Tag Archives: bands

Arcade Fire’s Grammy Win Praised By Indie-Rock Community

‘Music may be trending toward more indie-minded rock music,’ Spin ‘s Doug Brod tells MTV News. By Kyle Anderson Arcade Fire at the 2011 Grammy Awards Photo: Getty Images Though the 53rd annual Grammy Awards contained its fair share of surprises (including Esperanza Spalding’s win for Best New Artist and the double-dip victory for Lady Antebellum’s “Need You Now” ), but by far the biggest shock of the night came at the very end when Arcade Fire’s The Suburbs was declared Album of the Year . The reactions from the pop-music community ranged from confusion (people simply not knowing who the band was) to outrage (with a lot of people on Twitter and in the comments section on this website declaring that Eminem should have won for Recovery ). But for those in the indie-rock community (where Arcade Fire first picked up buzz and have been developing a following since their 2004 debut Funeral ), it felt like a satisfying victory. “I was surprised that [ The Suburbs ] was nominated, but considering the competition, I was not surprised it won,” explained Pitchfork Editor in Chief Scott Plagenhoef. For many fans of Arcade Fire, Pitchfork was the outlet that introduced them, as they were an early supporter of Funeral. Plagenhoef felt Arcade Fire’s victory wasn’t necessarily a unique moment, but rather a typical story arc for rock bands. “Guitar/rock music made by and for adult listeners hasn’t been well-represented via the traditional delivery systems of the past few decades of MTV and radio, so listeners interested in this kind of music are increasingly finding it in bands rooted in the independent world. Along with Arcade Fire , Vampire Weekend and the Decemberists had #1 albums in the past year or so.” Spin Editor in Chief Doug Brod concurred with Plagenhoef. “It seemed to me like music may be trending toward more indie-minded rock music,” he explained, noting that Sunday night’s show featured a number of examples of bands from the indie universe who have punched through to the mainstream. ” Muse wins Best Rock Album , Mumford & Sons onstage, Florence and the Machine — there’s more of a recognition of what’s going on outside of what passes for pop music. Even Cee Lo and Lady Gaga — they both make big pop hits, but they’re bringing weird outside elements into it.” Brod and Plagenhoef noted that it felt like a positive victory for rock music in general, a sentiment Dave from Brooklyn Vegan agreed with. “Grammys aren’t supposed to go to ‘indie’ bands, but for once the Grammys were rigged in our favor,” he said. “More than anything, it seems weird. I was definitely surprised [that Arcade Fire won]. To not be happy about it would be too cynical, but you can’t get too excited about it or you’re taking the Grammys too seriously. My friend Jeff ‘heartonastick’ summed it up nicely in an e-mail to me. He said, ‘This is sort of a “phew, finally” moment.’ ” But will Arcade Fire’s win open the floodgates for other acts? Dave thinks so. “You have to give Arcade Fire credit for releasing The Suburbs on indie label Merge Records. And now that Merge won this Grammy, that can only mean good things for the lesser-known bands on the label like Wye Oak and Telekinesis, and that ripple effect will probably continue through the whole indie scene and industry.” Whether or not it means more sales for other bands lurking under the radar, Brod thought Arcade Fire’s success last night at least gave listeners the opportunity to be exposed to something they wouldn’t normally hear. “It’s profound that a band on an indie label closes out the show and wins best album,” Brod said. “There’s so little decent music on TV during prime time, if it turns viewers onto music they would otherwise not know about, then it’s a great thing.” As for Plagenhoef, he said the reaction from readers has been roundly positive (“A bit of a surprise, a bit of bemusement, and a bit of a celebration,” he noted) and said the Album of the Year win was a logical conclusion for Arcade Fire. “They’re an ambitious arena band, they always were: That was, from the start, one of the endearing and beloved things about them, that they treated every small club show like they were already playing arenas,” he explained. “They went for it every night and never shied from trying to make populist music.” For more Grammy Awards analysis, interviews, fashion and more, stick with MTV News! Related Videos 53rd Annual Grammy Awards Performances Related Artists Arcade Fire

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Arcade Fire’s Grammy Win Praised By Indie-Rock Community

