Martine the gorgeous British actress shows off her tits topless in the pool. She has come a long way since her character in Eastenders and also has some lovely boobs. Continue reading →
Poor Taylor Swift. Not only did this singer recently lose out on a role in Les Miserables (the part of Eponine went to Samantha Barks instead), but she reportedly lost a new love interest in the process. According to Us Weekly , Taylor met British actor Eddie Redmayne ( My Week with Marilyn ) while auditioning for the character in October 2011 and “they hung out in New York City with the movie’s execs. Taylor developed feelings for him fast.” Redmayne, who actually attended Eton College with Prince William, felt something for Swift, as well, an insider confirms, meeting up with her on January 24 in London and staying over the next night in Taylor’s hotel room. It’s unclear why. Alas, Swift returned home, learned she did NOT win the part in Les Miserables and then received doubly bad news: Redmayne was “not interested in a long-distance relationship,” this source says. Seriously, will Swift’s guitar ever be free from tear drops?!? [Photos: WENN.com]
“We must treat these dog characters with the same respect we show human characters… no condescension, no looking down, no breaking character for the sake of a gag.” And that, my friends, is part of the reason why Walt Disney’s legacy on film has stood the test of time. After the jump, find deleted scenes and a nifty video culling notes from Disney’s story meetings with collaborators on 1955’s Lady and the Tramp . In newly released deleted scenes (found on the Lady and the Tramp Diamond Edition DVD and Blu-ray, out today), envision what might have been via sketched storyboards for moments that didn’t make it into the final cut. Scrapped from the final film, Russian wolfhound Boris was at one point to em-bark (groan!) in a love triangle with Lady and Tramp. At this point in development, the character of Tramp was called Homer. Deleted Scene: “Boris meets Lady” Lady’s troubles begin when owners Jim Dear and Darling find they’re expecting a baby and no longer can give her their full attention, but in this deleted scene Lady shares in her master’s excitement. Deleted Scene: “Waiting for Baby” Fascinating character development chat abounds in this dramatic recreation of Disney’s story meetings on crafting the character of Lady, based on original transcripts. “Creating Lady” And a brief peek inside the process of developing the Beaver character, envisioned as a near-sighted salesman caricature — “A satire on the 21st century and what they think up…” “Creating Beaver” Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
We’re pretty confident that, like us, a number of you were watching the Super Bowl-and the Super Bowl ads- last night. And although GoDaddy continued its tradition of advertising domain names with ( or in this case, on ) hot models, we think Fiat blew them out of the water this year with its commercial starring Romanian supermodel Catrinel Menghia: Catrinel is certainly seductive as “The Girl with the Scorpion Tattoo”, but we’ve got even better news for you- she’s posed nude, and we’ve got the pics after the jump!
She turned our short logs into long piers skin numerable times over two nudity-filled seasons, but now Paz de la Huerta (or at least her character on Boardwalk Empire , Lucy ) sleeps with the fishes. Or maybe she ran away to Chicago, who knows? Point is, after [SPOILER ALERT] spilling the beans on her married baby daddy Nelson van Alden ( Michael Shannon ) to her ex-lover Nucky Thompson ( Steve Buscemi ), Lucy went out on a formula run from which she never returned. Paz was conspicuously absent throughout much of Boardwalk ‘s second season, and amid her many public scuffles and rumors that she was “difficult” on set, it’s not much of a surprise that she was written out of the show entirely. But we haven’t seen the last of Paz. Her new movie Nurse 3D is currently in post-production, and considering s he posed naked for the poster , we predict plenty of de la Hootage in Mr. Skin’s future. Check out the breast of Paz de la Huerta right here at MrSkin.com!
