I have no idea why I am posting pictures of Tori Spelling….I really don’t and never did find her hot ever when she was 16 and on TV…even though she had implants in a time I didn’t find implants cheap and easy entertainment, you know when implants were a mythical object that average girls didn’t get, reserved for strippers and playboy chicks, before realizing there’s nothing like a hot set of natural tits, and implants are cheap copies….so to post these pics makes no sense…unless maybe I’m into her billionaire ass pumping her own gas like some grease monkey…but I don’t think it’s that.
Here’s Ryan Seacrest’s fake girlfriend, named Julianne Hough, who was a professional dancing on Dancing with the Stars….before she turned to trying to have a legit singing career….and what better way than to get to the top of the charts than to pretend to date a gay dude so that he maintains his cover so the world doesn’t turn on him and his frosted lips…Good business move…and here she is working out in the park for the paparazzi in some obviously staged pics…cuz I guess people still do that hustle to get noticed…I think she’d be better off releasing video of her fucking Seacrest up the ass with an strap-on, or even one of his Emmy awards, because that’s the shit the public really want to see.
Remember the time when Murder Inc. absolutely ruled the hip hop scene? Ashanti, Lloyd, Charli Baltimore, Vita and the king of it all, Ja Rule, topped the charts in the early 2000s. They were like the Young Money of that generation. Well, lucky New Yorkers got a trip down memory lane last night with the chance to see some of the members of Murder Inc. reunite on stage at the Dirty Money concert at the Hammerstein Ballroom. Opening act, Lloyd, brought out Ashanti and they performed their single, “Southside” in front of a surprised and excited crowd. Then Ja Rule joined them on stage as he and Ashanti performed “Always On Time”. Wow, those songs definitely bring back memories! Check out the video of the performance from the Dirty Money show below! I’d love to see Murder Inc. reunite more often! I was definitely a big Murder Inc. fan back in the day! Lloyd Talks New Album “King Of Hearts” & Laying It Down With Patti Labelle [VIDEO] Ashanti Reveals How She & Nelly Met For His “Behind The Music” Special Ashanti Passes Out On Set? [PHOTO]
Rolling Papers producer tells Mixtape Daily they found ‘natural rhythm.’ By Rob Markman Wiz Khalifa Photo: Raymond Boyd/ Michael Ochs Archives/ Getty Images Mixtape Daily: Behind the Beats Fans might not know Pittsburgh producer Eric Dan (E. Dan for short), but they sure as heck know his work. After crafting six out of 14 tracks on Wiz Khalifa’s debut album, Rolling Papers , it shouldn’t be long before hip-hop heads start catching on. In 2003, Dan opened his own studio, ID Labs, outside of Pittsburgh. When a young Wiz Khalifa strolled in looking to record, the producer took the Taylor Gang general under his wing and has been working him every step of the way. “It’s been a great thing for [ID Labs] to be involved with an artist almost from his inception to where he is now,” E. Dan said. Where Wiz is now is at the top of the charts. It was the rapper’s #1 single “Black and Yellow” that spearheaded the Khalifa craze, helping Rolling Papers sell just under 300,000 copies since its March 29 release, but it was songs like the E. Dan-produced “The Race” and “When I’m Gone” that provided the LP with its substance. “With this album, we wanted to go in together from scratch,” said Dan, who splits production duties with his partner, Big Jerm. According to Dan, the bulk of the tracks on Rolling Papers came together organically, thanks to the comfortable relationship Dan and Wiz had been building for years. “Working with somebody from that young and working with him for so long, you fall into a natural rhythm, and over time you end up building this sound together,” Dan said. The recording session for Wiz’s “The Race” sticks out in E. Dan’s mind as an example of their overall organic chemistry. “Wiz fell asleep,” the producer recalled. “We put [the beat] together; a couple of hours later, Wiz woke up and said, ‘Whoa — that’s it!’ Next thing we knew, he jumped in the booth and did the song.” From there followed “Star of the Show,” “Get Your Sh–,” “Fly Solo,” “Cameras” and the intro, “When I’m Gone.” Dan has already worked with Pittsburgh breakouts Mac Miller and Chevy Woods, but said he is excited about branching out and adding to his resume. With upcoming production for international rap star K’Naan, it shouldn’t be long before the Pittsburgh producer is a worldwide name. For other artists featured in Mixtape Daily, check out . Related Videos Mixtape Daily: Wiz Khalifa, Smoke DZA, Papoose, Alchemist, Casey Veggies
