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Adam Yauch’s Beastie Boys Videos: A History

MTV News looks at the best Beastie clips of all time, including ones directed by MCA (or Nathanial Hornblower) himself. By Gil Kaufman Beastie Boys’ Adam Yauch Photo: Ron Galella/ Getty Images There are bands that make great music and others that make great videos. But there is a rare breed of act that makes both. Since their very earliest days, the Beastie Boys were in that latter category. From the frat-boy fun of 1986’s “(You Gotta) Fight for Your Right (To Party)” video to what will likely be their final clip, a 2011 all-star clip to promote the Hot Sauce Committee Part Two single “Make Some Noise” and the “Fight for Your Right Revisited” film, the B-Boys not only had fun, they made sure we did too. With the passing of Adam Yauch (a.k.a. MCA) on Friday (May 4) at age 47 following a three-year battle with cancer , MTV News takes a look back at some of the trio’s most beloved clips, as well as the ones directed by Yauch under his Swedish pseudonym, Nathaniel Hornblower. “(You Gotta) Fight for Your Right (To Party)” This is the one that launched MCA, Ad-Rock and Mike D to global stardom. The party anthem was accompanied by a very literal video in which, well, the fellas throw a crazy party and trash the joint. “No Sleep Till Brooklyn” Young, wild and free, the Boys lampoon heavy-metal knuckleheads after a cheesy club promoter turns them away when they show up with their “instruments” (i.e. scratch-ready records). Wearing metal wigs and Poison-worthy spandex, they soon strip down to their streetwise uniforms and start raising some hell and engaging in the kinds of shenanigans they became infamous for when they hit the road with Madonna on their first major tour. It’s silly and amateurish, but then again, so were they at that time. “Hey Ladies” In one of the first of many clips in which the trio would slip into a number of alternate personas, this video from Paul’s Boutique had it all: sushi chefs, eight-track tapes, disco dancing, human clocks, cowbells, pimp suits, a mariachi band, fake mustaches and goatees, scuba diving, Afro wigs, “Saturday Night Fever” homages, a “Free James Brown” subliminal message, a 1970s Vincent Van Gogh and the original appearance of booty pads. “So What Cha Want” They weren’t all high-concept. Yauch was behind the lens for this 1992 mind-tripper, which simply tracked the three MCs as they flexed and rapped their way through a forest tricked out with negative-image special effects intercut with ominous nature footage. “Sabotage” The ne plus ultra of Beastie videos, this ’70s cop-show spoof directed by pal Spike Jonze is one of the funniest and most creative clips in music-video history. Action-packed and simultaneously utterly ridiculous, the mini-movie finds the Boys cruising the streets of San Francisco in a late model sedan while chasing the bad buys in an increasingly ridiculous series of wigs, mustaches and costumes. Yauch appears as the dapper Sir Stewart Wallace, as well as Nathan Wind playing Cochese. Filmed by Hornblower, this classic spoof of Japanese monster movies from 1998’s Hello Nasty is again awash in absurd costumes as Yauch makes popping, locking killer robots look expensively cheap. Between shots of the haz-mat-suit-wearing MCs posing and rapping in Tokyo subway stations and streets into a fish-eye lens, we see their scientific alter egos trying to save their giant robot from getting short-circuited by a sea creature. “Body Movin’ ” Yauch/Hornblower went highbrow with the video for this Hello Nasty single, which was inspired by the beloved cult 1968 Italian cat-burglar caper “Danger Diabolik.” Once again, Yauch dressed himself and his partners-in-crime in absurd outfits and had them act out everything from laughable sword fights (complete with a bloody Yauch beheading) to catapult escapes, helicopter vs. car chase scenes and midair parachute wrestling matches. “Ch-Check It Out” Not as well known, this kinetic Hornblower clip from 2004 is another mix of aggressive into-the-camera rapping, with bits of everything from “Star Trek” homages and swamp airboat chases to the Boys in old-lady drag throwing fish across the avenue at their male counterparts.

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Adam Yauch’s Beastie Boys Videos: A History