New Kids On The Block, Backstreet Boys Announce New Summer Tour Dates

After their AMA performance, supergroup NKOTBSB add 18 dates to outing. By Gil Kaufman The New Kids on the Block and Backstreet Boys Photo: Kevork Djansezian/ Getty Images After their triumphant dual performance to close Sunday night’s American Music Awards, boy-band supergroup NKOTBSB (otherwise known as New Kids on the Block and Backstreet Boys ) have announced the full schedule for the eagerly anticipated co-headlining tour . The first-of-its-kind outing uniting the dominating male vocal group of the late 1980s, NKOTB, with their musical progeny from the 1990s, BSB, had been rumored for months, and when the initial limited slate of dates was announced last month, demand crashed the bands’ websites.

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New Kids On The Block, Backstreet Boys Announce New Summer Tour Dates

The Chill Wave Movement

This Summer I was riding the Chill Wave, one of the most important genres of music of the modern world. This music is refreshing and awesome. Some might say it's like you're on drugs, but you really don't need drugs to enjoy this. For sure it will make you feel good. Pure Ecstasy. . . ……………………………………………………. “It generally has an ‘80s influence, which is definitely pretty heavy in my stuff,” said Ernest Greene, a.k.a. Washed Out, one of the acts being touted as part of the trend. New Wave-sounding samples and ambient music is often interlaced with dance-y beats, and the approach to recording is decidedly lo-fi. Carles explained the genre this way in a post last summer: Chillwave, he wrote, “sounds like something playing in the background of an old VHS cassette that you found in your attic from the late ’80s/’90s.” Chillwave isn’t limited to a geographic region, but the South and East Coast figure prominently. Bundick is from South Carolina while Greene is from Georgia. Other so-called chillwave bands, like Small Black and Neon Indian, are New York-based, while Memory Tapes, a.k.a. Dayve Hawk, hails from New Jersey. That’s where the parallels end. Whereas musical movements were once determined by a city or venue where the bands congregated, “now it’s just a blogger or some journalist that can find three or four random bands around the country and tie together a few commonalities between them and call it a genre,” said Alan Palomo of Neon Indian. ……………………………….. More at the link: http://blogs.wsj [dot]com/speakeasy/2010/03/13/is-chillwave-the-next-big-music-trend/ + CHILL WAVE MUSIC VIDEOS BELOW added by: Einsam_Data

‘Scott Pilgrim Vs. The World’ Stars Rock Out On The Set

‘It feels like we’re just hanging out at a really fun concert,’ Mary Elizabeth Winstead tells MTV News of filming battle of the bands. By Kara Warner, with reporting by Matt Harper Michael Cera in “Scott Pilgrim vs. the World” Photo: Universal Pictures The buzz surrounding Edgar Wright’s “Scott Pilgrim vs. the World” continues to build in anticipation of the graphic novel-turned-feature film’s release this week. In addition to welcoming the entire cast to our Comic-Con live stream last month, MTV News was lucky enough to spend a day on the high-energy set in Toronto last year.

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‘Scott Pilgrim Vs. The World’ Stars Rock Out On The Set

