Carrie Underwood’s slutty sister Sara Jean Underwood was in Portland for World Naked Bike Ride and she hit twitter with the pics… I figure her implants are more like an expensive shirt than they are naked tits….because shit’s all plastic and purchased and by definition wearing a thong is also not being naked… but it is good enough for me…. Sure I generally like my bitches riding their bikes actually naked…or even just pantyless and in a skirt…ideally seatless, or even just demonstrating how they ride using my face, pretending it’s a bike…. At the bare minimum, I like being able to sniff the sweaty pussy off the seat…but I always get weird looks whenever the bitch gets back to her bike from picking up some groceries…cuz I have bad timing… But since this Underwood is not my bitch, and she’s out hustling her career as a TV host while keeping true to her roots, rockin’ some serious whore behavior from Playboy, the shit that got her where she is today….unlike other Playboy bitches who feel that whoring themselves is a thing of the past and not something they do now that they are all legit….and as far as I’m concerned that’s a good hustle… Publicity stunts like this are alright but I prefer staring a pics of Sara Jean Underwood’s nicely shaved cunt ….someone she should stick to exposing…
Welcome to THG’s new feature, in which two of our celebrity gossip experts debate topical issues in the entertainment world and you decide who wrote the winning argument! Today, THG Asks : Did Scotty McCreery deserve to win American Idol? YES by Free Britney Two words: 122 million. That’s the number of people who crowned the newest American Idol this week. Not exactly a small sample size. We could keep playing the numbers game – how many songs, how many aspirants he bested – but you get the idea. Some will say Pia Toscano was ousted too soon, and she probably was. Ditto James Durbin. But can anyone really dispute Scotty McCreery ‘s worthiness? Many of this year’s eliminations were controversial, but only relative to some of the contestants who outlasted them – not to Scotty specifically. He’s got an outstanding voice perfectly suited for country, and he proved it time and again. What he lacks in flair, he makes up for with talent. Slow, smooth and steady won this race, and deservedly so. NO by Hilton Hater Scotty McCreery is a fantastic singer. If I were going purely by voice, he’d have earned my vote as American Idol champion after his first audition. But forget what the judges say: This is not purely a singing competition. There are, and there should be, other factors at work. The legitimacy of Idol itself is at stake, especially with new competition such as The Voice and The X-Factor. It really needs to crank out a successful winner, and Lauren Alaina stands a better chance at sustained success than Scotty does. For whatever reason, male victors simply don’t do well on the charts. Kris Allen? David Cook? Lee DeWyze? Can anyone name a top 10 single by any of them? As evidenced by her duet with Carrie Underwood , Alaina has a long way to go. But she’s tough. She overcame a sprained throat to compete in the finals. She clearly wants this and I have no doubt she has more potential to be the next Carrie than Scotty has to be more than a one-month wonder. THG Asks you … did Scotty deserve to win?
Singer overcame vocal problems Tuesday night for a great performance of Carrie Underwood’s ‘Flat on the Floor,’ but our money’s on Scotty McCreery. By Eric Ditzian Lauren Alaina performs on “American Idol” on Tuesday Photo: FOX Contrary to our earlier predictions, “American Idol” on Tuesday night was indeed packed with surprises — just none that had anything to do with Scotty McCreery’s and Lauren Alaina’s performances . The two finalists, as expected, kept the penultimate “Idol” a strictly country affair. Instead, the shocking twists and turns took place before and between the singers’ onstage appearances (though, sadly, not even these oddities could turn the show into a particularly compelling viewing experience). Ryan Seacrest hit pause on the proceedings just minutes after they began, telling the audience (as had been widely reported online) that Lauren had severely strained her vocal chords but wouldn’t bow out of the competition. “I’m here. I’m ready to sing,” she said, attempting to maintain her composure. “And I’m fine — don’t worry about me.” So much for the possibility of Haley Reinhart rising up from the heap of “Idol” castoffs to challenge Scotty for the win. No sooner had the 17-year-old country boy finished his first performance than Seacrest rushed through the voting numbers and tossed to commercial. What, Randy Jackson doesn’t get to weigh in with a yo-dog this and for-me-for-you that? Steven Tyler doesn’t get to see how times he can say “beautiful” in a 15-second sound bite? As our MTV News colleague Jim Cantiello put it, “I guess ‘Idol’ producers finally realized what viewers have been saying for months: These judges are useless. Randy, Steven and Jennifer Lopez, in fact, wouldn’t get a chance to offer up their opinions until after the second set of performances, by which time one thing was clear: If you aren’t a country fan, this show was a super-boring affair. But a hoedown is what voters wanted in this “Idol” finale, and who are we to argue? Our job, instead, is to line ’em all up and lay down some grades. It’s time for our final “American Idol” report card of the year! Excellent Lauren Alaina : “Flat on the Floor” by