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‘American Idol’ Host Ryan Seacrest Explains Recent Quirky Behavior

‘I was in a good mood!’ Seacrest says of his antics on this week’s show. By Gil Kaufman Ryan Seacrest Photo: Kevin Winter/ Getty Images It’s been hard not to notice that Ryan Seacrest has been acting a bit strangely on “American Idol” this season. From his aggressive grilling of lead judge Simon Cowell to his new penchant for making up pet nicknames for contestants and judges (“SiCo”?), the normally genial Seacrest has raised some eyebrows this year with quirky behavior. This week’s shows brought those quirks into sharp focus via some wild air-guitar playing; an out-of-the-blue slam of season-one co-host Brian Dunkleman; a strange, self-deprecating on-air chat with his mother and the man-on-man slow dance during Tim Urban’s performance. So, what’s up with Ryan? The Los Angeles Times cornered the multitasking radio/TV personality and reality-show producer to ask him about the incidents, his recent exceedingly high energy on the show and how he’s feeling about Simon Cowell’s impending departure. Asked about the man dance with someone he ID’d as season-eight “Idol” finalist roughneck Michael Sarver (even though it was clearly not Sarver), Seacrest said he was just having some fun. “I was enjoying it,” he said. “We’ve done this show for nine years. When they take me out into the audience, sometimes the energy out there takes me to a different place. I looked at the people and I was just having fun Tuesday night. That guy looked like the most inappropriate person to dance with, so I figured, ‘Let’s pick him up and just dance with him for a second.’ ” Because he’s shuttled all around the studio while introducing the contestants, Seacrest said that sometimes he gets trapped in a location and he tries to make the most of it. “I can’t actually get out of the location to get back to the side of the stage,” he said. “So sometimes I’ll do something like that to get past it. But that night, I was just enjoying it and having a good time. My mom was there in the audience, I was in a good mood!” Eagle eyed “Idol” watcher MJ Santilli, who runs MJsBigBlog.com , told MTV News that Seacrest’s behavior has concerned her and been a distraction to the show. “Ryan’s behavior is disturbing me,” she said. “I think he may be taking a note from the producers to spice things up a little too far. Edginess is one thing, but Ryan has stepped over the line to insanity. Ryan has always played the sane and sober lynchpin of the show. And while he could be juvenile, he was never mean spirited or crazy. I want the old Ryan back.” The Times brought up the fact that some contestants said Seacrest seemed tired during dress rehearsal, but then seemed to get his second wind on-air Tuesday night, when he opened the show with a double-entendre-heavy interview with mentor Adam Lambert. The host said the unscripted moments are just his way of playfully amping up the proceedings for the live show at the end of one of his typically long, exhausting days of doing a morning radio show and an afternoon/evening “Idol” taping. “I had fun during the dress rehearsal too,” he explained. “It’s one of those things where the contestants change every year, and we’re here every year, and every now and then, you throw in an unconventional intro or outro just to make it different. Some people might think it’s funny, other people might not. Sometimes it works and sometimes it doesn’t. It’s live and you’re at bat, and you’re just swinging as many times as you can. … But there is no script. The conversation with Adam Lambert? Unscripted. I rehearse only the camera blockings so I know which cameras we’re going to use, but we certainly don’t rehearse any of the antics or any of the craziness that goes on.” He also chalked the Dunkle-slam up to some unscripted, spontaneous fun. There were some other explanations offered by Entertainment Weekly about Seacrest’s antics that could be summed up in one word: caffeine. In an interview after the show, Urban said that the impromptu dance during his performance threw him off when he heard people laughing about it. “It was a little weird, because people laughed at [Ryan] dancing in the middle of the song, so I had to zone it out,” Urban said. “I could kind of catch it in the corner of my eye that he was dancing. I just tried not to think about it.” Then again, apparently Seacrest danced during rehearsal as well, so perhaps Urban shouldn’t have been so surprised. “What he just did on [the live show] was nothing,” Urban said. “Dress rehearsal was nuts. We were in the back going, ‘All right?’ We did not know what was happening.” That prompted Crystal Bowersox to chime in about rehearsals as well, saying, “We were worried about Ryan a little … He was kooky, in a sweet Ryan kind of way.” Before her ouster, teen Katie Stevens got to the bottom of the situation. “I asked him, after dress rehearsal, ‘Ryan, what is up with you?’ ” Stevens said. “And he goes, ‘You know, I’m really, really tired right now, so I’m trying to fool myself into thinking that I’m awake.’ [He was] over-caffeinated.” With his increased presence around the judges’ table, where he has clashed with Cowell on occasion and pressed the rest of the panel for explanations of their critiques more than in the past, the Times wondered if Seacrest was interested in changing jobs. “I do not want to be a judge,” he answered unequivocally. “I actually like being the master of ceremonies. I like being the host. I like being on the side of the contestants. I like getting to know the contestants.” That said, Seacrest explained that he’s spent enough time onstage with contestants to know when a critique has confused them, which is why he’s been doing more follow-up questioning of the judges this year. “The intent is never to press the judges’ buttons,” he said. “I’ve stood next to those kids for nine years. I can kind of sense body language when they have heard a critique where they’re not quite sure what it means, or that critique might be something that’s antithetical to the critique they heard three weeks ago, or two weeks ago, or a week ago! So the idea behind that is to try get a little bit of clarity.” And despite their sometimes tense on-air exchanges, Seacrest said he and Cowell are friendly both on and off set and that they’ve never gone to commercial break upset with one another. In fact, he described Cowell leaving next year as being like “losing my oxygen. I don’t know what it will be like without him next year.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Host Ryan Seacrest Explains Recent Quirky Behavior