With her current single “S&M” still riding high and the song’s Britney Spears-featuring remix looking to make a big splash on the charts next week (it’s been the top download at iTunes for the past three days), Rihanna stepped onto the American Idol stage during Thursday night’s results show to perform Loud ballad “California King … More » Broadcasting platform : YouTube Source : Idolator Discovery Date : 15/04/2011 04:19 Number of articles : 2
Robert Pattinson, Jennifer Lawrence also make the ‘Most Beautiful’ cut. By Jocelyn Vena Jennifer Lopez Photo: Tony Duran / FOX Jennifer Lopez’s career is red hot these days. She’s burning up the charts and she’s bringing her signature J. Lo charm as one of the judges on “American Idol.” To top it all off, Lopez landed the coveted cover of People magazine’s “Most Beautiful” issue this week, garnering the magazine’s “Most Beautiful Woman” title. “I kind of like it. We’ve kind of owned it now,” she says in the issue of being dubbed a diva early on in her career. “But I certainly don’t like and I’ve never been a person who has what they call ‘diva behavior,’ which is something they tried to pin on me for a long time.” Lopez always looks flawless, with perfect hair and makeup and couture to die for, but she admits that she prefers being undone. “That’s when I’m my happiest,” she said. “Just being able to touch my face and rub my eyes and put my fingers in my hair and not having to worry about messing it up. It’s so much better.” Lopez isn’t the only Hollywood heavyweight being honored in the “Most Beautiful” issue. “Hunger Games” star Jennifer Lawrence made the cut, as did Zac Efron, Megan Fox, Rooney Mara, Jessica Simpson, Camilla Belle, Ryan Reynolds (who incidentally is also People ‘s Sexiest Man Alive), Amanda Seyfried, Lauren Conrad and Robert Pattinson, to name a few. “I would like to move on to do something different … Maybe wear makeup in a movie,” Lawrence joked in the issue about her dark roles so far. “I mean, that’d just be crazy, right?” Related Photos Jennifer Lopez: From The Block To ‘American Idol’ The Evolution Of: Jennifer Lopez Related Artists Jennifer Lopez
Demi Moore and Ashton Kutcher’s foundation against child sex slavery also gets help from Sean Penn and Bradley Cooper. By James Dinh Justin Timberlake shaves with a chainsaw in his “Real Men” public service announcement Photo: demiandashton.org Some of the biggest men in entertainment are flaunting their acting chops for a good reason. In partnership with Demi Moore and Ashton Kutcher’s Real Men Don’t Buy Girls campaign , Justin Timberlake, Drake and a string of other men have come together to film a series of comical spots to promote the movement’s message against child sex slavery. Kutcher took to Hope140.org to guest blog about the campaign, explaining why he and Moore chose to mix comedy with the issue’s serious undertones. “We want to engage people, educate them, get them thinking and talking about it, in order to raise awareness and ultimately end child sex slavery,” the actor wrote. “We came up with the concept of the ‘Real Men Don’t Buy Girls’ campaign, which aims to engage people, specifically men, in the issue. To do so, we filmed short, funny videos about things ‘Real Men’ do, starring high-profile influential men and women.” In short, Kutcher explained that the message of the video campaign is that real men “do a lot of silly, even foolish things,” but they don’t buy children for sex. “That’s not funny, and Real Men don’t do it,” he added. In Timberlake’s minute-long spot , the singer-turned-actor hums to himself as he lathers his face with shaving cream. However, instead of using a razor to remove his 5-o’clock shadow, the newly single star cranks a chainsaw before a voiceover says: “Real men prefer a close shave.” Eva Longoria concludes the spot with a framed photo of Timberlake alongside fellow hall of fame “real men.” Standing inside a log cabin, the actress offers another addition to the club: “Perez Hilton is a real man. Are you?” she asks. Drake presents another strangely comical message in his spot . As he walks down a city street, the Young Money MC puts a cell phone conversation on hold when he sees a beckoning silver robot on a side street. The duo gaze into one another’s eyes before Drake sucker punches the android and walks away. “Real men are distrustful of robots,” says the voiceover. Other “real men” participating in the campaign spots include Sean Penn, Bradley Cooper, Jamie Foxx and Jason Mraz, with similar video formats and the same signature closing tagline: “Real men don’t buy girls.” Which is your favorite Real Men Don’t Buy Girls campaign video? Tell us below! Related Artists Drake Justin Timberlake
