All of Miley Cyrus’ hard work rolling around on the floor at pilates class has definitely paid off… In a big way. Here she is looking really good showing off a lot of skin in her silly skulled outfit. It’s not like she was fat or anything to begin with, but now she’s just tight. Like a stripper with a coke problem. Is her career at that point where she needs to accidentally leak some nude pictures yet? I think now is the time, her body isn’t going to get any better than this. Actually, I can wait until after the breasts implants.
‘She felt more free, I felt more free, that’s how you can see the camaraderie in the video,’ 2 Chainz tells MTV News of Nicki’s ‘Beez in the Trap’ clip. By Rob Markman 2 Chainz Photo: MTV News While filming the “Beez in the Trap” video , it was hard for 2 Chainz to ignore all of Nicki Minaj ‘s assets. Luckily, Deuce is a professional. “I was like, ‘Damn my little sister fine as hell,'” 2 Chainz told MTV News after a taping of MTV2’s upcoming game show “Hip Hop Squares.” Tity Boi then broke down his relationship with the Harajuku Barbie, one that dates back to around 2008. “I’ve known Nicki for a minute; I met her on the I Am Music Tour, the first leg with Wayne. It was cool, we had a great relationship, we used to talk, trip out here and there.” The “Beez” clip was shot in a strip club and features a bikini-clad Minaj counting hundred stacks. By the time 2 Chainz gets to his verse, Nicki grinds alongside him in leopard-print cat suit that accentuates her much-fawned-over rump. 2 Chainz attributes Nicki’s comfort while doing her naughty dance to the closed set. “When it’s closed off, she felt more free, I felt more free, that’s how you can see the camaraderie in the video and how we just kinda vibing with each other,” he said. As for Nicki, the MC just wanted to salute all of the dancers who supported her as she was performing in strip clubs at the beginning of her career. “When I see the strippers and all of that, they always show me love, so I wanted to kinda make a video around them,” the reigning rap queen said. “I hit up Benny Boom like, ‘Yo, I need a sexy video right now.’ I knew 2 Chainz wasn’t gonna be mad.” Deuce, who is preparing his solo debut Based on a T.R.U. Story for an August release on Def Jam, didn’t get to see the video while it was being edited but was very pleased with the result. “I just knew I got a little dance in on her and I’m glad they used it,” he said. “She’s very talented and I support what she’s doin’.” In other Nicki news, the Young Money star disappointed millions of fans when she deactivated her Twitter account on Sunday after feuding with a fansite for posting snippets from her Pink Friday: Roman Reloaded LP . “Like seriously, its but so much a person can take. Good f–king bye,” she wrote before vanishing from the social networking site. Do you like the “Beez in the Trap” video? Let us know in the comments! Related Artists Nicki Minaj 2 Chainz
I am sure there was at least one death at Coachella….I’m thinking there were probably many cases of dehydration, passing out, drug overdoses, mixing too many pills with booze, maybe even a drowning or two….and unfortunately….the victim wasn’t Paris Hilton…. She’s the fucking worst, but reminds us that Coachella is a music festival everyone pegs as being hipster, even though hipster doesn’t exist, especially not anywhere this billioniare heir shows up, no matter how hard she tries to dress the fucking part, it’s all just as mainstream as fucking McDonalds…..and all the promoters, organizers, and sponsors love how idiotic this “movement” is…cuz it makes money motherfuckers….She’s some Jersey Shore caliber identity crisis…but she’s in a tube top bikini top and I guess that’s enough reason for me to post her garbage….all while wishing she was hit by a fucking bus.. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
Nicolette Sheridan is probably best know for being engaged to Michael Bolton, but she was smart enough to end that shit, because it does nothing good for one’s self esteem…..not that their is anything wrong with Michael Bolton, it’s just hard to take him seriously no matter how many millions he makes with his bad music that talks to horny fat middle aged women….and tickles them at their core…..cuz no one else is tickling them…except maybe their 15 cats…. But as far as I’m concerned the highlight of her career was not having kids, cuz at 48, she’s still got a hot enough body to look at in a bikini, something she would have been pissed away if she wasn’t a vain, image oriented, bottom feeding celeb bitch I wanna fuck…cuz I generally see 1 in 100 moms who are actually hot as fuck….and those 1 in 100 I see probably looked better before raping themselves to reproduce….silly choices… TO SEE THE REST OF THE PICS FOLLOW THIS LINK
I don’t find J.Lo hot. I never did….If anything I wish she was Selena and not the bitch who became famous for playing Selena….You know killed off by her fan club president….instead of going on to be this monster that she is today.. I don’t care what People said when her PR people were planning her comeback from having Satan’s devil babies with that Mark Anthony horror movie character…. I don’t care how much her ass was marketed, or about the Latin invasion of the late 90s. I don’t care how rich she is, or that she is on TV…and I don’t care about her nipples being hard in a tight dress that makes her ass pop….cuz I know she’s wearing SPANX….and I know she’s wasn’t interesting in her prime…and sure as hell not interesting int he tail end of her career that wouldn’t exist if hispanics weren’t so loyal….emotionally driven…and numerous…. But I’m posting the pic anyway…cuz it is my duty as a Martinez. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