Fans Mourn Beastie Boys ‘Legend’ Adam ‘MCA’ Yauch

Outpouring of sadness and gratitude on social sites follows news of rapper/bassist’s death at age 47. By Kara Klenk Beastie Boys in the early 1990s Photo: Paul Natkin/ Getty Images Fans of the Beastie Boys were shocked and saddened to hear of the passing of Adam “MCA” Yauch, after a long battle with cancer, on Friday (May 4). Many took to the Web to mourn and remember what the musician’s work with the Rock and Roll Hall of Fame rap trio meant to them. And almost as soon after the news of Yauch’s death broke, Beastie Boys-related phrases were dominating the majority of the worldwide trends on Twitter, with topics and hashtags like #RIPMCA and “No Sleep Til Brooklyn.” Fans like @sbpeterson expressed overwhelming sadness, writing, “You’ll be missed MCA – I’m simply devastated,” while others referred to Yauch as an “icon” and a “legend.” Some didn’t know how to explain how deeply they were affected, like @Dawsonase who wrote, “What a loss. Having trouble expressing what the Beastie Boys mean to this small town white girl.” Music fans like @RockforTrouble tweeted, “This has been a HEART BREAKING year” with Yauch’s death coming shortly after the loss of music-industry icons like the Whitney Houston and the . For many, the Beastie Boys’ massive catalog coincided with their youth.‏ @chasesclouds tweeted, “Still have all cassettes & original Beastie Boys cd’s before they were remastered. Soundtrack to my life; inspiration to many,” a sentiment echoed in several tweets. Comedians the @SklarBrothers tweeted, “So sad about MCA. The Beasties influenced us and inspired us to do what we do. Everyone we knew wanted 2 b them. Huge loss. #hero.” ‏ Gratitude for Yauch abounded as fans like @cholliday tweeted, “Thanks for 20+ yrs. of killer tunes & rhymes!” while others encouraged fans to spread the music, like @KimberlyAMT who wrote, “Play some Beastie Boys today. #RIPMCA.” The Beastie Boys’ rapper/bassist battle with cancer of the salivary gland put his untimely death into perspective for some fans. User Kelsey Danna wrote on MTV News’ Facebook page , “I was in shocked when I heard the news but at least he’s not suffering anymore.” The outpouring of love and admiration from fans, friends and celebrities who knew him highlights the indelible mark Yauch left on the music world, on hip-hop , and the hearts of his fans. Share your condolences for MCA’s family, friends and fans in the comments below. Tune in to MTV tonight at 8 p.m. for “Adam Yauch: Remembering a Beastie Boy,” an hour-long special hosted by Sway celebrating the life and career of Adam “MCA” Yauch, including his biggest moments and remembrances from his friends and peers. Check out mtvU now for classic Beastie Boys music videos. Related Videos Beastie Boys’ Adam Yauch: 1964-2012 Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys

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Fans Mourn Beastie Boys ‘Legend’ Adam ‘MCA’ Yauch

Celebrity Cribs: Tiger Woods’ Beachfront Bachelor California Condo Hits The Market For $2.5 Million [Pics]

Just think, for a couple mil, you can own the crib where Tiger was choppin’ down stragglers Tiger Woods California Condo On Sale For $2.5 Million According to TMZ reports : Wanna buy an AMAZING beachfront property? Do you also have A LOT of bleach? Then you might be interested in Tiger Woods’ crash pad in Orange County, CA … ’cause it’s officially on the market. TMZ has learned … Tiger’s 2000 sq. foot condo in Corona Del Mar — the one he purchased back in 2004 — has been listed for a cool $2.495 million. According to reports, he bought the place for $3 mil. The place is pretty nice … with 3 bedrooms, 2.5 baths, a beautiful view of the ocean … and plenty of privacy to bang all the floozies you want without your wife knowing. In fact, Jamie Jungers reportedly claimed she spent LOTS of quality time at the pad … before Tiger got caught. Slide to the next side to see pics of Tiger’s resthaven for hoes

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Celebrity Cribs: Tiger Woods’ Beachfront Bachelor California Condo Hits The Market For $2.5 Million [Pics]

New Amazing Spider-Man Trailer: Lizard Fights and Daddy Issues

Because nothing says “blockbuster of the season” like angsty daddy issues — mingled with a barrage of cool CG-tastic effects and action shots and nerd bait — Sony’s unveiled the latest official trailer for The Amazing Spider-Man , due in theaters July 3. Emphasis this time around is on what made emo-snarky Peter Parker (Andrew Garfield) the super-powered jokester hero he is: Namely, losing Ma and Pa Parker as a kid. This is the most complete-feeling trailer we’ve seen so far, with Parker’s voice over literally explaining his character struggle to us over a melange of intriguing action-y bits, interspersed with the mushy stuff with Emma Stone. Photorealistic Lizard eyeballs! Ceiling chases! Web-slinging gone wrong! Most importantly, the effects here show more detail and look much more complete than in trailers and teasers past. Check it out and chime in below. The Amazing Spider-Man hits theaters July 3. [via Apple ]

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New Amazing Spider-Man Trailer: Lizard Fights and Daddy Issues

Prometheus International Trailer: This is How You Sell a Movie

On the one hand, the difference between the domestic and international trailers for Prometheus is staggering: The former sells atmosphere and legacy while the latter sells both of those and story (and Charlize Theron, I guess). On the other hand, they have the most important component in common: They sell the hell out of Ridley Scott’s Alien throwback. Can anyone wait? Me neither. This is how you do it, Hollywood. [ ENTV ]

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Prometheus International Trailer: This is How You Sell a Movie