B.O.B Wows The Crowd At New York’s SOB’s

MC’s crossover hit ‘Nothin’ on You’ has the crowd singing along loudly. By Steven Roberts B.O.B performs at SOB’s in New York on Monday Photo: MTV News NEW YORK — From the look of things, it seems B.o.B has had to deal with a few identity issues during his young and promising career. Early last year the highly touted Georgia rapper was pegged as an MC to watch , and has often been compared to Andre 3000 of Outkast for his embrace of multiple musical genres. But in the following months, he considered retiring from the music business , reportedly clashed with his label over musical direction and even talked about changing his performing name to his given name, Bobby Ray . However, B.O.B’s ship has righted in recent months, and on Monday night at SOB’s (B.O.B performing at a club called SOB’s is pretty hard to resist), he let the crowd know exactly who he is. In front a packed house for the Rap Radar event, B.O.B performed tracks from his upcoming debut, B.O.B Presents: The Adventures of Bobby Ray, (due on April 27) as well as from his past mixtapes . His set seamlessly traversed hip-hop, pop and rock: It opened like a traditional hip-hop show, with the MC rapping and frantically jumping and moving to hype up the crowd. He was then joined onstage by his band, and then made a smooth transition from rap to alt-rock, all without losing the crowd’s admiration or attention. Plenty of hip-hop artists, from Outkast and Kanye West to Lupe Fiasco and Lil Wayne, have transitioned into more experimental and/or rock-influenced music, but B.O.B’s fusion feels natural. His hit single with Bruno Mars, “Nothin’ on You,” is a solid example of that: The song transcends genres and is bringing him to a more mainstream, pop audience. And when he performed the song toward the close of the set on Monday, the crowd sang along loudly. Related Artists B.o.B

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B.O.B Wows The Crowd At New York’s SOB’s

Conan O’Brien’s Live Tour: The Reviews Are In!

