Tag Archives: Brooklyn

First MTV TJ Gabi Gregg Wants To Give Followers ‘A Voice’

Plus-size-fashion blogger @gabifresh comes out on top during live finale of ‘Follow Me.’ By Fernanda Diaz Sway & Gabi Gregg at the finale of “Follow Me: The Search for the first MTV TJ” Photo: MTV NEW YORK — MTV just got a little bit fresher. Gabi Gregg, who goes by @gabifresh on Twitter, was crowned MTV’s first-ever Twitter Jockey at the live finale of “Follow Me: The Search for the First MTV TJ” on Sunday night (August 8). The 24-year-old Detroit native and plus-size-fashion blogger was one of 20 contestants chosen by MTV, in partnership with ZYNC from American Express, to compete for a $100,000 contract to be the social-media face of MTV. Throughout the first round of challenges, Gabi’s eye for style and gregarious charm catapulted her to more than 5,000 Twitter followers and nabbed her the highest number of votes on the ZYNC by American Express Facebook hub. Only five of the original contestants made it to the live finale in New York City, and Gabi, rocking a little black dress on the sparkly stage at the Brooklyn Academy of Music, continued her winning streak to top the popular vote during every elimination round. Moments after it was revealed that Gabi nabbed the throne, the @MTVTJ account was transferred to her possession, and she tweeted her first official message: “Ommmmmgggggg thAnk you to everyone.” Gabi spoke to MTV News only moments after sending off her first dispatch, and she told us all about why she’s excited about the position — including the fact that it’s her first job since she graduated from college two years ago. She has big plans for the historic new position, and she’s keeping it all about the followers. “My main goal is to really connect with the audience,” she said. “I don’t want to be the same as the MTV Twitter; I want to keep it personable and keep in touch with the followers. I want to give them a voice.” Her first order of business? “Paying off my student loans,” she says. We can’t wait to see what her second is — and what she’ll wear during all of them. Are you happy Gabi is the new TJ? Let us know in the comments!

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First MTV TJ Gabi Gregg Wants To Give Followers ‘A Voice’

Live — Hot Dog Eating Champ in Court

TMZ is live from court in Brooklyn, where competitive hot dog eating legend

Drake, Bun B, Talib Kweli Co-Sign ‘Hottest Breakthrough MC Of 2010’ Finalist J. Cole

‘J. Cole’s really trying to draw people into his world,’ Drizzy says of the Fayetteville, North Carolina, MC. ‘I respect that a lot.’ By Mawuse Ziegbe Drake Photo: MTV News & Docs When J. Cole made his New York City debut at S.O.B.’s in March , the North Carolina MC was greeted not only with a warm response from a sell-out crowd, he received an endorsement from one of the most respected lyricists in the game. After Talib Kweli joined the rising rapper onstage for a rendition of the hit “Get By” — Cole revamps Kweli’s song on his acclaimed ’09 mixtape The Warm Up — the Brooklyn MC dubbed the young star “the future of hip-hop.” That’s just an example of the type of love the Fayetteville rapper and top-five finalist for the title of “Hottest Breakthrough MC of 2010” has been getting from hip-hop’s best and brightest. After turning heads with The Come Up tape, Cole became the first artist to sign to the Jay-Z-helmed Roc Nation, jumping on a track from Hov’s The Blueprint 3, a landmark feat for a rookie MC. Another hip-hop O.G. who’s been impressed by Cole is Bun B, who said he’s anticipating the upstart lyricist’s first LP. “I’m really curious to see what his debut is gonna sound like because he’s making some real strong music right now,” Bun B recently told MTV News. “[His single] ‘Who Dat’ is really killing it and the boy can write.” Although the rapper has yet to drop a major-label album, Bun observed that the MC already has intense fan support on his side. “If you go to a J.Cole show … he’s got a real strong connection. The J. Cole shows are sold-out, everybody in there singing all the lyrics to every song,” Bun said. “When you got that, you good.” In addition to getting respect from hip-hop’s elder statesmen, Cole is inspiring his peers as well. Fellow breakout MC Drake said he’s feeling the Southern lyricist’s thoughtful flow. “I really, really, really like J. Cole. His rhyme structures, the concepts, there’s a little bit of pain in his raps. It’s music, man. It’s deep music,” Drake told MTV News. The Toronto MC added that he can relate to the way Cole strives to create inventive hip-hop. “It’s a kid who is trying to draw you into his world and I think that’s what it takes in rap right now. You can’t just be the generic, [like,] ‘Oh, I rap great,’ but have nothing to say. J. Cole’s really trying to draw people into his world and I respect that a lot because that’s my goal, period.” MTV News will be rolling out the top-five candidates for “Hottest Breakthrough MCs of 2010” all week — with the winner being revealed on MTV2’s “Sucker Free Summit” on Sunday at noon! Related Videos Top Five 2010 Hottest Breakthrough MCs Related Artists Drake