‘It was important to collaborate with people that share the same passion in music that I have,’ EDM veteran tells MTV News. By Akshay Bhansali Paul Van Dyk Photo: Ilya S. Savenok/ Getty Images MTV News took great pride in heading down to Florida for Miami Music Week , the annual dance-music get-together. We particularly cherished the opportunity to catch up with Paul Van Dyk, fresh off a smashing set at Ice Palace; the highly decorated Grammy-winning German electronic-music producer is among EDM’s first true legends. “Stuff like ‘Home,’ ‘Time of Our Lives,’ also ‘For an Angel’ — people always request me to play them,” Van Dyk said of his past catalog of hits played for fans. “But I’m really excited because people already knew the new stuff from the album. They went really wild, so that was good!” The album Van Dyk speaks of is the veteran producer’s latest studio effort, his sixth, titled Evolution. It is not only a reflection of the renaissance he seeks to deliver with every new project, but also a sign of the times we live in today. “Look at electronic music,” Van Dyk said. “[It’s gone] from a small subculture 20 years ago to the biggest music culture in the world these days. Also, the way we communicate these days with each other: We didn’t have Facebook five years ago. “Or the way we actually listen to music: iPads, iPhone,” he continued. “How we buy it: iTunes and all that. We didn’t have that 10 years ago. So there’s a massive evolution in how we live together, how we basically enjoy each other. And this is what I tried to bring across with the album, in a way.” Van Dyk is quick to point out that Evolution is not a concept album, with tracks directly connected, but rather that the underlying cohesion comes from a main source of inspiration. “My inspiration is life in general: everything I see, everything I experience,” he said. “So when I go to the studio, every single track is based on that work ethic. And in terms of working on the album, for me it was very important to collaborate with people that share the same passion in music that I have.” Indeed, the project features a fine group of collaborators: The exceptional Austin Leeds appears on album opener “Symmetries” and “Verano.” One of the stand-out collabs comes from ‘s Adam Young on “Eternity,” born of their meeting three years ago. “It was long before ‘Fireflies,’ ” Van Dyk explained. “So there was this guy that was insanely creative. And we just decided, ‘Yeah, let’s do some music together.’ A few weeks later ‘Fireflies’ blew up. And I was like, ‘Holy crap! That’s Adam!’ ” Versatile EDM rising star Arty , championed early in his career by Van Dyk, is featured twice on the project, the second time in a compelling, untraditional way. “There’s a song on the album called ‘The Sun After Heartbreak,’ ” Van Dyk said of a track that also features vocals from Sue McLaren. “[It] is a pure example of what I always say: It’s not about ‘This is dubstep. This is house. This is electro. This is trance.’ It’s about electronic music, because otherwise how would you explain two people coming from the trancey world of things doing a track that is clearly influenced and driven by drum and bass? It’s purely because the creative process was leading us that way.” Related Artists Paul Van Dyk Adam Young Austin Leeds
Maggie Q is some old as far as I’m concerned….at 32….bitch from Hawaii……Who is half asian…but more interestingly…half Vietnamese, cuz her white daddy worked for the government and fell in love with a local bitch during the Vietnam war…and saved her by bringing her to Hawaii where they produced this bitch a few years later…a fate far more exciting that living in communism as a hooker….or getting blown the fuck up by left over land mines and angry north vietnamese who hate you can you allied with America and killed their family and villages before they took everyong out……. She’s been in one or two American movies, the rest of her career has been the Asian American in Asian movies….where she probably has a huge fan base…cuz she’s got white in her and that makes her exotic to them…. Now she’s in Inked magazine showing a lot of ass…..but not as much skin as I’d expect from someone with her level of fame….you can’t please everyone….not even me…unless you get naked…no matter who you are.e…cuz I have low standards
In a New York Times Magazine profile, White hints that the dynamic between him and Meg White ultimately led to the band’s demise. By James Montgomery Jack White Photo: WireImage Jack White gets deep in a New York Times Magazine feature, discussing his marriage, his children and his relationship with former wife/ White Stripes drummer Meg White (he also talks about being taught how to weld by Bob Dylan, though perhaps that’s a story for another day). For the first time since announcing the end of the Stripes last year, White talked about the dynamic that ultimately led to the band’s demise, intimating that it was Meg who didn’t want to continue making music, and that he was forced to bring the project to a close “so we can move on with our lives.” “Some people can live their whole lives in limbo,” White said. “There came a point where I said, ‘If we’re not doing this, we need to put an end to it right now.’ And that’s what she wanted to do.” When asked by writer Josh Eells why Meg no longer felt like being a part of the White Stripes, Jack responded: “You’d have to ask her. I don’t know what her reasons are. Having a conversation with Meg, you don’t really get any answers. I’m lucky that girl ever got onstage, so I’ll take what I can get. “Meg completely controlled the White Stripes,” White continued. “She’s the most stubborn person I’ve ever met, and you don’t even get to know the reasons.” Meg White declined to be interviewed for the Times piece, though Jack seemed to backtrack on claims he made to British magazine NME last month, when he said there was “absolutely no chance” he’d ever re-form the Stripes, admitting that he misses making music with Meg. “I’d make a White Stripes record right now. I’d be in the White Stripes for the rest of my life,” he said. “That band is the most challenging, important, fulfilling thing ever to happen to me. I wish it was still here. It’s something I really, really miss.” In the meantime, he’s moving on. White’s first solo album, Blunderbuss, is set to hit stores on April 24. Related Videos Goodbye To The White Stripes Related Photos The White Stripes: A Career In Photos Related Artists The White Stripes