Though there were kinks to work out, most critics agree it will be a hit with fans. By Eric Ditzian Conan O’Brien Photo: Jackie Butler/ Wireimage Conan O’Brien’s new and temporary (now that he’s officially got a new TV gig on TBS ) career as a touring comedian launched in the college town of Eugene, Oregon, on Monday night . MTV News was on-hand for the proceedings — a Self-Pleasuring Panda, a performance by Spoon, the chants of “Conan! Conan!” at every turn — and declared the evening a “part rock, part late-night variety show” that highlighted O’Brien’s “fighting attitude.” That seemed to be the prevailing impression of Coco’s inaugural outing in his Legally Prohibited From Being Funny on Television Tour: a welcome return from a beloved comedy icon, one not always tight and LOL-inducing, but which any fan of the guy would kill to check out. “It was plain that this was the first stop on the tour, and cast and crew were getting a feel for what worked and what didn’t,” wrote Kristi Turnquist of The Oregonian. “At times, the show seemed to cheerfully roll around like an out-of-control soccer ball. But O’Brien and crew always managed to bring it back from the ‘where-is-this-going?’ episodic brink. The proceedings could stand some tightening and trimming — Conan, we know you love that guitar, but a few of those songs should probably go — but everybody was giving it their all.” And the whole production seemed to be channeling the Coco of old, that unscripted goofball who first popped up on NBC in the early ’90s — perhaps giving us a hint of what the new TBS show might feel like. “The vibe was much more ‘Late Night’ than ‘Tonight Show,’ with Conan strolling on stage looking like a paler, redheaded Barry Gibb, complete with full beard, no tie, and the top two buttons undone on his shirt,” wrote Rolling Stone ‘s Scott Sepich. “The content of the show occasionally strayed to places he’s never gone on TV, with a smattering of profanities tossed in to give the show an edgier feel.” Edgy it may have been, but unwaveringly hilarious it was not (which, in all fairness, is asking a little much from Team O’Brien on Day One). As Erik Pedersen of The Hollywood Reporter said, “[The] 110-minute variety show was consistently amusing but only occasionally riotous and sometimes flat. … [T]he comedy was hit and miss, slowing significantly during the second hour after opening with a spirited band jam and a funny taped bit about O’Brien getting the call to work again. O’Brien was comfortable onstage, doing some of his familiar wacky gesticulations and nerdy dances.” So there were highs, there were lows, but through it all, there was Coco. And it was his mere presence — the simple fact that he was back in public doing what he was born to do — that was the true pay off, for him and the audience. “[T]hroughout the spectacle of silliness, there was genuine glee and gratitude,” wrote Entertainment Weekly ‘s Dan Snierson. ” ‘The support that I got from people just like you has meant everything to me,’ gushed O’Brien. ‘I’ll never forget it as long I live, and I just wanted to say that.’ He then launched into an altered cover of Cake’s cover of Gloria Gaynor’s ‘I Will Survive,’ a song he said that ‘has had real meaning to me these last three and a half months.’ Based on the emphatic embraces he received from the audience as he victory-lapped through the aisles during the encore, that seemed pretty darn accurate, if not an understatement.” Are you planning on seeing Conan O’Brien on tour? What are you most looking forward to seeing? Share your thoughts in the comments. Related Photos Conan O’Brien Kicks Off His ‘Legally Prohibited’ Tour

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Conan O’Brien’s Live Tour: The Reviews Are In!

Tax Form For The Marginally Employed

For those of you who still haven't hit the TurboTax. (Know your audience.) Pro-tip: I think you also get to deduct the boxed wine you drink while filling out this form. The Best Links: via Newsweek’s Tumblr View

(Senior) Citizens For Leno

On the morning of Conan O’B rien’s first Legally Prohibited From Being Funny on Television stop, NBC faces some good and some bad Tonight Show news. The good being that the audience has increased more than 50 percent from Coco’s average. The bad being that the median age of the audience has also climbed more than 10 years to 56 years old, posing a potential risk to advertisers. Maybe NBC should just rip a page out of the playbook of the late night show with the youngest demo — Lopez Tonight , which boasts a median age of 33 — with some Chola makeovers . Si? [ NYT ]