All Time Low Enjoy ‘Bro-in’ Down’ On Bamboozle Roadshow

The band describes the casual attitude of touring with Good Charlotte, Third Eye Blind and others. By Matt Harper All Time Low Photo: MTV News All Time Low are having a pretty good summer. The boys from Baltimore have been spending the last month on the Bamboozle Roadshow, where they’ve met some of their idols, gotten love from their legions of fans and, as the band puts it, done a lot of “bro-in’ down.” ATL took a break from the sweltering heat at the Philadelphia stop of the Roadshow last Sunday to talk to MTV News about the experience of traveling cross-country with Boys Like Girls, LMFAO, Good Charlotte, Simple Plan and Third Eye Blind (among many others). “It’s been great, so much fun,” lead singer Alex Gaskarth gushed. “All the bands have been hanging out, bro-in’ down, as they say.” Summer festivals in America are typically dominated by one-off weekend shows, like Bonnaroo, Coachella and Lollapalooza, but a travelling show like this one creates a uniquely intimate atmosphere that the ATL guys have enjoyed. “It’s festival style, so it feels like a shrunken version of the Warp Tour almost,” Gaskarth said. Lead guitarist Jack Barakat cut in, “It’s weird, ’cause if we don’t hang out, [Third Eye Blind frontman] Stephan Jenkins gets really mad and starts yelling.” The consensus all around is that what makes this tour so much fun is the casual attitude all the headlining bands share. When asked about who’s made an impact on them so far this tour, Alex was quick to answer, “The Good Charlotte guys throughout the tour have been awesome to us.” Barakat agreed, saying the Madden brothers “have been like our fathers almost.” “Our big brothers,” Gaskarth countered. Finally, drummer Rian Dawson settled the friendly debate. “Uncles, we’ll call it,” he said. “That’s somewhere in between brother and father.” Whatever the relationship between the bands, it’s clear that All Time Low are having a blast on the tour. MTV News will be hitting the Bamboozle Roadshow again this week, so check back in for more from your favorite bands on the tour. What’s the best show you’ve seen this summer? Share your concert reports in the comments. Related Photos Bamboozle Bands On The Road Related Artists All Time Low

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All Time Low Enjoy ‘Bro-in’ Down’ On Bamboozle Roadshow

Broken Social Scene Talk ‘Scott Pilgrim Vs. The World’ Soundtrack

The Canadian indie-rock group was tapped to write songs for comic book flick’s fictional band Crash and the Boys. By Matt Harper Michael Cera in “Scott Pilgrim vs. The World” Photo: Universal Pictures Broken Social Scene kicked off the summer by releasing their 4th studio album, the heavily anticipated Forgiveness Rock Record. But that’s not all the Canadian indie rock band has coming. While recording Forgiveness, they were also in Toronto, quietly working on music for “Scott Pilgrim vs. the World,” director Edgar Wright’s love letter to all things geeky. “I’m not allowed to say … I’m not allowed to tell you that it’s really f—ing fun,” frontman Kevin Drew joked when he and bandmate Charles Spearin stopped by the MTV News offices last month. Although the bandmembers were mostly tight-lipped about details surrounding their experience with Wright, we now know that Broken Social Scene created the music — the soundtrack’s official track listing was released this week — for one of the flick’s fictional onscreen bands, Crash and the Boys. For the uninitiated, the “Scott Pilgrim” graphic novels number five volumes, with a sixth (and final) book to be released on July 20. The stories center on a loveable Canadian slacker in his early-20s who falls in love with Ramona Flowers, a mysterious American recently relocated to Toronto. Scott wants to date Ramona but quickly learns that in order to do so — he’ll have to confront the ghosts of her past relationships by doing battle with her seven evil exes. Scott (played by Michael Cera) may be unemployed in the series, but like any good 20-something slacker he dabbles in music, playing bass in the band Sex Bob-Omb. And this is where Broken Social Scene collides with the comic book world. When the movie’s director and music supervisor Nigel Godrich first approached BSS, they assumed it was to ask the band to score the comic book flick. They were surprised to learn that Godrich actually wanted them to create a catalog for one of three bands that appear in “Scott Pilgrim vs. the World.” “They chose Metric and ourselves to do music for the ‘bands’ that are represented in the film,” Drew told us in May of Wright and Godrich, a longtime Radiohead producer. “We were given the task to write four-second songs, so how the f— is that going to be anything like Broken Social Scene,” Drew laughed. Apparently, Godrich was impressed. He asked Drew and bandmate Brendan Canning to contribute to the film’s score too. “We never really told anyone about this, we just told our family and friends — but [Godrich] invited us to London,” Drew revealed at the time. “He’s putting together the whole soundtrack, so he’s been picking a lot of the bands he’s been playing with and musicians, and he asked us, which we were really honored [about].” As Drew pointed out, BSS weren’t the only group tapped to write music for the cinematic bands: Beck crafted songs for Sex Bob-Omb, while fellow Canadian rockers Metric recorded a tune for Scott Pilgrim’s rival band, Clash at Demonhead. (You can hear the track on Metric’s Facebook fan page.) Check out everything we’ve got on “Scott Pilgrim vs. the World.” For breaking comic book movie news, columns and more — updated around the clock — visit SplashPage.MTV.com . Related Photos ‘Scott Pilgrim Vs. The World’ Related Artists Broken Social Scene