Universal Shares 100 Factoids For its 100th Anniversary

It’s not every day that a studio turns 100. As such, Universal is making the most of its centennial with a host of events including the recent Tribeca Film Festival shout out to the the company courtesy of Robert DeNiro and Judd Apatow . But today, April 30, is the big day itself, and to kick off the first day of its second century, the company released “100 fun facts” from its history. The list includes many factoids sure to show up on a crossword puzzle near you, such as the name of the mechanical shark in Steven Spielberg’s Jaws , what happened to the hole left by John Belushi when he smashed in a wall with his guitar in Animal House , and the store where the crew from American Pie bought that “warm apple pie” subsequently deflowered by Jason Biggs. There’s the skinny on what inspired Carl Laemmle to name his studio Universal a century ago. Fans and film enthusiasts can celebrate online today at the official Universal Centennial website . Meanwhile, read on for 100 facts about Universal: 1. Universal Film Manufacturing Company was officially incorporated in New York on April 30, 1912. Company legend says Carl Laemmle was inspired to name his company Universal after seeing “Universal Pipe Fittings” written on a passing delivery wagon.   2. The only physical damage made during the filming of National Lampoon’s Animal House was when John Belushi made a hole in the wall with a guitar. The actual Sigma Nu fraternity house (which subbed for the fictitious Delta House) never repaired it, and instead framed the hole in honor of the film.    3. The working title for E.T.: The Extra-Terrestrial was “A Boy’s Life.”                                                                                                      4. In the movie All Quiet on the Western Front , the Greek writing on the blackboard in the schoolroom is the beginning of Homer’s Odyssey: “Tell me, oh Muse, of that ingenious hero who traveled far and wide.”   5. In 1969, a then 22-year old Steven Spielberg was assigned to direct the Universal Television series pilot, Night Gallery . It’s safe to say things went pretty well for Steven after that.   6.  The word “dude” in The Big Lebowski is used approximately 161 times in the movie: 160 times spoken and once in text (in the credits for “Gutterballs,” the second dream sequence). The F-word or a variation of the F-word is used 292 times. The Dude says “man” 147 times in the movie — that’s nearly 1.5 times a minute.   7. The first feature filmed at Universal City was Damon and Pythias in 1914.   8. President Ronald Reagan starred in the 1951 Universal feature film, Bedtime for Bonzo .    9.  Back to the Future ’s DeLorean time machine is actually a licensed, registered vehicle in the state of California. While the vanity license plate used in the film says “OUTATIME,” the DeLorean’s actual license plate reads 3CZV657.   10. The film A Beautiful Mind was shot in sequence in order to help Russell Crowe better develop his character’s emotional and physical arc.      11.  American Graffiti ’s budget was exactly $777,777.77, and it was delivered on time – and on budget.   12. In the Alfred Hitchcock classic The Birds , Tippi Hedren was actually cut in the face by a bird during the shooting of one sequence.   13. Throughout his career, Rock Hudson appeared in 46 feature films with Universal including Pillow Talk , All That Heaven Allows and Magnificent Obsession . In 1953, he was elected Mayor of Universal City.   14. The infamous apple pie in the movie American Pie was purchased by the production from Costco.    15. In the movie The Breakfast Club , the students ate the following for lunch: Andrew: A bag of chips, chocolate cookies, three sandwiches, milk, a banana and an apple. Claire: Sushi. Allison: Sandwich with Pixie Stix and Captain Crunch cereal. Brian: Soup, sandwich with peanut butter and jam and apple juice. Bender: Nothing.   16. In Brokeback Mountain , the song Jack plays on his harmonica is “He Was a Friend of Mine,” the same song Willie Nelson sings during the closing credits.   17. The film Buck Privates took in $4 million at the U.S. Box Office (at a time when theater admission ranged between 10 and 25 cents).    18. A sneak preview of the film Buck Privates was held in late January 1941 for soldiers at Fort MacArthur, California.   19. The Munster’s House on Colonial Street was originally built for the 1946 production, So Goes My Love .   20. The title of the movie Do The Right Thing comes from a Malcolm X quote: “You’ve got to do the right thing.”   21. According to reports, during some of the Russian roulette scenes in the movie The Deer Hunter , a live round was put into the gun to heighten the actors’ tension per Robert De Niro’s suggestion. It was checked, however, to make sure the bullet was not in the chamber before the trigger was pulled.   22. In the first scene of the movie Double Indemnity , when Walter first kisses Phyllis, there is a wedding ring on Walter’s hand. Fred MacMurray was married and the ring was not noticed until post-production.   23. When Bela Lugosi, star of the monster classic, Dracula , died in 1956, he was buried wearing a black silk cape similar to the one he wore in the film.   24. At 29,500 sq. ft., Universal Studios’ Stage 12 is the 7th largest soundstage in the world. It was originally built for the 1929 musical Broadway .   25. Carl Laemmle Jr. offered James Whale a list of more than 30 film adaptations he could direct and out of them all, Whale picked Frankenstein . It was his transition from war movies to monster pics. 26. Today’s Universal City officially opened March 15, 1915, nearly three years after Universal film Manufacturing Company was created. The first mayor was Herbert Rawlinson. 27. Vans, the company behind the checkerboard shoes worn by Sean Penn (a.k.a. Jeff Spicoli) in the cult movie classic, Fast Times at Ridgemont High , became a national brand after the film’s release in 1982.   28. Actor Charlton Heston “parted” the Red Sea attraction on the Universal Studios Tour at the attraction’s grand opening in 1973.    29. Neither Michelle Rodriguez nor Jordana Brewster had drivers’ licenses or even learners’ permits before production of the film in Fast and the Furious .   30. Universal pioneered the Academy Award-winning Sensurround Sound System which made its first appearance in the 1974 movie, Earthquake . The Sensurround system caused low-frequency audio waves to be felt by the audience and created a visceral complement to the seismic tremors and destruction depicted on screen.   31. In the movie Field of Dreams , both Ben Affleck and Matt Damon are among the thousands of extras in the Fenway Park scene. Over a decade later, when Phil Alden Robinson worked with Affleck on the production of The Sum of All Fears , Affleck said, “Nice working with you again.”   32. In the coliseum scenes in Gladiator , only the bottom two decks are actually filled with people. The other thousands of spectators are computer-animated.   33. Carole Lombard in My Man Godfrey was the first actress at Universal to receive a nomination for “Best Actress” at the Academy Awards.    34. William Powell from the 1936 film, My Man Godfrey was the first actor at Universal to receive a nomination for “Best Actor” at the Academy Awards.    35. The Universal sound technician, Jack Foley, developed the method of creating and recording many of the natural, everyday sound effects in a film. Today this method is named after him.    36. Universal’s first talking picture was Melody of Love .   37. The Universal Amphitheatre opened in 1972 with a staged concert version of Jesus Christ Superstar . The film version was released in 1973.   38. The legendary thriller and suspense director Alfred Hitchcock did not win any Academy Awards while working with Universal.    39. Thomas Edison presented Universal Studios with a plaque dedicating its first electric studio on October 27, 1915.    40. In the infamous shower scene in Psycho , the sound of the knife-stabbing actress Janet Leigh was made by plunging a knife into a melon.    41. The film Traffic in Souls is considered Universal’s first full-length feature film.    42. The legendary studio head Irving Thalberg got his start in show business as Carl Laemmle’s personal secretary in 1917.    43.  ET: The Extra Terrestrial is Universal Pictures’ all-time highest grossing film.    44. With the over-budget production of Show Boat , Carl Laemmle was forced to sell Universal Studios to his creditors in 1936.    