Carrie Underwood Early in May, Lauren’s take on this track stood as a sort of comeback moment for the teen: After weeks of tentative performances in which the carefree and confident Lauren we knew seemed to disappear under the sweat-inducing reality-show spotlight, the singer stormed back. We had to stop ourselves from aping Randy and declaring, “She’s back, baby!” On Tuesday, she took that performance up a notch, not in spite of but perhaps because of her injured instrument. There was a welcome raspy quality to her vocals, and she overcame some initial nervousness to really let loose. Good Scotty McCreery : “Gone” by Montgomery Gentry When Scotty performed this tune a few weeks ago, we marveled at the kid’s swagger: He skipped around the stage, busted out a little call-and-response with the backup singers, and generally seemed to have reached a new level in his onstage persona . This time around, both by comparison and on its own, the performance was a bit of a letdown. Sure it had all sorts of energy, but Scotty mumbled his way through the early lines and didn’t soar to the kinetic heights he had before. It was a perfectly good performance, but it was by no means great. Scotty McCreery : “Check Yes or No” by George Strait Back in April when Scotty took on a Strait song , he let his vocals stretch further than at any point in the season. Yet he still stayed within his country comfort zone. It was a winning combination. “Check Yes or No” was another winner, though his vocals didn’t necessarily have the power to compete with all that instrumentation. Still, Scotty held his guitar like Elvis, wagged his eyebrows like a patient undergoing electroshock therapy and somehow came out looking like a future country superstar. With Scotty standing up there in a row with the band, the stage presented something of an “Idol” hero shot. Lauren Alaina : “Maybe It Was Memphis” by Pam Tillis We know Carrie Underwood’s heart was in the right place when she selected this song for Lauren. At least in genre, it truly is a great fit for the teenager. But mangled voice or not, Lauren doesn’t possess the vocal delicateness the song requires. Making up for the lack of artistic grace, however, was the grittiness with which her ailment had gifted her. Satisfactory Lauren Alaina : “Like My Mother Does” Call it a brilliant production move or contrived even for “Idol,” but Lauren’s ode to mothers was about as savvy a song choice as any contestant could ask for during a finale. There was a lovely little chorus, and who except the hard of heart can complain about the unvarnished, emotional hug she shared with her mom during the performance? Here’s the thing: By this point, Lauren’s voice really was struggling, the rasp giving way to a warble. Nonetheless, the judges fawned over her, with J. Lo declaring that the song might have won her the competition. Let’s not go overboard, but let’s also be clear: Anything can happen on Wednesday’s (May 25) elimination show. Unsatisfactory Scotty McCreery : “I Love You This Big” Maybe it was the video playing overhead, maybe it was the zombies waving their hands in the front rows, but this tune was undeniably, inescapably cheesy. When the song finally busted open, Scotty’s notes were flat, never soaring to the heights to which the song clearly aspired. Yet we have to give credit where it’s due. Scotty possesses the icy confidence you want in an ace pitcher: someone who can shut out the pressure, step on the mound and hurl some effing heat; and when a pitcher doesn’t have his best stuff on any given day, you need him to find ways to win. If you ask us, that’s what Scotty did on Tuesday. He didn’t have his best stuff, but his confidence in his gifts carried him through. Again, anything can happen, but we’ll call it now: Scotty McCreery for the win! Don’t miss a special edition of “Idol Party Live” Thursday at noon on MTV.com for analysis, finale red-carpet coverage and the last “Idol in 60 Seconds” of season 10. Get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season 10 Performances
It’s all about ME. That’s the theme as Sonja takes center stage. So, the Marriage Equality of New York (MENY) march asks Sonja to be the Grand Marshall? Is she really that big of a draw? I mean I know I’m not their target audience but still, Sonja’s a gay icon? Oh, and in case you missed it, it’s Sonja Morgan’s special day.
The famously private Carrie Underwood opens up about her marriage to NHL player Mike Fisher in the new issue of Us . Not sure how they got her to agree to that. Perhaps to clear the air about their marriage being on the rocks? It’s been reported several times, and while she says it’s not true, maybe the rumor got to her. The American Idol winner does admit that it’s been a challenge … After nine months as long-distance newlyweds, Fisher was traded from Ottawa to Nashville in February. Carrie Underwood has been giddy ever since. “It was like, he’s coming to live with me! I can go to work, he can go to work, and we can both come home, and we’ll be together,” she gushed to Us . But rooming together in her gated Brentwood, Tennessee, development, though joyous, has led to some growing pains and difficulties as well. “To be honest, on our days off, we just hang out. Just learning how to live together has been fun and frustrating and everything in between.” They watch TV and read the Bible, says a source, who adds, “They’re not into partying.” As for kids, she’s in no hurry: “We have plenty of time!”