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Broken Social Scene Talk ‘Scott Pilgrim Vs. The World’ Soundtrack

Siobhan Magnus Didn’t Try To ‘Please Other People’ On ‘American Idol’

‘I do what I do because it rests well on my heart and who I am,’ latest castoff says. By Katie Byrne Siobhan Magnus Photo: FOX Siobhan Magnus never quite fit into the “American Idol” mold — and that’s exactly how she liked it. But she might have stretched a bit too far with her honky-tonk/screamo performance of Shania Twain’s “Any Man of Mine,” getting eliminated Wednesday night . We caught up with the 20-year-old glassblower from Cape Cod, Massachusetts, on Thursday (April 29) to find out what’s next and where she learned to hit those gigantic notes. Q : Where did you learn to hit those big notes? A : I’m pretty sure I figured out how to do that in the shower in high school one night. [ Laughs. ] I’m an avid shower singer, much to the dismay of my family and my neighbors, but I was singing a Kelly Clarkson song, and I went to hit one note, and I reached it and I was able to resonate it in a different part of my head that I could feel it that high. And ever since I figured it out, I started to use it more and more with different stuff — in school choirs and in my band — and it became very useful with the style of singing that I like to do. A particular time that it came in handy was when I was singing with my friend’s band, and we did “Great Gig in the Sky” by Pink Floyd, and I had a blast just wailing on those huge notes in a battle of the bands, and we won. One of my favorite singers of all time is Janis Joplin, and I learned very much through imitation, so when I hear a singer I love, I try and emulate that, and that kind of added up to the way I sing today. Q : You often told the judges that you didn’t want to pigeonhole yourself into one genre. Was that an important message you hoped to send you to your fans? A : That’s definitely something that was important to me from the beginning to show people that that is something I care about, that I take very seriously. I’ve always been an independent person and a different kind of person, but I’m very stubborn and strong-willed, and it’s something important to me to get that across, that I’m not going to change to please other people. I do what I do because it rests well on my heart and who I am. The feedback that I’ve got, the positive feedback that I receive from fans and viewers, was tremendous. I couldn’t ask for anything better than receiving letters from younger girls who said to me, “I get made fun of at school because I’m different, but watching you has helped me accept the fact that it’s OK and that it’s a good thing to be who I am and not back down just because other people intimidate me.” I’ve received letters where I’ve been brought to tears just because I have achieved something that has been a goal of mine for so long: to be able to influence the lives of young girls in a positive way. To show them that who you are on the inside is a beautiful thing, and you shouldn’t let anyone take that away from you, because we are all perfectly made as who we are. To be able to have that connection with fans through this whole experience, through the television and know that I reached people, even if it was just one person — I always said if I could influence one person’s life, then that’s what I’m here for, so I’m just so honored. Q : Were you disappointed that the judges’ save wasn’t available for you since it was already used on Michael Lynche ? A : No, not at all, because I couldn’t imagine it not being used on Mike. That was so shocking that there was the chance of him going home that week, and I think we all knew when it was announced: “They have to save him. There’s no way he could be going home.” And it would have been cool if that didn’t have to happen, but I have faith that everything happens for a reason, and I couldn’t be luckier to be where I’m at and to have gotten this far. So I love Mike to death, and it’s awesome that he’s still in it. Q : What did you think when people compared you to “Idol” alum and mentor Adam Lambert ? A : It was wicked flattering being compared to him right off the bat. I just respect him so much for his individuality and his confidence, and his stage presence is just tremendous. It’s undeniable that he’s born to do what he’s doing. And he was extremely helpful as a mentor, because he was the first mentor that the show ever had that was a past contestant. So he knew firsthand what it was like to be in our shoes, and that was helpful, because he was sensitive to that. He knew just what to say, and the things that he said were so dead-on, and I really just tried to absorb every single thing he said. Q : What would you say to people who were disappointed you’re off the show? A : I would say not to worry, because this is just the end of one thing and it’s the beginning of a new thing. I have so many big ideas and things that I hope to come in the future that I probably wouldn’t have got a chance to do without this experience, and I’m so grateful for the entire thing. Hopefully, this will just be the gateway to all of the other things I aspire to do. Were you sad to see Siobhan go? Will you check out her post-“Idol” music? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos Siobhan Magnus’ Fashion On ‘American Idol’ ‘American Idol’ Season Nine Performances