45. In 1995, Waterworld generated worldwide attention for being the most expensive film made to date. Unable to live up to expectations at the box office, the film eventually turned a profit due to strong home video sales and inspired one of the most popular theme park attractions of all time.   46. About 25% of the film Jaws was shot from water level so audiences could better relate to treading water.    47. In the film The Invisible Man , the director dressed Claude Rains in black velvet and filmed him against a black velvet background to create the effect that he wasn’t there.    48. Some of the props used in the 2005 version of King Kong were original props from the 1933 version. These props came from Peter Jackson’s personal collection and include the Skull Island spears and brightly painted shield, and some of the drums from the sacrifice scene.    49. In Jurassic Park , a guitar string was used to make the water ripple on the dash of the Ford Explorer by attaching it to the underside of the dash beneath the glass.   50. Universal entered the 3-D market with the film, It Came from Outer Space (1953).    51.   Universal won its first Best Picture Academy Award for All Quiet on the Western Front in 1930.    52. Steven Spielberg nicknamed the mechanical shark in the movie Jaws , “Bruce.”    53. In the film The Incredible Shrinking Man , when Louise is on the phone asking for the operator, the music playing on the radio is the theme song to Written on the Wind , which was made at Universal the year prior.    54. The script Charlton Heston holds in the film Earthquake as he’s running lines with Genevieve Bujold is actually the script for “Earthquake” and on the page of the scene being shot.  55.  It took two-and-a-half hours a day to apply Lon Chaney’s makeup in The Hunchback of Notre Dame .               56. Legendary Universal Chairman Lew R. Wasserman received an Academy Award in 1973 for his role as a humanitarian.                                                                                                                        57. With the film Meet the Fockers , the MPAA would not allow use of the name ‘Focker’ unless the filmmakers could find an actual person with that last name.     58. The first American film to show a toilet flushing on screen was Psycho .     59. While Jurassic Park was in post-production, Steven Spielberg began working on Schindler’s List in Poland and worked via satellite, courtesy of technology provided by George Lucas.    60. In the film, Scarface , an M16 assault rifle with an M203 40mm grenade launcher attached to the barrel is Tony’s “little friend.”    61. The 1932 film Scarface was one of the first films to feature the Thompson submachine gun, known historically as the “tommy gun.”   62. In the film Pillow Talk , Tony Randall was supposed to fake a reaction to being decked in the face by one of the restaurant patrons. However, during filming, the actor overestimated and actually knocked out Randall. The shot was so well done— it was used in the film.  63. Alfred Hitchcock did not choose to conclude the film, The Birds , with the usual “THE END” title because he wanted to leave the audience with the feeling of unending terror and uncertainty. 64. Groucho Marx explained the title Duck Soup as follows: “Take two turkeys, one goose, four cabbages, but no duck, and mix them together. After one taste, you’ll duck soup the rest of your life.” 65. For Despicable Me , the film’s directors Chris Renaud and Pierre Coffin provide most of the voices for Gru’s minions. 66. In The Nutty Professor starring Eddie Murphy, the family dinner scene was initially going to be cut out due to what was believed to be its lack of relevance.    67. When the Universal Studios Tour opened to the general public in 1964, the general admission price for one adult was $2.50.   68. The children who sang the song, “Every Sperm is Sacred” in the Monty Python film, The Meaning of Life , later said they had no idea what sperm was or what they were singing about.    69. In the film, My Little Chickadee , Cuthbert J. Twille (W.C. Fields) says to Flower Belle (Mae West), “Why don’t you come up and see me sometime?” — This is in reference to West’s famous line in the film She Done Him Wrong .    70. The following institutions have existed at one time on the Universal Studios lot—a school, zoo, and hospital.    71. The hair-washing scene in Out of Africa was shot very close to a live, territorial hippopotamus. Meryl Streep was extremely nervous during its filming.    72. The locusts in the 1999 film, The Mummy , were mostly computer-generated, however, some live grasshoppers were used. Hours before filming they were chilled in a refrigerator to make them more sluggish.      73. In Smokey and the Bandit , the Trans-Am featured in the bridge jump scene was fitted with a more powerful Chevrolet engine.    74. The average shot length in the film Vertigo is 6.7 seconds.    75. The permanent set in Stage 28 was created to be a replica of the landmark The Paris Opera House, for the classic film, The Phantom of the Opera .   76. When you hear the sound of the crowd cheering, “Spartacus! Spartacus!” in the movie Spartacus , it was actually a pre-taped recording from a 1959 football game at Michigan State University’s Spartan Stadium.    77. In Sullivan’s Travels , director Preston Sturges can be seen in the background on the set of ‘The Girls’ period movie.    78. The cake in the movie Sixteen Candles is made of cardboard.   79. The final speech by Gregory Peck in To Kill a Mockingbird was done in one take.    80. The diner in the movie The Sting is the same diner interior used in Back to the Future .   81. In 1928, famous cartoon character, Mickey Mouse, debuted at a Universal-owned theater.    82. Elizabeth Taylor made her feature film debut in Universal’s 1942 film, There’s One Born Every Minute .   83. Yes, at some point, some Universal executive, or team of executives, thought 1986’s Howard the Duck was a good idea.   84. The dog chase scene at the beginning of the film Beethoven was filmed on the Universal backlot.   85. The title of the film Streets of Fire starring Michael Paré and Diane Lane, was drawn from a Bruce Springsteen song, from his album Darkness on the Edge of Town. The song, unfortunately, does not appear in the film.   86. Robert Redford’s character in The Sting is named after blues legend John Lee Hooker. The character’s name is Johnny Hooker.   87. 1920’s Shipwrecked Among Cannibals was the first film to gross $1,000,000 for Universal.   88. Prominent Universal Director Edward Laemmle was the nephew of Universal Founder Carl Laemmle. He directed over 60 films (including shorts) for Universal. 89. In The 40-Year-Old Virgin , the films that are watched by the “employees” in the Smar-Tech store are all produced by Universal. 90.  The Blues Brothers “Bluesmobile” is a 1974 Dodge Monaco. 91.  Abbott & Costello Meet Frankenstein is only the second time Bela Lugosi would play “Dracula” in a feature film. (He played other vampires in the interim, but not Dracula.) 92. In 1973’s High Plains Drifter starring Clint Eastwood, one of the headstones in the graveyard bears the name Sergio Leone as a tribute. 93.  On Golden Pond was Henry Fonda’s final film, and the only one he starred in with his daughter Jane.   94.  Dr. Seuss’ The Lorax is the third major motion picture produced by Universal from a book written by Theodore Geisel a.k.a. Dr. Seuss.   95. In 1992’s Scent of Woman , Al Pacino repeatedly shouts “Hoo-ah.” “Hoo-ah” comes from the military acronym “HUA” which stands for “Heard, Understood, Acknowledged.”   96. The car wash in Car Wash was named The Dee Luxe Car Wash. 97. 1971’s Play Misty for Me was set in Carmel, CA, where Clint Eastwood later lived and became mayor in 1986. 98. The Bride in The Bride of Frankenstein is the only one of Universal Studios’ Classic Monsters to have never killed anyone. 99. Throughout its hundred year legacy, Universal brought to audiences the first films of talents such as John Ford, Clint Eastwood, Steven Spielberg, Norman Jewison, Ben Stiller, Robert Zemeckis, John Hughes, Amy Heckerling, Spike Jonze, Zack Snyder and Judd Apatow.   100. More than 100 million people from around the world have taken the Universal Studios “studio tour.” While the tour officially began in 1964, Universal has been welcoming the public to our studio since 1915 and the silent era.