The Band Perry, Taylor Swift, Miranda Lambert and Lady Antebellum big winners. By Gil Kaufman Steven Tyler and Carrie Underwood at the ACM Awards on Sunday Photo: Ethan Miller/ Getty Images You could be excused if you tuned into the 46th Academy of Country Music Awards show on Sunday night and thought that maybe you’d overslept and missed the Grammys. In addition to the usual compliment of cowboy hats and bedazzled boots, there was a healthy dose of rock and pop glitter at the MGM Grand in Las Vegas. In addition to “American Idol” judge Steven Tyler lending his formidable pipes to a duet with Carrie Underwood on her hit “Undo It,” the pair chewed up the stage for Aerosmith’s “Walk This Way,” with Underwood looking comfortable screeching the song’s chorus into a microphone with a glittery whip on the end. There were also some awards handed out, including four to Miranda Lambert, who won Best Female Vocalist, as well as Single, Song and Video of the Year honors for her tune “The House That Built Me.” But her roll ended at the fan-voted Entertainer of the Year trophy, which went to Taylor Swift, 21, the youngest-ever winner of that honor. “This is the first time I’ve ever won this, and I’m just losing my mind,” a teary Swift said in her signature breathless manner. “The fact that this is from the fans makes it so beautiful. … You are the best thing that has ever happened to me. Ever … We just got back from touring in Europe and Asia, so thank you for this wonderful welcome-home gift.” Earlier in the night, Swift premiered her new single, a get back tune at critics who’ve slagged her live singing in the past, which she performed while plucking a banjo. It was a big night for Grammy winners Lady Antebellum as well, with the country trio winning Top Vocal Group and Album of the Year for Need You Now, while bluegrass newcomers the Band Perry snagged Best New Artist. It was five in a row for Brad Paisley, who once again went home with the Best Male Vocalist hardware and the Gwyneth Paltrow-starring “Country Strong” took the Tex Ritter Award for films that emphasize country music. The performance-heavy three-hour show also featured the sight of Rihanna being joined by Sugarland’s Jennifer Nettles for a dramatic duet on Ri’s new single, “California King Bed,” and folk pop icon James Taylor joined Zac Brown for a medley of “Colder Weather” and “Sweet Baby James.” Among the presenters were “Idol” host Ryan Seacrest, as well as Robert Pattinson , who appeared on the show with his “Water for Elephants” co-star Reese Witherspoon. Related Artists Aerosmith Taylor Swift Rihanna
Experimental Insane Clown Posse LP also announced on a day brimming with bizarre headlines. By James Montgomery Slipknot’s Mick Thomson and Hanson’s Taylor Hanson Photo: Noel Vasquez/ Larry Marano/ Getty Images April 1 has always been the date some of the biggest bands on the planet decide to make some of the strangest announcements ever. On this very day last year , Coldplay announced the release of their brand-new fragrance, Angst, a musky, aromatic mixture of “sangre, sudor and l
Paul McDonald joins them in a surprise bottom-three appearance. By Gil Kaufman Thia Megia and Naima Adedapo Photo: FOX At this point, it’s anyone’s guess what will happen from week to week on “American Idol.” While the early elimination rounds are usually pretty easy to predict, “Idol” threw another curveball Thursday night (March 31) when one of the most praised and polished season 10 contenders, Paul McDonald, wound up in the bottom three. He was brought to the brink of elimination after 55 million people texted or voted online, a new record at this point in the competition. But, in the end, it was teenager Thia Megia and reggae mama Naima Adedapo who were sent packing in an episode that radically altered the usual Thursday nail-biter — in a good way. The traditional group sing-along was done away with, and instead, the show kicked off with a ready-for-radio country duet between Scotty McCreery and Lauren Alaina on Randy Travis and Carrie Underwood’s “I Told You So” that sounded like the work of seasoned veterans. After nearly showing up Underwood and Travis’ version of the song on last year’s “Idol,” both were waved over to the safe couch for another go at it next week. The same could not be said for Jacob Lusk and Adedapo, who fell flat on Ashford & Simpson’s “Solid,” failing to show any chemistry and listlessly singing the tune over a Muzak-y arrangement. Naima’s reggae-tinged “I’m Still Standing” punched her card to the bottom three, while Lusk will get another chance to find his “Jacob spot” next week. In keeping with the welcome format change, Haley Reinhart, Pia Toscano and Megia served up some trio action on Katy Perry’s “Teenage Dream,” with Toscano cementing her status as one to watch, Reinhart doing