Here’s a look at Nicki’s journey from street star to pop sensation. By James Montgomery Nicki Minaj and Britney Spears Photo: Getty Images On Tuesday (April 12), after weeks of speculation, it was revealed that Nicki Minaj would be joining Britney Spears’ upcoming Femme Fatale tour , replacing Enrique Iglesias, who dropped off the high-profile trek earlier this month. It’s a big look for Nicki, though, to some, her addition was a bit of a head-scratcher. After all, she’s certainly not the traditional Britney opener , and with just one album (and some mixtapes) under her belt, it remains to be seen how Minaj’s live show will translate to Spears’ massive stage. Oh, and then there’s the very legitimate question of whether the two artists’ audiences are even aware of the other’s existence. Still, at this point, Minaj has done just about everything to prove those naysayers wrong — hit singles and platinum-plus albums tend to have that effect — and over the course of roughly three years, she’s risen from street-DVD sensation to go-to guest star and, finally, to full-fledged pop sensation — and the Femme Fatale tour is proof. So, as she prepares to head out on the road with Britney, let’s take a look back at that transformation. Here are Nicki Minaj’s top pop moments. Mariah Carey’s “Up Out My Face” video shoot , February 8, 2010 : Nicki took her first step toward pop success when she filmed a video for the “Face” remix with Carey, an artist who knows a thing or two (hundred million) about that very topic. Other high-profile cameos would follow — most notably, her turn in Usher’s “Lil Freak” video — but the march to the mainstream began with this candy-coated clip. MTV Video Music Awards Pre-Show performance , September 12, 2010 : Minaj chose an appropriately huge stage on which to make her solo TV debut — the 2010 VMA Pre-Show — and she made the most of it, dressing like a DayGlo cosmonaut (with a pink beehive) and teaming with the Black Eyed Peas’ will.i.am for a delightfully over-the-top take on “Check It Out.” With her proper first album less than two months away, the VMAs served not only as a launching pad, but as a warning that big things were on the horizon. Pink Friday debuts at #2 , December 1, 2010 : She couldn’t quite make it to #1 (at least not yet) — after all, she had Kanye West’s My Beautiful Dark Twisted Fantasy to contend with — but Minaj’s runner-up bow wasn’t a failure by any stretch. With sales of more than 375,000, Pink Friday posted the highest first-week numbers of any female MC since Lauryn Hill’s classic The Miseducation of Lauryn Hill all the way back in 1998. “Moment 4 Life” video premiere , January 27, 2011 : With Pink Friday still riding high on the charts, Minaj gave it a charge with the premiere of her biggest, poppiest video to date: “Moment 4 Life,” a gilded, glamorous fairy tale brought to life. Co-starring her Twitter beau Drake (and, of course, Minaj herself as a fairy godmother), it’s pure pop bliss in every sense of the word. Not surprisingly, the song is her highest-charting top 40 track to date. “Saturday Night Live” performance , January 30, 2011″ : As a New York native, Minaj called her “SNL” performance “monumental.” As an artist making that final push toward crossover success, the gig was equally important. Not only did she wow audiences with her onstage actions, but her cameos in a pair of sketches — most notably, Digital Short “The Creep” with the Lonely Island — proved that she could provide the laughs too. Pink Friday Finally Reaches #1 , February 9, 2011 : Building off that “SNL” success, in February — more than three months after it was first released — Pink Friday finally made it to #1 on the Billboard albums chart, and, in the process, cemented Minaj’s status as a star with staying power. Up until landing the Britney tour, this remained Nicki’s poppiest moment to date — though who knows what will happen when she hits the road with Ms. Spears? What do you think of Nicki joining Britney on tour? Let us know in the comments! Related Artists Britney Spears Nicki Minaj
Wiz Khalifa’s Rolling Papers comes in at #2. By Gil Kaufman Britney Spears Photo: Jive Make it an even half dozen. With the chart-topping bow next week of Femme Fatale, Britney Spears will notch her sixth Billboard 200 #1 debut thanks to first-week sales of 276,000 for the pop diva’s seventh studio collection. Though it’s nearly half the 505,000 in sales the singer put up with 2008’s Circus, the debut easily outpaces the week’s #2 showing by Wiz Khalifa, whose Rolling Papers moved 197,000, according to figures provided by Nielsen SoundScan. Among the other debuts in the top 10 are the physical release of Radiohead’s latest, King of Limbs (#6, 69,000), Snoop Dogg ‘s Doggumentary (#8, 50,000) and Mary Mary ‘s Something Big, which rounds out the new titles at #10 on sales of 42,000. The rest of the top 10: Adele , 21 (#3, 94,000), Chris Brown , F.A.M.E. (#4, 91,000, down 66 percent), Songs for Japan (#5, 71,000), Jennifer Hudson , I Remember Me (#7, down 66 percent) and Kirk Franklin , Hello Fear (#9, 46,000). After debuting at #4 last week, the Strokes take a bit of a