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Universal Shares 100 Factoids For its 100th Anniversary

Jesus Take The Wheel: Man Popped For Randomly Selecting A Mom And Her Daughter And Raped And Hammered Them To Death

Man Held For Random Hammer Deaths In Las Vegas This is sad and crazy. Using a hammer as a weapon, a “complete stranger” with no significant criminal history allegedly chose a family at random and attacked them in their home, killing a woman and her daughter, in a brutal crime that left investigators both baffled and aghast. Bryan Clay, 22, was arrested Friday in the April 15 rape and bludgeoning deaths of 38-year-old Ignacia Martinez and 10-year-old Karla Martinez. He had no connection to the family of five, Lt. Ray Steiber said Saturday. “This was a complete stranger killing a mother and daughter and attacking the father,” Steiber told the Associated Press. “I’ve been doing this (police work) 24 years, and you don’t see cases like this. I can’t even put this into words.” Police were notified about the case when a 9-year-old boy, who was not injured by the attacker, came to school the next day and informed a counselor that his mom and sister were dead. Nothing was taken from the house, and investigators were unsure of the motive for the attack. “There’s no rhyme or reason to why (it happened),” he said, adding Clay doesn’t have a “significant” criminal history. Clay also was booked in the beating and rape of a 50-year-old woman in the same west Las Vegas neighborhood hours before the slayings. Steiber said he didn’t know why the two boys, 9 and 4, were spared in the home invasion attack. Arturo Martinez, 39, the husband and father, was critically injured in the attack and remains hospitalized with head injuries. He has been unable to talk to investigators. Both the mother and daughter were sexually assaulted, Steiber said. In the earlier attack, the 50-year-old woman was walking near an intersection when an assailant forced her into a nearby desert area and violently sexually assaulted her April 15. “(She was) chased, beaten and raped,” Steiber said. DNA results linked Clay to both attacks, investigators said. A baseball cap left behind by the woman’s attacker turned out to be a key piece of evidence, KLAS-TV reported. Authorities found the bodies of the girl and the mother in separate bedrooms. The two boys remained in the home for at least 24 hours with the bodies and their severely injured father, Steiber said. Steiber said he didn’t know if Clay had a lawyer, and attempts to reach a police spokeswoman were unsuccessful. Clay was being held without bail Saturday pending an initial court appearance. He was booked on various charges, including murder, battery with a deadly weapon and sexual assault. Looks like Bryan probably won’t be seeing the light of day anytime soon. R.I.P. to those who lost their lives to this senseless act of violence. Source More On Bossip! Gabi & Dani Freaky Picture Pictorial And Interview About BGC 8 (15+ Pictures) [Photos-Video] Hoop Dreams: Kimmy Cakes Laces Her Jordan’s And Hits The NYC Basketball Court With Lammy And K-Hole Kardashian Higher Learning: Meet The 10 Colleges With The Hottest Women Struggle Actresses: We Love These Ladies, But They Can’t Act Worth A Damn!