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Drake, Bun B, Talib Kweli Co-Sign ‘Hottest Breakthrough MC Of 2010’ Finalist J. Cole

A Frisking ‘Frenzy’ in NYC, But Only New York Times Reporters Seem to Care

Reporters Ray Rivera, Al Baker, and Janet Roberts combined on a front-page Monday New York Times story questioning the frequency of “stop-and-frisk” policing by the NYPD in high-crime sections of the Brownsville neighborhood in Brooklyn: ” A Few Blocks, 4 Years, 52,000 Police Stops .” The text box: “Frisk Tactic Draws Questions Where It Is Used Most.” It’s a quasi-followup to an overheated May 13 front-page Times story which focused more on the racial aspect of frisking: ” City Minorities More Likely To Be Frisked — Increase in Police Stops Fuels Intense Debate .” The shoe leather analysis of that story was performed by the hard-left Center for Constitutional Rights, which the Times identified only as “a nonprofit civil and human rights organization.” Monday’s story also relied on research from the unlabeled leftists of CCR. Yet the paper’s reporters seem more worried about the frisking “frenzy” than do the residents of the crime-ridden neighborhoods that were the alleged victims of excessive stops and searches. When night falls, police officers blanket some eight odd blocks of Brownsville, Brooklyn…The officers stop people they think might be carrying guns; they stop and question people who merely enter the public housing project buildings without a key; they ask for identification from, and run warrant checks on, young people halted for riding bicycles on the sidewalk. One night, 20 officers surrounded a man outside the Brownsville Houses after he would not let an officer smell the contents of his orange juice container. Between January 2006 and March 2010, the police made nearly 52,000 stops on these blocks and in these buildings, according to a New York Times analysis of data provided by the Police Department and two organizations, the Center for Constitutional Rights and the New York Civil Liberties Union. In each of those encounters, officers logged the names of those stopped — whether they were arrested or not — into a police database that the police say is valuable in helping solve future crimes. These encounters amounted to nearly one stop a year for every one of the 14,000 residents of these blocks. In some instances, people were stopped because the police said they fit the description of a suspect. But the data show that fewer than 9 percent of stops were made based on “fit description.” Far more — nearly 26,000 times — the police listed either “furtive movement,” a catch-all category that critics say can mean anything, or “other” as the only reason for the stop. Many of the stops, the data show, were driven by the police’s ability to enforce seemingly minor violations of rules governing who can come and go in the city’s public housing. …. There are, to be sure, plenty of reasons for the police to be out in force in this section of Brooklyn, and plenty of reasons for residents to want them there. Murders, shootings and drug dealing have historically made this one of the worst crime corridors in the city. The Times issues one sentence perilously similar to its infamously naive headline from 1997, which saw a paradox where there was none: ” Crime Keeps on Falling, But Prisons Keep on Filling .” As if the two trends are unrelated. But now, in an era of lower crime rates, both in this part of Brooklyn and across the city, questions are swirling over what is emerging as a central tool in the crime fight, one intended to give officers the power to engage anyone they reasonably suspect has committed a crime or is about to. Couldn’t one explanation for the “era of lower crime rates” be more assertive police work like stop-and-frisk? Certainly, some say that the New York Police Department has so far failed to convincingly link the explosion in the numbers of stops with crime suppression. And some, from academics to the residents of these streets in Brooklyn, believe the stops could have a corrosive effect, alienating young and old alike in a community that has long had a tenuous relationship with the police. …. To many residents here, care is exactly what is not being used. To them, the flood of young officers who roam the community each day are not equipped to make the subtle judgments required to tell one young man in low-hanging jeans concealing a weapon from another young man wearing similar clothes on his way to school. …. The data show the initiative is conducted aggressively, sometimes in what can seem like a frenzy. During one month — January 2007 — the police executed an average of 61 stops a day. The high number of stops in this part of Brooklyn can be explained in part by the fact that police can use violations of city Housing Authority rules to justify stops. For instance, the Housing Authority, which oversees public housing developments, forbids people from being in their buildings unless they live there or are visiting someone. …. Many residents say they philosophically embrace the police presence. They say they know too well how the violence around them — the drugs and gangs — can swallow up young people. Yet the day-to-day interactions with officers can seem so arbitrary that many residents say they often come away from encounters with officers feeling violated, degraded and resentful. Near the very end the Times allowed this detail, which put an additional damper on the significance of its prominent front-page journalism: The Times, for this article, interviewed 12 current or former officers who had worked in this part of Brooklyn in the last five years, and all defended the necessity of the stop-and-frisks.