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Siobhan Magnus Didn’t Try To ‘Please Other People’ On ‘American Idol’

Peter Steele, Type O Negative Singer, Dead At 48

Singer reportedly died of heart failure, according to manager. By Gil Kaufman Type O Negative’s Peter Steele Photo: Paul Bergen/ Redferns Peter Steele of heavy metal band Type O Negative has died of heart failure at age 48. Steele (born Petrus Ratajczyk), the burly 6’7″ bassist and lead vocalist of the Brooklyn goth-metal band, formed Type O in the early ’90s after stints in several other groups, including the hardcore act Carnivore. A spokesperson for Type O bandmates Kenny Hickey and Johnny Kelly confirmed the sad news to MTV News. And according to CBS News , band manager Mike Renault sent an e-mail saying, “Peter passed away last night. As of now it appears to have been heart failure. That’s all the details we have right now.” The band’s most recent label, SPV/Steamhammer Records, reportedly issued an online statement about Steele’s passing. “It’s with great sadness that we give our condolences to the family and friends of Peter Steele,” it read. “He died on April 14th, 2010. With his bands Carnivore and Type O Negative he achieved cult status and was loved by fans around the world. … The world has lost a charismatic frontman and a very talented person. Our condolences go to Peter’s family, friends and the members of his bands.” Fuse metal hostess Mistress Juliya (Juliya Chernetsky) tweeted about the news on Wednesday. “Today is a very sad day in metal … end of an era … Peter Steele passed today,” she wrote. “I loved my friend … our idol … my heart is with his band and family.” Blabbermouth.com , a site run by the band’s former label , Roadrunner Records, also reported that Type O keyboardist Josh Silver had confirmed that Steele died on Wednesday. A rumor circulated that Steele had died in 2005, but that turned out to be a publicity stunt to promote their new record, making it difficult to assess the validity of this latest report. The earlier rumor sprung from an image of a tombstone with his name and the dates 1962-2005 that was briefly posted on the band’s Web site but then removed. Steele reportedly suffered from clinical depression, reflected in the band’s doom-laden lyrics, dark image and an often morbid sense of humor. Type O released seven studio albums, with their most recent being 2007’s Dead Again. Related Artists Type O Negative

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Peter Steele, Type O Negative Singer, Dead At 48

Carson Daly On NBC’s Shake-Ups, Life After MTV and Reinventing Late Night

Carson Daly is a rarity among late-night hosts. The Santa Monica native broke into the afterhours landscape after a successful career in music, not comedy, and has spent the past eight years at NBC slowly breaking free from the traditional talk show format. When ConanGate threatened the 1:30 A.M. time slot that he had peacefully occupied since 2002, Daly stayed respectfully quiet about his network (even as his peers took swings at him ), instead submerging himself into a new Last Call format. Without a desk, a tie or an audience, Daly has finally found a documentary style for his show that fits — and allows him to shine a spotlight on the bands he loves (and covers during on his KAMP -FM morning radio show), take viewers on field trips (recently, to see a house that Hurt Locker star Jeremy Renner was flipping) or expose his audience to stream-of-consciousness lessons from interesting figures like David Lynch. The persevering Daly phoned Movieline to discuss why he holds no ill will against NBC or his early-morning time slot, his fondest memories of MTV and the one shocking story that Matthew McConaughey never would have told in front of a studio audience.

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Carson Daly On NBC’s Shake-Ups, Life After MTV and Reinventing Late Night

Sarah Palin may not have done as well on the Tonight Show as we were led to believe.