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(Senior) Citizens For Leno

Asher Roth Serves Up ‘Positive’ Message On Seared Foie Gras Mixtape

‘Hopefully, I’mma stick around for a decade and be a voice of the next 10 years,’ Roth tells Mixtape Daily. By Shaheem Reid, with additional reporting by Rahman Dukes Asher Roth Photo: SRC/Universal This Week’s Main Pick Mixtape Maven : Asher Roth Holding It Down For : The Big Apple? He just moved to NYC Mixtape : Seared Foie Gras with Quince and Cranberry Real Spit : Asher Roth is in it for the long haul. He’s not just trying to make a quick dollar and skate — although there are aspects to the game that frustrate him. “I don’t wanna be one of those dudes that’s just like one, two three years, and I’m out,” Roth said, sitting in one of his favorite eateries, Hotel Griffou. “Make a quick dollar. ‘Let me go invest this in real estate.’ I see the opportunity to affect lives in a positive way. I see these 13-year old kids that get a hold of me and be like, ‘Yo, you changed my life.’ Am I 100 percent fulfilled? No. Not even remotely yet. But that’s a good thing. Hopefully, I’mma stick around for a decade and be a voice of the next 10 years. So when people look back, they said I actually added something instead of putting a pop song out that was popular.” Roth, for the most part, raps over beats that are already out there on the tape. He gives props to each producer by noting who the beat is “served by” on the track list. As for that far-out title, he said he tried the delicacy before knowing that foie gras was actually force-fed duck liver. Joints to Check For

Drake’s Music ‘Doesn’t Really Call For’ Lil Wayne-Type Energy

‘It’s more about me connecting with the audience,’ MC says about being more laid-back onstage. By Shaheem Reid Drake Photo: Sam Hendrick/ MTV News Drake has thankfully recovered from last year’s knee injury — the 23-year-old Toronto native has been onstage all this week performing as part of his Away From Home Tour . “I had an assessment a week ago,” Drake told MTV News last week. “They told me that I’m definitely able to get out there and perform to the fullest. I’m still not going to be able to play basketball. I’m gonna stay far away from that, actually. But I’m ready to come back. I think I’m coming back with more maturity as far as connecting with the audience and less about running around. A lot of my performance energy before came from watching Lil Wayne. I always felt I needed to be just as energetic, running back and forth on the stage. In preparing for this tour, I realized my brand of music doesn’t really call for that. It’s more about me connecting with the audience and them enjoying the way we flip these songs around. I want them to walk away and be like, ‘That was a great night.’ ” Drizzy has openers Francis and the Lights and K-OS on the road with him. “I chose these acts with Oliver who works with me,” he explained. “They’re on the tour because they’re who I’m a fan of. I know I could have brought out other younger artists or rappers, but I want this to be an experience. I want them to be refreshed about music. Not like, ‘Oh, I went to another rap show.’ ” What do you think of Drake’s live show? Let us know in the comments below! Related Videos MTV News Extended Play: Drake Related Photos Drake Lights Up The Stage In PA

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Drake’s Music ‘Doesn’t Really Call For’ Lil Wayne-Type Energy

‘America’s Best Dance Crew’ Crowns Poreotix Season-Five Champs

Season finale is marked by high-energy routines and unity among the competing crews. Poreotix Photo: MTV For a few moments, the competition was placed to the side. Dance crews from both coasts, the South and Canada all set aside their game faces, joined forces and did what they do best: They danced. Thursday night’s (April 8) finale of the fifth season of “America’s Best Dance Crew” was said to be the tightest ever, and when the boys from California, Poreotix, were announced in the final moments, there was a period of excitement and celebration. To be sure, that moment was special, but it didn’t undercut the earlier periods of unity that took place before the finalists of what became an international showdown– the winning crew from California and a crew from Canada — were announced. Together, the crews joined forces, put their competitive spirits aside and delighted the audience with what made this show so fierce all season long. Up first were the dancers from the West Coast, dancing to Ke$ha’s “Blah, Blah, Blah.” Following them were the East Coast contenders, who incorporated some impressive jump-roping and tumbling skills into their routine. Not to be outdone, the dancers from the South entertained to T-Pain’s “Take Your Shirt Off” and, mid-performance, ripped off their shirts in unison, generating cheers and foot stomping from the crowd. Montages showing clips of the season’s finalists — the Blueprint Cru and Poreotix — aired, while crew members gave final thoughts in pre-taped interviews. “We’ve shown people something that they’ve never seen before: We showed them that they could have fun onstage,” one of the members from California’s Poreotix said. The Blueprint Cru said they wanted to show the caliber of talent coming out of Canada. “We went in to the competition wanting to win America over,” a member said. Both crews came together to perform a high energy step routine together, surprising the audience with a live marching band — representing both by wearing each team’s colors — before taking a final word from judges. Poreotix were presented with the trophy by executive producer Randy Jackson, who officially crowned them the winning team, with the dropdown of the championship banner and a series of pyrotechnics. Were you happy with the “America’s Best Dance Crew” outcome? Sound off in the comments below! Related Videos America’s Best Dance Crew (Season 5) | Behind The Scenes Week 11 America’s Best Dance Crew (Season 5) | Live Finale Post Show