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Jesus Take The Wheel: Man Popped For Randomly Selecting A Mom And Her Daughter And Raped And Hammered Them To Death

On Friday April 13th, after all these years I finally met Justin…

On Friday April 13th, after all these years I finally met Justin Bieber.  I have been trying for years to meet Justin, and every time I got let  down. I was in Florida and I had heard Justin was coming to a  middle school in Boca, so obviously I made an arrangement so sleep in  Boca the night before, and wait outside the school the next day for  Justin to drive in. When I got to the school it was about 11:00am, and  Justin was arriving at 1:00pm. No one was there besides me, my friends  and some news reporters. We got a lot of interviews. As it drew closer  to 1pm, more and more people starting to arrive at the school. We all  checked each car thinking it was Justin. Finally it was around 1:25pm,  and a beige truck pulled in. Justin rolled down the window, and all  the fans ran to his car. I knew there was no way of getting in front  to the window. I just stood there. After Justin was done saying hi  and signing autographs, he slowly drove into the school. I then chased  his car into the school, and most of the girls followed. I was chasing  the car and finally it stopped. Justin rolled down the window and said,  “Let me take your picture”. Justin took my picture and then drove  away, only mine and no one  else’s . I felt so special. After everyone  ran away I stayed in the parking lot and found his car with the driver  inside. The driver secretly told me he was coming out the back.  5 other girls and myself went to the back of the school. It was  pouring  rain and  Justin’s car came out and he stopped of course. He started to talk to  all of us and Pattie was saying, “Don’t worry he’ll take as many  pictures as you want”. Someone else in the car was yelling that he had  somewhere to go. I screamed at Justin to stay with us and not leave. H e tried to tell the driver to stop but they were slowly pulling  away. “Wait, I never got a picture!” I said. Justin answered with, “Yes  you did, don’t think I forgot stopping the car for you.” That was the  best moment of my life! Justin remembered me and purposely stopped for  me. Pattie was laughing because I screamed on the top of my lungs!  Hopefully, I will be lucky enough to meet Justin again. Who knows,  maybe hell even remember me. -@emilyhalp  Read more from the original source: On Friday April 13th, after all these years I finally met Justin…

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On Friday April 13th, after all these years I finally met Justin…

On Friday April 13th, after all these years I finally met Justin…

On Friday April 13th, after all these years I finally met Justin Bieber.  I have been trying for years to meet Justin, and every time I got let  down. I was in Florida and I had heard Justin was coming to a  middle school in Boca, so obviously I made an arrangement so sleep in  Boca the night before, and wait outside the school the next day for  Justin to drive in. When I got to the school it was about 11:00am, and  Justin was arriving at 1:00pm. No one was there besides me, my friends  and some news reporters. We got a lot of interviews. As it drew closer  to 1pm, more and more people starting to arrive at the school. We all  checked each car thinking it was Justin. Finally it was around 1:25pm,  and a beige truck pulled in. Justin rolled down the window, and all  the fans ran to his car. I knew there was no way of getting in front  to the window. I just stood there. After Justin was done saying hi  and signing autographs, he slowly drove into the school. I then chased  his car into the school, and most of the girls followed. I was chasing  the car and finally it stopped. Justin rolled down the window and said,  “Let me take your picture”. Justin took my picture and then drove  away, only mine and no one  else’s . I felt so special. After everyone  ran away I stayed in the parking lot and found his car with the driver  inside. The driver secretly told me he was coming out the back.  5 other girls and myself went to the back of the school. It was  pouring  rain and  Justin’s car came out and he stopped of course. He started to talk to  all of us and Pattie was saying, “Don’t worry he’ll take as many  pictures as you want”. Someone else in the car was yelling that he had  somewhere to go. I screamed at Justin to stay with us and not leave. H e tried to tell the driver to stop but they were slowly pulling  away. “Wait, I never got a picture!” I said. Justin answered with, “Yes  you did, don’t think I forgot stopping the car for you.” That was the  best moment of my life! Justin remembered me and purposely stopped for  me. Pattie was laughing because I screamed on the top of my lungs!  Hopefully, I will be lucky enough to meet Justin again. Who knows,  maybe hell even remember me. -@emilyhalp  Read more from the original source: On Friday April 13th, after all these years I finally met Justin…

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On Friday April 13th, after all these years I finally met Justin…

Safe Director Boaz Yakin on New York’s ‘Beautiful Decrepitude’ and the Secret of Jason Statham’s Tears