her growly thing and Megia pitching in on backing vocals. Toscano skated to safety, along with suddenly resurgent Reinhart , while Megia joined Adedapo after her “Daniel” didn’t win voters over. McDonald, Casey Abrams, James Durbin and Stefano Langone apparently formed a garage band offstage a few weeks ago, and they made their broadcast debut Thursday with Wings’ “Band on the Run.” With all four playing instruments on a soft-rock version of the already light-as-air tune, McDonald gave it his feathery best, Abrams and Langone were in imperfect harmony, Casey did some more of his shouting and Stefano struggled on half a chorus, showing why he was doomed. At least that’s what the general consensus was. While Abrams was safe again, and Durbin was also good, in another shocker, Langone dodged a bullet and it was McDonald who rounded out the bottom three. In the end, though, McDonald was ushered to safety as Adedapo and the show’s youngest-ever contestant, Megia, bid their teary farewells until they join the rest of the top 11 for this summer’s tour. Wearing a glittering crimson jumpsuit with her hair swept up in a 1940s ‘do, season-three winner Fantasia stopped by to sing her new throwback doo-wop single “Collard Greens and Cornbread.” Also performing their Carnival-esque collaboration “Hot Wings,” from the new animated feature “Rio,” were Jamie Foxx and the Black Eyed Peas’ will.i.am. Do you think America made the right choices? Let us know in comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances
A trio of THG favorites, all famous for very different reasons, celebrate a birthday today. First , Mad Men star and Saturday Night Live host extraordinaire, Jon Hamm, turns the big 4-0. Does it get any cooler, funnier and more talented than this TV icon? Next , House actress Olivia Wilde is now 27, as she’s seen her career take off over the past year with a steady role on that Fox hit , along with lead in the sequel to Tron . We like when she poses naked . Finally , Carrie Underwood, the most successful American Idol champion in history and a natural beauty, hits the age of 28. Send in your birthday wishes to these three stalwarts now!
We take a look at what the semifinalists need to do to stay in the race. By Eric Ditzian “American Idol” top 13 Photo: FOX Word on the reality-show street is, Wednesday’s (March 9) “American Idol” theme will have the top 13 contestants singing the tunes of artists they worship, but that’s the farthest we’ll drive into spoiler territory. Producers made the decision to pretape the performance episode , and while the Web is rife with info about what went down during the show, we’ve chosen to avoid all that. What’s the fun in reading about a reality competition before actually seeing it? So diving into the upcoming episode with only past shows to inform us, let’s take a look at each singer: who we’re excited about, who we honestly don’t care for and who better step it up or risk getting the boot on Thursday night. Ashthon Jones The 25-year-old has a whole lotta potential, but as someone wiser than us once said, potential just means you ain’t done sh– yet. Jones displayed boatloads of confidence and stage presence last week, yet never set sail toward the front of the “Idol” pack. She’s got some R&B gifts, but something about her take on Monica’s “Love All Over Me” felt too self-consciously like she was reaching for a diva moment. Ashthon, you’re not quite there yet. There’s a reason the judges had to use a wild card to save you. Show us your fun, energetic side first. Win some voters over. Wait a few more weeks before going diva again. Casey Abrams This kid has two things going for him: a free-wheeling, blues- and soul-infused instrument and a likable, everydude demeanor. Whether he’s too quirky to win the whole shebang (see: Bowersox, Crystal) is an open question. But there’s no doubting he’s a fan favorite, and even if his new performance doesn’t even approach his eyebrow-raising take on Screamin’ Jay Hawkins’ “I Put a Spell on You,” Abrams will be safe. We think we can count on him bringing the blues on Wednesday. Let’s see if he can tone down the growls a bit. Haley Reinhart Hey, we didn’t feel her rendition of Alicia Keys’ “Fallin’,” but America clearly did, voting her through to the next round. If she delivers another performance with notes that ping-pong across the musical scale, she might be in trouble. Like Jones, we encourage Haley to dial back the diva-tude and realize she’s never going to out-belt someone like Keys. Song choice will be the key to her survival, or lack thereof. Jacob Lusk Last week, we argued that while Lusk is potentially on the brink of a breakout performance, he’s not quite there; there was something simply too old-fashioned about it. Though a Luther Vandross tune is already on his “Idol” r