‘It’s personal, sweet and really sad at the same time,’ actress Jasika Nicole tells MTV News of her upcoming ‘Fringe’ episode. By Josh Wigler Jasika Nicole on “Fringe” Photo: FOX There’s a running gag on ” Fringe ” about good-natured FBI agent Astrid Farnsworth: Even though she spends almost all her screen time assisting and taking care of the delightfully delirious Walter Bishop, the kooky scientist can never quite remember her name. “Aspirin,” he’s called her, or “Asteroid” or any other number of “A” names. Sadly, fans can relate to Walter’s repeated mistake. Sweet and mysterious though she may be, the alluring Astrid is relegated to supporting status so often that it’s far too easy to forget her name. But that all changes with “Making Angels,” the new episode of “Fringe” airing Friday (February 3). Forget Olivia, Walter and Peter — this one is all about Astrid. Actress Jasika Nicole, who plays Astrid on “Fringe,” spoke with MTV News about both versions of her character taking center stage in “Making Angels,” the challenges of merging two versions of the same person for the first time and much more. MTV : We’ve been waiting forever for the Astrid episode of “Fringe.” What took so long? Jasika Nicole : I’ve been waiting so hard and long, just like the fans have! [ Laughs. ] I don’t know why it took so long. It would be one thing if it seemed like Astrid didn’t have a lot of fan support and people aren’t interested, but I feel like fans have been begging to learn and see more of this character. I don’t know for the life of me why it took so long. At the beginning of the season, I called [“Fringe” show-runners Jeff Pinkner and J.H. Wyman] and said, “I want you guys to know that I’m so happy on this show, but I would really, really love to know if there’s an Astrid episode coming up. It would really give me something to look forward to.” They were super vague about it. And I assumed that whenever she did get her episode, it would be a situation where Astrid figures out [the episode’s mystery] at the last minute, or everyone’s on LSD and she has to go out and save the day. That would be an easy way out. But I’ll tell you, I was really surprised with the episode. It’s so beautiful. It’s personal, it’s sweet, and it’s really sad at the same time. I don’t know why it took so long. But I think all the support the episode has been getting is going to make them feel really crappy that they didn’t do this sooner. [ Laughs. ] MTV : You’ve always been vocal about who Astrid is and what she’s about. For the audience, though, we’ve had to piece things together: You get a bit of Astrid here and there, but she’s not at the forefront the way Olivia and Peter are. When you got your episode, did Astrid measure up to your vision of her? How did the episode change your perspective on the character? Nicole : I think [the writers and I] were on the same page. But before with Astrid, we just got the CliffsNotes version of her. She’s kind, thoughtful and a great caretaker. The other Astrid is very smart and she’s a little bit vacant in terms of emotional relationships and isn’t the best communicator. That was kind of it. You didn’t know anything about her family, what it’s like when she got home … it was just overviews of these two characters. But this episode delves into them much more. You see to what extent this Astrid is a caretaker. She does something that’s just really beautiful. She’s such a sweet, caring, sincere woman. It made Astrid seem like a real person. Before, you see her taking care of Walter. She laugh at his jokes and there’s this weird husband-wife, father-daughter thing going on. [ Laughs. ] But now we get to see her in relation to someone who is not Walter. It’s the first time in the four seasons we’ve really seen her interact with another person and putting herself out there so much. The alternate Astrid has been a little one-note because you’ve only seen her at work, very focused on her job. She delivers her information and that’s pretty much it. But the truth is, she has a life and she has a family. Something traumatic happens where she comes from in that universe, and she’s so distraught and incapable of handling what’s going on by herself, that she comes to this universe to seek out our Astrid. That’s definitely a side of her you’ve never seen before. I always wanted to know what she’s like in personal situations instead of professional ones. You get to see that. This episode is really about alt-Astrid. MTV : One of the beauties of “Fringe” is that we get multiple versions of the same character — even though they’re literally the same person, they’re very different in many ways. With the two Astrids coming face to face in this episode, how do those differences and similarities come into play? Nicole : What’s interesting about having an alternate universe is trying to figure out where your paths went differently. What went on here that didn’t go on there? Why aren’t we the exact same person? With the Astrids, it’s a little different because they’re fundamentally different to the core — possibly at a genetic level, if you’re of the theory [that alt-Astrid is on the autism spectrum]. That changes your relationships with your family members, which is something that’s essential to the story of this episode. Not only are the two Astrids different, they’re so different that they have different relationships with the people in their lives. They’re the only constant. Everybody around them is different, but this connection that they have is the only solid thing that they have between them. That’s going to help the alternate Astrid to figure out what’s going on in her life in this crazy, tumultuous time. MTV : “Making Angels” isn’t just the first Astrid-centric episode of “Fringe,” it’s also your first chance to get in on some of the fun your co-stars have been having: acting opposite yourself for pretty much the entire episode. On one hand, that’s got to be pretty cool. On the other, it has to be pretty tricky, right? Nicole : You’re right, it was a double-whammy. It’s like you’re sticking two days into one. You have to know exactly what you’re going to do, you have to know so well how you’re going to play those characters in the beginning of those scenes. It takes a lot of foresight. The emotional part is really tough, but then there’s the technical stuff. You have to stand and make sure your outline is the same every time. There’s a point where [the two Astrids] shake hands, and I could not for the life of me figure out how they were going to make it work. It’s too big of a