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‘America’s Best Dance Crew’ Crowns Poreotix Season-Five Champs

Rihanna Rocks Out ‘American Idol’ With New Single ‘Rockstar 101’

Rihanna Rocks Out ‘American Idol’ With New Single ‘Rockstar 101′ By Larry Carroll Rihanna performs on “American Idol” Wednesday Photo: Fox She’s one of the biggest stars in the music industry, and it’s one of the most popular television shows in the world. It’s no surprise, then, that millions eagerly anticipated Rihanna’s much-hyped performance on Wednesday evening’s (April 7) “American Idol.” And by all accounts, the chart-topper delivered. “I told ya, baby,” Rihanna promised as she kicked off her new single “Rockstar 101.” Taking a break from the competitors, “Idol” gave center stage to the black-leather-catsuit-clad singer, whose shoulder pads were nearly as huge as her presence. Surrounded by flames and a video screen displaying rock staples like guitars, lightning bolts and skulls, Rihanna belted out the Rated R track in a half-sung, half-spoken voice. As she slid across the stage and interacted with backup singers, she made sure that her first “American Idol” performance was a memorable one — even picking up a Flying V at one point, although her guitar skills seemed limited to running a finger up one string. “Rocking these diamonds, I’m rocking this chain/ Make sure you get a picture, I’m rocking my fame,” she sang in a song as much about dressing like a rocker as actually being one. “To be what you is, you gotta be what you are/ The only thing I’m missing is a black guitar.” When she wasn’t rocking out, Rihanna was apparently posing for photos backstage with “Idol” host Ryan Seacrest . “Rockstar 101” is the new single from her Rated R album, which the Barbadian singer released last November, debuting at #4 on the Billboard chart. What did you think of Rihanna’s debut “Idol” performance? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances Related Artists Rihanna David Archuleta Jason Derulo

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Rihanna Rocks Out ‘American Idol’ With New Single ‘Rockstar 101’

‘American Idol’ Judges Save Michael Lynche

He was joined by Andrew Garcia and Aaron Kelly in this week’s bottom three. By James Montgomery Michael Lynche on “American Idol” Wednesday Photo: Fox On Tuesday night’s “American Idol,” we had extended didgeridoo bellowing, a winsome bagpiper slowly descending a staircase and a dude bounding onstage to embrace Siobhan Magnus. How would Wednesday’s (April 7) results show top all that WTF-ness? With a controversial judges’ save, of course! Viewers decreed that it was big-hearted (and equally big-bodied) crooner Michael Lynche’s turn to go — a bit of a shock after the “Idol” judges praised his reworking of the Beatles’ “Eleanor Ribgy” — and as the studio audience howled their disapproval, Lynche strode to the center of the stage and belted out a version of Kate Bush’s “This Woman’s Work,” the same song that brought judge Kara DioGuardi to tears a few weeks earlier. As Lynche finished, the audience cheered wildly, his wife wept, and the judges conferred. Simon Cowell played the drama to the hilt, speaking in slow, pregnant pauses as the room fell deathly quiet. “The frustrating thing is, Michael, is that we all wish you did something like that yesterday, and this is why you’re in the position you’re in right now,” Cowell said. “We only have one save in the competition. This is unanimous, Michael, if it’s any comfort, and we have decided we’re going to see you next week.” With that, the audience squealed with delight (Lynche’s wife nearly leapt out of her dress), and the man dubbed “Big Mike” was mobbed by his fellow “Idol” contestants. Even the judges seemed to be excited, giving him a standing ovation as Lynche pounded his chest and blew kisses to his wife. Lynche’s save, of course, means that two “Idol” hopefuls will be getting the boot next week, and we suspect things will be a lot less jovial then. Wednesday’s bottom three was made up entirely of guys — Lynche, Andrew Garcia and Aaron Kelly — a fact “Idol” producers didn’t reveal until more than 30 minutes into the show and only after performances by Jason Der