I’ve dealt with sound engineering for 30 years, as a film maker, interviewer, musician, working with master reel to reel tapes/decks at EMS Music in Seattle in the 80’s as a sound duplication engineer, or setting sound levels for my and other bands in live situations at shows. I won a Hollywood award for animation in 2000. I know sound. And it’s my opinion that audio portions of Sarah Palin’s March 2nd appearance on Jay Leno’s Tonight show were added or amplified, edited before broadcast to make it appear that Sarah Palin was more welcome than she was. I know. I was there. They added laughter where there was none during uncomfortable portions. Well, there was some laughter. Mine, of derision. During those pregnant pauses in her performance I was laughing long and loud, couldn’t help myself as much of what she was saying was utterly surreal, ridiculous, hypocritical – nonsense, spewed platitudes, pushed buttons. I was seriously thinking of leaving as it was getting hysterically unfunny. After sitting through the taping of the show in the studio I can recount many portions where there was little or no laughter or response, but at the later broadcast they are smoothed over with applause and laughter that WERE NOT THERE at the taping. Groans, hoots, grumbling, or just dead silence – all missing. Well now isn’t THAT interesting? You know I wondered how Palin was able to elicit such big laughs from an audience that I assumed was probably made up of mostly progressives. This fellow’s explanation certainly makes sense. From my seat to the right of the stage, by the band, I could tell that an average of 70% of the audience did not like Sarah Palin. Many literally sat on their hands. This is LA and I wondered when we went in, just how many people would be into Palin here. C’mon, this is LA, man! Make no mistake, the national figure for nutjobs were represented, the same insane 30% of the country that always believe in racism, GWBush, War, Torture, the Libertarians, Teabaggers were there too, and quite vocal. Throw in a shotgun microphone and you’ve got yourself a laugh riot with these guys. Now in the interest of full disclosure it should probably be noted that this guy is NOT a Palin fan, and in fact he and his wife created the “ Going Rouge: The Sarah Palin Rogue Coloring & Activity Book ”. However that alone does not insinuate that he is a liar. In fact, using my own personal measuring tool for determining if a person is lying, the very fact that he reports the opposite of what Sarah Palin wants us to believe virtually assures that he is being honest. Check out this guy’s description of what Sarah’s stage presence looked like from the audience and decide for yourself if it does not jive with other times you have seen Palin in front of a live audience. Jay came out to raucous applause, hell, we clapped too, I like the guy, not as much as Letterman or Connan but I’m a comedy fan, and some of the show as funny. Shaun White was way cool, funny, authentic, there multiple ovations, and Adam Lambert ROCKED the house, as the latest and future incarnation of David Bowie. Lots of fun. But when Jay brought out Sarah Palin, she was completely nerved. Watch the video, check out her breathing, she’s Freaked and talks a mile a minute. Both my wife and I agreed – when you actually get close enough, she’s just plain Creepy, and those yech vibes filled the room. Nevermind the applause sign – something that’s a staple of late night shows. Now as somebody who has witnessed a number of Sarah Palin speeches first hand, this rings very true. Even while giving her speech in front of her hometown crowd she was often frantic, with her voice changing pitch in the oddest places throughout her speech. Now what I am REALLY interested in is whether having the Tonight Show technicians put a positive spin on the audience reaction was part of her deal for showing up. And whether that is also the case when she appears on other programs. If true it absolutely guarantees she will never do a David Letterman show, or sit with John Stewart, or even Stephen Colbert. THEY would never provide cover for her on their shows. And I have NO doubt that Palin would never expose herself to their hostile audiences without some protection. And speaking of protection check out what our friend says about Palin’s security. The basic rules for the studio audience were simple: NO Eating, NO drinking and NO shouting anything out. Other than that, knock yourselves out, have a good time. Yet, judging by the Security surrounding the stage where Palin brought the Silly, shouting out, “Hey Sarah, How many wolf puppies have you gassed?!” would have been suicidal. What the hell is she so frightened about? “Hey Sarah! Liberals don’t use violence! You don’t have to fear us. The only thing we would assault you with is the tru……oh….now I get it! I guess in Sarah’s world truth is the scariest weapon of all.” (Just click the title to read the rest of Michael Stinson’s very interesting post.)

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Sarah Palin may not have done as well on the Tonight Show as we were led to believe.