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A Frisking ‘Frenzy’ in NYC, But Only New York Times Reporters Seem to Care

Chocri Customized Chocolate Bars: Organic, Fair Trade, Tasty

As a dark chocolate fan who happens to be surrounded by some of the tastiest locally made cocoa treats (like Brooklyn’s Mast Brother’s Chocolates )–I wouldn’t often put in an overseas order for German-made bars. I like chocolate but I don’t need a special order of it flown over in a plane. I would however give ’em a taste test were it presented a gratis as happened with an invite from Chocri brand chocolates . (Oh the tough job I have!) They were somewha… Read the full story on TreeHugger

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Chocri Customized Chocolate Bars: Organic, Fair Trade, Tasty

Rick Ross Video Director Spiff TV Branches Out

Ross has been ‘getting me a lot of gigs,’ Spiff tells Mixtape Daily. By Shaheem Reid Spiff and Rick Ross Photo: Spiff TV Fire Starter: Spiff TV Carlos Suarez has an ear for the streets and an eye for the Internet. Better known to everyone on the hip-hop blogs as Rick Ross’ directorial go-to guy, Spiff TV, the 26-year-old has made a name for himself with his vivid visuals for artists such as the Bawse and Waka Flocka Flame. What the world might not know yet: It was Spiff’s keen audio scouting that unearthed the beats for two of Ricky Rozay’s hottest records right now. ” ‘MC Hammer,’ I did two verses,” Ross explained to us a couple of weeks ago. “One night, we was riding around the city, and Spiff played me the beat. I just start writing to it, and Spiff took his BlackBerry and started writing down the rhymes. I actually wrote the two verses and the chorus riding around in the whip.” “I’m a director/A&R,” said Spiff, who also manages producer Lex Luger (Ross’ “MC Hammer” and “Blowin’ Money Fast [B.M.F.]” and Waka’s “Hard in the Paint”). “If you check that Albert Anastasia album , it’s ‘A&R by Spiff TV.’ I got him [the beat for] ‘B.M.F.,’ and I got him ‘MC Hammer.’ I actually gave him ‘MC Hammer’ when we left the ‘Super High’ video shoot . Like 2 in the morning. I had the laptop opened up, playing the beat. He just started freestyling. I said, ‘Hold up.’ I whipped the BlackBerry out and started writing down everything he was saying. The next week, he calls me like, ‘Spiff, e-mail me.’ Sent him the lyrics. Hit! Same thing with ‘B.M.F.’ ” Spiff is directing the upcoming videos from Albert Anastasia for “MC Hammer” and “Sweet Life” with John Legend. A couple of weeks ago, he helmed a teaser for “B.M.F.” Spiff directed all the freestyle videos Ross has done the past couple of years, as well as videos from Deeper Than Rap, such as “Mafia Music” and “Valley of Death.” The Orlando native has caught the attention of other MCs as well; he directed Waka Flocka’s “O Let’s Do It” remix video as well. “I’m from Orlando,” Spiff began to tell of how he hooked up with the leader of the Carol City Cartel. “I used to work as A&R for DJ Nasty. Nasty Beat Makers from Orlando. That’s [DJ] Khaled’s people and brother. So [Ross] put me on a couple of years ago. We just been building. Right now, we working. A lot of stuff going on. Ross manages me as a video director. He’s been doing a lot for me as far as networking, getting me a lot of gigs.” Spiff’s biggest goal right now is to start directing films. He says getting the opportunity to shadow director F. Gary Gray on the set of the “Super High” video was an invaluable experience. “I got to watch him shoot a video. It was amazing. He shoots videos like they’re movies. He’s picking two movies coming up. He doesn’t know which one. But either one he picks, I’m flying to where it is, and I’m going to be his water boy that day and watch everything he does.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc .

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Rick Ross Video Director Spiff TV Branches Out

J. Cole Builds On Jay-Z Co-Sign To Be ‘Hottest Breakthrough MCs Of 2010’ Candidate

Fans decide our ‘Hottest Breakthrough MC of 2010’ — vote now! The winner will be revealed on July 25. By Jayson Rodriguez J. Cole Photo: Roc Nation “Hottest Breakthrough MCs of 2010” Candidate: J. Cole J. Cole might be rolling with Roc Nation, but the North Carolina rhyme-spitter will be carrying the torch all by himself on his still-untitled solo album, due later this year. For his debut, Cole said he doesn’t expect to have any features, and the collection has been produced entirely by himself and veteran beatsmith No I.D. “I might get a last-second Jay-Z appearance. We’ll see,” Cole told MTV News over the weekend, hinting that his Roc Nation label head could join him on a song. A collaboration with the Brooklyn icon would be fitting, considering his prot

The L Train: New York’s Sexiest, Most Romantic Pick-Up Spot [City Love]

Using a very sophisticated algorithm (or something), the folks at Craigslist have figured out that, per capita and per ride rate, the L train gets more Missed Connections mentions than any other train. The Brooklyn stops are especially bumpin’. More

Tupac And Biggie Would Have Reconciled, Naughty By Nature’s Treach Says

Tupac’s close friend says ‘Pac and the Notorious B.I.G. ‘would have sat down’ and hashed out their issues. By Mawuse Ziegbe Naughty by Nature’s Treach Photo: MTV News The purported rivalry between hip-hop camps on the East and West coasts came to a tragic end when hip-hop icons Tupac Shakur and Notorious B.I.G. were killed at the height of the hype. To fans and the media, ‘Pac and Big were figureheads of the hip-hop movements on their respective coasts and fierce adversaries. However, ‘Pac’s close friend and Naughty By Nature MC Treach maintains that both rappers were just homies caught up in some drama and that, given some time, they would have hashed it out. “It only needed some time before ‘Pac and Big would have sat down, period, ’cause they was boys before that,” Treach told MTV News’ Sway the day before what would have been Tupac’s 39th birthday . “They would have sat down.” Treach said the friction between the two stars stemmed from Tupac’s 1994 shooting in New York. Although ‘Pac didn’t think Biggie was behind the attack, the rapper did think the Brooklyn hip-hop heavyweight should have looked out for him. “He really thought when he got shot the first time, that … not Big set it up or anything, just Big didn’t tell him who did it,” Treach told MTV News. “In his heart, he was like, ‘The homie know who did it.’ ” Treach said B.I.G. simply tried to avoid the drama and wasn’t aiming to undermine his friend. “Biggie might have wanted to just stay out of it, like, ‘I don’t know nothing.’ [Tupac] was like, ‘Yo, man, just put your ear to the street. Let me know who hit me up.’ ” Treach also said Tupac had an idea who engineered the assault but was upset that people he felt were in his corner didn’t hook him up with any info. ” ‘Pac already was knowing. He was like, ‘I know who got me. I want to see who I can trust now,’ ” Treach said, adding that ‘Pac lost faith in a lot of people, not just Biggie. “Now he was on non-trust mode with [everybody], except a chosen few. He was like, ‘I don’t trust nobody.’ ” While ‘Pac was definitely riled by the shooting and what he perceived as betrayal by many of his peers, Treach said the heat from the East Coast/ West Coast rivalry didn’t actually phase the Cali star. “Naughty by Nature and Bad Boy was on tour together. I’m on the [phone] with ‘Pac regularly, talking to Suge [Knight] regularly. Puff and them, they wasn’t leaving the hotel, they wasn’t going to parties, it was secret service,” Treach said. While the Bad Boy stars were shaken up, Treach said Tupac wasn’t worried about the East Coast/ West Coast hype. “[‘Pac and Suge] was laughing, like, ‘We ain’t come looking for them. We damn sure wouldn’t come out there and mess y’all money up. They on tour with y’all.’ [They] wasn’t mad at me, like, ‘Oh, you on tour with them.’ None of what the media was portraying was true.” Treach said he feels the supposed feud didn’t originate with any actual hip-hop beef, but instead was a product of media sensationalism. “I knew it was gonna be some real serious consequences when I saw the Vibe magazine cover, and it was Puffy and Biggie on it, and the title on it was ‘East vs. West.’ I said, ‘Somebody gonna die.’ That murdered the game right there. Just that cover being out there and that sh– put on the stands. Because now you got n—as in the ‘hood, like, ‘Oh, it’s on?’ They don’t got sh– to live for. They bang for a living. ‘Oh, let me see one of them n—as out here. It’s on.’ ” Do you think Tupac and Biggie would have mended fences by now if they were both alive? Let us know in the comments. Related Artists Naughty By Nature Tupac Shakur Notorious B.I.G.

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Tupac And Biggie Would Have Reconciled, Naughty By Nature’s Treach Says

Brooklyn Breakfast

The story of people who wake up early in the morning to feed the homeless in Brooklyn, NY. added by: glaucolima