that may have broadened his fanbase after a dozen years in the game. “I think for him, [ Relapse ] didn’t connect with his fans the way he wanted it to, so he wasn’t happy with that,” Eminem’s manager, Paul Rosenberg, told The Detroit News on Tuesday. ” Recovery offers more of an emotional connection for listeners. … I think Em made the kind of album that people were waiting for with Recovery. ” From a jokey viral campaign featuring the ShamWow guy appearances on “The Soup,” “The Late Show With David Letterman,” the BET Awards and “Late Night With Jimmy Fallon” and a one-page profile in the New York Times Sunday magazine , in which he came out in favor of gay marriage, Eminem has done more press and appearances in the past month for the new album than he did for almost the entire Relapse cycle. The heightened exposure from the typically reclusive rapper has clearly helped keep his name in the news and might have boosted sales. “We sold a ton more of it than the last time,” said Carl Mello, director of purchasing for the 28-store Newbury Comics chain of record stores. “Which is always a surprise in these days, with trends being the way they are.” Mello chalked the big first week up to more crossover airplay and the album’s first single, “Not Afraid,” which he thinks brought more people into the store to buy the album. “On the last one, he would have a single and it would go top five and then disappear. On this one, they actually played it on the radio and there was definitely some anticipation for it.” Mello said the album did much better than he expected in the Newbury stores and had the kind of crossover appeal the rapper hasn’t shown since his heyday in the early 2000s. The album didn’t appear to be affected by leaking two weeks early and, as the News noted, it was the first of Em’s records not to announce itself with a pop-culture-skewering first single like “My Name Is,” “The Real Slim Shady,” “Just Lose It” and “We Made You.” As he typically does, Em offered cryptic details at first about the disc, tweeting in mid-April that he’d tossed the planned Relapse 2 album to work on a new disc. “Not Afraid” hit radio two weeks later and debuted at #1, and within weeks, the album’s cover leaked out , generating more buzz. The grimier “Won’t Back Down” leaked out earlier this month and was used in commercials for the shooter video game “Call of Duty: Black Ops,” and the second official single, the Rihanna-assisted ballad “Love the Way You Lie,” has already hit #1 on the iTunes singles chart, with a video on the way. By going with the pensive, midtempo “Not Afraid” — a serious-minded track in which Marshall Mathers, now 37, ponders his recent problems and tries to connect with fans who have also lived through hard times — as the first single, Entertainment Weekly correspondent Simon Vozick-Levinson said the rapper was signaling he’d turned a corner. While the CD was expected to be big, at a time when even some major career stars are struggling to follow up hit albums (Christina Aguilera, John Mayer, Miley Cyrus), the more robust promotional push and the crucial first single are major factors. “When he put out the last album, people were just getting used to him being back after four or five years away, and he didn’t do many interviews or appearances,” Vozick-Levinson said. “But now he’s out front, doing late-night talk shows and reminding people that he has a new album. He’s put the work in, and it’s paid off. “But he also picked the right first single,” he added. “Last time he came back with singles that didn’t connect with people, and there was no clear idea of why he was back and what he was doing with his career. ‘Not Afraid’ was a smart choice, because it had the message that he’s older and wiser, that he’s grown up with his audience and he’s more mature than in the past.” And while he’s not sure the rest of the album lives up to that standard, Vozick-Levinson said the song clearly connected with Em’s audience, and the not-so-hidden double meaning of the album title was perfect for these tenuous times. “He sent a message that he’s connected with the audience in the way it is packaged too. Recovery has a double meaning about his own sobriety and his own recovery and also about the economic climate. People want to believe in the idea of things getting better and making a fresh start.” Eschewing the traditional violent, sophomoric between-song skits, tapping major stars like Pink and Rihanna and opening up his stable of producers after years of relying on mentor Dr. Dre has also helped Eminem connect to a new generation of hip-hop fans who are used to hearing MCs like Drake and B.o.B chant and sing their choruses in between bars. Though he can’t singlehandedly save the music biz, Vozick-Levinson said what’s good for Eminem is ultimately good for an industry struggling to turn around a nearly decade-long slide in album sales. “You can’t transfer his success to other artists, because he’s always been so unique,” he said. “But it’s good news for the industry that something like this can still happen and blockbuster sales and career artists still exist.” Were you surprised by Eminem’s blockbuster debut? Let us know in the comments! Related Photos Eminem And Jay-Z Perform On The ‘Late Show With David Letterman’ Related Artists Eminem

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How Did Eminem’s Recovery Have Such A Big Debut?

Lady Gaga Goes The Distance At Montreal Monster Ball Tour Kickoff

Epic shows runs more than two hours and includes Gaga’s brand-new track ‘You and I.’ By James Montgomery Lady Gaga performs in concert (file) Photo: Ollie Millington/ Redferns MONTREAL — “I’m going to give you the best show of your life tonight. You’re not going to be able to walk in the morning.” That’s what Lady Gaga said Monday night (June 28), right around what could’ve conservatively been called “the midway point” of her marathon set, and she wasn’t kidding. Because by the time she finally wrapped the two-plus hour show at the Bell Centre — a show that was also the kickoff of the North American leg of her revamped (and seemingly unending) Monster Ball Tour — there wasn’t a calf muscle left unquivered. If it wasn’t the best show her “little monsters” had ever seen, it certainly was the longest. An over-the-top (even by her rather lofty standards) m