Despite last week’s report to the contrary , it’s not especially surprising to hear that Gary Ross is not quite out as the director of the Hunger Games sequel Catching Fire : Various sources have followed up initial word of Ross’s franchise departure with news of predictable-enough salary disputes over ridiculously large sums of money that would push any spin machine into overdrive. So buckle up — first for Deadline’s counterattack explaining why Ross has logical reason to leave the blockbuster series : The Seabiscuit director knows the benefit of riding in a winner and not switching horses midstream. Ross lobbied hard to get The Hunger Games and turned it into the biggest hit of his directing career. Before that, he developed several serious historical dramatic projects under his deal at Universal that didn’t get off the ground. Staying for a sure-fire hit and a sequel that audiences actually want to see makes a lot of sense for Ross, particularly given how active the filmmaker has been in the construction of Catching Fire . Hmm. OK? I mean, of course Ross reportedly backed out on creative and professional terms (whatever), which, if we were to take at face value, would imply that the Catching Fire upside isn’t all it’s cracked up to be. But since we don’t take things at face value — particularly after a third consecutive number-one weekend at the box office — let David Poland walk you through the prospective, dizzying economics of it all: [F]or the director/co-writer of four films to be paid, at best, 2.5% of the NET revenues on a franchise like this does not seem excessive or abusively demanding. And if Gary Ross has to settle for 5 years of his professional life going for $20 million… $25 million… well… ya know… he’d have a legacy… he might improve as a director (he’s a decent director, but still a writer first)… he’d have the career lesson of a steady, defined gig, and the money doesn’t exactly suck. In an industry of few sure things, one thing is sure. We know that [Lionsgate] is NOT going to lose money on paying Gary Ross $40 million for the next 3 films. Step up. Stop being greedy pigs. Do it like the grown up studios. And get on with it already. Yeah! Like, now , because as you might have heard , Jennifer Lawrence has an X-Men sequel to shoot: [S]ources say the filmmaker is concerned about an ambitious production schedule that would require shooting to begin in August so that star Jennifer Lawrence can complete her work before she is due to start filming a sequel to Fox’s X-Men: First Class in January. Since Fox’s deal with Lawrence predates her contract for Hunger Games , X-Men is in a priority position. With the script for the second Hunger Games not yet locked, that means all preparations for a sequel would have to be done in four months — a tough schedule to meet. What ever will happen? (Hint: Ross will get paid, and happy fans will go on to push The Hunger Games franchise into a $3 billion juggernaut.) Stay tuned… [ Deadline , The Hot Blog , THR ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .
On this day in the year 1990, Kristen Jaymes Stewart was born in Los Angeles to a script supervisor mother and father who works in television. Who’d have guessed that she’d grow up to become the highest earning actress in Hollywood before she was old enough to drink? Thanks to the Twilight films, Stewart’s star rose in the blink of an eye (okay, four years and soon to be five movies), but she also deserves credit for racking up indie cred between bouts of vampire swooning. On the occasion of her 22nd birthday — and with 22 features to her name to date — let’s name Stewart’s finest onscreen moment. Stewart began her career with a few uncredited appearances in kids flicks ( The Flintstones in Viva Rock Vegas , anyone?) before launching a steady stream of child acting roles ( Catch That Kid , Panic Room , Cold Creek Manor ). By her early teens she was already balancing indie dramas with mainstream films ( Catch That Kid and Undertow in 2004; Fierce People and Zathura in 2005), continuing to keep a foot in both worlds even after 2008’s Twilight . Over the years she’s robbed a bank, adventured through space, battled a debilitating neurological disease, rocked out as Joan Jett, and hooked the mean streets of New Orleans; played daughter to Jodie Foster , Dennis Quaid , Robert De Niro , Meg Ryan , and Diane Lane ; and romanced Jesse Eisenberg , Emile Hirsch , Jamie Bell , Adam Brody , Eddie Redmayne , and, of course, Robert Pattinson . (This year she’ll be seen Snow White and the Huntsman , On the Road , and the franchise-ender The Twilight Saga: Breaking Dawn Part 2 .) But reach back to 2001 and you’ll find fine work from an 11-year-old Stewart playing tomboy Sam in the ensemble indie The Safety of Objects . Rose Troche’s suburban drama featured a natural, instinctive turn from Stewart, who shared scenes with Patricia Clarkson and Timothy Olyphant a full year before mainstream audiences saw her in Panic Room . Watch little Kristen Stewart below and chime in below.
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