concept for me to grasp. But what was really cool is that they were able to merge the split screens on the monitors in video village, so they were watching it in real time. I’m doing it with my stand-in, but they’re watching both Jasikas on the screen. At one point, we’d been doing this one scene for like eight hours or something. We were tired. It was a big scene with two Olivias in it, two Astrids, Walter and Peter. There’s all this stuff going on. We ended up not being able to finish the green screen that night. We had to come back and finish the next day. But they only needed to stick me in the scene. There are four or five other characters in the scene, but they’re just filming me in front of the green screen playing off of dialogue that we had recorded the day before. Because we had done it for eight hours, I knew it like the back of my hand. I smiled at imaginary jokes being pulled, I watched imaginary people walking in — it was just so surreal. It’s like you’re playing a pretend game while you’re drunk by yourself, but there are people watching you do it! [ Laughs. ] Nothing about it makes sense, but the end result is phenomenal. The new episode of “Fringe,” “Making Angels,” airs Friday (February 3) at 9 p.m. ET. Check out everything we’ve got on “Fringe.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
Sorry, though — you’re screwed: “Pop sensation Katy Perry could be headed to the big-screen—and in 3-D, to boot. Paramount has initiated talks with Perry’s camp, as well as Imagine Entertainment, to create a documentary-style 3D film centered on the powerhouse singer-songwriter.” In seemingly related news, Soul Train creator and host Don Cornelius committed suicide this morning. [ THR ]
“We loved the witness protection concept from the second we heard it, but when Tyler cast comedy icon Eugene Levy and put him under the same roof with Madea and Uncle Joe, he took this movie to a whole new level.” [ Coming Soon ]
She can put “Bond girl extraordinaire” on her resume and describes her character in the forthcoming Dark Shadows as a “bawdy Barbie,” but between those two roles Eva Green is a woman holding on for dear life during a global pandemic in Perfect Sense . In David Mackenzie’s romantic drama, Green plays an epidemiologist struggling to track and contain a series of mass-scale maladies. Acute emotional states like unexplained sadness cause the human race to gradually lose the ability to taste, smell, hear and see, leading to more than a few mood swings. Amid catastrophe, though, the pieces are finally falling into place for Green’s Susan: She’s found love and a rock to lean on in Michael (Ewan McGregor), a chef with just a splash of bad-boy. It’s this love story that Green is most in touch with, and what drew her to the film in the first place. The emotional and, it must be said, super-steamy scenes between Green and McGregor halt the chaos and serve as a reminder that we should always stop to smell the roses, even if we technically can’t. Movieline talked to Green about her career path, love vs. calamity and Tim Burton fostering collaboration on Dark Shadows . How have you gone about choosing roles since being a Bond girl? You know, I’ve always liked characters that are complex, and even the Bond girl that I played was a complicated character, and intelligent. And you know, I always like complicated, interesting characters. Yeah, Vesper was the ultimate Bond girl. Yeah, I think so. But it was nice because there was a love story in [Casino Royale]. Not like a cliche, but a real human being. What made you connect with the Perfect Sense script? I really enjoyed the love story when I read it. I thought it was kind of a brave, unusual story. Thought-provoking, but also very romantic. But with a public panic angle. A few years ago, Blindness was adapted to film, and I don’t know if you read about this but there was recently a documented case of mass hysteria among a group of girls. What is it about stories like this that we find so compelling? I would say that, in this film, people come together. There’s an urgency. It’s very dramatic. Everybody has to become hungry for each other. You know, you have to seize the moment, seize the day and tackle the enemy, like we say, and what matters in life is love. Sounds very cheesy, but it’s true. People come together and still cling to each other after the loss of everything. The character you play suffers grief and heartache so deeply, and that’s even before the world goes haywire. Did you find it exhausting to portray this woman? Oh, no. I kind of identify with her. She’s quite normal. She was unlucky, and a bit damaged, and came out of a hard relationship. And the character that Ewan played was also damaged, but little by little she opens up to him and allows herself to be vulnerable and honest with him, and falls in love with him. I don’t see this film as something dark or dramatic because there’s a catastrophe. It’s also that she’s kind of awakened, weirdly. It’s a bit late because the senses are disappearing, but she is becoming, I don’t know how you would say it, but more human. Yeah, I think the opposite is true, too. She experiences happiness pretty deeply, and there were also some moments of levity, like the bathtub scene with Ewan. Yeah, that was fun to shoot, eating soap. And the flowers. I had to eat flowers in another scene. And toothpaste and lipstick. Lovely. Then you moved to Dark Shadows , playing another woman who’s had her heart ripped out. Oh, it’s a very different character. She’s an extreme character, completely obsessed with a man [laughs], and will do absolutely anything to get him, to own him. She looks like Barbie, but a bawdy Barbie. She’s a big character, and lots of fun to play, that’s for sure. Did you feel like you were coming in to an already formed family? Tim Burton and some of the other cast collaborate all the time. How did you mesh? Tim is very normal, and he is extremely open to suggestions, which is a luxury. He wanted me to feel as comfortable as possible. It was a real collaboration, which is very rare, and he was very kind, very creative, very supportive and we really got on. Is it true you almost took the role in Antichrist that went to Charlotte Gainsbourg? Yeah. Why did you decide against it? Oh, it’s hard to say. I didn’t agree with everything the director wanted me to do. Do you think you’ll work with Lars Von Trier eventually? I don’t know. I think he’s a genius, and Melancholia is a beautiful movie. I hope so, but we’ll see. Perfect Sense opens Feb. 10 in limited release.