Filmmaker Boaz Yakin has taken a circuitous route through the years tackling indie dramas ( Fresh , A Price Above Rubies , Death in Love ) and studio gigs ( Remember the Titans , Uptown Girls ) alike, not to mention his writing stints on films like Prince of Persia and producing duties on the Hostel films. But this week’s Safe , a frenetic throwback actioner starring Jason Statham , marks a return to his roots — both to the streets of New York he grew up loving and to the genre beginnings that gave him his start. Safe follows Luke Wright (Statham), a disgraced NYPD officer-turned-cage fighter who hits rock bottom and then becomes the protector of a 12-year-old Chinese girl (newcomer Catherine Chan) who’s being pursued by an entire city filled with Triads, Russian mob, corrupt city officials, and dirty cops. As Yakin told Movieline, writing and directing Safe gave him liberty to craft a kind of homage to his favorite ‘70s New York action pics while adding his own flair to the well-worn genre, and the result is an authentically gritty, ultraviolent action romp filled with flying bullets, twisty machinations, and – yes – the glory that is the sight of a single tear rolling down Jason Statham’s steely face. Yakin spoke with Movieline about shooting on his beloved New York City streets, the “beautiful decrepitude” of a bygone NYC that he hoped to capture, how filming limitations gave way to the film’s most inventive and impressive sequences, and how he almost learned the hard way why you shouldn’t cut before Jason Statham has turned on the waterworks. Even though you partially shot Philadelphia for New York, you manage to capture so many authentic-feeling New York locations in the film. How much did you split filming, and how much were you able to shoot in the city itself? We shot in Philly but the thing I made sure of was that we shot the lion’s share of our exterior work, the New York subways – that was all done in New York. And then we went to Philadelphia and did some night shots, night exteriors, and basically all of our interior stuff was done in Philadelphia, and some key things that would have been very difficult to do, like some street car chases and things like that. New York is an amazing city to shoot because it looks so great and you get so much of its energy and texture on film, but it’s also really hard to shoot there just physically. People don’t really give a damn that you’re there and move you around, and it’s so grueling to shoot there. In Philly it was a lot easier and people were a lot more accommodating, and you’re able to get away with shooting things there at all hours of the night, making noise and things like that, which they’d never let you get away with in New York. So it worked out for us. Which were your favorite New York locations, the ones that were most gratifying to get that really nailed that texture? I have to say that even though it was so incredibly difficult to shoot there, I’ve never directed an action film but I’ve written a bunch of them [ The Punisher , The Rookie ] and one of the things that really gives New York its flavor is the subway system and the way the subway feels. In the classic New York action film it’s always there — there’s the classic French Connection subway chase, and all that – and for me it was really important to do a memorable subway sequence that could stand up there with some of the best ones that have been done in the past. None of them will ever touch the French Connection one, but I wanted to sort of add my entry. So for me, the location I got to shoot in that just really defines the film is the subway scene. Which stops did you film at? It was between two stops — one of them, we sort of made a stop on Wall St. look like a stop in Brooklyn and then there was the 14th Street L that goes cross-town on the East Side. You mention The French Connection , and the film conjures that meaty throwback, ‘70s and ‘80s action feel reminiscent of that film and many others. That’s what I was going for – seeing the movie as sort of a double throwback movie, both to the films that I was writing when I broke into the business in the late ’80s and more so to movies about the city that I grew up in. I grew up in New York in the 1970s, when it was sort of in a state of decay, a kind of a colorful, crazy lawlessness; you felt like anything could happen at any time. There was a kind of a beautiful decrepitude about it, like it hadn’t gotten Starbucks-ized. It still had this kind of gritty texture and an “anything goes” improvisational feeling and even as a kid there was a part of you that sensed that this was never going to be this way again. This is crazy! Someday I’m going to miss this, you know? And it’s true; I still love New York, but I miss its texture and its crazy kind of falling apart quality, and I wanted to capture that in the film. I wanted to capture the New York movies that I love, like The Seven-Ups , Death Wish , The Warriors , just the kind of movies that soaked up the streets of the city in their DNA, but really also a tribute to the way I felt about New York when I was younger. In terms of filmmakers, were you inspired by a shot here or a technique there or an archetype from the genre staples? I thought a lot about the classic John Woo and Hong Kong cop movies, for example. I think having seen so many of those films over the years, you sort of just absorb them and I just know them really well at this point. I would say that whenever you’re going to do an action scene you study the stuff in Better Tomorrow Part II and so on but there were a lot of other films that I looked at too. And one thing I kind of didn’t want to do that John Woo does, actually, is that he slows things down for the action scenes — like, kind of sexualizes and glamorizes every gunshot, and makes it into this slow-motion ballet of violence which is just fantastic and he’s a master of it post-Peckinpah. But for me, there are maybe two slow-motion shots in the film. I wanted things to feel hectic and in your face and jumping around and very present; I didn’t want to treat the action like, ‘Aha! Here’s the action scene!’ I wanted the action to spring out of what was happening in the moment and for you to feel like you were catching up with it while it was going on. So in that sense I tried to find a different approach to it. Your shooting and editing style really jump out throughout Safe , and there are a number of action sequences that are really impressive to watch. You wonder, ‘How did he pull that off in just one shot or one staged sequence?’ And more to the point, why go to so much trouble to pull off these deceptively complex scenes? I think you want to bring something interesting and add to it when you’re doing a genre film — you want to appreciate the genre and do what you can to add to it. I think that part of it, by the way, is the creativity that comes from having limited time and money. For instance, the scene where the girl gets kidnapped from the car and they get driven into, you see everything through the windows and the rearview mirrors of the car, and it’s like, okay — I’m going to have one day to shoot a scene that if I was really going to cover every guy killing every guy and all that stuff it would take me three or four days. Okay, what’s the emotional grounding of the scene? It’s this girl’s experience. And it’s sort of like putting you into the shoes of the people in the car. So I go, okay — I can do this all with three kind of complicated shots, but that’s three shots — when you look at that sequence it’s something like three or four — for something that you could shoot in fifty shots if you were really covering it. So it’s complex, but it has a point of view and it’s specific. Sometimes being limited enables you to think in a way that’s more creative. You could never replicate it in this film, but Alfonso Cuaron did Children of Men and he did like three or four sequences, there’s this one in a car, and he’s shooting these fabulous long takes… That’s actually something that there was no way I could try to get to that in this film; we just didn’t have the time or the wherewithal. But there were a few places where I wanted to recreate a little bit of that feeling. That totally works, because you do get swept up in the chaotic feeling of being there in scenes like the kidnapping and the memorable unbroken shot in which a fight is witnessed via a rearview mirror. You have a shot of Reggie Lee shooting someone randomly in the middle of a hotel exodus that most directors might cut around, but instead it draws attention to the execution of the scene itself and the power of the chaos in that moment. In a way, the less you cut the more you feel like you’re in a situation. And by the way, how great was Reggie Lee in the film? He’s such a great actor. For me I thought there were a lot of really terrific character actors in the film and it was important to me to create that tapestry of characters, the way they did in those New York films that I loved so much. But Reggie Lee just constantly surprised me. Every time he showed up onscreen there was something authentic and genuine and nuanced. His part doesn’t have a lot of dialogue to convey his mixed feelings about what he’s doing. You’ve just got to feel it all from his performance and his looks. And you give him a scene in the car where he unexpectedly reveals some measure of a fatherly impulse toward Mei, which dimensionalizes him. Which brings me to my next question: Here you have Asian Triads and Russian baddies with a capital B, so to speak — why make the ethnic villains so larger than life? Look, when you make an action movie and a thriller, someone’s got to be the bad guy! And in this film, the main bad cop is a Jewish cop called Captain Wolf, you’ve got a sort of evil gay Italian mayor and his lover… Everyone in this film is bad, there’s nobody good. And I think at this point the Italian mafia has become a little played out. After The Sopranos , they’re just cute; when you see the Italian mafia in movies anymore it’s just like Robert De Niro in Analyze This , you want to send them to a therapist and have a few laughs. It’s a little played out, so I think that dealing with the Russians and the Chinese is a little fresher for me — not that it hasn’t been done. But frankly, the heroine of the film is a little Chinese girl, and she’s in a way almost as big a part as Jason. But to answer your question — I don’t care, you know what I mean? It’s an action movie, and there are tons of bad guys in it of all ethnicities. Equal opportunity villainy. It’s equal opportunity! And it’s like everyone should be able to be bad, and everyone should be able to be good. I can’t think that way and start limiting myself that way. Let’s talk about Jason in this film; the character he plays is at once very much in his action wheelhouse but also much more vulnerable at times than we’ve ever seen Jason Statham in the movies — he loses everything, he’s wracked with guilt, he’s suicidal… You know, it’s interesting. The way the part was written, and especially having Jason, who has developed this reputation and made so many films where he is in many ways not vulnerable, it was important to me to emphasize those aspects of his character. I think that when you put, say, Matt Damon in a Bourne film or something like that, the work that you have in those films is that everyone knows Matt is a really wonderful actor and nuanced and your challenge in a Bourne movie is to make people believe that he’s also a bad-ass, right? With Jason it’s the reverse, where you know he’s a bad-ass, you know he can do all this stuff — how can we bring these other elements and colors to his persona? That was something I really tried to emphasize and bring to the table. There’s a scene when he’s at a very, very low point where you orchestrate a surprising emotional moment for him — his entire world is collapsing and as the camera moves in, he conjures a single tear. Yes, that long take moving in on Jason. Look, I think Jason is a much, much better actor than people give him credit for, and that even he gives himself credit for. I think that there are a lot of people who are more highly regarded as actors who could not have held that close-up and that kind of shot, moving in on him, for the amount of time and the level of intensity that Jason did. When he commits himself to something, he’s very, very good. And there is a funny little story about that one shot; I’m a terrible one for cutting as soon as the scene is over. I think a lot of smart people, when the scene is over you just kind of let it sit a little to see what’s going to happen — like, if there’s anything extra that happens that’s good. I tend to try to keep the set moving, so as soon as it’s over I’m like, ‘Cut! Okay!’ We did a few takes of this shot with Jason and he was good in all of them, but then we were doing that one more take to see what would happen — and this is the one that was in the film — and as it was getting to the end, the dialogue was finished and I was about to call cut, the DP [Stefan Czapsky] and my friend, the producer, Lawrence [Bender] , literally picked me up and moved me away from the monitor so that I wouldn’t say ‘Cut.’ I was surprised – they didn’t tell me they were going to do that – and three seconds after that happened, the tear came down Jason’s face! [Laughs] I was about to say ‘Cut’ and they literally tackled me and pulled me away and I was like, ‘What the fuck?’ Then the tear came down Jason’s face and they were like, ‘You see?’ I’m like, okay – lesson learned. Safe also stars Chris Sarandon, Robert John Burke, James Hong and Anson Mount and is in theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Safe Director Boaz Yakin on New York’s ‘Beautiful Decrepitude’ and the Secret of Jason Statham’s Tears