dive down to #18, as sales of Angles leveled off by 76 percent to 21,000. The hard-charging soundtrack to the critically panned fantasy film “Sucker Punch” actually rises nine spots in its second week to #22 on sales of 20,000. The soundtrack to the “Grey’s Anatomy: The Musical Event” episode comes in at #24 (19,000), while Sum 41 ‘s Screaming Bloody Murder inches on to the charts at #31 (15,000) and Panic! at the Disco plunge 25 places in week two to #32 with Vices & Virtues (15,000). A number of indie darlings also make their chart debuts, including the Mountain Goats with All Eternals Deck (#71, 9,000), the Pains of Being Pure at Heart , Belong (#91, 6,000) and Peter Bjorn and John , Gimme Some (#108, 6,000). Britney also tops the iTunes albums chart, edging out the Songs for Japan compilation, followed by Khalifa, Adele, the “Grey’s Anatomy” album, Mumford & Sons ‘ Sigh No More and albums by Brown, Radiohead, the self-titled effort from Sara Ramirez and the “Sucker Punch” soundtrack. Black Eyed Peas rule the iTunes singles chart with “Just Can’t Get Enough,” winning out over Katy Perry ‘s “E.T.,” Rihanna ‘s “S&M,” Perry’s “E.T.” without Kanye West, then Khalifa’s “No Sleep,” Brown’s “Look at Me Now,” Jennifer Lopez ‘s “On the Floor,” Adele’s “Rolling in the Deep,” Cee Lo Green ‘s “Forget You” and Lady Gaga ‘s “Born This Way.” Next week will see new albums from Foo Fighters , TV on the Radio , Paul Simon and Jessie J . Related Videos Britney Spears: I Am The Femme Fatale Related Photos Candid Moments From ‘Britney Spears: I Am The Femme Fatale’ Britney Spears Brings Down The House In Las Vegas Related Artists Britney Spears
With her new album sitting at #1, Bigger Than the Sound looks at Britney’s unprecedented career. By James Montgomery Britney Spears Photo: Getty Images By the time you read this, Britney Spears will have scored her sixth #1 debut with Femme Fatale, her latest installment of supersonic, stealth-fighter pop, a collection of songs equipped with laser-guided, heat-seeking hit missiles. In fact, Femme Fatale is more like an F-22 Raptor than an album. Maybe I shouldn’t be amazed that Brit finds herself atop the charts once again, but don’t we live in austere times? Aren’t Odd Future the only thing that matters these days? I’m only sort of kidding. Because, frankly, each and every time Britney lands another #1, it’s kind of like we’ve traveled through a wormhole and ended up in 1999, a time when the industry was still flush with cash and Lou Pearlman still lumbered the land. This was only 12 years ago, but it may as well have been 12 million. These days, we still have plenty of pure pop stars, though none of them are quite like Britney. Lady Gaga is into performance art. Katy Perry is the California Gurl. Pink is the punky older cousin with a ton of tattoos. As is often the case with evolution, they have each developed specialized traits in order to survive. Britney is, in a lot of ways, the origin of the species (for simplicity’s sake, I’m just ignoring Madonna, who basically did everything before any of this generation’s stars were even teething). She was — and, I suppose, still is — the music industry’s first attempt to promote a star that is everything to everyone. And each and every time she surfaces with a new album in tow, it signals the return of pop’s Mesozoic era. For all intents and purposes, she may spend her time between albums trapped in amber, waiting to have her DNA extracted by some scientist. This is by no means meant to come across as a slight against Spears. I fully understand why her fans love her the way they do, not to mention the fact that Femme Fatale is a heck of a pop record, a starry shadowbox of the coolest sounds you’re likely to hear all year. It’s more me simply marveling at the way she operates — in the cockpit of a high-powered fighter, making glossy, big-budget videos , putting on full-scale pop spectacles . There truly, honestly isn’t anyone else like her. We should take this opportunity to appreciate what Britney Spears — and her album — represent. She is the last super-pop star left standing. There was a time when everyone did things this way; now it’s her and her alone. Spears is still everything to everyone, in a time when all we hear about are “niche markets” and “splintered genres,” and for that alone, the success of Femme Fatale is noteworthy. Can she continue to survive among her more specialized peers? She’s certainly earned the right to, though one gets the feeling she’s probably not too worried about that fact. The thing about being the first is that there isn’t really anything — or anyone — to compete against. So let others sweat the small stuff; Britney’s only concerned with being Britney. Now and forever. What do you think is the secret to Britney’s success? Let us know in the comments! Related Videos Britney Spears: I Am The Femme Fatale
